Praise the Lord | TBN

Praise the Lord

Watch Praise the Lord
February 1, 2016
1:27:07

Mark Chironna hosts Andy Erwin, Rhoda Griffis and music by Micah Stampley

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Praise the Lord

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  • - MALE ANNOUNCER: FROM COAST
  • 00:00:01.020 --> 00:00:04.020
  • TO COAST AND AROUND THE WORLD,
  • 00:00:04.020 --> 00:00:06.040
  • IT'S TIME TO PRAISE THE LORD!
  • 00:00:06.040 --> 00:00:07.200
  • PRAISE THE LORD,
  • 00:00:07.200 --> 00:00:09.230
  • LET EVERY NATION REJOICE
  • 00:00:09.230 --> 00:00:12.090
  • PRAISE THE LORD
  • 00:00:12.090 --> 00:00:14.230
  • WITH ONE MIGHTY VOICE
  • 00:00:16.260 --> 00:00:19.260
  • "PRAISE THE LORD" COVERS THE
  • 00:00:19.260 --> 00:00:20.160
  • MAJOR CHRISTIAN EVENTS IN
  • 00:00:20.160 --> 00:00:21.050
  • ...TO CENTRAL AND SOUTH
  • 00:00:46.280 --> 00:00:48.170
  • WELCOME TO THE NUMBER-ONE
  • 00:00:57.250 --> 00:00:58.140
  • CHRISTIAN NETWORK IN ALL THE
  • 00:00:58.140 --> 00:00:59.130
  • WORLD!
  • 00:00:59.130 --> 00:01:01.180
  • JOINING US FROM ATLANTA,
  • 00:01:01.180 --> 00:01:03.020
  • GEORGIA ARE...
  • 00:01:03.020 --> 00:01:05.210
  • ...WRITER, DIRECTOR, AND
  • 00:01:09.270 --> 00:01:10.150
  • PRODUCER...
  • 00:01:10.150 --> 00:01:11.110
  • GOSPEL RECORDING ARTIST...
  • 00:01:14.190 --> 00:01:15.140
  • ...AND, READY TO TAKE YOUR
  • 00:01:18.290 --> 00:01:21.060
  • CALLS, PRAYER PARTNERS FROM
  • 00:01:21.060 --> 00:01:23.120
  • PRAISE THE LORD,
  • 00:01:32.150 --> 00:01:35.000
  • LET EVERY NATION REJOICE
  • 00:01:35.100 --> 00:01:38.100
  • PRAISE THE LORD
  • 00:01:38.100 --> 00:01:40.220
  • WITH ONE MIGHTY VOICE
  • 00:01:41.120 --> 00:01:44.120
  • PRAISE THE LORD
  • 00:01:44.120 --> 00:01:45.210
  • PRAISE THE LORD
  • 00:01:45.210 --> 00:01:48.170
  • - MICAH STAMPLEY: SOMEBODY
  • 00:02:08.220 --> 00:02:09.120
  • GIVE GOD A SHOUT OF PRAISE!
  • 00:02:09.120 --> 00:02:11.070
  • [APPLAUSE, CHEERS]
  • 00:02:11.070 --> 00:02:12.290
  • WE LIFT YOUR NAME UP HIGH
  • 00:02:15.260 --> 00:02:16.220
  • YOUR NAME ON HIGH
  • 00:02:16.220 --> 00:02:17.240
  • BE LIFTED HIGH
  • 00:02:17.240 --> 00:02:19.050
  • SAY:
  • 00:02:19.050 --> 00:02:19.230
  • JESUS, WE LIFT YOUR NAME UP
  • 00:02:20.280 --> 00:02:23.280
  • HIGH
  • 00:02:23.280 --> 00:02:24.200
  • YOUR NAME UP HIGH
  • 00:02:24.200 --> 00:02:26.110
  • BE LIFTED HIGH
  • 00:02:26.110 --> 00:02:27.020
  • YA'LL GOT IT?
  • 00:02:27.020 --> 00:02:27.170
  • JESUS, WE LIFT YOUR NAME UP
  • 00:02:29.180 --> 00:02:31.120
  • HIGH
  • 00:02:31.120 --> 00:02:32.070
  • YOUR NAME UP HIGH
  • 00:02:32.070 --> 00:02:34.280
  • BE LIFTED HIGH
  • 00:02:34.280 --> 00:02:36.200
  • SAY!
  • 00:02:36.200 --> 00:02:37.270
  • JESUS, WE LIFT YOUR NAME ON
  • 00:02:37.270 --> 00:02:40.130
  • HIGH
  • 00:02:40.130 --> 00:02:42.140
  • YOUR NAME UP HIGH
  • 00:02:42.140 --> 00:02:43.080
  • ALL RIGHT...EVERYBODY CLAP YOUR
  • 00:02:43.080 --> 00:02:44.000
  • HEY!
  • 00:02:55.270 --> 00:02:58.120
  • COME ON, GIVE HIM PRAISE!
  • 00:02:58.120 --> 00:03:00.020
  • HERE WE GO!
  • 00:03:00.020 --> 00:03:01.020
  • SAY!
  • 00:03:01.020 --> 00:03:02.280
  • JESUS, WE LIFT YOUR NAME UP
  • 00:03:02.280 --> 00:03:03.200
  • HIGH
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  • HEY...
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  • YOUR NAME UP HIGH
  • 00:03:08.070 --> 00:03:10.050
  • BE LIFTED HIGH
  • 00:03:10.050 --> 00:03:10.280
  • SAY!
  • 00:03:10.280 --> 00:03:12.220
  • JESUS, WE LIFT YOUR NAME UP
  • 00:03:12.220 --> 00:03:13.180
  • HIGH
  • 00:03:13.180 --> 00:03:14.140
  • OH...
  • 00:03:14.140 --> 00:03:16.250
  • YOUR NAME UP HIGH
  • 00:03:16.250 --> 00:03:18.170
  • BE LIFTED HIGH
  • 00:03:18.170 --> 00:03:20.190
  • OH...BE LIFTED HIGH
  • 00:03:20.190 --> 00:03:22.080
  • BE LIFTED HIGH
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  • BE LIFTED HIGH!
  • 00:03:23.270 --> 00:03:26.230
  • BE LIFTED HIGH IN ALL THE
  • 00:03:26.230 --> 00:03:27.140
  • EARTH
  • 00:03:27.140 --> 00:03:28.180
  • BE LIFTED...HIGH
  • 00:03:28.180 --> 00:03:29.130
  • BE LIFTED HIGH
  • 00:03:29.130 --> 00:03:30.270
  • [VOCALIZING]
  • 00:03:30.270 --> 00:03:32.020
  • BE LIFTED HIGH!
  • 00:03:32.020 --> 00:03:32.250
  • YEAH!
  • 00:03:32.250 --> 00:03:33.150
  • BE LIFTED HIGH IN ALL THE
  • 00:03:33.150 --> 00:03:34.210
  • EARTH
  • 00:03:34.210 --> 00:03:36.020
  • JESUS, YOUR NAME BE GLORIFIED
  • 00:03:36.120 --> 00:03:39.120
  • BE GLORIFIED
  • 00:03:39.120 --> 00:03:41.240
  • BE LIFTED HIGH
  • 00:03:41.240 --> 00:03:43.220
  • [VOCALIZING]
  • 00:03:43.220 --> 00:03:44.180
  • JESUS, YOUR NAME BE GLORIFIED
  • 00:03:44.180 --> 00:03:45.290
  • BE GLORIFIED
  • 00:03:47.010 --> 00:03:50.010
  • BE LIFTED HIGH
  • 00:03:50.010 --> 00:03:52.080
  • HERE WE GO!
  • 00:03:52.080 --> 00:03:53.100
  • CLAP YOUR HANDS IF YOU LOVE
  • 00:03:53.100 --> 00:03:54.130
  • JESUS
  • 00:03:54.130 --> 00:03:55.130
  • HEY!
  • 00:03:55.130 --> 00:03:56.040
  • CLAP YOUR HANDS IF YOU'RE A
  • 00:03:56.040 --> 00:03:56.260
  • BELIEVER
  • 00:03:56.260 --> 00:03:57.090
  • HEY!
  • 00:03:57.090 --> 00:03:58.040
  • CLAP YOUR HANDS IF YOU LOVE
  • 00:03:58.040 --> 00:03:58.260
  • JESUS
  • 00:03:58.260 --> 00:03:59.120
  • HEY!
  • 00:03:59.120 --> 00:03:59.270
  • CLAP YOUR HANDS IF YOU'RE A
  • 00:03:59.270 --> 00:04:00.210
  • BELIEVER
  • 00:04:00.210 --> 00:04:01.040
  • HEY!
  • 00:04:01.040 --> 00:04:01.220
  • CLAP YOUR HANDS IF YOU LOVE
  • 00:04:01.220 --> 00:04:02.140
  • JESUS
  • 00:04:02.140 --> 00:04:03.100
  • HEY!
  • 00:04:03.100 --> 00:04:03.270
  • CLAP YOUR HANDS IF YOU'RE A
  • 00:04:03.270 --> 00:04:04.190
  • BELIEVER
  • 00:04:04.190 --> 00:04:05.120
  • HEY!
  • 00:04:05.120 --> 00:04:06.100
  • CLAP YOUR HANDS IF YOU LOVE
  • 00:04:06.100 --> 00:04:07.020
  • JESUS
  • 00:04:07.020 --> 00:04:08.060
  • CAN I SING SPANISH?
  • 00:04:08.060 --> 00:04:10.160
  • CRISTO, TU NOMBRE ALABARÉ
  • 00:04:10.220 --> 00:04:13.220
  • ALABARÉ
  • 00:04:13.220 --> 00:04:16.090
  • TE ALABARÉ
  • 00:04:16.090 --> 00:04:18.100
  • HEY!
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  • CRISTO, TU NOMBRE ALABARÉ
  • 00:04:18.290 --> 00:04:21.260
  • ALABARÉ
  • 00:04:21.260 --> 00:04:24.020
  • TE ALABARÉ
  • 00:04:24.020 --> 00:04:26.030
  • TE ALABARÉ!
  • 00:04:26.030 --> 00:04:28.010
  • ALABARÉ
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  • ALABARÉ!
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  • TU NOMBRE ALABARÉ!
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  • OHHHH, YEAH!
  • 00:04:34.280 --> 00:04:35.270
  • ALABARÉ...
  • 00:04:35.270 --> 00:04:36.210
  • ALABARÉ...
  • 00:04:36.210 --> 00:04:38.130
  • ALABARÉ
  • 00:04:38.130 --> 00:04:39.090
  • ALABARÉ!
  • 00:04:39.090 --> 00:04:41.250
  • TU NOMBRE ALABARÉ!
  • 00:04:41.250 --> 00:04:44.190
  • CLAP YOUR HANDS IF YOU LOVE
  • 00:04:44.190 --> 00:04:45.110
  • JESUS
  • 00:04:45.110 --> 00:04:45.220
  • HEY!
  • 00:04:45.220 --> 00:04:46.120
  • CLAP YOUR HANDS IF YOU'RE A
  • 00:04:46.120 --> 00:04:47.040
  • BELIEVER
  • 00:04:47.040 --> 00:04:48.030
  • HEY!
  • 00:04:48.030 --> 00:04:48.250
  • CLAP YOUR HANDS IF YOU LOVE
  • 00:04:48.250 --> 00:04:49.280
  • JESUS
  • 00:04:49.280 --> 00:04:50.210
  • HEY!
  • 00:04:50.210 --> 00:04:51.090
  • CLAP YOUR HANDS IF YOU'RE A
  • 00:04:51.090 --> 00:04:52.010
  • BELIEVER
  • 00:04:52.010 --> 00:04:52.190
  • HEY!
  • 00:04:52.190 --> 00:04:53.170
  • CLAP YOUR HANDS IF YOU LOVE
  • 00:04:53.170 --> 00:04:54.090
  • JESUS
  • 00:04:54.090 --> 00:04:54.290
  • HEY!
  • 00:04:54.290 --> 00:04:55.190
  • CLAP YOUR HANDS IF YOU'RE A
  • 00:04:55.190 --> 00:04:56.150
  • BELIEVER
  • 00:04:56.150 --> 00:04:57.090
  • HEY!
  • 00:04:57.090 --> 00:04:58.030
  • CLAP YOUR HANDS IF YOU LOVE
  • 00:04:58.030 --> 00:04:58.260
  • JESUS
  • 00:04:58.260 --> 00:04:59.190
  • EVERYBODY, COME ON, GIVE HIM
  • 00:04:59.190 --> 00:05:00.190
  • PRAISE!
  • 00:05:02.020 --> 00:05:05.020
  • HALLELUJAH!
  • 00:05:05.050 --> 00:05:08.050
  • HE SAID: IF I BE LIFTED UP, I
  • 00:05:08.050 --> 00:05:10.010
  • WILL DRAW ALL MEN UNTO ME!
  • 00:05:12.170 --> 00:05:15.170
  • CAN I GET A WITNESS OUT HERE?
  • 00:05:15.170 --> 00:05:17.050
  • SAY!
  • 00:05:17.050 --> 00:05:19.020
  • WHOA-OH-OH-OH
  • 00:05:19.020 --> 00:05:20.050
  • WHOA-OH-OH
  • 00:05:20.050 --> 00:05:23.030
  • WHOA-OH-OH-OH
  • 00:05:23.030 --> 00:05:25.110
  • WHOA-OH-OH-OH-OH
  • 00:05:25.270 --> 00:05:28.270
  • WHOA-OH-OH-OH
  • 00:05:28.270 --> 00:05:30.030
  • WHOA-OH-OH
  • 00:05:30.030 --> 00:05:31.030
  • WHOA-OH-OH-OH
  • 00:05:31.030 --> 00:05:33.090
  • WHOA-OH-OH-OH-OH
  • 00:05:33.090 --> 00:05:35.120
  • WHOA-OH-OH-OH
  • 00:05:35.120 --> 00:05:36.280
  • WHOA-OH-OH
  • 00:05:36.280 --> 00:05:39.060
  • WHOA-OH-OH-OH
  • 00:05:39.060 --> 00:05:41.040
  • WHOA-OH-OH-OH-OH
  • 00:05:41.040 --> 00:05:42.270
  • WHOA-OH-OH-OH
  • 00:05:42.270 --> 00:05:45.250
  • WHOA-OH-OH
  • 00:05:45.250 --> 00:05:47.090
  • WHOA-OH-OH-OH
  • 00:05:48.120 --> 00:05:51.120
  • SAY!
  • 00:05:51.120 --> 00:05:52.150
  • OH-OH-OH-OH-OH-OH
  • 00:05:52.170 --> 00:05:55.170
  • OH-OH-OH-OH-OH-OH
  • 00:05:56.210 --> 00:05:59.210
  • OH-OH-OH-OH-OH-OH
  • 00:05:59.210 --> 00:06:01.060
  • OH-OH-OH-OH
  • 00:06:01.060 --> 00:06:02.020
  • YOU SING!
  • 00:06:02.020 --> 00:06:03.090
  • OH-OH-OH-OH-OH-OH
  • 00:06:03.090 --> 00:06:04.040
  • OH-OH-OH-OH-OH-OH
  • 00:06:04.040 --> 00:06:05.010
  • OH-OH-OH-OH-OH-OH
  • 00:06:05.010 --> 00:06:06.040
  • OH-OH-OH-OH
  • 00:06:06.040 --> 00:06:07.230
  • ONE MORE TIME -- SING!
  • 00:06:07.230 --> 00:06:08.230
  • OH-OH-OH-OH-OH-OH
  • 00:06:08.230 --> 00:06:10.150
  • OH-OH-OH-OH-OH-OH
  • 00:06:10.150 --> 00:06:12.160
  • OH-OH-OH-OH-OH-OH
  • 00:06:12.160 --> 00:06:14.120
  • OH-OH-OH-OH
  • 00:06:14.120 --> 00:06:16.120
  • SING!
  • 00:06:16.120 --> 00:06:17.270
  • OH-OH-OH-OH-OH-OH
  • 00:06:17.270 --> 00:06:18.170
  • OH-OH-OH-OH-OH-OH
  • 00:06:18.170 --> 00:06:21.060
  • OH-OH-OH-OH-OH-OH
  • 00:06:21.060 --> 00:06:22.150
  • OH-OH-OH-OH
  • 00:06:22.150 --> 00:06:24.260
  • BE LIFTED HIGH...
  • 00:06:24.260 --> 00:06:26.150
  • BE LIFTED HIGH...
  • 00:06:26.150 --> 00:06:28.180
  • BE LIFTED HIGH!
  • 00:06:29.080 --> 00:06:32.080
  • HIGH IN ALL THE EARTH!
  • 00:06:32.080 --> 00:06:33.220
  • BE LIFTED HIGH...
  • 00:06:33.220 --> 00:06:36.000
  • BE LIFTED HIGH...
  • 00:06:36.000 --> 00:06:38.040
  • BE LIFTED HIGH!
  • 00:06:38.040 --> 00:06:40.230
  • HIGH IN ALL THE EARTH!
  • 00:06:40.230 --> 00:06:42.110
  • BE LIFTED HIGH...
  • 00:06:42.110 --> 00:06:43.140
  • BE LIFTED HIGH...
  • 00:06:43.170 --> 00:06:46.170
  • BE LIFTED HIGH...
  • 00:06:46.170 --> 00:06:48.180
  • BE LIFTED HIGH IN ALL THE
  • 00:06:48.180 --> 00:06:49.180
  • EARTH!
  • 00:06:49.180 --> 00:06:50.290
  • BE LIFTED HIGH...
  • 00:06:50.290 --> 00:06:52.050
  • BE LIFTED HIGH...
  • 00:06:52.050 --> 00:06:55.030
  • BE LIFTED HIGH...
  • 00:06:55.130 --> 00:06:58.130
  • BE LIFTED HIGH IN ALL THE
  • 00:06:58.130 --> 00:07:00.110
  • EEEEEEAARTH!
  • 00:07:01.170 --> 00:07:04.170
  • BE LIFTED HIGH!
  • 00:07:04.170 --> 00:07:05.080
  • [APPLAUSE, CHEERS]
  • 00:07:05.080 --> 00:07:06.010
  • BE LIFTED HIGH!
  • 00:07:06.010 --> 00:07:07.250
  • BE LIFTED HIIIIIIGH!
  • 00:07:10.190 --> 00:07:13.190
  • [APPLAUSE]
  • 00:07:15.140 --> 00:07:18.140
  • WHOOOH!
  • 00:07:18.140 --> 00:07:19.130
  • - DR. MARK CHIRONNA: MY, MY,
  • 00:07:25.150 --> 00:07:26.060
  • MY...
  • 00:07:26.060 --> 00:07:28.110
  • THAT WAS MICAH STAMPLEY AND THE
  • 00:07:28.110 --> 00:07:29.150
  • TEAM AND THEY'RE AMAZING.
  • 00:07:29.150 --> 00:07:32.150
  • YOU'RE GONNA HEAR MORE FROM
  • 00:07:32.150 --> 00:07:33.050
  • THEM IN A LITTLE BIT MORE, A
  • 00:07:33.050 --> 00:07:34.240
  • LITTLE WHILE.
  • 00:07:34.240 --> 00:07:36.270
  • ON BEHALF OF JAN AND MATT AND
  • 00:07:36.270 --> 00:07:38.260
  • LAURIE, I WANT TO WELCOME YOU
  • 00:07:38.260 --> 00:07:40.010
  • IF DR. PAUL WAS ALIVE, HE WOULD
  • 00:07:42.180 --> 00:07:43.100
  • SAY "COAST TO COAST, SHORE TO
  • 00:07:43.100 --> 00:07:45.050
  • SHORE, BORDER TO BORDER, AND,
  • 00:07:45.050 --> 00:07:46.030
  • AROUND THE WORLD."
  • 00:07:47.220 --> 00:07:50.220
  • [AUDIENCE HELPS COMPLETE QUOTE]
  • 00:07:50.220 --> 00:07:51.170
  • THIS IS "PRAISE THE LORD."
  • 00:07:51.170 --> 00:07:52.060
  • AND WE'RE DELIGHTED THAT YOU'VE
  • 00:07:52.060 --> 00:07:54.110
  • CHOSEN TO SPEND THIS TIME WITH
  • 00:07:54.110 --> 00:07:55.040
  • US.
  • 00:07:55.040 --> 00:07:57.070
  • THE GOOD NEWS IS THAT JESUS IS
  • 00:07:57.070 --> 00:07:58.040
  • IN CHARGE.
  • 00:07:58.040 --> 00:08:01.010
  • THE BETTER NEWS IS HE'S UP TO
  • 00:08:01.010 --> 00:08:01.280
  • SOMETHING REALLY GOOD -- AND
  • 00:08:01.280 --> 00:08:04.140
  • YOU'RE INCLUDED.
  • 00:08:04.140 --> 00:08:06.140
  • [APPLAUSE, CHEERS]
  • 00:08:07.280 --> 00:08:10.280
  • ONE OF THE BLESSINGS THAT TBN
  • 00:08:10.280 --> 00:08:13.090
  • HAS ENJOYED OVER THE YEARS IS
  • 00:08:13.090 --> 00:08:15.130
  • THE MANY PASTORS AND MINISTERS,
  • 00:08:15.170 --> 00:08:18.170
  • FIVE-FOLD MINISTERS THAT
  • 00:08:18.170 --> 00:08:20.010
  • SUPPORT THIS WORLDWIDE
  • 00:08:20.010 --> 00:08:22.040
  • TELEVISION NETWORK IN ORDER FOR
  • 00:08:22.040 --> 00:08:23.280
  • THE GOSPEL TO GO AROUND THE
  • 00:08:23.280 --> 00:08:25.150
  • WORLD 24 HOURS A DAY.
  • 00:08:25.150 --> 00:08:27.070
  • AND THE ATLANTA AREA IS FILLED
  • 00:08:27.070 --> 00:08:28.260
  • WITH SOME GREAT MEN AND WOMEN
  • 00:08:28.260 --> 00:08:30.160
  • OF GOD THAT ALWAYS COME OUT AND
  • 00:08:30.160 --> 00:08:31.250
  • SUPPORT THE "PRAISE" PROGRAM.
  • 00:08:31.250 --> 00:08:33.080
  • AND, TONIGHT, WE'VE GOT SOME
  • 00:08:33.080 --> 00:08:34.140
  • WONDERFUL SERVANTS OF CHRIST
  • 00:08:34.140 --> 00:08:35.200
  • THAT ARE DOING A GREAT WORK,
  • 00:08:35.200 --> 00:08:38.180
  • EACH IN THEIR OWN SPHERE AND
  • 00:08:38.180 --> 00:08:39.080
  • EACH IN THEIR OWN MUNICIPALITY.
  • 00:08:39.080 --> 00:08:41.200
  • AND WE WANNA LET YOU KNOW WHO
  • 00:08:41.200 --> 00:08:42.110
  • SOME OF THOSE ARE TONIGHT.
  • 00:08:42.110 --> 00:08:44.150
  • AND SO, WE'VE GOT
  • 00:08:44.150 --> 00:08:45.080
  • PASTOR HARRY AND
  • 00:08:45.080 --> 00:08:47.030
  • DR. TONY CLARK,
  • 00:08:47.030 --> 00:08:47.240
  • EXCEEDINGLY GRATEFUL MINISTRIES,
  • 00:08:47.240 --> 00:08:48.160
  • THOMASTON, GEORGIA --
  • 00:08:48.160 --> 00:08:49.200
  • THEY'RE WITH US TONIGHT.
  • 00:08:49.200 --> 00:08:51.140
  • WELCOME.
  • 00:08:51.150 --> 00:08:54.150
  • [LOUD APPLAUSE, CHEERS]
  • 00:08:54.150 --> 00:08:55.120
  • WE'VE GOT
  • 00:08:55.120 --> 00:08:56.100
  • PASTOR MYRA L. JACKSON,
  • 00:08:56.100 --> 00:08:57.160
  • PILGRIM PENTECOSTAL
  • 00:08:57.160 --> 00:08:58.090
  • CHURCH OF CHRIST.
  • 00:08:58.090 --> 00:08:59.200
  • [LOUD APPLAUSE, CHEERS]
  • 00:08:59.200 --> 00:09:00.250
  • DECATUR, GEORGIA.
  • 00:09:00.250 --> 00:09:01.280
  • [APPLAUSE, CHEERS]
  • 00:09:01.280 --> 00:09:04.150
  • REVEREND DEBORAH HALL,
  • 00:09:04.150 --> 00:09:05.050
  • KING CHAPEL, AME CHURCH,
  • 00:09:05.050 --> 00:09:05.230
  • SMYRNA, GEORGIA.
  • 00:09:05.230 --> 00:09:08.160
  • [LOUD APPLAUSE, CHEERS]
  • 00:09:08.160 --> 00:09:09.160
  • REVEREND DR. WEDLAN AND
  • 00:09:09.160 --> 00:09:10.180
  • PASTOR VIRGINIA SEALEY,
  • 00:09:10.180 --> 00:09:13.020
  • SANCTUARY OF HIS PRESENCE
  • 00:09:13.020 --> 00:09:13.290
  • KINGDOM MINISTRY.
  • 00:09:13.290 --> 00:09:15.150
  • [LOUD APPLAUSE, CHEERS]
  • 00:09:15.150 --> 00:09:16.090
  • DECATUR, GEORGIA.
  • 00:09:16.090 --> 00:09:17.060
  • [APPLAUSE, CHEERS]
  • 00:09:17.060 --> 00:09:18.070
  • WE'VE ALSO GOT APOSTLE CHARLES
  • 00:09:18.070 --> 00:09:19.120
  • AND PROPHETESS SHERESE BOLAR,
  • 00:09:19.120 --> 00:09:21.280
  • UNITY FULL GOSPEL CHURCH.
  • 00:09:21.280 --> 00:09:22.170
  • [APPLAUSE]
  • 00:09:22.170 --> 00:09:23.100
  • MABLETON, GEORGIA.
  • 00:09:23.100 --> 00:09:25.120
  • ALSO, PASTOR MAURICE AND
  • 00:09:25.120 --> 00:09:26.260
  • MELANIE ETHERIDGE, GOD'S HOUSE
  • 00:09:26.260 --> 00:09:28.070
  • OF DELIVERANCE MINISTRIES IN
  • 00:09:28.070 --> 00:09:29.100
  • CENTURY, FLORIDA.
  • 00:09:29.180 --> 00:09:32.180
  • [LOUD APPLAUSE, CHEERS]
  • 00:09:32.180 --> 00:09:33.270
  • AND PASTOR TYRONE AND TAMMY
  • 00:09:33.270 --> 00:09:35.010
  • KING.
  • 00:09:35.010 --> 00:09:36.010
  • [LOUD APPLAUSE, CHEERS]
  • 00:09:36.010 --> 00:09:36.240
  • HIGHER LEVEL BAPTIST CHURCH.
  • 00:09:36.240 --> 00:09:38.090
  • STONE MOUNTAIN, GEORGIA.
  • 00:09:38.090 --> 00:09:40.050
  • [APPLAUSE]
  • 00:09:40.050 --> 00:09:41.040
  • WE'RE DELIGHTED THEY'RE ALL
  • 00:09:41.040 --> 00:09:41.240
  • HERE.
  • 00:09:41.240 --> 00:09:42.180
  • COME ON, SAINTS, LET'S PUT YOUR
  • 00:09:42.180 --> 00:09:43.100
  • HANDS TOGETHER ONE MORE TIME.
  • 00:09:43.100 --> 00:09:44.030
  • [APPLAUSE]
  • 00:09:47.120 --> 00:09:50.120
  • GOD COMMANDS A BLESSING WHEN
  • 00:09:50.120 --> 00:09:51.240
  • UNITY IS PRESENT.
  • 00:09:51.260 --> 00:09:54.260
  • AND I BELIEVE THAT WE ARE GOING
  • 00:09:54.260 --> 00:09:56.210
  • TO EXPERIENCE IN THE DAYS THAT
  • 00:09:56.210 --> 00:09:58.010
  • LIE AHEAD A GREATER LEVEL OF
  • 00:09:58.010 --> 00:09:59.130
  • THE COMMANDED BLESSING.
  • 00:09:59.130 --> 00:10:00.200
  • BECAUSE, IN A DIVIDED SOCIETY,
  • 00:10:00.200 --> 00:10:02.060
  • ONLY THE CHURCH CAN MODEL
  • 00:10:02.060 --> 00:10:03.220
  • UNITY.
  • 00:10:03.220 --> 00:10:05.100
  • AND IT'S GONNA TAKE THE CHURCH
  • 00:10:05.100 --> 00:10:06.010
  • TO BRING SOLUTIONS TO THE
  • 00:10:06.010 --> 00:10:07.220
  • PROBLEMS WE'RE FACING GLOBALLY.
  • 00:10:07.220 --> 00:10:09.160
  • AND GOD'S GOT GREAT CONFIDENCE
  • 00:10:09.160 --> 00:10:11.080
  • IN ALL OF HIS PEOPLE.
  • 00:10:11.080 --> 00:10:12.230
  • HOW MANY OF YOU KNOW GOD'S GOT
  • 00:10:12.230 --> 00:10:13.190
  • CONFIDENCE IN YOU?
  • 00:10:13.190 --> 00:10:14.180
  • [APPLAUSE, CHEERS]
  • 00:10:14.180 --> 00:10:17.050
  • WE'VE GOT A GREAT LINEUP
  • 00:10:17.050 --> 00:10:17.230
  • TONIGHT.
  • 00:10:17.230 --> 00:10:19.090
  • WE'VE GOT RHODA GRIFFIS, A
  • 00:10:19.090 --> 00:10:20.060
  • WONDERFUL ACTRESS, AND WE'VE
  • 00:10:20.060 --> 00:10:21.280
  • GOT ANDY ERWIN, ONE OF THE
  • 00:10:21.280 --> 00:10:23.050
  • GREAT DIRECTORS OF FAITH-BASED
  • 00:10:23.050 --> 00:10:23.280
  • FILMS.
  • 00:10:23.280 --> 00:10:25.110
  • AND MICAH STAMPLEY IS HERE.
  • 00:10:25.110 --> 00:10:26.110
  • [APPLAUSE]
  • 00:10:26.110 --> 00:10:27.140
  • AND MICAH'S ABOUT TO SING "SON
  • 00:10:27.140 --> 00:10:28.160
  • OF GOD."
  • 00:10:28.160 --> 00:10:29.150
  • WOULD YOU WELCOME MICAH AS HE
  • 00:10:29.150 --> 00:10:31.080
  • COMES TO MINISTER ONCE AGAIN IN
  • 00:10:31.080 --> 00:10:32.000
  • SONG?
  • 00:10:32.000 --> 00:10:33.270
  • - MICAH: HALLELUJAH.
  • 00:10:40.100 --> 00:10:41.000
  • WHERE ARE THE PRAISERS IN THE
  • 00:10:41.000 --> 00:10:41.210
  • HOUSE?
  • 00:10:41.210 --> 00:10:44.090
  • I SAID, WHERE ARE THE PRAISERS
  • 00:10:44.090 --> 00:10:45.000
  • IN THE HOUSE?
  • 00:10:45.000 --> 00:10:46.060
  • IF YOU KNOW THAT WE SERVE THE
  • 00:10:46.060 --> 00:10:47.210
  • ONLY TRUE LIVING GOD, LIFT YOUR
  • 00:10:47.210 --> 00:10:49.050
  • THE SON OF GOD IS LIFTED HIGH
  • 00:10:53.030 --> 00:10:56.030
  • (THE SON OF GOD IS LIFTED
  • 00:10:56.030 --> 00:10:57.020
  • HIGH)
  • 00:10:57.210 --> 00:11:00.230
  • THE SON OF GOD IS LIFTED HIGH
  • 00:11:00.230 --> 00:11:03.220
  • (THE SON OF GOD IS LIFTED
  • 00:11:03.220 --> 00:11:04.200
  • HIGH)
  • 00:11:04.200 --> 00:11:07.040
  • COME ON, JUST REPEAT AFTER ME.
  • 00:11:07.040 --> 00:11:09.060
  • THE SON OF GOD IS LIFTED HIGH
  • 00:11:09.060 --> 00:11:11.260
  • (THE SON OF GOD IS LIFTED
  • 00:11:11.260 --> 00:11:12.210
  • HIGH)
  • 00:11:17.060 --> 00:11:20.060
  • THE SON OF GOD IS LIFTED HIGH
  • 00:11:20.060 --> 00:11:21.120
  • (THE SON OF GOD IS LIFTED
  • 00:11:21.120 --> 00:11:22.030
  • HIGH)
  • 00:11:22.030 --> 00:11:24.010
  • [RHYTHMIC CLAPPING]
  • 00:11:26.290 --> 00:11:29.230
  • COME ON, PRAISERS!
  • 00:11:29.230 --> 00:11:31.280
  • THE SON OF GOD IS LIFTED HIGH
  • 00:11:41.190 --> 00:11:42.120
  • (THE SON OF GOD IS LIFTED
  • 00:11:42.120 --> 00:11:44.090
  • HIGH)
  • 00:11:45.170 --> 00:11:48.170
  • THE SON OF GOD IS LIFTED HIGH
  • 00:11:50.020 --> 00:11:53.020
  • (THE SON OF GOD IS LIFTED
  • 00:11:53.020 --> 00:11:55.220
  • HIGH)
  • 00:11:55.220 --> 00:11:56.110
  • COME ON, IF YOU BELIEVE IN
  • 00:11:56.110 --> 00:11:57.000
  • HIM,
  • 00:11:57.110 --> 00:12:00.130
  • HELP ME.
  • 00:12:00.130 --> 00:12:00.260
  • THE SON OF GOD IS LIFTED HIGH
  • 00:12:00.260 --> 00:12:01.190
  • (THE SON OF GOD IS LIFTED
  • 00:12:01.190 --> 00:12:03.110
  • HIGH)
  • 00:12:03.110 --> 00:12:04.090
  • VERY SIMPLE WORSHIP SONG.
  • 00:12:04.090 --> 00:12:05.100
  • THE SON OF GOD IS LIFTED HIGH
  • 00:12:07.140 --> 00:12:10.140
  • (THE SON OF GOD IS LIFTED
  • 00:12:10.140 --> 00:12:11.050
  • HIGH)
  • 00:12:11.050 --> 00:12:11.190
  • HERE WE GO!
  • 00:12:11.190 --> 00:12:12.230
  • SAY, O!
  • 00:12:12.230 --> 00:12:14.050
  • O...WONDERFUL AND GLORIOUS
  • 00:12:22.270 --> 00:12:25.270
  • JESUS...
  • 00:12:25.270 --> 00:12:26.240
  • THE SON OF GOD IS LIFTED HIGH
  • 00:12:26.240 --> 00:12:29.100
  • SAY, O....
  • 00:12:29.100 --> 00:12:30.080
  • O...
  • 00:12:30.280 --> 00:12:33.280
  • WONDERFUL!
  • 00:12:33.280 --> 00:12:35.050
  • WONDERFUL AND GLORIOUS
  • 00:12:35.050 --> 00:12:37.140
  • JESUS...
  • 00:12:41.020 --> 00:12:44.020
  • THE SON OF GOD IS LIFTED...
  • 00:12:44.020 --> 00:12:45.290
  • THE SON OF GOD IS MAGNIFIED
  • 00:12:47.040 --> 00:12:50.040
  • (THE SON OF GOD IS MAGNIFIED)
  • 00:12:51.010 --> 00:12:54.010
  • THE SON OF GOD IS MAGNIFIED
  • 00:12:55.020 --> 00:12:58.020
  • (THE SON OF GOD IS MAGNIFIED)
  • 00:12:59.070 --> 00:13:02.090
  • IN AMERICA, JESUS IS MAGNIFID
  • 00:13:03.090 --> 00:13:06.090
  • (THE SON OF GOD IS MAGNIFIED)
  • 00:13:09.000 --> 00:13:12.000
  • IN THE UK, IN AFRICA...
  • 00:13:13.130 --> 00:13:16.130
  • HE'S MAGNIFIED!
  • 00:13:16.130 --> 00:13:17.160
  • (THE SON OF GOD IS MAGNIFIED)
  • 00:13:17.160 --> 00:13:18.260
  • YEAH!
  • 00:13:18.260 --> 00:13:19.200
  • SAY: O...WONDERFUL AND
  • 00:13:19.200 --> 00:13:21.110
  • GLORIOUS
  • 00:13:24.050 --> 00:13:27.050
  • JESUS...
  • 00:13:29.010 --> 00:13:32.010
  • THE SON OF GOD IS LIFTED HIGH
  • 00:13:32.070 --> 00:13:35.070
  • HEY! SAY IT!
  • 00:13:35.070 --> 00:13:36.130
  • O...
  • 00:13:36.130 --> 00:13:39.100
  • WONDERFUL!
  • 00:13:39.100 --> 00:13:41.170
  • WONDERFUL AND GLORIOUS
  • 00:13:41.170 --> 00:13:42.150
  • JESUS...
  • 00:13:48.030 --> 00:13:51.030
  • THE SON OF GOD...
  • 00:13:51.030 --> 00:13:52.090
  • THE SON OF GOD IS GLORIFIED..
  • 00:13:52.140 --> 00:13:55.140
  • (THE SON OF GOD IS GLORIFIED)
  • 00:13:56.170 --> 00:13:59.170
  • THE SON OF GOD IS GLORIFIED..
  • 00:14:01.240 --> 00:14:04.240
  • (THE SON OF GOD IS GLORIFIED)
  • 00:14:04.240 --> 00:14:07.180
  • THE SON OF GOD IS GLORIFIED..
  • 00:14:07.180 --> 00:14:08.250
  • (THE SON OF GOD IS GLORIFIED)
  • 00:14:08.270 --> 00:14:11.270
  • THE SON OF GOD IS GLORIFIED..
  • 00:14:12.240 --> 00:14:15.240
  • (THE SON OF GOD IS GLORIFIED)
  • 00:14:19.230 --> 00:14:22.230
  • EVERYBODY...SAY...
  • 00:14:22.230 --> 00:14:23.220
  • O...
  • 00:14:26.110 --> 00:14:29.110
  • O...
  • 00:14:29.110 --> 00:14:30.130
  • WONDERFUL AND GLORIOUS
  • 00:14:32.110 --> 00:14:35.110
  • JESUS!
  • 00:14:35.110 --> 00:14:36.090
  • WHOO!
  • 00:14:36.090 --> 00:14:37.030
  • JESUS...
  • 00:14:37.030 --> 00:14:38.000
  • HEY!
  • 00:14:38.000 --> 00:14:38.170
  • THE SON OF GOD IS LIFTED UP
  • 00:14:38.170 --> 00:14:40.070
  • SAY, O...
  • 00:14:40.070 --> 00:14:42.280
  • THANK GOD, THANK YOU, JESUS!
  • 00:14:42.280 --> 00:14:43.270
  • O...
  • 00:14:43.270 --> 00:14:44.250
  • WONDERFUL!
  • 00:14:44.250 --> 00:14:45.290
  • WONDERFUL AND GLORIOUS
  • 00:14:45.290 --> 00:14:48.190
  • JESUS!
  • 00:14:48.190 --> 00:14:50.160
  • YEAH!
  • 00:14:50.160 --> 00:14:53.120
  • JESUS, THE SON OF GOD IS
  • 00:14:53.120 --> 00:14:54.120
  • LIFTED UP
  • 00:14:55.250 --> 00:14:58.250
  • SAY, O....
  • 00:14:58.250 --> 00:14:59.150
  • O...
  • 00:14:59.150 --> 00:15:00.060
  • HOW WONDERFUL, YOU ARE
  • 00:15:00.060 --> 00:15:00.280
  • GLORIOUS
  • 00:15:00.280 --> 00:15:02.120
  • JESUS...JESUS, YOU ARE
  • 00:15:02.120 --> 00:15:03.040
  • BEAUTIFUL
  • 00:15:03.040 --> 00:15:05.080
  • JEEEESUS...
  • 00:15:07.060 --> 00:15:10.060
  • THE SON OF GOD IS LIFTED UP
  • 00:15:10.060 --> 00:15:13.060
  • SAY, O...
  • 00:15:13.060 --> 00:15:14.210
  • YOU ARE WONDERFUL,
  • 00:15:15.000 --> 00:15:18.000
  • YOU ARE GLORIOUS
  • 00:15:18.000 --> 00:15:18.240
  • JESUS,
  • 00:15:18.240 --> 00:15:19.180
  • JESUS,
  • 00:15:19.180 --> 00:15:20.090
  • YOU ARE BEAUTIFUL
  • 00:15:20.090 --> 00:15:21.200
  • JESUS...
  • 00:15:22.290 --> 00:15:25.290
  • THE SON OF GOD IS LIFTED...
  • 00:15:28.000 --> 00:15:31.000
  • COME ON, GET THOSE HANDS TOWARD
  • 00:15:31.000 --> 00:15:31.220
  • HEAVEN
  • 00:15:31.220 --> 00:15:32.130
  • [APPLAUSE]
  • 00:15:32.130 --> 00:15:33.160
  • OPEN UP YOUR MOUTH AND WORSHIP
  • 00:15:33.160 --> 00:15:34.160
  • HIM, NOW.
  • 00:15:34.160 --> 00:15:35.220
  • [APPLAUSE, CHEERS]
  • 00:15:35.220 --> 00:15:37.120
  • IF YOU KNOW HE IS THE SON OF
  • 00:15:37.120 --> 00:15:38.210
  • GOD, COME ON, GIVE HIM GLORY,
  • 00:15:38.210 --> 00:15:40.190
  • GIVE HIM GLORY.
  • 00:15:40.190 --> 00:15:42.140
  • SON OF GOD...
  • 00:15:42.210 --> 00:15:45.210
  • BE LIFTED UP...
  • 00:15:48.160 --> 00:15:51.160
  • WHOO!
  • 00:15:51.160 --> 00:15:52.190
  • WORTHY TO RECEIVE ALL HONOR
  • 00:15:52.190 --> 00:15:53.140
  • YOU'RE WORTHY TO RECEIVE ALL
  • 00:15:53.140 --> 00:15:54.080
  • GLORY!
  • 00:15:54.080 --> 00:15:56.120
  • HIGHER, LIFT IT UP!
  • 00:15:56.120 --> 00:15:57.190
  • WE EXTOL YOU, O GOD.
  • 00:15:57.190 --> 00:15:59.020
  • YEAH...
  • 00:15:59.020 --> 00:15:59.260
  • SON OF GOD, BE LIFTED HIGH...
  • 00:15:59.260 --> 00:16:02.180
  • YEEEEEES....
  • 00:16:10.240 --> 00:16:13.240
  • ONE MORE TIME, EVERYBODY.
  • 00:16:13.240 --> 00:16:15.110
  • COME ON, LIFT YOUR VOICES AND
  • 00:16:15.110 --> 00:16:16.050
  • SING.
  • 00:16:16.050 --> 00:16:18.100
  • SON OF GOD, BE LIFTED HIGH...
  • 00:16:18.180 --> 00:16:21.180
  • I'LL GIVE HIM WORSHIP.
  • 00:16:21.180 --> 00:16:23.270
  • [APPLAUSE]
  • 00:16:23.270 --> 00:16:24.130
  • GIVE HIM WORSHIP...
  • 00:16:24.130 --> 00:16:25.040
  • [APPLAUSE]
  • 00:16:25.040 --> 00:16:25.250
  • [SPEAKING TONGUES]
  • 00:16:25.250 --> 00:16:26.140
  • GIVE HIM GLORY...
  • 00:16:26.140 --> 00:16:27.200
  • HALLELUJAH...HALLELUJAH...
  • 00:16:27.200 --> 00:16:29.070
  • [APPLAUSE]
  • 00:16:29.070 --> 00:16:30.020
  • - DR. CHIRONNA: THANK YOU,
  • 00:16:35.180 --> 00:16:36.100
  • MICAH.
  • 00:16:36.100 --> 00:16:37.150
  • MICAH'S GOT A GREAT PROJECT AND
  • 00:16:37.150 --> 00:16:39.200
  • THAT'S PART OF ONE OF THE NEW
  • 00:16:39.200 --> 00:16:40.150
  • CUTS FROM THE PROJECT.
  • 00:16:40.150 --> 00:16:43.040
  • IF YOU WANNA LOG ON TO HIS
  • 00:16:43.040 --> 00:16:43.230
  • WEBSITE AND GET IT, I PROMISE
  • 00:16:43.230 --> 00:16:45.170
  • IT'LL BE A BLESSING TO HAVE
  • 00:16:45.170 --> 00:16:47.110
  • THAT CD IN YOUR REPERTOIRE, TO
  • 00:16:47.240 --> 00:16:50.240
  • ENCOURAGE, TO INSPIRE, TO LIFT
  • 00:16:50.240 --> 00:16:53.050
  • I'M REALLY HONORED TONIGHT TO
  • 00:16:55.190 --> 00:16:56.100
  • BE SITTING ACROSS FROM A
  • 00:16:56.100 --> 00:16:57.120
  • FILMMAKER, DIRECTOR, CREATIVE
  • 00:16:57.120 --> 00:16:59.100
  • THINKER, FORWARD THINKER.
  • 00:16:59.120 --> 00:17:02.140
  • HE AND HIS BROTHER HAVE
  • 00:17:02.140 --> 00:17:03.090
  • PRODUCED SOME OF THE BEST
  • 00:17:03.090 --> 00:17:05.010
  • FAITH-BASED FILMS THAT ARE
  • 00:17:05.010 --> 00:17:06.090
  • BEING SEEN ON THE SILVER SCREEN
  • 00:17:06.090 --> 00:17:07.010
  • ALL AROUND THE WORLD.
  • 00:17:07.100 --> 00:17:10.100
  • THE MOST RECENT WAS "WOODLAWN."
  • 00:17:10.100 --> 00:17:12.250
  • BUT ONE OF THE MOST AMAZING
  • 00:17:12.250 --> 00:17:15.040
  • THINGS IS THAT TODAY, IN THE
  • 00:17:15.040 --> 00:17:17.040
  • CULTURE WE LIVE IN, IN SPITE OF
  • 00:17:17.040 --> 00:17:19.010
  • THE PERSECUTION OF THE CHURCH,
  • 00:17:19.010 --> 00:17:21.100
  • FAITH-BASED FILMS ARE GAINING
  • 00:17:21.100 --> 00:17:24.060
  • MORE AND MORE OF AN AUDIENCE.
  • 00:17:24.060 --> 00:17:26.120
  • - ANDY ERWIN: AMEN.
  • 00:17:26.120 --> 00:17:27.160
  • - DR. CHIRONNA: BECAUSE OF MEN
  • 00:17:27.160 --> 00:17:28.120
  • LIKE ANDY AND HIS BROTHER.
  • 00:17:28.120 --> 00:17:30.240
  • WOULD YOU WARMLY WELCOME
  • 00:17:30.240 --> 00:17:31.120
  • ANDY ERWIN?
  • 00:17:31.120 --> 00:17:32.190
  • [APPLAUSE, CHEERS]
  • 00:17:32.190 --> 00:17:34.100
  • BLESS YOU, ANDY.
  • 00:17:34.100 --> 00:17:36.150
  • - ANDY: OH, IT'S GOOD TO BE
  • 00:17:36.150 --> 00:17:37.050
  • HERE.
  • 00:17:37.050 --> 00:17:37.220
  • [APPLAUSE]
  • 00:17:37.220 --> 00:17:38.170
  • - DR. CHIRONNA: WELL, WE'RE
  • 00:17:38.170 --> 00:17:39.170
  • GLAD YOU'RE HERE.
  • 00:17:39.170 --> 00:17:40.020
  • IT'S BEEN QUITE A JOURNEY FOR
  • 00:17:40.020 --> 00:17:41.070
  • YOU AND YOUR BROTHER.
  • 00:17:41.070 --> 00:17:41.290
  • TALK TO ME JUST A LITTLE BIT
  • 00:17:41.290 --> 00:17:43.170
  • ABOUT WHO ANDY IS AND WHO HIS
  • 00:17:43.170 --> 00:17:46.150
  • BROTHER IS AND WHAT BROUGHT
  • 00:17:46.150 --> 00:17:48.230
  • THEM TO THIS PLACE WHERE THEY
  • 00:17:48.230 --> 00:17:50.210
  • DECIDED TO DO SOMETHING
  • 00:17:50.210 --> 00:17:52.100
  • HOLLYWOOD MIGHT NEVER DO?
  • 00:17:52.100 --> 00:17:53.130
  • - ANDY: HMM.
  • 00:17:53.130 --> 00:17:55.000
  • GOD IS FAITHFUL AND GOOD AND HE
  • 00:17:55.000 --> 00:17:57.220
  • CHOOSES TO USE PEOPLE OF ALL
  • 00:17:57.220 --> 00:17:58.120
  • SORTS.
  • 00:17:58.130 --> 00:18:01.150
  • AND, UH...I GREW UP IN A STRONG
  • 00:18:01.150 --> 00:18:02.070
  • CHRISTIAN HOME.
  • 00:18:02.070 --> 00:18:04.090
  • BUT I CAME TO CHRIST AT THE AGE
  • 00:18:04.090 --> 00:18:05.230
  • OF 21 WHEN I-- I REALIZED IT'S
  • 00:18:05.230 --> 00:18:06.140
  • FOR ME, JESUS DIED FOR ME.
  • 00:18:06.190 --> 00:18:09.190
  • AND AT THAT POINT, I BEGAN TO
  • 00:18:09.190 --> 00:18:10.120
  • ASK MYSELF: GOD, WHAT CAN YOU
  • 00:18:10.120 --> 00:18:12.060
  • DO WITH MY LIFE?
  • 00:18:12.060 --> 00:18:13.210
  • AND I HAD GROWN UP BEHIND A
  • 00:18:13.210 --> 00:18:14.110
  • CAMERA.
  • 00:18:14.110 --> 00:18:16.070
  • I WORKED AS A CAMERAMAN.
  • 00:18:16.070 --> 00:18:17.230
  • THAT WAS WHAT GOD HAD GIVEN ME
  • 00:18:17.230 --> 00:18:19.160
  • AS A SKILL.
  • 00:18:19.160 --> 00:18:20.240
  • AND I REMEMBER BEING AT A
  • 00:18:20.240 --> 00:18:21.150
  • MISSIONS CONFERENCE THAT
  • 00:18:21.150 --> 00:18:23.010
  • SOMEBODY WAS SPEAKING AND
  • 00:18:23.010 --> 00:18:24.050
  • SAYING, YOU KNOW, THE NEED TO
  • 00:18:24.050 --> 00:18:25.000
  • BE A MISSIONARY.
  • 00:18:25.000 --> 00:18:25.230
  • AND I CALLED MY FATHER AND I
  • 00:18:25.230 --> 00:18:28.050
  • SAID, "DAD, I THINK I'M GONNA
  • 00:18:28.050 --> 00:18:29.110
  • GO TRANSLATE BIBLES IN SOME
  • 00:18:29.110 --> 00:18:30.230
  • OTHER COUNTRY."
  • 00:18:30.230 --> 00:18:32.120
  • AND HE...HE SNICKERED A LITTLE
  • 00:18:32.120 --> 00:18:33.260
  • BIT.
  • 00:18:33.260 --> 00:18:35.030
  • HE SAID, "SON, IS THAT WHAT YOU
  • 00:18:35.030 --> 00:18:35.250
  • WANNA DO?"
  • 00:18:35.250 --> 00:18:36.110
  • I SAID, "NO, ABSOLUTELY NOT."
  • 00:18:36.110 --> 00:18:37.260
  • [LAUGHTER]
  • 00:18:37.260 --> 00:18:39.060
  • I SAID: "BUT I FEEL LIKE I
  • 00:18:39.060 --> 00:18:39.250
  • WANNA BE USED BY GOD.
  • 00:18:39.250 --> 00:18:40.260
  • I DON'T KNOW HOW."
  • 00:18:40.260 --> 00:18:42.040
  • AND HE SAID, "ANDY, WHAT IS IN
  • 00:18:42.040 --> 00:18:42.290
  • YOUR HAND?"
  • 00:18:42.290 --> 00:18:43.290
  • AND I SAID: "WELL, A CAMERA.
  • 00:18:43.290 --> 00:18:45.180
  • I DON'T KNOW HOW GOD COULD EVER
  • 00:18:45.180 --> 00:18:46.180
  • USE THAT."
  • 00:18:46.180 --> 00:18:47.110
  • AND HE SAID, "ANDY, GIVE GOD
  • 00:18:47.110 --> 00:18:49.220
  • WHAT'S IN YOUR HAND AND LET HIM
  • 00:18:49.220 --> 00:18:51.030
  • FIGURE OUT HOW TO USE IT."
  • 00:18:51.030 --> 00:18:51.290
  • AND SO, WE GAVE HIM THAT GIFT.
  • 00:18:52.180 --> 00:18:55.180
  • MY BROTHER AND I BOTH HAD THAT
  • 00:18:55.180 --> 00:18:57.120
  • DESIRE AND THAT DREAM.
  • 00:18:57.120 --> 00:18:58.250
  • THAT IDEA OF BEING A FAITH
  • 00:18:58.250 --> 00:18:59.170
  • FILMMAKER WAS IN ITS INFANCY.
  • 00:18:59.170 --> 00:19:01.070
  • YOU KNOW, MATT CROUCH HAD
  • 00:19:01.070 --> 00:19:03.040
  • OTHERS HAD BLAZED A TRAIL IN
  • 00:19:03.040 --> 00:19:04.120
  • THAT AREA.
  • 00:19:04.120 --> 00:19:07.050
  • BUT, IT WAS ON THE MOVIE
  • 00:19:07.050 --> 00:19:08.070
  • "COURAGEOUS" BY THE KENDRICKS
  • 00:19:08.070 --> 00:19:09.190
  • THAT HAD JUST DONE "WAR ROOM."
  • 00:19:09.190 --> 00:19:10.180
  • INCREDIBLE BROTHERS IN CHRIST.
  • 00:19:10.180 --> 00:19:12.060
  • ALL THE RESPECT IN THE WORLD
  • 00:19:12.060 --> 00:19:13.020
  • FOR THEM.
  • 00:19:13.020 --> 00:19:14.000
  • MY BROTHER WAS WORKING AS A
  • 00:19:14.000 --> 00:19:14.210
  • SECOND-UNIT DIRECTOR, JUST
  • 00:19:14.210 --> 00:19:16.180
  • HELPIN' DOIN' SOME OF THE
  • 00:19:16.180 --> 00:19:17.160
  • STUNTS.
  • 00:19:17.160 --> 00:19:18.270
  • AND, ALEX KENDRICK APPROACHED
  • 00:19:18.270 --> 00:19:20.110
  • MY BROTHER AND SAID, "JON,
  • 00:19:20.110 --> 00:19:21.220
  • WHAT'S THE PURPOSE OF WHAT YOU
  • 00:19:21.220 --> 00:19:22.150
  • DO?"
  • 00:19:22.150 --> 00:19:23.030
  • AND HE SAID: "WELL, I DON'T
  • 00:19:23.030 --> 00:19:23.230
  • KNOW WHAT YOU MEAN, ALEX.
  • 00:19:23.230 --> 00:19:24.200
  • JUST TO GET A PAYCHECK."
  • 00:19:24.200 --> 00:19:25.210
  • HE SAID, "JON, IT'S TIME FOR
  • 00:19:25.210 --> 00:19:27.050
  • YOU AND YOUR BROTHER TO STEP
  • 00:19:27.050 --> 00:19:28.110
  • OFF THE SIDELINES AND ASK GOD
  • 00:19:28.110 --> 00:19:29.200
  • TO TELL YOU WHAT STORIES HE'S
  • 00:19:29.200 --> 00:19:31.040
  • GIVEN YOU TO GIVE."
  • 00:19:31.040 --> 00:19:31.220
  • AND SO, JON CAME HOME AND SAID,
  • 00:19:32.070 --> 00:19:35.070
  • "I GOT THIS MOVIE CALLED
  • 00:19:35.070 --> 00:19:37.020
  • 'OCTOBER BABY' THAT I WANNA
  • 00:19:37.020 --> 00:19:37.240
  • DO."
  • 00:19:37.240 --> 00:19:38.230
  • WE DID "OCTOBER BABY."
  • 00:19:38.230 --> 00:19:40.020
  • THAT LED TO "MOMS' NIGHT OUT,"
  • 00:19:40.020 --> 00:19:41.120
  • AND IT LED TO THE PROJECT WE'VE
  • 00:19:41.120 --> 00:19:42.130
  • ULTIMATELY REALLY WANTED TO DO
  • 00:19:42.130 --> 00:19:43.150
  • FOR QUITE A WHILE, WHICH IS
  • 00:19:43.150 --> 00:19:44.120
  • "WOODLAWN."
  • 00:19:44.120 --> 00:19:45.260
  • AND IT'S TELLIN' THE STORY OF
  • 00:19:45.260 --> 00:19:46.180
  • THE JESUS MOVEMENT.
  • 00:19:46.180 --> 00:19:48.250
  • - DR. CHIRONNA: WELL, TALK
  • 00:19:48.250 --> 00:19:50.050
  • JUST A LITTLE BIT ABOUT THAT
  • 00:19:50.050 --> 00:19:52.030
  • FIRST STEP.
  • 00:19:52.030 --> 00:19:53.150
  • - ANDY: MM.
  • 00:19:53.150 --> 00:19:54.120
  • - DR. CHIRONNA: AND WHAT IT
  • 00:19:54.120 --> 00:19:56.210
  • WAS LIKE WHEN THE KENDRICK
  • 00:19:56.210 --> 00:19:57.260
  • BROTHERS, BASICALLY, KINDA LIKE
  • 00:19:57.260 --> 00:19:59.210
  • AN EAGLE KICKS OUT THE EAGLETS
  • 00:19:59.210 --> 00:20:01.180
  • IT'S OUT OF THE NEST--
  • 00:20:01.180 --> 00:20:02.190
  • AND THE SCRIPT ITSELF THAT YOU
  • 00:20:02.190 --> 00:20:05.140
  • GUYS TOOK THE RISK ON.
  • 00:20:05.140 --> 00:20:06.110
  • TALK A LITTLE BIT ABOUT THAT.
  • 00:20:06.110 --> 00:20:07.220
  • - ANDY: YOU KNOW, THE STORY OF
  • 00:20:07.220 --> 00:20:09.010
  • "OCTOBER BABY" WAS ONE THAT WE
  • 00:20:09.010 --> 00:20:10.200
  • HAD HEARD A TRUE STORY OF AN
  • 00:20:10.200 --> 00:20:13.050
  • ABORTION SURVIVOR NAMED
  • 00:20:13.050 --> 00:20:14.250
  • GIANNA JESSEN.
  • 00:20:14.250 --> 00:20:16.190
  • WE WERE SO MOVED BY HER STORY
  • 00:20:16.190 --> 00:20:18.280
  • OF HER FORGIVENESS AND BEING
  • 00:20:18.280 --> 00:20:20.110
  • ABLE TO FORGIVE THAT WE BEGAN
  • 00:20:20.120 --> 00:20:23.120
  • TO LOOK INTO THE STORY.
  • 00:20:24.130 --> 00:20:27.130
  • AND, JON WROTE A SCRIPT
  • 00:20:27.130 --> 00:20:28.200
  • INSPIRED BY THAT ABOUT THE
  • 00:20:28.200 --> 00:20:29.090
  • POWER OF FORGIVENESS AND THE
  • 00:20:29.090 --> 00:20:30.010
  • POWER OF FINDING HEALING AS A
  • 00:20:30.010 --> 00:20:31.130
  • SURVIVOR OF SOMETHING LIKE
  • 00:20:31.130 --> 00:20:34.100
  • THAT, BUT ALSO FINDING HEALING
  • 00:20:34.100 --> 00:20:35.030
  • AS POST-ABORTIVE WOMAN.
  • 00:20:37.010 --> 00:20:40.010
  • WE JUST FELT LIKE IT WAS A
  • 00:20:40.010 --> 00:20:41.090
  • AND SO, JON BROUGHT ME THE
  • 00:20:43.180 --> 00:20:44.170
  • SCRIPT AND I SAID, "I'M
  • 00:20:44.170 --> 00:20:45.050
  • NERVOUS, BUT I FEEL LIKE THIS
  • 00:20:45.050 --> 00:20:45.290
  • IS A STORY THAT TELLS THE
  • 00:20:45.290 --> 00:20:46.180
  • GOSPEL WELL."
  • 00:20:46.180 --> 00:20:48.060
  • AND SO, WE DECIDED TO STEP OUT
  • 00:20:48.060 --> 00:20:49.000
  • IN FAITH.
  • 00:20:49.000 --> 00:20:50.090
  • AND THAT WAS A SCARY PLACE.
  • 00:20:50.090 --> 00:20:51.180
  • IT WAS EASY TO HIDE BEHIND THE
  • 00:20:51.180 --> 00:20:52.110
  • SCENES.
  • 00:20:52.110 --> 00:20:53.290
  • BUT TO STEP OUT IN FRONT AND
  • 00:20:53.290 --> 00:20:54.290
  • TELL A STORY AND SAY, "THAT'S
  • 00:20:54.290 --> 00:20:57.130
  • OUR STORY," WE WERE
  • 00:20:57.130 --> 00:20:58.010
  • NERVOUS.
  • 00:20:58.010 --> 00:21:00.070
  • AND WHEN WE GOT DONE, THE
  • 00:21:00.070 --> 00:21:00.260
  • STUDIOS DIDN'T KNOW WHAT TO DO
  • 00:21:00.260 --> 00:21:01.170
  • THEY SAID, "WE LOVE THE MOVIE,
  • 00:21:02.190 --> 00:21:03.100
  • WE LOVE THE STORY, BUT WE DON'T
  • 00:21:03.100 --> 00:21:04.020
  • KNOW WHAT TO-- WE DON'T THINK
  • 00:21:04.020 --> 00:21:04.230
  • WE CAN SELL IT."
  • 00:21:04.230 --> 00:21:05.070
  • AND WE JUST PRAYED ABOUT IT AND
  • 00:21:05.070 --> 00:21:06.240
  • SAID, "WE FELT CALLED TO DO
  • 00:21:06.240 --> 00:21:07.150
  • IT."
  • 00:21:07.150 --> 00:21:08.290
  • PROVIDENT FILMS AND OTHERS CAME
  • 00:21:08.290 --> 00:21:10.160
  • AROUND US AND SAID, "LET'S PUT
  • 00:21:10.160 --> 00:21:11.160
  • THIS OUT IN CULTURE."
  • 00:21:11.160 --> 00:21:12.240
  • AND, WE PUT IT OUT AND IT WAS
  • 00:21:12.240 --> 00:21:15.000
  • ONE OF THE FEW FILMS IN THE
  • 00:21:15.000 --> 00:21:16.220
  • HISTORY OF "THE NEW YORK TIMES"
  • 00:21:16.220 --> 00:21:17.190
  • TO MAKE THE FRONT PAGE.
  • 00:21:17.190 --> 00:21:18.130
  • AND GOD OPENED THAT DOOR.
  • 00:21:18.130 --> 00:21:20.050
  • AND WE STARTED HEARING STORIES
  • 00:21:20.050 --> 00:21:21.250
  • OF PEOPLE'S LIVES THAT WERE
  • 00:21:21.250 --> 00:21:23.280
  • CHANGED, ALL ACROSS THE WORLD.
  • 00:21:23.280 --> 00:21:24.190
  • AND ONE THAT REALLY MOVED ME --
  • 00:21:24.190 --> 00:21:26.220
  • WE GOT A LETTER FROM A DOCTOR
  • 00:21:26.220 --> 00:21:27.130
  • IN AUSTRALIA.
  • 00:21:27.130 --> 00:21:29.290
  • AND THE THING THAT WE DIDN'T
  • 00:21:29.290 --> 00:21:32.100
  • UNDERSTAND IS WHEN YOU DO A
  • 00:21:32.100 --> 00:21:33.260
  • MOVIE HERE IN THE UNITED
  • 00:21:33.260 --> 00:21:34.140
  • STATES, IT'S SHIPPED OUT ALL
  • 00:21:34.140 --> 00:21:35.040
  • OVER THE WORLD AND TRANSLATED.
  • 00:21:35.040 --> 00:21:36.020
  • THAT ONE FILM HAS BEEN
  • 00:21:36.020 --> 00:21:36.220
  • TRANSLATED INTO 90 LANGUAGES.
  • 00:21:36.220 --> 00:21:38.000
  • AND SO, THE GOSPEL IS SHIPPED
  • 00:21:38.000 --> 00:21:39.290
  • OUT ON AUTOPILOT ALL
  • 00:21:39.290 --> 00:21:41.280
  • OVER EACH CONTINENT.
  • 00:21:41.280 --> 00:21:43.130
  • AND A DOCTOR FROM AUSTRALIA
  • 00:21:43.130 --> 00:21:45.140
  • WROTE AND SAID: "I JUST WANT
  • 00:21:45.140 --> 00:21:48.010
  • YOU TO KNOW I'VE JUST SEEN
  • 00:21:48.010 --> 00:21:48.260
  • 'OCTOBER BABY.'
  • 00:21:48.260 --> 00:21:51.150
  • I WAS DOING MY RESIDENCY AT AN
  • 00:21:51.150 --> 00:21:52.160
  • ABORTION CLINIC.
  • 00:21:52.160 --> 00:21:53.160
  • I WANTED YOU TO KNOW I JUST
  • 00:21:53.160 --> 00:21:54.060
  • QUIT MY JOB."
  • 00:21:54.060 --> 00:21:54.190
  • - DR. CHIRONNA: WOW.
  • 00:21:54.190 --> 00:21:55.060
  • [APPLAUSE]
  • 00:21:55.060 --> 00:21:55.220
  • - ANDY: AND IT'S STORIES LIKE
  • 00:21:55.220 --> 00:21:56.130
  • THAT, GOD MOVED ME.
  • 00:21:57.040 --> 00:22:00.060
  • [APPLAUSE]
  • 00:22:00.060 --> 00:22:01.020
  • - DR. CHIRONNA: WOW...
  • 00:22:01.020 --> 00:22:02.080
  • SO, NOW YOU'VE GOT
  • 00:22:02.080 --> 00:22:04.060
  • THAT...HURDLE BEHIND YOU.
  • 00:22:04.200 --> 00:22:07.200
  • - ANDY: MM.
  • 00:22:07.200 --> 00:22:09.180
  • - DR. CHIRONNA: AND THEN THE
  • 00:22:09.180 --> 00:22:10.090
  • NEXT STEP IS...?
  • 00:22:10.090 --> 00:22:11.110
  • - ANDY: I THINK THE NEXT STEP
  • 00:22:11.110 --> 00:22:12.020
  • IS EMBRACING THAT WE WERE
  • 00:22:12.020 --> 00:22:12.210
  • FILMMAKERS.
  • 00:22:14.110 --> 00:22:17.110
  • YOU KNOW, THAT WAS THE SCARY
  • 00:22:17.110 --> 00:22:18.010
  • PART.
  • 00:22:18.010 --> 00:22:18.150
  • BECAUSE THEN-- NOW, WE HAD TO
  • 00:22:18.150 --> 00:22:19.060
  • STEP OUT AND BEGIN TO SAY:
  • 00:22:19.060 --> 00:22:20.030
  • OKAY, GOD, WE'VE, YOU KNOW, SET
  • 00:22:20.030 --> 00:22:21.100
  • OUT ON THIS TRAIL.
  • 00:22:21.100 --> 00:22:21.280
  • WE'VE GOT TO GO FORWARD, NOT
  • 00:22:21.280 --> 00:22:22.210
  • BACKWARDS.
  • 00:22:22.210 --> 00:22:23.140
  • AND SO, WE BEGAN TO ASK GOD
  • 00:22:23.140 --> 00:22:24.080
  • WHAT WAS NEXT.
  • 00:22:24.080 --> 00:22:26.050
  • WE DECIDED TO DO A MOVIE THAT
  • 00:22:26.050 --> 00:22:27.000
  • ENCOURAGED MOMS WITH "MOMS'
  • 00:22:27.000 --> 00:22:28.120
  • NIGHT OUT" JUST TO SAY WHAT
  • 00:22:28.120 --> 00:22:31.010
  • THEY DID WAS-- WHAT THEY DO IS
  • 00:22:31.010 --> 00:22:32.070
  • AMAZING AND DESERVES TO BE
  • 00:22:32.070 --> 00:22:33.140
  • AFFIRMED; THE ABILITY OF
  • 00:22:33.140 --> 00:22:35.110
  • SUPPORTING AND PROCLAIMING HOW
  • 00:22:35.110 --> 00:22:37.110
  • BEAUTIFUL PASTORS' WIVES ARE.
  • 00:22:37.110 --> 00:22:39.060
  • PATRICIA HEATON PLAYS THE
  • 00:22:39.060 --> 00:22:41.060
  • PASTOR'S WIFE IN THE FILM.
  • 00:22:41.060 --> 00:22:42.090
  • AND SHE REALLY WANTED TO SHOW
  • 00:22:42.090 --> 00:22:44.050
  • HOW MUCH PRESSURE THERE IS TO
  • 00:22:44.050 --> 00:22:46.200
  • BE THAT POSITION.
  • 00:22:46.200 --> 00:22:47.240
  • AND, WE DID IT THROUGH THE
  • 00:22:47.240 --> 00:22:48.130
  • POWER OF HUMOR.
  • 00:22:48.130 --> 00:22:50.050
  • AND THE ABILITY TO LAUGH, I
  • 00:22:50.050 --> 00:22:52.050
  • THINK, JUST CREATES LIFE AND
  • 00:22:52.050 --> 00:22:54.050
  • ALLOWS PEOPLE TO ENJOY THE
  • 00:22:54.050 --> 00:22:55.050
  • STORY.
  • 00:22:55.050 --> 00:22:57.070
  • AND...AND WE FOUND THAT, YOU
  • 00:22:57.070 --> 00:22:58.210
  • KNOW, IT WAS AN OPPORTUNITY TO
  • 00:22:58.210 --> 00:22:59.280
  • CONTINUE TO PREACH THE GOSPEL
  • 00:22:59.280 --> 00:23:01.070
  • IN A WAY THAT PEOPLE DON'T
  • 00:23:01.070 --> 00:23:02.200
  • EXPECT.
  • 00:23:02.200 --> 00:23:03.160
  • BECAUSE WHEN YOU WATCH A STORY
  • 00:23:03.160 --> 00:23:04.190
  • AND YOU LAUGH, YOUR DEFENSES GO
  • 00:23:04.190 --> 00:23:05.280
  • DOWN.
  • 00:23:05.280 --> 00:23:06.290
  • AND THEN YOU RECEIVE SOMETHING
  • 00:23:06.290 --> 00:23:08.030
  • YOU MIGHT NORMALLY NOT, SO,
  • 00:23:08.030 --> 00:23:09.040
  • WE'RE ABLE TO REACH PEOPLE IN
  • 00:23:09.040 --> 00:23:11.130
  • THE THEATRES THAT MIGHT NEVER
  • 00:23:11.130 --> 00:23:12.090
  • GO INTO A CHURCH.
  • 00:23:12.090 --> 00:23:13.230
  • AND WE SAID, "THIS IS
  • 00:23:13.230 --> 00:23:14.270
  • POWERFUL."
  • 00:23:14.270 --> 00:23:16.050
  • IT EMBOLDENED US,
  • 00:23:16.050 --> 00:23:17.130
  • AND WE DECIDED,
  • 00:23:17.130 --> 00:23:18.030
  • "LET'S JUST GO FOR IT," AND WE
  • 00:23:18.030 --> 00:23:20.050
  • DECIDED TO TELL THE STORY OF
  • 00:23:20.050 --> 00:23:21.090
  • WOODLAWN, WHICH IS ROOTED THE
  • 00:23:21.090 --> 00:23:22.180
  • JESUS MOVEMENT, WHICH IS AN
  • 00:23:22.180 --> 00:23:24.140
  • INCREDIBLE CREDIBLE TRUE STORY.
  • 00:23:24.140 --> 00:23:26.070
  • - DR. CHIRONNA: TALK ABOUT IT.
  • 00:23:26.070 --> 00:23:27.050
  • - ANDY: WOODLAWN.
  • 00:23:27.050 --> 00:23:27.200
  • UM...I GREW UP HEARING WOODLAWN
  • 00:23:28.050 --> 00:23:31.050
  • AS A BEDTIME STORY.
  • 00:23:31.050 --> 00:23:32.280
  • THAT'S WHERE MY STORYTELLING
  • 00:23:32.280 --> 00:23:33.180
  • ROOTS STARTED.
  • 00:23:33.180 --> 00:23:36.020
  • MY DAD CAME TO CHRIST -- AS I
  • 00:23:36.020 --> 00:23:36.230
  • KNOW YOU DID, MARK -- DURING
  • 00:23:36.230 --> 00:23:38.140
  • THE JESUS MOVEMENT.
  • 00:23:38.140 --> 00:23:39.110
  • - DR. CHIRONNA: RIGHT.
  • 00:23:39.110 --> 00:23:39.290
  • - ANDY: IT WAS A TIME OF
  • 00:23:39.290 --> 00:23:41.010
  • REVIVAL IN THIS COUNTRY THAT MY
  • 00:23:41.010 --> 00:23:43.150
  • GENERATION HAS NEVER SEEN,
  • 00:23:44.150 --> 00:23:47.150
  • WHEN, YOU KNOW, A GENERATION
  • 00:23:47.150 --> 00:23:49.120
  • THAT WAS DISILLUSIONED, THAT
  • 00:23:49.120 --> 00:23:51.240
  • WAS BURNT OUT ON THE STRUGGLES
  • 00:23:51.240 --> 00:23:54.040
  • FROM VIETNAM, PROTESTS, YOU
  • 00:23:54.040 --> 00:23:54.240
  • KNOW, DRUGS AND ROCK AND
  • 00:23:54.240 --> 00:23:56.100
  • ROLL...
  • 00:23:56.100 --> 00:23:58.020
  • - DR. CHIRONNA: CIVIL RIGHTS.
  • 00:23:58.020 --> 00:23:58.280
  • - ANDY: YEAH, AND JUST ALL OF
  • 00:23:58.280 --> 00:23:59.290
  • THE TENSION AND THE WOUNDS
  • 00:23:59.290 --> 00:24:01.240
  • FROM, YOU KNOW, DIFFERENT SIDES
  • 00:24:01.240 --> 00:24:03.220
  • OF THE CIVIL RIGHTS MOVEMENT --
  • 00:24:03.220 --> 00:24:04.190
  • ALL THAT HAD LED TO JUST A
  • 00:24:04.190 --> 00:24:06.020
  • CAULDRON OF PEOPLE BEING VERY
  • 00:24:06.020 --> 00:24:07.190
  • FRUSTRATED.
  • 00:24:07.190 --> 00:24:09.180
  • IN 1968, DR. KING WAS
  • 00:24:09.180 --> 00:24:10.240
  • ASSASSINATED.
  • 00:24:10.240 --> 00:24:11.240
  • - DR. CHIRONNA: RIGHT.
  • 00:24:11.240 --> 00:24:12.230
  • - ANDY: BOBBY KENNEDY WAS.
  • 00:24:12.230 --> 00:24:13.220
  • SO MANY OTHER PAINFUL THINGS
  • 00:24:13.220 --> 00:24:14.120
  • THAT HAD HAPPENED.
  • 00:24:14.120 --> 00:24:15.230
  • AND IN THE MIDST OF THAT, A
  • 00:24:15.230 --> 00:24:17.160
  • REVIVAL BROKE OUT IN THE
  • 00:24:17.160 --> 00:24:18.200
  • MIDWEST AND ON THE WEST COAST.
  • 00:24:20.290 --> 00:24:23.290
  • AND IT SWEPT THE COUNTRY AND
  • 00:24:23.290 --> 00:24:24.190
  • PEOPLE-- THESE HIPPIES WENT
  • 00:24:24.190 --> 00:24:27.070
  • FROM BEING CALLED-- SELF-
  • 00:24:27.070 --> 00:24:28.110
  • PROCLAIMED FREAKS TO BEING
  • 00:24:28.110 --> 00:24:29.090
  • JESUS FREAKS.
  • 00:24:29.090 --> 00:24:30.070
  • - DR. CHIRONNA: MM-HMM.
  • 00:24:30.070 --> 00:24:31.070
  • - ANDY: AND THEY FOUND THE
  • 00:24:31.070 --> 00:24:32.070
  • UNCONDITIONAL LOVE OF CHRIST.
  • 00:24:32.070 --> 00:24:33.260
  • AND 500.000 KIDS CAME TO CHRIST
  • 00:24:33.260 --> 00:24:34.230
  • IN ONE SUMMER.
  • 00:24:34.230 --> 00:24:36.100
  • [APPLAUSE]
  • 00:24:37.120 --> 00:24:40.120
  • IT WAS...
  • 00:24:40.120 --> 00:24:41.140
  • [APPLAUSE]
  • 00:24:41.140 --> 00:24:43.010
  • ...AN AMAZING STORY.
  • 00:24:43.010 --> 00:24:43.210
  • MY DAD CAME TO CHRIST IN THE
  • 00:24:43.210 --> 00:24:45.080
  • MIDDLE OF ALL THAT.
  • 00:24:45.080 --> 00:24:47.010
  • WELL, THE STORY OF "WOODLAWN"
  • 00:24:47.010 --> 00:24:47.220
  • TELLS THE STORY OF A
  • 00:24:47.220 --> 00:24:50.000
  • HIGH-SCHOOL FOOTBALL TEAM IN
  • 00:24:50.000 --> 00:24:50.220
  • 1973, BIRMINGHAM -- THE LAST
  • 00:24:50.220 --> 00:24:52.230
  • SCHOOL TO INTEGRATE IN
  • 00:24:52.230 --> 00:24:53.260
  • BIRMINGHAM.
  • 00:24:53.260 --> 00:24:55.200
  • THE TENSIONS FROM THE DIFFERENT
  • 00:24:55.200 --> 00:24:57.110
  • SIDES OF THE FORCED INTEGRATION
  • 00:24:57.110 --> 00:24:59.120
  • AT THAT SCHOOL GOT SO BAD AND
  • 00:24:59.120 --> 00:25:00.250
  • THE VIOLENCE GOT TO BAD THAT
  • 00:25:00.250 --> 00:25:02.010
  • THE FBI HAD THREATENED TO SHUT
  • 00:25:02.010 --> 00:25:03.160
  • DOWN THE SCHOOL.
  • 00:25:03.160 --> 00:25:05.290
  • IN THE MIDST OF THAT, MY DAD
  • 00:25:05.290 --> 00:25:06.210
  • WENT IN WITH AN EVANGELIST,
  • 00:25:06.210 --> 00:25:08.050
  • INTO THAT SCHOOL.
  • 00:25:08.050 --> 00:25:08.270
  • AND, THEY-- THE GOSPEL WAS VERY
  • 00:25:08.270 --> 00:25:11.070
  • SIMPLE.
  • 00:25:11.070 --> 00:25:13.090
  • BUT THEY CAME AND PROCLAIMED
  • 00:25:13.090 --> 00:25:14.220
  • THE LOVE OF CHRIST.
  • 00:25:14.220 --> 00:25:15.250
  • AND 44 OF THE 48 KIDS CAME TO
  • 00:25:15.250 --> 00:25:18.000
  • CHRIST ON THAT TEAM.
  • 00:25:18.000 --> 00:25:18.210
  • AND THEY BEGAN TO LOVE EACH
  • 00:25:18.210 --> 00:25:20.060
  • OTHER.
  • 00:25:20.060 --> 00:25:21.020
  • AND IT WAS AN AMAZING, POWERFUL
  • 00:25:21.020 --> 00:25:22.040
  • STORY TO SEE THE LOVE OF CHRIST
  • 00:25:22.040 --> 00:25:24.090
  • TRANSFORM THESE KIDS.
  • 00:25:24.090 --> 00:25:26.000
  • THERE WAS THIS ONE SHY
  • 00:25:26.000 --> 00:25:28.070
  • AFRICAN-AMERICAN KID NAMED
  • 00:25:28.070 --> 00:25:30.050
  • TONY.
  • 00:25:30.050 --> 00:25:31.140
  • WENT ON TO PLAY FOR THE MIAMI
  • 00:25:31.140 --> 00:25:32.050
  • DOLPHINS.
  • 00:25:32.050 --> 00:25:33.010
  • TONY NATHAN.
  • 00:25:33.010 --> 00:25:33.290
  • - DR. CHIRONNA: MM-HMM.
  • 00:25:33.290 --> 00:25:34.270
  • - ANDY: TONY -- THE TEAM
  • 00:25:34.270 --> 00:25:35.210
  • RALLIED AROUND HIM.
  • 00:25:35.210 --> 00:25:37.210
  • HE TOOK THE CHALLENGE AND HE
  • 00:25:37.210 --> 00:25:39.020
  • WENT AND BECAME THE FIRST
  • 00:25:39.020 --> 00:25:40.220
  • AFRICAN-AMERICAN SUPERSTAR IN
  • 00:25:40.220 --> 00:25:42.010
  • THE HISTORY OF THE SOUTHEAST.
  • 00:25:42.010 --> 00:25:43.170
  • AND THEN, THEY DECIDED TO GO
  • 00:25:43.170 --> 00:25:45.120
  • SHARE THEIR SECRET WITH THEIR
  • 00:25:45.120 --> 00:25:46.190
  • RIVAL SCHOOL, BANKS.
  • 00:25:46.190 --> 00:25:47.290
  • BOTH TEAMS CAME TO CHRIST AND
  • 00:25:47.290 --> 00:25:49.130
  • THEY PLAYED -- THEY CALLED 'EM
  • 00:25:49.130 --> 00:25:51.000
  • THE HOLY ROLLERS -- AND THEY
  • 00:25:51.000 --> 00:25:51.200
  • PLAYED IN THE GREATEST
  • 00:25:51.200 --> 00:25:52.200
  • HIGH-SCHOOL FOOTBALL GAME IN
  • 00:25:52.200 --> 00:25:53.260
  • THE HISTORY OF THE SOUTHEAST --
  • 00:25:53.260 --> 00:25:54.260
  • 60.000 PEOPLE IN THE STANDS--
  • 00:25:54.260 --> 00:25:57.030
  • 40.000 PEOPLE IN THE STANDS,
  • 00:25:57.030 --> 00:25:58.050
  • 20.000 PEOPLE IN THE PARKING
  • 00:25:58.050 --> 00:25:58.280
  • LOT.
  • 00:25:58.280 --> 00:26:01.030
  • COMING TO SEE THESE KIDS PLAY
  • 00:26:01.030 --> 00:26:01.240
  • FOR THE GLORY OF CHRIST.
  • 00:26:01.240 --> 00:26:03.000
  • AND I SAT THERE AND SAID:
  • 00:26:03.000 --> 00:26:04.210
  • MY GENERATION DOESN'T KNOW
  • 00:26:04.210 --> 00:26:06.260
  • ABOUT THIS STORY.
  • 00:26:06.260 --> 00:26:08.200
  • AND, WHAT IF BY TELLING A STORY
  • 00:26:08.200 --> 00:26:10.210
  • OF REVIVAL WE COULD SAY, "LORD,
  • 00:26:10.210 --> 00:26:12.110
  • DO IT AGAIN"?
  • 00:26:12.110 --> 00:26:13.120
  • - DR. CHIRONNA: AW, YEAH...
  • 00:26:13.120 --> 00:26:14.020
  • - ANDY: DO IT AGAIN.
  • 00:26:14.020 --> 00:26:15.040
  • - DR. CHIRONNA: I THINK WE
  • 00:26:15.040 --> 00:26:15.260
  • HAVE A CLIP.
  • 00:26:15.260 --> 00:26:16.200
  • [APPLAUSE]
  • 00:26:16.200 --> 00:26:17.060
  • YOU BROUGHT A CLIP WITH YOU.
  • 00:26:17.060 --> 00:26:17.260
  • - ANDY: ABSOLUTELY.
  • 00:26:17.260 --> 00:26:18.120
  • - DR. CHIRONNA: SET UP THE
  • 00:26:18.120 --> 00:26:19.020
  • CLIP.
  • 00:26:19.020 --> 00:26:19.230
  • - ANDY: I BELIEVE THE CLIP IS
  • 00:26:19.230 --> 00:26:21.040
  • A LOCKER-ROOM CLIP OF HANK
  • 00:26:21.040 --> 00:26:23.060
  • TALKING TO THE TEAM.
  • 00:26:23.060 --> 00:26:26.060
  • - DR. CHIRONNA: HANK IS?
  • 00:26:26.060 --> 00:26:26.250
  • - ANDY: HANK IS MY FATHER.
  • 00:26:26.250 --> 00:26:28.030
  • SEAN ASTIN PLAYED THE ROLE.
  • 00:26:28.030 --> 00:26:30.030
  • IT'S A CONGLOMERATE OF MY DAD
  • 00:26:30.030 --> 00:26:32.010
  • AND A COUPLE OF OTHER PEOPLE
  • 00:26:32.010 --> 00:26:32.280
  • THAT WORKED IN THE MINISTRY
  • 00:26:32.280 --> 00:26:34.060
  • THAT HIS CHARACTER REPRESENTS.
  • 00:26:34.060 --> 00:26:36.110
  • BUT HE'S CHALLENGING THEM AS
  • 00:26:36.110 --> 00:26:37.150
  • THEY GO AND FACE THE GOLIATH
  • 00:26:37.150 --> 00:26:38.230
  • TEAM, THEIR BIG OPPONENT,
  • 00:26:38.230 --> 00:26:39.170
  • HUFFMAN.
  • 00:26:39.170 --> 00:26:40.130
  • - DR. CHIRONNA: LET'S TAKE A
  • 00:26:40.130 --> 00:26:41.040
  • [DIN OF CHATTERING]
  • 00:26:44.200 --> 00:26:45.200
  • - COACH: OKAY, BOYS, LISTEN
  • 00:26:45.200 --> 00:26:46.130
  • UP.
  • 00:26:46.130 --> 00:26:47.040
  • THE PREACHER WANTS TO SAY A FEW
  • 00:26:47.040 --> 00:26:47.260
  • WORDS.
  • 00:26:47.260 --> 00:26:48.120
  • [FOOTSTEPS]
  • 00:26:48.120 --> 00:26:48.290
  • - PREACHER: THANK YOU, COACH.
  • 00:26:48.290 --> 00:26:49.200
  • - COACH: MAKE IT GOOD.
  • 00:26:49.200 --> 00:26:50.230
  • - PREACHER: YEAH.
  • 00:26:50.230 --> 00:26:53.090
  • READ THE HIGHLIGHTED RIGHT
  • 00:26:53.090 --> 00:26:54.020
  • THERE.
  • 00:26:54.020 --> 00:26:54.220
  • [MURMURING]
  • 00:26:54.220 --> 00:26:57.040
  • [FOOTSTEPS]
  • 00:26:57.100 --> 00:27:00.120
  • - FOOTBALL PLAYER: THIS
  • 00:27:00.120 --> 00:27:02.150
  • DAY...THIS DAY THE LORD WILL
  • 00:27:07.150 --> 00:27:10.150
  • DELIVER YOU INTO MY HAND AND I
  • 00:27:10.180 --> 00:27:13.180
  • WILL STRIKE YOU DOWN.
  • 00:27:13.180 --> 00:27:15.190
  • [MUSIC]
  • 00:27:15.190 --> 00:27:16.250
  • - PREACHER: SO THAT ALL ON
  • 00:27:16.250 --> 00:27:17.150
  • EARTH KNOW THAT THERE IS A GOD
  • 00:27:17.150 --> 00:27:19.110
  • IN ISRAEL.
  • 00:27:19.110 --> 00:27:21.080
  • AND DAVID REACHED INTO HIS
  • 00:27:21.080 --> 00:27:21.270
  • POCKET!
  • 00:27:21.270 --> 00:27:22.270
  • AND HE PULLED OUT A STONE.
  • 00:27:22.290 --> 00:27:25.290
  • AND HE SWUNG IT!
  • 00:27:25.290 --> 00:27:27.150
  • AND IT STRUCK THE PHILISTINE IN
  • 00:27:27.150 --> 00:27:28.070
  • THE HEAD.
  • 00:27:28.110 --> 00:27:31.110
  • [MUSIC BUILDUP]
  • 00:27:31.110 --> 00:27:31.280
  • AND HE FELL.
  • 00:27:31.280 --> 00:27:33.080
  • YOU KNOW WHAT'S GOING TO
  • 00:27:33.080 --> 00:27:33.260
  • HAPPEN?
  • 00:27:33.260 --> 00:27:35.110
  • YOU'RE GOING TO WIN THIS GAME
  • 00:27:35.110 --> 00:27:36.020
  • TONIGHT.
  • 00:27:36.020 --> 00:27:36.210
  • YOU HEAR ME?
  • 00:27:36.210 --> 00:27:38.050
  • - PLAYERS: YES, SIR!
  • 00:27:38.050 --> 00:27:39.170
  • - PREACHER: YOU'RE GONNA WIN
  • 00:27:39.170 --> 00:27:40.080
  • THIS GAME!
  • 00:27:40.080 --> 00:27:41.020
  • YOU WANNA KNOW HOW I KNOW THAT
  • 00:27:41.020 --> 00:27:41.230
  • YOU'RE GONNA WIN THIS GAME?
  • 00:27:41.230 --> 00:27:42.130
  • BECAUSE IT'S NOT ABOUT YOU.
  • 00:27:42.130 --> 00:27:45.070
  • NOBODY OUT THERE KNOWS WHAT'S
  • 00:27:45.070 --> 00:27:47.220
  • HAPPENED WITH THIS TEAM.
  • 00:27:49.210 --> 00:27:52.210
  • BUT WHEN YOU WIN, ON THIS DAY,
  • 00:27:52.210 --> 00:27:54.150
  • THEY WILL.
  • 00:27:54.150 --> 00:27:56.160
  • WHEN YOU DO WHAT EVERYONE SAID
  • 00:27:56.160 --> 00:27:58.000
  • IS IMPOSSIBLE, THEY WILL!
  • 00:27:58.000 --> 00:27:59.200
  • [TEAM CLAPS, CHEERS]
  • 00:27:59.200 --> 00:28:00.130
  • WHEN YOU STRIKE DOWN THIS
  • 00:28:00.130 --> 00:28:01.170
  • GIANT, THEY WILL!
  • 00:28:01.170 --> 00:28:03.060
  • [PLAYERS EXCITED]
  • 00:28:03.060 --> 00:28:03.270
  • AND WHEN THEY FIND OUT HOW YOU
  • 00:28:03.270 --> 00:28:05.100
  • DID IT, THEN ALL THE EARTH WILL
  • 00:28:05.230 --> 00:28:08.230
  • KNOW THAT THERE IS A GOD IN
  • 00:28:08.230 --> 00:28:10.060
  • ISRAEL, ON THIS DAY.
  • 00:28:10.060 --> 00:28:12.020
  • [APPLAUSE, CHEERS]
  • 00:28:12.020 --> 00:28:13.020
  • ON THIS DAY!
  • 00:28:13.020 --> 00:28:13.240
  • ON THIS DAY!
  • 00:28:13.240 --> 00:28:15.000
  • - ALL: ON THIS DAY!
  • 00:28:15.000 --> 00:28:15.290
  • ON THIS DAY!
  • 00:28:15.290 --> 00:28:18.020
  • - DR. CHIRONNA:
  • 00:28:25.230 --> 00:28:27.000
  • THAT'LL...THAT'LL GET YOU
  • 00:28:27.000 --> 00:28:27.270
  • CHOKED UP.
  • 00:28:27.270 --> 00:28:30.020
  • - ANDY: ABSOLUTELY.
  • 00:28:30.020 --> 00:28:30.220
  • YOU KNOW, THE NEATEST THING--
  • 00:28:30.220 --> 00:28:33.030
  • YOU KNOW, AS WE TOLD THE STORY,
  • 00:28:33.030 --> 00:28:34.080
  • WE FELT LIKE WE NEEDED TO WAIT
  • 00:28:34.080 --> 00:28:36.170
  • ANOTHER YEAR BEFORE WE DID IT.
  • 00:28:36.170 --> 00:28:37.160
  • BECAUSE WE FELT LIKE TO DO A
  • 00:28:37.160 --> 00:28:38.060
  • STORY THAT AMBITIOUS, IT WAS
  • 00:28:38.060 --> 00:28:39.170
  • GOING TO TAKE LONGER TO PUT
  • 00:28:39.170 --> 00:28:40.200
  • TOGETHER.
  • 00:28:40.200 --> 00:28:42.240
  • BUT A GROUP OF PASTORS -- WE
  • 00:28:42.240 --> 00:28:44.120
  • REALLY BELIEVE IN THE MARRIAGE
  • 00:28:44.120 --> 00:28:46.110
  • OF OPPORTUNITY GOD IS GIVING US
  • 00:28:46.110 --> 00:28:47.190
  • AS FILMMAKERS AND OTHERS LIKE
  • 00:28:47.190 --> 00:28:49.180
  • US WITH THE LOCAL CHURCH.
  • 00:28:49.180 --> 00:28:51.200
  • BECAUSE I BELIEVE THAT GOD
  • 00:28:51.200 --> 00:28:53.070
  • NEVER MOVES WITHOUT THE LOCAL
  • 00:28:53.070 --> 00:28:54.030
  • CHURCH.
  • 00:28:54.030 --> 00:28:55.120
  • OUR JOB AS FILMMAKERS IS TO BE,
  • 00:28:55.120 --> 00:28:57.030
  • YOU KNOW, INSTIGATORS.
  • 00:28:57.030 --> 00:28:59.070
  • WE'RE THERE TO BE SALT AND
  • 00:28:59.070 --> 00:29:00.170
  • LIGHT.
  • 00:29:00.170 --> 00:29:01.050
  • AND JUST TO SIT THERE AND SAY--
  • 00:29:01.050 --> 00:29:02.250
  • TO ENGAGE THROUGH A VICARIOUS
  • 00:29:02.250 --> 00:29:04.040
  • EMOTIONAL JOURNEY, A STORY WITH
  • 00:29:04.040 --> 00:29:06.110
  • AN AUDIENCE THAT WOULDN'T BE IN
  • 00:29:06.110 --> 00:29:08.020
  • A CHURCH, TO GO AND SAY, "LET
  • 00:29:08.020 --> 00:29:09.050
  • US TELL YOU THIS STORY," AND IT
  • 00:29:09.050 --> 00:29:10.160
  • PRICKS THE HEART, IT GETS PAST
  • 00:29:10.160 --> 00:29:11.230
  • THE INTELLECT AND GOES STRAIGHT
  • 00:29:11.230 --> 00:29:13.230
  • TO THE HEART.
  • 00:29:13.230 --> 00:29:15.040
  • BUT THEN, IF WE'VE DONE THAT
  • 00:29:15.040 --> 00:29:16.290
  • AND THAT'S ALL, WHAT A WASTED
  • 00:29:16.290 --> 00:29:18.150
  • OPPORTUNITY.
  • 00:29:18.150 --> 00:29:20.170
  • OUR DESIRE IS NOT TO GET PEOPLE
  • 00:29:20.170 --> 00:29:21.210
  • OUT OF THE CHURCH BACK INTO THE
  • 00:29:21.210 --> 00:29:22.270
  • THEATRE BUT TO GO INTO THE
  • 00:29:22.270 --> 00:29:24.050
  • MOVIE THEATRES AND TO TELL
  • 00:29:24.050 --> 00:29:26.020
  • PEOPLE ABOUT CHRIST AND THEN
  • 00:29:26.020 --> 00:29:27.200
  • GET THEM BACK IN THE LOCAL
  • 00:29:27.200 --> 00:29:28.100
  • CHURCH.
  • 00:29:28.100 --> 00:29:29.140
  • - DR. CHIRONNA: RIGHT.
  • 00:29:29.140 --> 00:29:30.110
  • - ANDY: AND FOR A GENERATION
  • 00:29:30.110 --> 00:29:31.020
  • THAT IS FORSAKING CHURCH AND
  • 00:29:31.020 --> 00:29:31.220
  • GOING TO THE MOVIE THEATRE
  • 00:29:31.220 --> 00:29:32.210
  • INSTEAD, OUR DESIRE IS TO TAKE
  • 00:29:32.210 --> 00:29:34.040
  • AN ARMY FROM THE CHURCH AND GO
  • 00:29:34.040 --> 00:29:36.140
  • PULL THEM BACK INTO CHURCH, IN
  • 00:29:36.140 --> 00:29:37.050
  • THE MOVIE THEATRE.
  • 00:29:37.050 --> 00:29:38.190
  • [APPLAUSE]
  • 00:29:38.190 --> 00:29:41.060
  • - DR. CHIRONNA: AND,
  • 00:29:41.060 --> 00:29:43.150
  • UH...THAT'S THE GOLIATH THAT
  • 00:29:43.150 --> 00:29:44.090
  • YOU'RE GONNA TAKE DOWN.
  • 00:29:44.090 --> 00:29:46.210
  • I REALLY BELIEVE YOU ARE GONNA
  • 00:29:46.210 --> 00:29:47.180
  • TAKE IT DOWN.
  • 00:29:47.180 --> 00:29:48.220
  • TALK A LITTLE BIT ABOUT THE
  • 00:29:48.220 --> 00:29:50.260
  • RELEASE OF THE MOVIE AND--
  • 00:29:50.260 --> 00:29:51.260
  • - ANDY: WE DECIDED TO GO AHEAD
  • 00:29:51.260 --> 00:29:54.050
  • AND DO IT AND WE DECIDED TO...
  • 00:29:54.050 --> 00:29:55.130
  • TO PUSH AHEAD BECAUSE THE GROUP
  • 00:29:55.130 --> 00:29:58.120
  • OF PASTORS AROUND US SAID, "NOW
  • 00:29:58.120 --> 00:29:59.200
  • IS THE TIME."
  • 00:29:59.200 --> 00:30:00.270
  • WHILE WE WERE FILMING THE
  • 00:30:00.270 --> 00:30:02.130
  • MOVIE, IN THE MIDDLE OF US
  • 00:30:02.130 --> 00:30:04.250
  • FILMING, FERGUSON HAD JUST
  • 00:30:04.250 --> 00:30:06.080
  • HAPPENED.
  • 00:30:06.080 --> 00:30:07.150
  • - DR. CHIRONNA: RIGHT.
  • 00:30:07.150 --> 00:30:08.030
  • - ANDY: AS WERE FINISHING
  • 00:30:08.030 --> 00:30:09.190
  • EDITING, BALTIMORE HAD JUST
  • 00:30:09.190 --> 00:30:10.130
  • HAPPENED.
  • 00:30:10.130 --> 00:30:11.110
  • - DR. CHIRONNA: RIGHT.
  • 00:30:11.110 --> 00:30:12.010
  • - ANDY: AND THERE WAS GROUP OF
  • 00:30:12.010 --> 00:30:12.230
  • GODLY PEOPLE, LIKE, EVEN, YOU
  • 00:30:12.230 --> 00:30:14.110
  • KNOW, OUR ACTORS, LIKE DEVON
  • 00:30:14.110 --> 00:30:15.070
  • FRANKLIN, THAT PLAYS THE
  • 00:30:15.070 --> 00:30:16.110
  • PASTOR, AND SHERRI SHEPHERD AND
  • 00:30:16.110 --> 00:30:17.200
  • OTHERS, THAT I JUST SAT THERE
  • 00:30:17.200 --> 00:30:19.080
  • AND SAID: "GUYS, HELP ME
  • 00:30:19.080 --> 00:30:20.070
  • UNDERSTAND WHAT'S GOING ON.
  • 00:30:20.070 --> 00:30:21.280
  • BECAUSE I DON'T WANNA MISS
  • 00:30:21.280 --> 00:30:22.250
  • THIS.
  • 00:30:22.250 --> 00:30:23.150
  • I WANT TO EMPATHIZE AS A
  • 00:30:23.150 --> 00:30:25.190
  • CHRISTIAN BROTHER AND I WANT
  • 00:30:25.190 --> 00:30:27.080
  • TO-- BECAUSE IT'S SO SIMILAR TO
  • 00:30:27.080 --> 00:30:28.100
  • THE STORY WE'RE TELLING, I WANT
  • 00:30:28.100 --> 00:30:30.180
  • TO MAKE SURE WE GET IT RIGHT."
  • 00:30:30.180 --> 00:30:32.130
  • AND SO, WE TOLD THAT STORY.
  • 00:30:32.130 --> 00:30:33.260
  • AND THEN AS WE RELEASED IT IN
  • 00:30:33.260 --> 00:30:35.190
  • THEATRES THIS PAST OCTOBER...
  • 00:30:35.190 --> 00:30:37.170
  • - DR. CHIRONNA: RIGHT.
  • 00:30:37.170 --> 00:30:38.160
  • - ANDY: ...TO HEAR THE STORIES
  • 00:30:38.160 --> 00:30:40.060
  • OF TEAMS COMING ALL TOGETHER...
  • 00:30:40.060 --> 00:30:43.000
  • TWO THOUSANDS KIDS GOT
  • 00:30:43.000 --> 00:30:45.000
  • TOGETHER, DIFFERENT TEAMS IN
  • 00:30:45.000 --> 00:30:47.180
  • LOS ANGELES AREA, AND THEY HAD
  • 00:30:47.180 --> 00:30:49.160
  • HUNDREDS AND HUNDREDS OF
  • 00:30:49.160 --> 00:30:50.120
  • DECISIONS FOR CHRIST, IN THE
  • 00:30:50.120 --> 00:30:51.110
  • THEATRE.
  • 00:30:51.110 --> 00:30:52.250
  • PASTORS WERE GETTING UP DURING
  • 00:30:52.250 --> 00:30:54.020
  • THE CREDITS AND LEADING
  • 00:30:54.020 --> 00:30:55.200
  • IMPROMPTU ALTAR CALLS.
  • 00:30:55.200 --> 00:30:57.170
  • AND WE SAW THOUSANDS COMING TO
  • 00:30:57.170 --> 00:30:59.150
  • CHRIST.
  • 00:30:59.150 --> 00:31:00.160
  • AND SO, WE WERE JUST FLOORED TO
  • 00:31:00.160 --> 00:31:02.220
  • SEE THE IMPACT THAT A STORY OF
  • 00:31:02.220 --> 00:31:04.070
  • WHAT HAPPENED IN 1973-- TO SEE
  • 00:31:04.070 --> 00:31:05.270
  • THAT START HAPPEN AGAIN IN
  • 00:31:05.270 --> 00:31:08.050
  • THESE MOVIE THEATRES.
  • 00:31:08.050 --> 00:31:10.130
  • AND SO, IT WAS AN AMAZING
  • 00:31:10.130 --> 00:31:11.060
  • RELEASE.
  • 00:31:11.060 --> 00:31:11.260
  • IT'S BEEN A THRILLING JOURNEY.
  • 00:31:11.260 --> 00:31:13.120
  • AND NOW, IT'S OUT ON BLU-RAY
  • 00:31:13.120 --> 00:31:14.190
  • AND DVD.
  • 00:31:14.190 --> 00:31:16.110
  • AND, WE'RE EXCITED TO SEE THAT
  • 00:31:16.110 --> 00:31:17.230
  • NOW IT'S SPREAD
  • 00:31:17.230 --> 00:31:19.210
  • INTERNATIONALLY, PEOPLE BEGIN
  • 00:31:19.210 --> 00:31:20.190
  • TO ENJOY IT ON DVD AND TO SEE
  • 00:31:20.190 --> 00:31:22.010
  • THAT STORY CONTINUE TO IMPACT
  • 00:31:22.010 --> 00:31:23.250
  • GENERATIONS TO COME.
  • 00:31:23.250 --> 00:31:26.110
  • - DR. CHIRONNA: AND WHAT'S
  • 00:31:26.110 --> 00:31:27.010
  • NEXT ON THE DOCKET?
  • 00:31:27.010 --> 00:31:28.050
  • - ANDY: WELL, I'M A
  • 00:31:28.050 --> 00:31:28.270
  • STORYTELLER, MARK.
  • 00:31:28.270 --> 00:31:30.040
  • AND I-- I MEAN, LIKE YOURSELF.
  • 00:31:30.040 --> 00:31:31.120
  • I-- WE'RE ALWAYS LOOKING FOR
  • 00:31:31.120 --> 00:31:32.220
  • GREAT STORIES.
  • 00:31:32.220 --> 00:31:33.170
  • OUR DESIRE IS TO BE GOOD
  • 00:31:33.170 --> 00:31:35.280
  • STEWARDS OF WHATEVER PLATFORM
  • 00:31:36.090 --> 00:31:39.090
  • GOD GIVES US.
  • 00:31:39.090 --> 00:31:39.270
  • YOU KNOW, BECAUSE I THINK THAT
  • 00:31:39.270 --> 00:31:40.180
  • RIGHT NOW IS A CRITICAL
  • 00:31:40.180 --> 00:31:42.150
  • OPPORTUNITY FOR US AS
  • 00:31:42.150 --> 00:31:43.180
  • CHRISTIANS, TO HEAR ABOUT THE
  • 00:31:43.180 --> 00:31:45.290
  • OPPORTUNITIES THAT ARE
  • 00:31:45.290 --> 00:31:47.000
  • HAPPENING WORLDWIDE, IN
  • 00:31:47.000 --> 00:31:48.010
  • THEATRES, TO WHERE THE GOSPEL
  • 00:31:48.010 --> 00:31:50.070
  • CAN BE PREACHED IN COUNTRIES
  • 00:31:50.070 --> 00:31:51.090
  • THAT-- YOU KNOW, IN THE
  • 00:31:51.140 --> 00:31:54.140
  • THEATRE, COUNTRIES WHERE, YOU
  • 00:31:54.140 --> 00:31:55.150
  • KNOW, YOU'D BE ARRESTED IN THE
  • 00:31:55.150 --> 00:31:56.110
  • STREETS TO DO THAT.
  • 00:31:56.110 --> 00:31:57.040
  • RIGHT NOW, YOU KNOW, IN
  • 00:31:57.040 --> 00:31:57.220
  • COUNTRIES LIKE CHINA, THEY'VE
  • 00:31:57.220 --> 00:31:59.260
  • DOUBLED THE AMOUNT OF THEATRES
  • 00:31:59.260 --> 00:32:01.260
  • THEY'VE HAD IN THE PAST TWO
  • 00:32:01.260 --> 00:32:02.220
  • YEARS.
  • 00:32:02.220 --> 00:32:03.290
  • THEY'RE BUILDING TEN THEATRES A
  • 00:32:03.290 --> 00:32:05.000
  • DAY.
  • 00:32:05.000 --> 00:32:05.260
  • BUT THIS TIME NEXT YEAR,
  • 00:32:05.260 --> 00:32:06.230
  • THEY'LL DOUBLE THAT AGAIN.
  • 00:32:06.230 --> 00:32:07.150
  • AND THEY'RE LOOKING FOR
  • 00:32:07.150 --> 00:32:09.170
  • AMERICAN FILMS TO BE ABLE TO
  • 00:32:09.170 --> 00:32:11.040
  • FILL, YOU KNOW, THE VOID IN THE
  • 00:32:11.040 --> 00:32:12.180
  • THEATRES.
  • 00:32:12.180 --> 00:32:13.090
  • AND TO KNOW THAT WE CAN DO
  • 00:32:13.090 --> 00:32:15.050
  • STORIES AND TO SEE THAT SHIPPED
  • 00:32:15.050 --> 00:32:16.220
  • OUT ON AUTOPILOT AROUND THE
  • 00:32:16.220 --> 00:32:18.180
  • WORLD AND TO SEE GOD IMPACT
  • 00:32:18.180 --> 00:32:21.090
  • LIVES AND THE GOSPEL TO GO OUT
  • 00:32:21.090 --> 00:32:22.260
  • IN A NEW WAY, I THINK IT'S THE
  • 00:32:22.260 --> 00:32:24.020
  • ROMANS ROAD OF TODAY'S CHURCH,
  • 00:32:24.020 --> 00:32:25.290
  • TO BE ABLE TO SHIP THE GOSPEL
  • 00:32:25.290 --> 00:32:27.170
  • AROUND THE WORLD, UTILIZING THE
  • 00:32:27.170 --> 00:32:29.010
  • INFRASTRUCTURE THAT IS ALREADY
  • 00:32:29.010 --> 00:32:30.010
  • THERE.
  • 00:32:30.010 --> 00:32:31.210
  • AND SO, OUR DESIRE AS
  • 00:32:31.210 --> 00:32:32.210
  • FILMMAKERS IS TO WORK WITH THE
  • 00:32:32.210 --> 00:32:34.060
  • LOCAL CHURCH AND TO SEE THE
  • 00:32:34.060 --> 00:32:35.210
  • GOSPEL CONTINUE TO SPREAD--
  • 00:32:35.210 --> 00:32:37.260
  • THAT THIS IS AN OPPORTUNITY FOR
  • 00:32:37.260 --> 00:32:39.040
  • EVANGELISM LIKE NO OTHER TIME
  • 00:32:39.040 --> 00:32:42.010
  • IN HISTORY, I BELIEVE.
  • 00:32:42.010 --> 00:32:42.270
  • AND SO, OUR DESIRE IS TO BE A
  • 00:32:42.270 --> 00:32:44.140
  • PART OF THAT.
  • 00:32:44.140 --> 00:32:45.030
  • - DR. CHIRONNA: AND, ANDY,
  • 00:32:45.030 --> 00:32:46.090
  • WE'VE GOT A FEW MINUTES LEFT.
  • 00:32:46.090 --> 00:32:48.090
  • AND I PROMISE YOU THERE ARE A
  • 00:32:48.250 --> 00:32:51.250
  • NUMBER OF PEOPLE IN EVERY
  • 00:32:52.130 --> 00:32:55.130
  • GENERATION THAT FEEL LIKE THEY
  • 00:32:55.130 --> 00:32:57.030
  • NEVER HAD THE OPPORTUNITY TO
  • 00:32:57.030 --> 00:32:58.290
  • PURSUE WHAT YOU'RE PURSUING.
  • 00:32:58.290 --> 00:33:00.250
  • I WANT YOU TO TALK TO THEM THAT
  • 00:33:00.250 --> 00:33:02.130
  • ARE ASPIRING ACTORS AND
  • 00:33:02.130 --> 00:33:03.180
  • ACTRESSES AND THOSE THAT ARE
  • 00:33:03.180 --> 00:33:04.290
  • ASPIRING STORYTELLERS AND JUST
  • 00:33:04.290 --> 00:33:07.150
  • SHARE YOUR HEART WITH THEM.
  • 00:33:07.150 --> 00:33:09.000
  • AND THEN PRAY FOR THEM.
  • 00:33:09.000 --> 00:33:09.270
  • - ANDY: ABSOLUTELY.
  • 00:33:09.270 --> 00:33:12.240
  • THAT'D BE AN HONOR.
  • 00:33:12.240 --> 00:33:13.140
  • YOU KNOW, FOR ANYBODY THAT'S
  • 00:33:13.140 --> 00:33:15.070
  • WATCHING THAT HAS A STORY ON
  • 00:33:15.070 --> 00:33:15.270
  • YOUR HEART THAT FEELS LIKE
  • 00:33:15.270 --> 00:33:17.090
  • GOD'S GIVING YOU A DESIRE AND A
  • 00:33:17.090 --> 00:33:19.140
  • GIFT TO BE ABLE TO TELL THAT
  • 00:33:19.140 --> 00:33:21.190
  • STORY, THERE IS A POWER IN
  • 00:33:21.190 --> 00:33:22.210
  • STORYTELLING.
  • 00:33:22.210 --> 00:33:24.150
  • I DON'T CARE IF IT'S USING A
  • 00:33:24.150 --> 00:33:26.030
  • BEAUTIFUL VOICE LIKE MICAH HAS,
  • 00:33:26.030 --> 00:33:28.030
  • BEING A FILMMAKER, LIKE MYSELF,
  • 00:33:28.030 --> 00:33:29.020
  • BEING A PREACHER, OR AN AUTHOR,
  • 00:33:29.020 --> 00:33:30.220
  • GOD USES STORIES.
  • 00:33:31.000 --> 00:33:34.000
  • IF YOU LOOK AT THE WAY THAT
  • 00:33:34.000 --> 00:33:34.290
  • JESUS LED HIS MINISTRY, HE
  • 00:33:34.290 --> 00:33:36.080
  • WOULD TELL THESE BEAUTIFUL
  • 00:33:36.080 --> 00:33:37.060
  • PARABLES.
  • 00:33:37.060 --> 00:33:38.170
  • AND IT WOULD MAKE PEOPLE SIT
  • 00:33:38.170 --> 00:33:39.290
  • FORWARD AND NOT QUITE
  • 00:33:39.290 --> 00:33:41.120
  • UNDERSTAND EXACTLY WHAT IT WAS
  • 00:33:41.120 --> 00:33:42.110
  • ABOUT BUT WANNA KNOW MORE.
  • 00:33:42.110 --> 00:33:44.040
  • AND THEN THEY'D COME TO HIM
  • 00:33:44.040 --> 00:33:44.290
  • AFTERWARDS AND SAY:
  • 00:33:44.290 --> 00:33:46.080
  • "WHAT WAS THAT ABOUT?
  • 00:33:46.080 --> 00:33:46.250
  • TELL ME ABOUT THAT."
  • 00:33:46.250 --> 00:33:48.010
  • AND HE BEGAN TO SHARE ABOUT THE
  • 00:33:48.010 --> 00:33:48.230
  • AND I FEEL THAT THROUGH, YOU
  • 00:33:51.250 --> 00:33:52.150
  • KNOW, THE CHURCH, FOR A LONG
  • 00:33:52.150 --> 00:33:55.110
  • TIME, WE OWNED THE ARTS.
  • 00:33:55.110 --> 00:33:56.140
  • AND FOR A PERIOD OF TIME, I
  • 00:33:56.140 --> 00:33:57.190
  • THINK WE FORSOOK THE ARTS AND
  • 00:33:57.190 --> 00:33:58.230
  • WE SAID THAT'S SOMETHING THAT
  • 00:33:58.230 --> 00:34:00.230
  • WE SHOULDN'T BE A PART OF.
  • 00:34:00.230 --> 00:34:02.240
  • AND AS A RESULT, WE'VE LEFT A
  • 00:34:02.240 --> 00:34:03.170
  • VOID.
  • 00:34:03.170 --> 00:34:05.080
  • AND GOD HAS GIVEN US A DOOR AND
  • 00:34:05.080 --> 00:34:06.200
  • AN OPPORTUNITY TO HAVE A PLACE
  • 00:34:06.200 --> 00:34:08.130
  • AT THE TABLE AGAIN, TO BEGIN TO
  • 00:34:08.130 --> 00:34:09.250
  • UTILIZE THIS TO SHARE THE
  • 00:34:09.250 --> 00:34:10.220
  • AND WE NEED PEOPLE TO TAKE
  • 00:34:13.140 --> 00:34:14.030
  • ADVANTAGE OF THAT.
  • 00:34:14.030 --> 00:34:16.120
  • AND WE NEED THE SUPPORT OF THE
  • 00:34:16.120 --> 00:34:17.170
  • LOCAL CHURCH TO CONTINUE TO
  • 00:34:17.170 --> 00:34:18.070
  • GIVE THAT OPPORTUNITY SO IT
  • 00:34:18.070 --> 00:34:19.030
  • EXPANDS INSTEAD OF SHRINKS.
  • 00:34:19.030 --> 00:34:21.090
  • AND SO, FOR ANYBODY THAT HAS
  • 00:34:21.090 --> 00:34:22.130
  • THAT DREAM, I REMEMBER, YOU
  • 00:34:22.130 --> 00:34:23.200
  • KNOW, AS A 15-YEAR-OLD KID,
  • 00:34:23.200 --> 00:34:25.140
  • THINKING, WHAT COULD GOD EVER
  • 00:34:25.140 --> 00:34:26.250
  • DO WITH A KID WITH A CAMERA?
  • 00:34:26.250 --> 00:34:28.170
  • AND, TO SEE THAT GOD-- IT'S
  • 00:34:29.210 --> 00:34:32.210
  • GOD'S BUSINESS HOW HE USES THE
  • 00:34:32.210 --> 00:34:33.190
  • GIFT THAT HE'S GIVEN YOU; ALL
  • 00:34:33.190 --> 00:34:34.210
  • HE WANTS IS YOU TO BE AVAILABLE
  • 00:34:34.210 --> 00:34:36.030
  • AND SAY, "GOD, PLEASE USE ME."
  • 00:34:36.030 --> 00:34:37.130
  • AND I BELIEVE THAT THERE'S A
  • 00:34:37.130 --> 00:34:39.100
  • LOT OF PEOPLE WATCHING THAT
  • 00:34:39.100 --> 00:34:40.210
  • HAVE THAT SAME DESIRE.
  • 00:34:40.210 --> 00:34:42.080
  • AND MY PRAYER WAS THAT YOU
  • 00:34:42.080 --> 00:34:43.210
  • WOULD FIND YOUR WOODLAWN AND GO
  • 00:34:43.210 --> 00:34:44.130
  • OUT BEGIN TO TELL YOUR STORY,
  • 00:34:44.130 --> 00:34:47.010
  • THE WAY THAT THE KENDRICKS
  • 00:34:47.010 --> 00:34:47.230
  • ENCOURAGED US.
  • 00:34:47.230 --> 00:34:49.190
  • SO, LET ME PRAY FOR YOU.
  • 00:34:50.020 --> 00:34:53.020
  • LORD JESUS, I THANK YOU SO MUCH
  • 00:34:53.020 --> 00:34:53.240
  • FOR YOUR UNMERITED GRACE AND
  • 00:34:53.240 --> 00:34:54.170
  • FAVOR.
  • 00:34:54.170 --> 00:34:56.190
  • I THANK YOU SO MUCH THAT YOU
  • 00:34:56.190 --> 00:34:59.140
  • DESIRE TO USE PEOPLE.
  • 00:34:59.140 --> 00:35:02.060
  • - DR. CHIRONNA: YES, LORD.
  • 00:35:02.060 --> 00:35:03.000
  • - ANDY: I THANK YOU SO MUCH,
  • 00:35:03.000 --> 00:35:03.210
  • LORD, THAT YOU PLANT THE DREAM
  • 00:35:03.210 --> 00:35:06.010
  • IN ORDER TO ONE DAY FULFILL THE
  • 00:35:06.010 --> 00:35:06.230
  • DREAM.
  • 00:35:06.230 --> 00:35:07.100
  • - DR. CHIRONNA: YES, LORD.
  • 00:35:07.100 --> 00:35:08.000
  • - ANDY: AND SO, LORD, I JUST
  • 00:35:08.000 --> 00:35:08.210
  • PRAY THAT ANYBODY THAT'S
  • 00:35:08.210 --> 00:35:10.030
  • WATCHING THAT HAS THE DESIRE TO
  • 00:35:10.030 --> 00:35:11.240
  • BE USED BY YOU THROUGH FILM,
  • 00:35:11.240 --> 00:35:14.030
  • THROUGH TELLING STORIES, THAT
  • 00:35:14.030 --> 00:35:15.240
  • YOU WOULD PUT THE STORY IN
  • 00:35:15.240 --> 00:35:16.260
  • THEIR HEART AND THAT YOU WOULD
  • 00:35:16.260 --> 00:35:18.060
  • GIVE THEM THE MEANS AND THE
  • 00:35:18.060 --> 00:35:19.210
  • RESOURCES TO TELL THAT.
  • 00:35:19.210 --> 00:35:20.270
  • I PRAY THAT THE OPPORTUNITY
  • 00:35:20.270 --> 00:35:22.150
  • THAT WE HAVE RIGHT NOW AS THE
  • 00:35:22.150 --> 00:35:23.130
  • CHURCH, I PRAY THAT THIS WOULD
  • 00:35:23.130 --> 00:35:25.210
  • BE AN OPPORTUNITY TO SEE
  • 00:35:25.210 --> 00:35:26.110
  • REVIVAL, THE WAY WE HAVEN'T
  • 00:35:26.110 --> 00:35:28.060
  • SEEN IN 42 YEARS.
  • 00:35:28.060 --> 00:35:29.180
  • I PRAY THAT, LORD JESUS, THAT
  • 00:35:29.180 --> 00:35:31.280
  • YOU WOULD BRING ANOTHER JESUS
  • 00:35:31.280 --> 00:35:34.190
  • MOVEMENT TO OUR COUNTRY...
  • 00:35:34.190 --> 00:35:35.270
  • - DR. CHIRONNA: YES, LORD.
  • 00:35:35.270 --> 00:35:37.070
  • - ANDY: AND THAT YOU WOULD
  • 00:35:37.070 --> 00:35:37.270
  • BEGIN TO RADICALLY SAVE PEOPLE,
  • 00:35:37.270 --> 00:35:38.260
  • TO WHERE PEOPLE WOULD GO FROM
  • 00:35:38.260 --> 00:35:39.190
  • CALLING THEMSELVES FREAKS TO
  • 00:35:39.190 --> 00:35:41.130
  • BECOMING JESUS FREAKS AGAIN.
  • 00:35:41.130 --> 00:35:43.150
  • I PRAY THAT REVIVAL WOULD SWEEP
  • 00:35:43.150 --> 00:35:45.150
  • OUR COUNTRY AND THAT YOU WOULD
  • 00:35:45.150 --> 00:35:46.060
  • TOUCH MY GENERATION AND
  • 00:35:46.060 --> 00:35:47.160
  • GENERATIONS AFTER US WITH THE
  • 00:35:47.160 --> 00:35:49.090
  • POWER AND THE GOSPEL LIKE NEVER
  • 00:35:49.090 --> 00:35:50.230
  • BEFORE.
  • 00:35:50.230 --> 00:35:51.210
  • WE PRAY THIS IN YOUR NAME,
  • 00:35:51.210 --> 00:35:53.010
  • AMEN.
  • 00:35:53.010 --> 00:35:53.200
  • - DR. CHIRONNA: AMEN.
  • 00:35:53.200 --> 00:35:54.290
  • [AUDIENCE SAYS "AMEN"]
  • 00:35:54.290 --> 00:35:55.200
  • ANDY, I PRAY GOD WILL GIVE YOU
  • 00:35:55.200 --> 00:35:56.190
  • AND YOUR BROTHER THE ANOINTING
  • 00:35:56.190 --> 00:35:58.050
  • OF DAVID.
  • 00:35:58.050 --> 00:36:00.040
  • [APPLAUSE]
  • 00:36:00.040 --> 00:36:00.290
  • - ANDY: MM-HMM.
  • 00:36:00.290 --> 00:36:01.170
  • - DR. CHIRONNA: NOT JUST TO
  • 00:36:01.170 --> 00:36:02.070
  • TAKE DOWN GOLIATH BUT ALL OF
  • 00:36:02.070 --> 00:36:03.100
  • HIS BROTHERS AND THE ENTIRE
  • 00:36:03.100 --> 00:36:04.000
  • PHILISTINES IN ONE GENERATION.
  • 00:36:04.000 --> 00:36:04.280
  • GOD BLESS YOU.
  • 00:36:04.280 --> 00:36:07.230
  • [APPLAUSE, CHEERS]
  • 00:36:07.230 --> 00:36:10.180
  • BLESS YOU, BLESS YOU.
  • 00:36:10.180 --> 00:36:11.080
  • [APPLAUSE]
  • 00:36:11.080 --> 00:36:11.290
  • MY, MY...AMAZING.
  • 00:36:11.290 --> 00:36:13.080
  • MICAH IS ABOUT TO SING
  • 00:36:13.080 --> 00:36:15.230
  • FOR US AGAIN WITH THE TEAM
  • 00:36:15.230 --> 00:36:17.140
  • "SING HALLELUJAH."
  • 00:36:17.140 --> 00:36:20.030
  • LET'S WELCOME HIM AS HE COMES.
  • 00:36:20.030 --> 00:36:20.280
  • FROM THE EARTH...
  • 00:36:48.000 --> 00:36:50.250
  • WE PROCLAIM YOUR MAJESTY
  • 00:36:52.250 --> 00:36:55.250
  • BEHOLD THY KING
  • 00:36:56.220 --> 00:36:59.220
  • MM...
  • 00:36:59.290 --> 00:37:03.010
  • THE LAMB OF ROYAL DEITY
  • 00:37:06.020 --> 00:37:09.020
  • THERE IS NONE LIKE YOU
  • 00:37:11.040 --> 00:37:14.040
  • WHO IS FAITHFUL AND TRUE
  • 00:37:19.020 --> 00:37:22.020
  • IN YOUR WORD...
  • 00:37:24.020 --> 00:37:27.020
  • WE FIND GRACE, STRENGTH, AND
  • 00:37:28.140 --> 00:37:31.140
  • PEACE
  • 00:37:38.030 --> 00:37:41.030
  • WE REJOICE
  • 00:37:41.030 --> 00:37:42.040
  • AT THE MENTION OF YOUR NAME
  • 00:37:42.040 --> 00:37:44.190
  • THERE IS NONE LIKE YOU
  • 00:37:46.100 --> 00:37:49.100
  • WHO IS FAITHFUL AND TRUE
  • 00:37:52.160 --> 00:37:55.160
  • SAY!
  • 00:37:57.190 --> 00:38:00.210
  • EVERY NATION JOIN IN ONE
  • 00:38:00.210 --> 00:38:02.110
  • ACCORD TO SAY:
  • 00:38:02.110 --> 00:38:05.000
  • HALLELUJAH
  • 00:38:05.000 --> 00:38:05.230
  • HALLELUJAH...
  • 00:38:05.230 --> 00:38:08.130
  • ALL CREATION JOIN WITH ONE
  • 00:38:09.040 --> 00:38:12.040
  • VOICE AND SAY:
  • 00:38:12.040 --> 00:38:13.050
  • HALLELUJAH
  • 00:38:13.050 --> 00:38:15.220
  • HALLELUJAH!
  • 00:38:21.290 --> 00:38:24.290
  • FROM THE EARTH,
  • 00:38:24.290 --> 00:38:26.270
  • WE PROCLAIM YOUR MAJESTY
  • 00:38:31.060 --> 00:38:34.060
  • BEHOLD THE KING...
  • 00:38:34.060 --> 00:38:36.250
  • BEHOLD THE KING
  • 00:38:36.250 --> 00:38:38.090
  • [SPEAKING FOREIGN
  • 00:38:38.090 --> 00:38:39.110
  • THE LAMB OF ROYAL DEITY
  • 00:38:41.120 --> 00:38:44.120
  • GLORY TO YOUR NAME
  • 00:38:44.120 --> 00:38:46.270
  • THERE IS NONE...
  • 00:38:46.270 --> 00:38:48.000
  • THERE IS NONE LIKE YOU
  • 00:38:48.100 --> 00:38:51.100
  • WHO IS FAITHFUL AND TRUE
  • 00:38:55.130 --> 00:38:58.130
  • AND EVERY NATION...
  • 00:38:58.130 --> 00:39:00.060
  • SAY!
  • 00:39:00.060 --> 00:39:01.030
  • EVERY NATION JOIN IN ONE
  • 00:39:01.030 --> 00:39:03.200
  • ACCORD AND SAY:
  • 00:39:03.200 --> 00:39:04.270
  • HALLELUJAH
  • 00:39:04.270 --> 00:39:07.030
  • HEY!
  • 00:39:07.030 --> 00:39:07.270
  • HALLELUJAH
  • 00:39:07.270 --> 00:39:10.210
  • - MICAH: AND ALL CREATION...
  • 00:39:10.210 --> 00:39:12.010
  • JOIN WITH ONE VOICE!
  • 00:39:12.080 --> 00:39:15.080
  • SAY!
  • 00:39:15.080 --> 00:39:15.260
  • HALLELUJAH...
  • 00:39:15.260 --> 00:39:17.220
  • HALLELUJAH!
  • 00:39:17.220 --> 00:39:20.080
  • [VOCALIZING]
  • 00:39:20.080 --> 00:39:22.290
  • EVERY NATION
  • 00:39:22.290 --> 00:39:23.240
  • WHOOH!
  • 00:39:23.240 --> 00:39:25.000
  • EVERY NATION JOIN IN ONE VOIE
  • 00:39:25.000 --> 00:39:25.250
  • SAY!
  • 00:39:25.250 --> 00:39:26.170
  • HEY!
  • 00:39:26.170 --> 00:39:27.130
  • HALLELUJAH!
  • 00:39:27.130 --> 00:39:28.210
  • HEY!
  • 00:39:29.030 --> 00:39:32.030
  • ALL CREATION
  • 00:39:32.030 --> 00:39:33.270
  • ALL CREATION JOIN WITH ONE
  • 00:39:34.030 --> 00:39:37.030
  • VOICE AND SAY...
  • 00:39:37.030 --> 00:39:37.230
  • HALLELUJAH!
  • 00:39:37.230 --> 00:39:40.140
  • HALLELUJAAAAAAH!
  • 00:39:43.200 --> 00:39:46.200
  • ALMIGHTY GOD!
  • 00:39:46.200 --> 00:39:48.140
  • WHOO!
  • 00:39:48.140 --> 00:39:50.090
  • YOU ARE OUR KING
  • 00:39:50.090 --> 00:39:52.020
  • MAJESTY
  • 00:39:52.120 --> 00:39:55.120
  • LET ALL THE PEOPLE SAY...
  • 00:39:55.120 --> 00:39:57.100
  • IN ONE ACCORD WE'LL SAY
  • 00:39:57.100 --> 00:40:00.000
  • HALLELUJAH...
  • 00:40:00.000 --> 00:40:02.160
  • HALLELUJAH...
  • 00:40:02.160 --> 00:40:05.130
  • LET ALL THE PEOPLE SAY...
  • 00:40:05.130 --> 00:40:08.080
  • IN ONE ACCORD WE'LL SAY
  • 00:40:08.080 --> 00:40:10.120
  • HALLELUJAH...
  • 00:40:10.220 --> 00:40:13.220
  • COME ON, YOU GOT IT, EVERYBODY.
  • 00:40:13.220 --> 00:40:15.010
  • LET ALL THE PEOPLE SING!
  • 00:40:15.010 --> 00:40:17.060
  • LET ALL THE PEOPLE SING...
  • 00:40:17.060 --> 00:40:19.080
  • IN ONE ACCORD WE'LL SAY...
  • 00:40:19.080 --> 00:40:21.290
  • HALLELUJAH
  • 00:40:21.290 --> 00:40:24.170
  • COME ON, LIFT YOUR VOICES UP!
  • 00:40:24.170 --> 00:40:25.080
  • SITTING IN YOUR LIVING ROOM,
  • 00:40:25.080 --> 00:40:27.030
  • SAY!
  • 00:40:27.030 --> 00:40:29.260
  • IN ONE ACCORD...
  • 00:40:29.260 --> 00:40:32.090
  • HALLELUJAH!
  • 00:40:32.090 --> 00:40:34.090
  • HALLELUJAH!
  • 00:40:35.120 --> 00:40:38.120
  • [VOCALIZED SCREAM]
  • 00:40:38.120 --> 00:40:39.290
  • LET ALL THE PEOPLE SAY
  • 00:40:39.290 --> 00:40:40.240
  • PEOPLE SAY...
  • 00:40:40.240 --> 00:40:41.230
  • SAY!
  • 00:40:41.230 --> 00:40:43.040
  • HALLELUJAH
  • 00:40:43.040 --> 00:40:46.000
  • HALLELUJAH
  • 00:40:46.000 --> 00:40:48.260
  • [SCREAM]
  • 00:40:48.260 --> 00:40:50.210
  • LET THE PEOPLE SAY!
  • 00:41:01.090 --> 00:41:04.090
  • CRY OUT!
  • 00:41:04.090 --> 00:41:04.240
  • CRY OUT!
  • 00:41:04.240 --> 00:41:05.220
  • WILL YOU CRY HALLELUJAH?
  • 00:41:05.220 --> 00:41:07.110
  • AND SING HALLELUJAH
  • 00:41:07.110 --> 00:41:08.090
  • YEAAAAH!
  • 00:41:08.090 --> 00:41:10.040
  • YEAAAAH!
  • 00:41:10.040 --> 00:41:10.270
  • WORTHY IS THE LAMB!
  • 00:41:10.270 --> 00:41:12.140
  • WORTHY IS THE LAMB!
  • 00:41:12.140 --> 00:41:13.290
  • YEAAAAH!
  • 00:41:13.290 --> 00:41:15.120
  • HALLELUJAH!
  • 00:41:21.060 --> 00:41:24.060
  • LIFT YOUR VOICES IN WORSHIP!
  • 00:41:24.060 --> 00:41:25.070
  • LET ALL THE PEOPLE SAY...
  • 00:41:25.070 --> 00:41:26.020
  • YEAAAAH!
  • 00:41:26.020 --> 00:41:26.280
  • IN ONE ACCORD WE'LL SAY...
  • 00:41:26.280 --> 00:41:27.220
  • HALLELUJAH!
  • 00:41:27.220 --> 00:41:29.040
  • HALLELUJAH...
  • 00:41:29.040 --> 00:41:31.240
  • HEY!
  • 00:41:31.240 --> 00:41:32.240
  • YEAAAAH-EEEH!
  • 00:41:32.240 --> 00:41:34.040
  • LET ALL THE PEOPLE SAY...
  • 00:41:34.040 --> 00:41:36.150
  • LET THE PEOPLE SAY!
  • 00:41:36.150 --> 00:41:38.210
  • IN ONE ACCORD WE'LL SAY
  • 00:41:38.210 --> 00:41:39.110
  • HALLELUJAH
  • 00:41:39.110 --> 00:41:40.190
  • HALLELUJAH...
  • 00:41:40.280 --> 00:41:43.280
  • LET ALL THE PEOPLE SAY,
  • 00:41:44.210 --> 00:41:47.210
  • IN ONE ACCORD WE'LL SAY
  • 00:41:47.210 --> 00:41:49.190
  • HALLELUJAH...
  • 00:41:49.190 --> 00:41:51.260
  • [AUDIENCE SINGS]
  • 00:41:51.260 --> 00:41:53.270
  • COME ON, LIFT IT UP.
  • 00:41:53.270 --> 00:41:54.210
  • SHOUT!
  • 00:41:54.210 --> 00:41:55.120
  • LET ALL THE PEOPLE SAY...
  • 00:41:55.120 --> 00:41:57.100
  • IN ONE ACCORD WE'LL SAY
  • 00:41:57.100 --> 00:41:59.200
  • HALLELUJAH
  • 00:41:59.200 --> 00:42:02.150
  • [SPEAKING IN TONGUES]
  • 00:42:02.150 --> 00:42:04.030
  • ONE MORE TIME.
  • 00:42:04.030 --> 00:42:06.010
  • SING...
  • 00:42:06.010 --> 00:42:07.240
  • LET ALL THE PEOPLE SAY...
  • 00:42:07.240 --> 00:42:09.100
  • IN ONE ACCORD WE'LL SAY
  • 00:42:09.100 --> 00:42:11.260
  • HALLELUJAH
  • 00:42:13.290 --> 00:42:16.290
  • HALLELUJAH...
  • 00:42:17.130 --> 00:42:20.130
  • [APPLAUSE, CHEERS]
  • 00:42:20.130 --> 00:42:21.110
  • HALLELUJAH...
  • 00:42:21.110 --> 00:42:23.120
  • HALLELUJAH...
  • 00:42:23.120 --> 00:42:25.160
  • [APPLAUSE, CHEERS]
  • 00:42:27.210 --> 00:42:30.210
  • - DR. CHIRONNA: THANK YOU,
  • 00:42:30.210 --> 00:42:31.110
  • MICAH.
  • 00:42:31.110 --> 00:42:32.290
  • ONCE AGAIN, IF YOU DON'T HAVE
  • 00:42:32.290 --> 00:42:33.210
  • MICAH'S NEW PROJECT, LOG ONTO
  • 00:42:33.210 --> 00:42:34.140
  • HIS WEBSITE.
  • 00:42:34.140 --> 00:42:36.140
  • GET IT.
  • 00:42:36.140 --> 00:42:38.010
  • DOWNLOAD IT ON ITUNES.
  • 00:42:38.010 --> 00:42:38.250
  • ALL THROUGH THE EVENING, YOU'LL
  • 00:42:43.050 --> 00:42:44.050
  • NOTICE IN THE LOWER CORNER OF
  • 00:42:44.050 --> 00:42:44.260
  • YOUR SCREEN THERE'S A NUMBER.
  • 00:42:44.260 --> 00:42:45.240
  • THAT'S A DIRECT LINE TO ONE OF
  • 00:42:45.240 --> 00:42:47.120
  • OUR PRAYER PARTNERS.
  • 00:42:47.120 --> 00:42:49.260
  • WHATEVER YOUR NEED IS, IF YOU
  • 00:42:49.260 --> 00:42:50.200
  • ARE IN A PLACE WHERE YOU NEED
  • 00:42:50.200 --> 00:42:53.100
  • SOMEONE TO TOUCH AND AGREE WITH
  • 00:42:53.100 --> 00:42:54.220
  • YOU IN FAITH FOR GOD TO DO WHAT
  • 00:42:54.220 --> 00:42:56.150
  • RIGHT NOW LOOKS IMPOSSIBLE, I
  • 00:42:56.150 --> 00:42:58.260
  • INVITE YOU TO CALL THAT NUMBER
  • 00:42:58.260 --> 00:43:00.130
  • RIGHT NOW AND ALLOW ONE OF OUR
  • 00:43:00.130 --> 00:43:03.060
  • PRAYER PARTNERS TO TOUCH AND
  • 00:43:03.060 --> 00:43:04.040
  • THERE IS A GOD IN HEAVEN WHO
  • 00:43:06.200 --> 00:43:07.110
  • HEARS AND ANSWERS PRAYER.
  • 00:43:09.140 --> 00:43:12.140
  • AND JESUS LOVES YOU ENOUGH TO
  • 00:43:12.140 --> 00:43:13.050
  • HAVE DIED TO SAY YES TO EVERY
  • 00:43:13.050 --> 00:43:13.260
  • PROMISE THE FATHER GAVE.
  • 00:43:13.260 --> 00:43:16.250
  • AND IF YOU'RE WATCHING AND HAVE
  • 00:43:16.250 --> 00:43:17.170
  • NEVER, EVER AND SURRENDERED TO
  • 00:43:17.280 --> 00:43:20.280
  • THE LORD JESUS, THERE'S NO TIME
  • 00:43:20.280 --> 00:43:21.250
  • LIKE THE PRESENT.
  • 00:43:21.250 --> 00:43:23.070
  • ALL YOU'VE GOT TO DO IS
  • 00:43:23.070 --> 00:43:23.250
  • ACKNOWLEDGE THAT YOU NEED HIM,
  • 00:43:23.250 --> 00:43:24.220
  • ASK HIS FORGIVENESS, INVITE HIM
  • 00:43:24.220 --> 00:43:27.000
  • TO BE COMPLETELY IN CONTROL OF
  • 00:43:27.000 --> 00:43:30.000
  • YOUR LIFE AND LET HIM DO THE
  • 00:43:30.000 --> 00:43:30.280
  • REST.
  • 00:43:30.280 --> 00:43:32.220
  • DON'T TRY TO FIX YOURSELF.
  • 00:43:32.220 --> 00:43:34.020
  • NONE OF US DOES A GREAT JOB OF
  • 00:43:34.020 --> 00:43:36.060
  • FIXING OURSELVES.
  • 00:43:36.210 --> 00:43:39.210
  • LET GOD HEAL YOU FROM THE
  • 00:43:39.210 --> 00:43:40.100
  • INSIDE OUT THROUGH THE FREE
  • 00:43:40.100 --> 00:43:41.250
  • GIFT OF REDEMPTION IN THE LORD
  • 00:43:41.250 --> 00:43:42.190
  • JESUS.
  • 00:43:43.090 --> 00:43:46.090
  • SO, IF YOU'D LIKE TO KNOW WHO
  • 00:43:46.090 --> 00:43:47.080
  • JESUS IS, ONE OF THOSE PRAYER
  • 00:43:47.080 --> 00:43:47.290
  • PARTNERS WILL INTRODUCE YOU TO
  • 00:43:47.290 --> 00:43:48.200
  • HIM IN PRAYER.
  • 00:43:48.200 --> 00:43:49.270
  • I ENCOURAGE YOU TO CALL.
  • 00:43:49.270 --> 00:43:50.290
  • I'M DELIGHTED TO HAVE SITTING
  • 00:43:50.290 --> 00:43:53.270
  • ACROSS FROM ME AN ACTRESS WHO
  • 00:43:53.270 --> 00:43:56.170
  • HAS QUITE A LIST OF INCREDIBLE
  • 00:43:56.170 --> 00:43:59.160
  • CREDITS TO HER NAME, NOT
  • 00:43:59.160 --> 00:44:00.260
  • THE LEAST OF WHICH IS
  • 00:44:00.260 --> 00:44:02.060
  • "THE BLIND SIDE" AND MANY OTHER
  • 00:44:02.060 --> 00:44:04.010
  • MAJOR FILMS.
  • 00:44:04.010 --> 00:44:05.220
  • AND, ALONG WITH THAT, "MOMS'
  • 00:44:05.220 --> 00:44:07.020
  • NIGHT OUT," WHICH WE JUST HEARD
  • 00:44:07.020 --> 00:44:08.000
  • ANDY TALK ABOUT.
  • 00:44:08.000 --> 00:44:09.180
  • RHODA IS DOING A GREAT WORK IN
  • 00:44:09.180 --> 00:44:12.040
  • THE THEATRE AND ON FILM AND I
  • 00:44:12.040 --> 00:44:15.020
  • WANT YOU TO WELCOME HER RIGHT
  • 00:44:15.020 --> 00:44:15.260
  • NOW.
  • 00:44:15.260 --> 00:44:17.140
  • RHODA GRIFFIS, BLESS YOU.
  • 00:44:17.140 --> 00:44:18.030
  • [APPLAUSE, CHEERS]
  • 00:44:18.030 --> 00:44:19.230
  • - RHODA GRIFFIS: THANK YOU!
  • 00:44:19.230 --> 00:44:20.160
  • - DR. CHIRONNA: WE'RE GLAD
  • 00:44:20.160 --> 00:44:21.060
  • YOU'RE HERE.
  • 00:44:21.060 --> 00:44:22.080
  • - RHODA: THANKS FOR HAVING ME.
  • 00:44:22.080 --> 00:44:23.290
  • - DR. CHIRONNA: ONE OF THE
  • 00:44:23.290 --> 00:44:25.040
  • THINGS I OFTEN SAY ABOUT ACTORS
  • 00:44:25.040 --> 00:44:27.160
  • AND ACTRESSES THAT REALLY DO
  • 00:44:27.160 --> 00:44:29.040
  • EXCEL IS THAT THEY'VE GOT THE
  • 00:44:29.180 --> 00:44:32.180
  • "IT" FACTOR.
  • 00:44:32.180 --> 00:44:34.040
  • - RHODA: HUH!
  • 00:44:34.040 --> 00:44:35.160
  • - DR. CHIRONNA: AND YOU
  • 00:44:35.160 --> 00:44:36.090
  • DEFINITELY HAVE THE "IT"
  • 00:44:36.090 --> 00:44:36.270
  • FACTOR.
  • 00:44:36.270 --> 00:44:38.100
  • [RHODA LAUGHING]
  • 00:44:38.100 --> 00:44:38.270
  • - RHODA: THANK YOU.
  • 00:44:38.270 --> 00:44:39.260
  • - DR. CHIRONNA: SO, TALK ABOUT
  • 00:44:39.260 --> 00:44:40.180
  • WHERE THAT COMES FROM FOR YOU.
  • 00:44:40.180 --> 00:44:41.170
  • - RHODA: HMMM...
  • 00:44:41.170 --> 00:44:43.130
  • FIRST OF ALL, I THINK IT IS
  • 00:44:43.130 --> 00:44:44.130
  • GOD, SINCE WE'RE ON THAT
  • 00:44:44.130 --> 00:44:46.160
  • SUBJECT.
  • 00:44:47.040 --> 00:44:50.040
  • I NEVER REALIZED THAT I WAS
  • 00:44:50.040 --> 00:44:50.240
  • COMING FROM A SMALL TOWN IN
  • 00:44:53.070 --> 00:44:53.270
  • NORTH CAROLINA WITH TWO
  • 00:44:53.270 --> 00:44:54.150
  • STOPLIGHTS, WHERE FAST FOOD
  • 00:44:54.150 --> 00:44:56.010
  • MEANT YOUR MOM HANDED YOU A
  • 00:44:56.010 --> 00:44:56.210
  • SANDWICH--
  • 00:44:56.210 --> 00:44:59.010
  • - DR. CHIRONNA: WHICH TOWN?
  • 00:44:59.010 --> 00:44:59.210
  • - RHODA: IT'S CALLED ANGIER,
  • 00:44:59.210 --> 00:45:00.140
  • - DR. CHIRONNA: I KNOW WHERE
  • 00:45:01.200 --> 00:45:02.110
  • YOU ARE.
  • 00:45:02.110 --> 00:45:02.290
  • - RHODA: DO YOU?
  • 00:45:02.290 --> 00:45:03.190
  • - DR. CHIRONNA: I WAS IN
  • 00:45:03.190 --> 00:45:04.100
  • RALEIGH FOR TEN YEARS.
  • 00:45:04.100 --> 00:45:05.020
  • I KNOW WHERE ANGIER IS.
  • 00:45:05.020 --> 00:45:05.220
  • - RHODA: OH, YOU DO KNOW WHERE
  • 00:45:05.220 --> 00:45:06.180
  • IT IS.
  • 00:45:06.180 --> 00:45:07.050
  • TWO STOPLIGHTS AND BARBEQUE AND
  • 00:45:07.050 --> 00:45:07.270
  • TOBACCO.
  • 00:45:07.270 --> 00:45:08.070
  • AND FAST FOOD WAS YOUR MOM
  • 00:45:08.070 --> 00:45:08.270
  • HANDING YOU A SANDWICH REALLY
  • 00:45:08.270 --> 00:45:09.180
  • FAST, WRAPPED IN WAX PAPER.
  • 00:45:09.180 --> 00:45:10.260
  • [DR. CHIRONNA LAUGHS]
  • 00:45:10.260 --> 00:45:11.130
  • THAT WAS ALL I KNEW OF FAST
  • 00:45:11.130 --> 00:45:12.150
  • FOOD.
  • 00:45:12.150 --> 00:45:15.020
  • BUT, I WAS BORN AND RAISED
  • 00:45:15.020 --> 00:45:15.290
  • PENTECOSTAL AND I WANTED TO BE
  • 00:45:15.290 --> 00:45:16.200
  • AN ACTRESS.
  • 00:45:16.200 --> 00:45:19.070
  • I DECIDED IN THE SECOND GRADE.
  • 00:45:19.070 --> 00:45:20.070
  • AND MY MOM LISTENED.
  • 00:45:20.070 --> 00:45:22.150
  • AND SHE SAT IN THAT STATION
  • 00:45:22.150 --> 00:45:24.000
  • WAGON THROUGH...EVERY KIND OF
  • 00:45:24.000 --> 00:45:26.260
  • LESSON YOU COULD POSSIBLY
  • 00:45:26.260 --> 00:45:28.090
  • IMAGINE AND SUPPORTED ME IN
  • 00:45:28.250 --> 00:45:31.250
  • EVERY WAY I COULD IMAGINE.
  • 00:45:31.250 --> 00:45:33.180
  • AND, I STARTED ACTING IN PLAYS
  • 00:45:33.220 --> 00:45:36.220
  • AT AGE SEVEN, AT CAMPBELL
  • 00:45:36.220 --> 00:45:38.020
  • UNIVERSITY.
  • 00:45:38.020 --> 00:45:39.200
  • AND THEN, COMMUNITY THEATRE AND
  • 00:45:39.200 --> 00:45:40.240
  • THEN SCHOOL.
  • 00:45:40.240 --> 00:45:42.160
  • LUCKILY, I HAD AN AMAZING DRAMA
  • 00:45:42.160 --> 00:45:44.040
  • TEACHER IN SCHOOL, AT ANGIER
  • 00:45:44.040 --> 00:45:46.060
  • HIGH SCHOOL.
  • 00:45:46.060 --> 00:45:48.190
  • AND THEN I WENT TO NORTH
  • 00:45:48.190 --> 00:45:49.070
  • CAROLINA SCHOOL OF THE ARTS,
  • 00:45:49.070 --> 00:45:50.190
  • WHICH IS NOW THE UNIVERSITY OF
  • 00:45:50.190 --> 00:45:51.140
  • THE NORTH CAROLINA SCHOOL OF
  • 00:45:51.140 --> 00:45:52.040
  • THE ARTS.
  • 00:45:52.040 --> 00:45:53.260
  • THEN, NEW YORK CITY, AND
  • 00:45:53.260 --> 00:45:55.210
  • MARRIED A CLASSMATE, AND THEN
  • 00:45:55.210 --> 00:45:56.120
  • DOWN TO ATLANTA.
  • 00:45:56.120 --> 00:45:58.140
  • SO, I'VE BEEN HERE FOR MANY,
  • 00:45:58.140 --> 00:45:59.040
  • MANY YEARS.
  • 00:45:59.040 --> 00:45:59.160
  • VERY LUCKY.
  • 00:45:59.160 --> 00:46:01.040
  • [APPLAUSE]
  • 00:46:01.040 --> 00:46:01.210
  • - DR. CHIRONNA: WOW...
  • 00:46:01.210 --> 00:46:04.170
  • AND SO, WHEN YOU THINK ABOUT
  • 00:46:04.210 --> 00:46:07.210
  • THAT JOURNEY, WAS THERE EVER A
  • 00:46:07.210 --> 00:46:08.250
  • MOMENT FROM THE VERY BEGINNING
  • 00:46:08.250 --> 00:46:11.090
  • WHERE YOU WONDERED WHETHER YOU
  • 00:46:11.090 --> 00:46:13.030
  • HAD WHAT IT TOOK TO GO AS FAR
  • 00:46:13.030 --> 00:46:14.040
  • AS YOU WERE GONNA GO?
  • 00:46:14.040 --> 00:46:15.160
  • - RHODA: OH, MY GOSH...
  • 00:46:15.160 --> 00:46:16.040
  • I THINK I STILL ASK MYSELF THAT
  • 00:46:16.040 --> 00:46:17.270
  • DAILY!
  • 00:46:17.270 --> 00:46:19.270
  • DO I HAVE WHAT IT TAKES?
  • 00:46:19.270 --> 00:46:20.170
  • I DON'T KNOW.
  • 00:46:20.170 --> 00:46:21.280
  • I'M VERY FORTUNATE AND BLESSED
  • 00:46:21.280 --> 00:46:23.160
  • TO BE ABLE TO DO WHAT I LOVE TO
  • 00:46:23.160 --> 00:46:25.120
  • DO THAT I WOULD DO WITHOUT
  • 00:46:25.120 --> 00:46:27.200
  • GETTING A PAYCHECK.
  • 00:46:27.200 --> 00:46:29.290
  • MY MOTHER REFERS TO OUR
  • 00:46:29.290 --> 00:46:30.190
  • PROFESSION AS MIGRANT WORKERS,
  • 00:46:30.190 --> 00:46:31.280
  • 'CAUSE WE GO--
  • 00:46:31.280 --> 00:46:33.050
  • [DR. CHIRONNA LAUGHS]
  • 00:46:33.050 --> 00:46:34.020
  • --WE GO WHERE THE FRUIT IS
  • 00:46:34.020 --> 00:46:34.240
  • RIPE.
  • 00:46:34.240 --> 00:46:35.120
  • AND, RIGHT NOW, ATLANTA IS RIPE
  • 00:46:35.120 --> 00:46:37.090
  • WITH PROJECTS, SO THERE ARE A
  • 00:46:37.090 --> 00:46:39.110
  • LOT OF PEOPLE HERE.
  • 00:46:39.110 --> 00:46:40.140
  • WE'RE VERY FORTUNATE TO SLEEP
  • 00:46:40.140 --> 00:46:43.010
  • IN OUR OWN BEDS AND SHOW UP ON
  • 00:46:43.010 --> 00:46:43.280
  • A SET.
  • 00:46:43.280 --> 00:46:46.280
  • UM...THERE'S NOT A ROLE THAT I
  • 00:46:46.280 --> 00:46:49.220
  • HAVEN'T STOPPED AND THOUGHT,
  • 00:46:49.220 --> 00:46:51.040
  • WHY ME?
  • 00:46:51.040 --> 00:46:51.210
  • WHY AM I GETTING THIS ROLE?
  • 00:46:51.210 --> 00:46:54.020
  • I'VE WORKED VERY HARD TO GET
  • 00:46:54.020 --> 00:46:54.260
  • WHERE I AM.
  • 00:46:54.260 --> 00:46:57.200
  • I JUST TRY TO BE OPEN AND DO
  • 00:46:57.200 --> 00:46:58.100
  • THE BEST JOB I CAN AT WHAT I'M
  • 00:46:58.100 --> 00:46:59.180
  • TRAINED TO DO.
  • 00:46:59.180 --> 00:47:01.010
  • UNLIKE ANDY, I CAN'T SEE THE
  • 00:47:01.010 --> 00:47:03.230
  • BIG PICTURE.
  • 00:47:03.230 --> 00:47:05.290
  • I COUNT ON PEOPLE LIKE HIM TO
  • 00:47:05.290 --> 00:47:07.120
  • GUIDE ME TO THE PERFORMANCE
  • 00:47:07.120 --> 00:47:08.240
  • THAT I GIVE.
  • 00:47:08.240 --> 00:47:11.030
  • AND, LUCKILY, A BACKGROUND IN
  • 00:47:11.030 --> 00:47:12.030
  • THEATRE HELPED ME TO MAKE THE
  • 00:47:12.030 --> 00:47:14.160
  • TRANSITION INTO FILM, I GUESS,
  • 00:47:14.160 --> 00:47:15.200
  • A LITTLE MORE SEAMLESSLY.
  • 00:47:15.200 --> 00:47:17.120
  • SO, I'M VERY FORTUNATE--
  • 00:47:17.120 --> 00:47:18.020
  • - DR. CHIRONNA: WELL, WHAT'S
  • 00:47:18.020 --> 00:47:19.010
  • FASCINATING -- YOU JUST SAID
  • 00:47:19.260 --> 00:47:22.260
  • THAT...THAT FOR YOU IT TAKES A
  • 00:47:22.260 --> 00:47:24.090
  • DIRECTOR TO TELL AN ACTOR WHAT
  • 00:47:24.090 --> 00:47:26.120
  • THE BIG PICTURE IS.
  • 00:47:26.120 --> 00:47:28.000
  • - RHODA: MM-HMM.
  • 00:47:28.000 --> 00:47:28.200
  • - DR. CHIRONNA: NOW, FOR THOSE
  • 00:47:28.200 --> 00:47:29.120
  • OF US THAT OBSERVE, THAT'S
  • 00:47:29.120 --> 00:47:30.090
  • LIKE--
  • 00:47:30.090 --> 00:47:31.040
  • [RHODA LAUGHS]
  • 00:47:31.040 --> 00:47:31.280
  • --THAT-- HOW DOES THAT WORK?
  • 00:47:31.280 --> 00:47:32.180
  • BECAUSE WE THINK YOU GUYS KNOW
  • 00:47:32.180 --> 00:47:34.060
  • THE WHOLE THING FROM BEGINNING
  • 00:47:34.060 --> 00:47:36.090
  • TO END.
  • 00:47:36.090 --> 00:47:37.000
  • WHY WOULD YOU NEED SOMEONE TO
  • 00:47:37.000 --> 00:47:37.250
  • DIRECT YOU.
  • 00:47:37.250 --> 00:47:39.020
  • - RHODA: OH, MY GOODNESS.
  • 00:47:39.020 --> 00:47:39.240
  • I COULD NEVER DO WHAT I DO
  • 00:47:39.240 --> 00:47:40.240
  • WITHOUT A GOOD DIRECTOR.
  • 00:47:40.240 --> 00:47:41.170
  • EVER.
  • 00:47:41.170 --> 00:47:42.270
  • I THINK YOU CAN SEE THE
  • 00:47:42.270 --> 00:47:44.190
  • DIFFERENCE IN FILMS WHEN
  • 00:47:44.190 --> 00:47:45.070
  • SOMEONE'S REALLY GOT A GOOD
  • 00:47:45.070 --> 00:47:47.020
  • DIRECTOR PUSHING THEM.
  • 00:47:47.020 --> 00:47:47.210
  • WE EACH HAVE A BAG OF TRICKS
  • 00:47:47.210 --> 00:47:49.280
  • THAT WE KNOW AND THAT ARE VERY
  • 00:47:49.280 --> 00:47:50.260
  • COMFORTABLE.
  • 00:47:50.260 --> 00:47:52.080
  • I THINK THE MOST...AMAZING
  • 00:47:52.080 --> 00:47:54.080
  • ACTORS, IN MY MIND, ARE ONES
  • 00:47:54.080 --> 00:47:55.180
  • THAT ARE DIFFERENT IN EVERY
  • 00:47:55.180 --> 00:47:56.170
  • ROLE.
  • 00:47:56.170 --> 00:47:57.170
  • WHAT DO I BRING TO THIS ROLE
  • 00:47:57.170 --> 00:47:58.210
  • THAT NO ONE ELSE IN THIS ROOM
  • 00:47:58.210 --> 00:47:59.260
  • THAT I'M AUDITIONING WITH -- OR
  • 00:47:59.260 --> 00:48:01.250
  • PEOPLE THAT HAVE SENT TAPES --
  • 00:48:01.250 --> 00:48:03.100
  • WHAT DO I DO DIFFERENTLY THAT
  • 00:48:03.100 --> 00:48:05.040
  • MAKES ME WIN THE ROLE?
  • 00:48:05.040 --> 00:48:07.160
  • AND I HOPE I ACHIEVE WHAT THE
  • 00:48:07.160 --> 00:48:08.190
  • DIRECTOR WANTED.
  • 00:48:08.190 --> 00:48:10.260
  • BUT, SOMETIMES IT'S GOOD TO
  • 00:48:10.260 --> 00:48:12.080
  • JUST SIT BACK AND RELY ON YOUR
  • 00:48:12.080 --> 00:48:13.260
  • DIRECTOR TO GUIDE YOU AND TO
  • 00:48:13.260 --> 00:48:16.090
  • HELP YOU PULL IT OUT OF
  • 00:48:16.090 --> 00:48:17.140
  • YOURSELF.
  • 00:48:17.140 --> 00:48:19.030
  • BECAUSE EVERY FACET OF THAT
  • 00:48:19.030 --> 00:48:20.070
  • CHARACTER COMES FROM HERE.
  • 00:48:20.070 --> 00:48:22.290
  • - DR. CHIRONNA: HOW HARD IS IT
  • 00:48:22.290 --> 00:48:23.210
  • AT TIMES TO ANSWER THE
  • 00:48:23.210 --> 00:48:24.240
  • QUESTION, "WHAT DO I DO
  • 00:48:24.240 --> 00:48:25.150
  • DIFFERENTLY WHEN THERE ARE SO
  • 00:48:25.150 --> 00:48:26.270
  • MANY OTHERS THAT YOU'RE HAVING
  • 00:48:26.270 --> 00:48:27.230
  • TO BE SET AGAINST"?
  • 00:48:30.270 --> 00:48:33.270
  • - RHODA: I THINK THE BEST
  • 00:48:33.270 --> 00:48:35.220
  • ACTORS RELY ON WHAT'S INSIDE
  • 00:48:35.220 --> 00:48:36.160
  • THEM...
  • 00:48:36.160 --> 00:48:39.080
  • AND I THINK GOOD DIRECTORS CAST
  • 00:48:39.080 --> 00:48:41.090
  • PEOPLE THAT THEY KNOW THEY CAN
  • 00:48:41.090 --> 00:48:43.200
  • GET THAT OUT OF.
  • 00:48:43.200 --> 00:48:45.190
  • I THINK THE BEST ACTORS GO FROM
  • 00:48:45.190 --> 00:48:46.270
  • CHARACTER TO CHARACTER
  • 00:48:46.270 --> 00:48:48.080
  • SEAMLESSLY, AS I SAID, TO BRING
  • 00:48:49.040 --> 00:48:52.040
  • A NEW SPARK TO A PERSON THAT
  • 00:48:52.040 --> 00:48:53.010
  • THEY'VE SEEN BEFORE.
  • 00:48:53.010 --> 00:48:55.010
  • BUT, WHAT MAKES ME DIFFERENT
  • 00:48:55.010 --> 00:48:55.270
  • FROM SOMEONE ELSE?
  • 00:48:55.270 --> 00:48:56.200
  • I DON'T KNOW WHAT THAT IS.
  • 00:48:56.200 --> 00:48:58.200
  • I JUST, UM...I KNOW THAT I LOVE
  • 00:48:58.200 --> 00:49:00.210
  • IT AND I CAN'T IMAGE DOING
  • 00:49:00.210 --> 00:49:01.140
  • ANYTHING ELSE.
  • 00:49:01.140 --> 00:49:02.240
  • - DR. CHIRONNA: BUT IT IS YOUR
  • 00:49:02.240 --> 00:49:03.190
  • UNIQUE FACTOR.
  • 00:49:03.190 --> 00:49:04.070
  • - RHODA: I GUESS SO.
  • 00:49:04.070 --> 00:49:04.240
  • THANK YOU, THANK YOU
  • 00:49:04.240 --> 00:49:05.110
  • - DR. CHIRONNA: AND NO ONE
  • 00:49:05.110 --> 00:49:06.050
  • ELSE HAS THAT.
  • 00:49:06.050 --> 00:49:06.200
  • - RHODA: THANK YOU VERY MUCH.
  • 00:49:06.200 --> 00:49:07.110
  • - DR. CHIRONNA: TALK A LITTLE
  • 00:49:07.110 --> 00:49:08.270
  • BIT ABOUT WHAT IT WAS LIKE
  • 00:49:08.270 --> 00:49:10.060
  • TO BE PART OF THE SET FOR
  • 00:49:10.060 --> 00:49:11.010
  • "THE BLIND SIDE."
  • 00:49:11.010 --> 00:49:13.020
  • - RHODA: IT WAS EXCITING
  • 00:49:13.020 --> 00:49:14.130
  • BECAUSE I HAD BEEN WORKING ON A
  • 00:49:14.130 --> 00:49:16.070
  • PILOT IN SAVANNAH, GEORGIA AND
  • 00:49:16.070 --> 00:49:17.220
  • HAD RECENTLY BROKEN MY LEG.
  • 00:49:17.220 --> 00:49:20.090
  • SO, WHEN I WENT TO THE
  • 00:49:20.090 --> 00:49:20.260
  • AUDITION, OF COURSE, I'M FINE.
  • 00:49:20.260 --> 00:49:22.010
  • AND THEN I GOT CAST AS ONE OF
  • 00:49:22.010 --> 00:49:23.250
  • SANDRA BULLOCK'S BEST FRIENDS.
  • 00:49:23.250 --> 00:49:26.090
  • AND I HAD TO LET THE DIRECTOR
  • 00:49:26.090 --> 00:49:28.070
  • KNOW, "I HAVE AN ORANGE CAST
  • 00:49:28.070 --> 00:49:29.110
  • THAT LOOKS LIKE A CAUTION
  • 00:49:29.110 --> 00:49:30.030
  • CONE."
  • 00:49:30.030 --> 00:49:31.100
  • [DR. CHIRONNA LAUGHS]
  • 00:49:31.100 --> 00:49:32.070
  • AND HE'S LIKE, "YOU'RE
  • 00:49:32.070 --> 00:49:32.240
  • KIDDING?" AND I WENT, "NO,
  • 00:49:32.240 --> 00:49:33.130
  • SIR...I'M NOT KIDDING ABOUT
  • 00:49:33.130 --> 00:49:34.040
  • THAT..."
  • 00:49:34.040 --> 00:49:35.020
  • SO, THEY DECIDED THAT THE
  • 00:49:35.020 --> 00:49:37.020
  • SCENES WOULD BE AT A TABLE,
  • 00:49:37.020 --> 00:49:38.100
  • THAT I WOULDN'T HAVE TO WALK,
  • 00:49:38.100 --> 00:49:39.160
  • AND I HAD A BIG BRIEFCASE.
  • 00:49:39.160 --> 00:49:40.240
  • IF YOU GO BACK AND SEE THE
  • 00:49:40.240 --> 00:49:41.200
  • FILM, YOU'LL NOTICE THERE'S
  • 00:49:41.200 --> 00:49:42.210
  • LARGE PURSES...EVERYTHING
  • 00:49:42.210 --> 00:49:44.040
  • COVERING THAT LEG.
  • 00:49:44.040 --> 00:49:46.100
  • BUT, IT WAS FABULOUS.
  • 00:49:46.100 --> 00:49:46.280
  • SHE'S AN AMAZING PERSON.
  • 00:49:46.280 --> 00:49:49.260
  • IT WAS JUST A GREAT-- A GREAT
  • 00:49:49.260 --> 00:49:51.140
  • EXPERIENCE AND TO BE A PART OF
  • 00:49:51.140 --> 00:49:53.040
  • A STORY THAT SEEMED TO TOUCH SO
  • 00:49:53.040 --> 00:49:54.150
  • MANY PEOPLE...
  • 00:49:54.150 --> 00:49:56.000
  • - DR. CHIRONNA: OH, MY...
  • 00:49:56.000 --> 00:49:56.190
  • AND WHAT ABOUT "MOMS' NIGHT
  • 00:49:56.190 --> 00:49:58.120
  • OUT"?
  • 00:49:58.120 --> 00:50:00.120
  • - RHODA: OH! THAT WAS A
  • 00:50:00.120 --> 00:50:01.000
  • GIFT...A GIFT FROM THE ERWIN
  • 00:50:01.000 --> 00:50:01.230
  • BROTHERS.
  • 00:50:01.230 --> 00:50:04.120
  • UM, I TOLD THEM I WOULD SERVE
  • 00:50:04.120 --> 00:50:05.040
  • CAPPUCCINO TO THE CAST JUST TO
  • 00:50:05.040 --> 00:50:06.110
  • BE A PART OF IT.
  • 00:50:06.110 --> 00:50:08.010
  • PATTY HEATON IS SUCH A SHINING
  • 00:50:08.010 --> 00:50:10.270
  • EXAMPLE OF WHAT AN ACTRESS CAN
  • 00:50:11.020 --> 00:50:14.020
  • DO, WHAT HER VOICE CAN DO, AND
  • 00:50:14.020 --> 00:50:15.280
  • WHAT MATTERS.
  • 00:50:15.280 --> 00:50:17.190
  • AS A CHRISTIAN, AS A WOMAN IN A
  • 00:50:17.190 --> 00:50:19.280
  • WORLD THAT MOST ACTORS DON'T
  • 00:50:20.090 --> 00:50:23.090
  • LIKE TO TALK ABOUT THEIR
  • 00:50:23.090 --> 00:50:24.160
  • RELIGION AT ALL, IT'S LIKE
  • 00:50:24.160 --> 00:50:26.160
  • TELLING YOUR AGE, WHICH I'M NOT
  • 00:50:26.160 --> 00:50:27.150
  • ABOUT TO DO, BY THE WAY.
  • 00:50:27.150 --> 00:50:28.140
  • [DR CHIRONNA LAUGHS]
  • 00:50:28.140 --> 00:50:30.170
  • [LAUGHTER]
  • 00:50:30.170 --> 00:50:31.040
  • BUT TO SAY YOU'RE A CHRISTIAN
  • 00:50:31.040 --> 00:50:33.070
  • AND YOU ARE AN ACTOR IS-- I
  • 00:50:33.070 --> 00:50:34.190
  • DIDN'T REALIZE THAT WAS ODD.
  • 00:50:34.190 --> 00:50:36.080
  • BUT, SHE SHOWED ME THAT YOU CAN
  • 00:50:36.080 --> 00:50:37.260
  • STAND UP AND BE PROUD AND DO
  • 00:50:37.260 --> 00:50:38.210
  • YOUR JOB.
  • 00:50:38.210 --> 00:50:40.210
  • SO, THAT MOVIE WAS--
  • 00:50:40.210 --> 00:50:41.240
  • [APPLAUSE]
  • 00:50:41.240 --> 00:50:42.140
  • THANK YOU.
  • 00:50:42.140 --> 00:50:44.020
  • THANKS, THEM.
  • 00:50:44.020 --> 00:50:45.130
  • I THINK THE SIMILARITIES ARE
  • 00:50:45.130 --> 00:50:46.280
  • MOST WOMEN CAME AND BROUGHT
  • 00:50:46.280 --> 00:50:49.000
  • THEIR HUSBANDS TO THAT.
  • 00:50:49.090 --> 00:50:52.090
  • AND THEY WERE LIKE, "HUH...I
  • 00:50:52.090 --> 00:50:53.230
  • JUST SAW A CHICK FLICK AND I
  • 00:50:53.230 --> 00:50:54.250
  • LIKED IT."
  • 00:50:54.250 --> 00:50:56.170
  • THE SAME FOR "WOODLAWN."
  • 00:50:56.170 --> 00:50:58.180
  • WHEN MY MANAGER CALLED AND TOLD
  • 00:50:58.180 --> 00:50:59.130
  • ME IT WAS THE ERWIN BROTHERS, I
  • 00:50:59.130 --> 00:51:00.070
  • WAS LIKE, "YEA!"
  • 00:51:00.070 --> 00:51:00.210
  • AND THEN HE GOES, "IT'S ABOUT
  • 00:51:00.210 --> 00:51:01.120
  • FOOTBALL," AND I WENT,
  • 00:51:01.120 --> 00:51:01.290
  • "OKAY...THAT'S GREAT...
  • 00:51:01.290 --> 00:51:02.290
  • [DR. CHIRONNA LAUGHS]
  • 00:51:02.290 --> 00:51:03.180
  • WHAT'S THE LIP GLOSS QUOTIENT?"
  • 00:51:04.130 --> 00:51:07.130
  • 'CAUSE I KEPT THINKING, THERE
  • 00:51:07.130 --> 00:51:08.110
  • ARE NOT MANY GIRLS IN THIS
  • 00:51:08.110 --> 00:51:09.000
  • SCRIPT.
  • 00:51:09.000 --> 00:51:10.210
  • THEN I REALIZED IT'S A FILM --
  • 00:51:10.210 --> 00:51:11.120
  • "WOODLAWN" -- IT'S ABOUT LOVE.
  • 00:51:11.190 --> 00:51:14.190
  • I THINK IT'S ABOUT ALL THE
  • 00:51:14.190 --> 00:51:15.100
  • DIFFERENT FACETS OF LOVE, BE IT
  • 00:51:15.100 --> 00:51:17.100
  • LOVE FOR GOD, LOVE FOR YOUR
  • 00:51:17.100 --> 00:51:19.100
  • FAMILY, LOVE FOR A SPORT, THE
  • 00:51:19.100 --> 00:51:20.170
  • LOVE OF YOUR GIRLFRIEND...
  • 00:51:20.170 --> 00:51:22.280
  • IT'S--
  • 00:51:22.280 --> 00:51:23.150
  • THEY'RE VERY SIMILAR AND YET
  • 00:51:23.150 --> 00:51:25.280
  • THEY'RE VERY DIFFERENT BUT THEY
  • 00:51:25.280 --> 00:51:27.080
  • HAVE ONE THING IN COMMON.
  • 00:51:27.080 --> 00:51:28.050
  • GOD.
  • 00:51:28.050 --> 00:51:30.190
  • - DR. CHIRONNA: YEAH, WHEN
  • 00:51:30.190 --> 00:51:31.120
  • "MOMS' NIGHT OUT" CAME OUT, MY
  • 00:51:31.120 --> 00:51:33.250
  • WIFE MADE ME GO SEE IT.
  • 00:51:33.250 --> 00:51:36.060
  • - RHODA: SEE, SEE!
  • 00:51:36.060 --> 00:51:36.240
  • - DR. CHIRONNA: AND, TRUE
  • 00:51:36.240 --> 00:51:37.210
  • CONFESSIONS -- I DID CRY AT
  • 00:51:37.210 --> 00:51:38.260
  • SPOTS IN THE MOVIE, BUT I
  • 00:51:38.260 --> 00:51:40.210
  • DIDN'T WANT HER TO SEE, SO...
  • 00:51:40.210 --> 00:51:41.120
  • - RHODA: AHA.
  • 00:51:41.120 --> 00:51:42.170
  • - DR. CHIRONNA: 'CAUSE I DON'T
  • 00:51:42.170 --> 00:51:43.190
  • GO TO CHICK FLICKS LIKE-- BUT
  • 00:51:43.190 --> 00:51:44.100
  • IT WAS--
  • 00:51:44.100 --> 00:51:44.240
  • - RHODA: MM-HMM.
  • 00:51:44.240 --> 00:51:45.100
  • I KNOW, IT'S HARD.
  • 00:51:45.100 --> 00:51:45.250
  • I'M GLAD YOU WENT.
  • 00:51:45.250 --> 00:51:46.130
  • - DR. CHIRONNA: TALK A LITTLE
  • 00:51:46.130 --> 00:51:47.290
  • BIT ABOUT THIS NEW MOVIE THAT
  • 00:51:47.290 --> 00:51:50.220
  • YOU'RE INVOLVED WITH.
  • 00:51:50.220 --> 00:51:52.290
  • - RHODA: THE NEW ONE THAT I'M
  • 00:51:52.290 --> 00:51:54.130
  • SHOOTING NOW, I'M WORKING WITH
  • 00:51:54.130 --> 00:51:55.080
  • A FRIEND--
  • 00:51:55.080 --> 00:51:56.120
  • - DR. CHIRONNA: ARE WE
  • 00:51:56.120 --> 00:51:57.040
  • ALLOWED?
  • 00:51:57.040 --> 00:51:57.200
  • - RHODA: I-- I THINK SO.
  • 00:51:57.200 --> 00:51:58.090
  • I THINK SO.
  • 00:51:58.090 --> 00:51:59.050
  • - DR. CHIRONNA: OKAY.
  • 00:51:59.050 --> 00:52:00.140
  • - RHODA: IT'S AN INDEPENDENT
  • 00:52:00.140 --> 00:52:03.030
  • FILM AND IT'S THE ANTITHESIS OF
  • 00:52:03.030 --> 00:52:05.160
  • A CHRISTIAN FILM.
  • 00:52:05.160 --> 00:52:06.210
  • AS ACTORS WERE OFFERED ROLES--
  • 00:52:06.210 --> 00:52:07.190
  • AND YOU ALWAYS HAVE THE
  • 00:52:07.190 --> 00:52:10.150
  • OPPORTUNITY TO SAY NO OR SAY
  • 00:52:10.150 --> 00:52:12.010
  • YES, AND SOMETIMES MONEY IS A
  • 00:52:12.010 --> 00:52:13.100
  • DRIVING FACTOR, OR YOUR AGENT
  • 00:52:13.100 --> 00:52:14.120
  • SAYING, "YOU REALLY NEED TO DO
  • 00:52:14.120 --> 00:52:15.040
  • THIS."
  • 00:52:15.040 --> 00:52:16.190
  • AND OTHER TIMES IT'S SOMETHING
  • 00:52:16.190 --> 00:52:17.100
  • YOU REALLY WANNA HELP SOMEBODY
  • 00:52:17.100 --> 00:52:18.070
  • OUT THAT'S STRUGGLING...
  • 00:52:18.070 --> 00:52:19.130
  • - DR. CHIRONNA: MMM.
  • 00:52:19.130 --> 00:52:20.040
  • - RHODA: ...AND HELP THEM FIND
  • 00:52:20.040 --> 00:52:20.260
  • THEIR VISION AND FIND THEIR
  • 00:52:20.260 --> 00:52:21.170
  • WAY.
  • 00:52:21.170 --> 00:52:22.170
  • I FEEL LIKE THAT'S MY PLACE.
  • 00:52:22.170 --> 00:52:24.150
  • WHEN I HEAR THAT VOICE SAYING,
  • 00:52:24.150 --> 00:52:25.140
  • "YOU NEED TO DO THIS."
  • 00:52:25.140 --> 00:52:26.180
  • IT'S A FILM NOT UNLIKE
  • 00:52:26.180 --> 00:52:29.030
  • "ROSEMARY'S BABY" BUT TOLD FROM
  • 00:52:29.030 --> 00:52:30.280
  • A DIFFERENT VOICE.
  • 00:52:30.280 --> 00:52:32.100
  • MY MOTHER'S SUNDAY SCHOOL CLASS
  • 00:52:32.100 --> 00:52:33.160
  • WILL NEVER GO AND SEE THIS
  • 00:52:33.160 --> 00:52:34.110
  • FILM.
  • 00:52:34.110 --> 00:52:35.270
  • IT'S FRIGHTENING, IT'S SCARY,
  • 00:52:35.270 --> 00:52:38.170
  • AND I'M THE BAD GUY, WHICH I
  • 00:52:38.170 --> 00:52:39.230
  • HAVE TO SIDEBAR.
  • 00:52:39.230 --> 00:52:42.140
  • EIGHT OUT OF TEN ROLES, I'M THE
  • 00:52:42.140 --> 00:52:43.110
  • BAD PERSON.
  • 00:52:43.110 --> 00:52:46.030
  • I DON'T KNOW WHAT THIS SAYS
  • 00:52:46.030 --> 00:52:46.230
  • ABOUT BEING EVIL, BUT, YOU
  • 00:52:46.230 --> 00:52:47.220
  • GOTTA BE GOOD AT SOMETHING I
  • 00:52:47.220 --> 00:52:48.180
  • GUESS, SO...
  • 00:52:48.180 --> 00:52:50.170
  • I'D LIKE TO THINK I'M NOT, SO
  • 00:52:50.170 --> 00:52:51.080
  • MAYBE THAT'S WHY IT'S SUCH A
  • 00:52:51.080 --> 00:52:54.020
  • VACATION FOR ME TO GO AND...AND
  • 00:52:54.020 --> 00:52:54.270
  • JUST BE EVIL.
  • 00:52:54.270 --> 00:52:57.170
  • I DON'T KNOW WHAT THAT IS.
  • 00:52:57.170 --> 00:52:58.100
  • BUT, I'LL JUST RIDE THE WAVE, I
  • 00:52:58.100 --> 00:52:59.100
  • GUESS.
  • 00:52:59.100 --> 00:53:00.140
  • - DR. CHIRONNA: WELL, NO, BUT
  • 00:53:00.140 --> 00:53:01.290
  • WHAT'S FASCINATING TO ME IS
  • 00:53:01.290 --> 00:53:03.010
  • THAT YOU'RE NOT AFRAID TO
  • 00:53:04.080 --> 00:53:07.080
  • EXPLORE THE FULL BREADTH OF
  • 00:53:07.080 --> 00:53:10.040
  • CREATIVITY.
  • 00:53:10.040 --> 00:53:11.090
  • - RHODA: OOH, THAT'S A GOOD
  • 00:53:11.090 --> 00:53:12.060
  • WAY TO PUT IT.
  • 00:53:12.090 --> 00:53:15.090
  • - DR. CHIRONNA: AND SO, MY
  • 00:53:15.190 --> 00:53:18.190
  • QUESTION IS: WHEN YOU TAKE ON A
  • 00:53:18.190 --> 00:53:20.010
  • CHARACTER LIKE THAT, IF THE
  • 00:53:20.010 --> 00:53:21.000
  • TRUTH PERVADES ALL THINGS, WHAT
  • 00:53:21.000 --> 00:53:21.220
  • DOES GOD SHOW YOU WHEN YOU TAKE
  • 00:53:21.220 --> 00:53:22.240
  • ON A CHARACTER LIKE THAT THAT
  • 00:53:22.240 --> 00:53:24.010
  • GROWS YOU AND ENLARGES YOU?
  • 00:53:24.010 --> 00:53:25.070
  • - RHODA: I THINK THAT WE ALL,
  • 00:53:25.080 --> 00:53:28.080
  • AS HUMANS, HAVE TRAITS THAT ARE
  • 00:53:28.080 --> 00:53:29.280
  • NOT SO NICE IN OUR BODIES.
  • 00:53:29.280 --> 00:53:31.290
  • - DR. CHIRONNA: I AGREE.
  • 00:53:31.290 --> 00:53:32.250
  • I AGREE.
  • 00:53:32.250 --> 00:53:33.130
  • - RHODA: AND, WHEN SOMEONE
  • 00:53:33.130 --> 00:53:34.030
  • SAYS, "OH, I COULD NEVER KILL
  • 00:53:34.030 --> 00:53:35.000
  • ANYONE," BELIEVE ME, IF YOU
  • 00:53:35.000 --> 00:53:36.160
  • EXPLORE EVERY FACET OF YOUR
  • 00:53:36.160 --> 00:53:37.160
  • BEING--
  • 00:53:37.160 --> 00:53:39.160
  • IF SOMEONE YOU LOVE WAS BEING
  • 00:53:39.160 --> 00:53:40.290
  • TORTURED OR HURT, I THINK YOU
  • 00:53:40.290 --> 00:53:42.280
  • MIGHT FIND IT IN YOUR BODY THAT
  • 00:53:44.050 --> 00:53:47.050
  • YOU COULD.
  • 00:53:47.050 --> 00:53:48.210
  • - DR. CHIRONNA: BUT FOR THE
  • 00:53:48.210 --> 00:53:49.110
  • GRACE OF GOD.
  • 00:53:49.110 --> 00:53:50.150
  • - RHODA: AMEN TO THAT.
  • 00:53:50.180 --> 00:53:53.180
  • - DR. CHIRONNA: AND SO...AND
  • 00:53:53.180 --> 00:53:54.290
  • SO, AT THIS SEASON OF YOUR
  • 00:53:54.290 --> 00:53:57.030
  • JOURNEY, WHAT ARE SOME OF
  • 00:53:57.030 --> 00:53:58.030
  • THE...BIG DREAMS THAT YOU STILL
  • 00:54:00.090 --> 00:54:03.090
  • HAVE, AS IT RELATES TO ACTING?
  • 00:54:03.090 --> 00:54:04.000
  • - RHODA: HMM...
  • 00:54:04.000 --> 00:54:04.180
  • I...CHARGE MY BATTERIES IN THE
  • 00:54:04.180 --> 00:54:05.090
  • THEATRE.
  • 00:54:05.090 --> 00:54:05.230
  • THAT'S WHAT I-- I GREW UP IN
  • 00:54:05.230 --> 00:54:06.130
  • THE THEATRE.
  • 00:54:06.130 --> 00:54:08.120
  • I WOULD LOVE TO HAVE THE
  • 00:54:08.120 --> 00:54:09.000
  • OPPORTUNITY TO GO BACK AND SO
  • 00:54:09.000 --> 00:54:10.000
  • SOMETHING THAT SPEAKS TO ME.
  • 00:54:10.000 --> 00:54:11.000
  • MAYBE A BUCKET LIST, MAYBE A
  • 00:54:11.000 --> 00:54:12.060
  • BUCKET LIST OF SORTS.
  • 00:54:12.060 --> 00:54:13.120
  • - DR. CHIRONNA: YOU'RE NOT
  • 00:54:13.120 --> 00:54:14.230
  • READY FOR A BUCKET LIST.
  • 00:54:14.230 --> 00:54:15.110
  • - RHODA: I DON'T KNOW!
  • 00:54:15.110 --> 00:54:15.290
  • I DON'T KNOW.
  • 00:54:15.290 --> 00:54:16.260
  • [DR. CHIRONNA CHUCKLES]
  • 00:54:16.260 --> 00:54:17.160
  • IN FILM, YOU'RE JUDGED BY THIS
  • 00:54:17.160 --> 00:54:19.150
  • EVERY DAY.
  • 00:54:19.150 --> 00:54:21.110
  • AND AS WOMEN-- I DON'T KNOW
  • 00:54:21.110 --> 00:54:22.040
  • ABOUT MEN.
  • 00:54:22.040 --> 00:54:22.260
  • I'VE TALKED WITH A LOT OF
  • 00:54:22.260 --> 00:54:23.200
  • ACTORS MY AGE, ESPECIALLY
  • 00:54:23.200 --> 00:54:25.100
  • LOCAL, AND, THEY DON'T FEEL THE
  • 00:54:25.100 --> 00:54:26.260
  • DISCRIMINATION AS MUCH AS
  • 00:54:27.220 --> 00:54:30.220
  • WOMEN, ESPECIALLY WITH HD,
  • 00:54:31.070 --> 00:54:34.070
  • WHICH IS DEADLY.
  • 00:54:34.070 --> 00:54:34.250
  • I KEEP THINKIN', YOU NEED TO
  • 00:54:34.250 --> 00:54:35.200
  • BACK OFF JUST A LITTLE BIT FROM
  • 00:54:35.200 --> 00:54:36.180
  • IT.
  • 00:54:36.180 --> 00:54:38.080
  • [LAUGHTER]
  • 00:54:38.080 --> 00:54:38.260
  • YOU'RE JUDGED BY WHAT YOU LOOK
  • 00:54:39.280 --> 00:54:42.280
  • LIKE INSTEAD OF YOUR
  • 00:54:42.280 --> 00:54:43.270
  • CHARACTER.
  • 00:54:43.270 --> 00:54:45.200
  • AND I DON'T MEAN THAT FROM AN
  • 00:54:45.200 --> 00:54:46.110
  • ACTOR'S STANDPOINT.
  • 00:54:46.110 --> 00:54:48.280
  • I THINK PEOPLE NEED TO BE MORE
  • 00:54:48.280 --> 00:54:49.220
  • OPEN TO SKIN COLOR.
  • 00:54:49.220 --> 00:54:52.090
  • LUCKILY, TELEVISION IS DOING
  • 00:54:52.090 --> 00:54:53.230
  • THAT.
  • 00:54:53.230 --> 00:54:55.130
  • ESPECIALLY AGEISM.
  • 00:54:55.130 --> 00:54:56.110
  • THINGS LIKE THAT.
  • 00:54:56.110 --> 00:54:57.230
  • I THINK WE'RE FINALLY ON THAT
  • 00:54:57.230 --> 00:54:59.180
  • LITTLE DOTTED LINE AND I WANNA
  • 00:54:59.180 --> 00:55:01.150
  • BE PART OF THE GENERATION THAT
  • 00:55:01.150 --> 00:55:02.060
  • BREAKS THROUGH.
  • 00:55:02.060 --> 00:55:03.140
  • - DR. CHIRONNA: HOW WAS
  • 00:55:03.140 --> 00:55:05.180
  • IT THAT SOMEONE LIKE A
  • 00:55:05.180 --> 00:55:06.050
  • KATE HEPBURN WAS ABLE TO BREAK
  • 00:55:06.050 --> 00:55:07.160
  • EVERY SINGLE IDEOLOGY AGAINST
  • 00:55:07.160 --> 00:55:10.160
  • THAT?
  • 00:55:10.160 --> 00:55:11.070
  • - RHODA: I DON'T KNOW.
  • 00:55:11.070 --> 00:55:12.120
  • I THINK BY BEING SO GOOD AT HER
  • 00:55:12.120 --> 00:55:14.130
  • CRAFT, I THINK PEOPLE BELIEVED
  • 00:55:14.130 --> 00:55:16.290
  • HER IN ANY ROLE SHE ATTACKED.
  • 00:55:16.290 --> 00:55:19.210
  • SO, HOPEFULLY, THAT WILL STILL
  • 00:55:19.210 --> 00:55:22.050
  • PREVAIL WITH PEOPLE MY AGE,
  • 00:55:22.050 --> 00:55:24.020
  • WITH WOMEN MY AGE, WITH ANYBODY
  • 00:55:24.020 --> 00:55:26.040
  • TRYING TO BREAK INTO THE
  • 00:55:26.040 --> 00:55:28.090
  • BUSINESS THAT IT'S YOUR TALENT
  • 00:55:28.120 --> 00:55:31.120
  • INSTEAD OF WHAT YOU LOOK LIKE
  • 00:55:31.120 --> 00:55:33.190
  • AND WHAT YOU CAN BRING TO THE
  • 00:55:33.190 --> 00:55:34.170
  • TABLE DIFFERENTLY.
  • 00:55:34.170 --> 00:55:35.230
  • - DR. CHIRONNA: WHEN YOU THINK
  • 00:55:35.230 --> 00:55:37.030
  • ABOUT THE DIFFERENT GENRES --
  • 00:55:37.030 --> 00:55:39.090
  • FILM, STAGE, TELEVISION...
  • 00:55:39.230 --> 00:55:42.230
  • - RHODA: MM-HMM...
  • 00:55:42.230 --> 00:55:44.120
  • - DR. CHIRONNA: ...WHAT ARE
  • 00:55:45.260 --> 00:55:48.260
  • THE DIFFERENT DYNAMICS THAT GO
  • 00:55:48.260 --> 00:55:49.170
  • ON INSIDE SOMEONE THAT
  • 00:55:49.170 --> 00:55:50.040
  • ENDEAVORS TO TOUCH ALL THREE?
  • 00:55:50.040 --> 00:55:51.050
  • - RHODA: HMM.
  • 00:55:51.050 --> 00:55:51.290
  • I'VE BEEN VERY FORTUNATE.
  • 00:55:51.290 --> 00:55:53.220
  • I NEVER THOUGHT ABOUT THAT
  • 00:55:53.220 --> 00:55:55.080
  • UNTIL SOMEONE SAID, "WELL, I
  • 00:55:55.080 --> 00:55:56.080
  • MEAN, THERE'S NOT MANY THINGS
  • 00:55:56.080 --> 00:55:57.110
  • YOU DON'T DO."
  • 00:55:57.110 --> 00:55:59.140
  • I THINK, AS A TRAINED ACTOR,
  • 00:55:59.140 --> 00:56:00.180
  • YOU ARE GIVEN THE OPPORTUNITY
  • 00:56:00.180 --> 00:56:03.050
  • FROM JUGGLING TO VOICEOVER TO
  • 00:56:03.050 --> 00:56:05.170
  • COMMERCIALS, TO THEATRE, TO
  • 00:56:05.170 --> 00:56:07.120
  • SHAKESPEARE TO EXPLORE EVERY...
  • 00:56:09.040 --> 00:56:12.040
  • EVERY AVENUE OF YOUR TOOLS AS
  • 00:56:12.040 --> 00:56:13.060
  • AN ACTOR.
  • 00:56:13.170 --> 00:56:16.170
  • AND I'VE BEEN VERY FORTUNATE.
  • 00:56:16.170 --> 00:56:17.080
  • I'VE STUDIED HARD.
  • 00:56:17.080 --> 00:56:18.190
  • IF I KNOW IT ALL, I DON'T WANT
  • 00:56:18.190 --> 00:56:19.230
  • TO DO IT ANYMORE.
  • 00:56:19.230 --> 00:56:20.250
  • BUT I LOOK AT ACTING LIKE
  • 00:56:20.250 --> 00:56:21.140
  • COMPUTERS.
  • 00:56:21.140 --> 00:56:22.200
  • I'LL NEVER KNOW IT ALL.
  • 00:56:22.200 --> 00:56:24.120
  • EVERY SINGLE JOB I LEARN
  • 00:56:24.120 --> 00:56:25.280
  • SOMETHING ABOUT MYSELF, ABOUT
  • 00:56:25.280 --> 00:56:27.190
  • THE OTHER PERSON, ABOUT THE
  • 00:56:27.190 --> 00:56:29.000
  • STORY THAT I'M TRYING TO TELL.
  • 00:56:29.000 --> 00:56:30.000
  • AND IF IT-- IF IT STOPS BEING
  • 00:56:30.000 --> 00:56:32.270
  • INTERESTING THAT I DON'T LEARN
  • 00:56:32.270 --> 00:56:34.130
  • SOMETHING, THEN I'LL-- I HOPE
  • 00:56:34.130 --> 00:56:36.180
  • I'LL BE LISTENING TO THAT
  • 00:56:36.180 --> 00:56:37.270
  • LITTLE VOICE THAT TELLS ME:
  • 00:56:37.270 --> 00:56:39.090
  • IT'S TIME TO DO SOMETHING ELSE.
  • 00:56:39.090 --> 00:56:40.140
  • MAYBE THAT'S NOT YOUR CALLING
  • 00:56:40.140 --> 00:56:41.050
  • ANY LONGER.
  • 00:56:41.050 --> 00:56:41.290
  • - DR. CHIRONNA: WOW...
  • 00:56:41.290 --> 00:56:43.190
  • - RHODA: BUT FOR NOW, I'M
  • 00:56:43.190 --> 00:56:44.080
  • GOOD.
  • 00:56:44.080 --> 00:56:45.020
  • - DR. CHIRONNA: WELL, I CAN
  • 00:56:45.020 --> 00:56:45.230
  • TELL.
  • 00:56:45.230 --> 00:56:46.110
  • [RHODA LAUGHS]
  • 00:56:46.110 --> 00:56:46.290
  • IT'S WONDERFUL.
  • 00:56:46.290 --> 00:56:47.170
  • UM...GROWING UP, YOU KNOW,
  • 00:56:47.170 --> 00:56:48.070
  • SHAKESPEARE WASN'T LIKE ONE OF
  • 00:56:49.060 --> 00:56:52.060
  • MY BIG FAVES.
  • 00:56:52.140 --> 00:56:55.140
  • [RHODA LAUGHS]
  • 00:56:55.140 --> 00:56:56.100
  • SO, WHAT'S IT LIKE TO BE A
  • 00:56:56.100 --> 00:56:57.200
  • YOUNG GIRL AND GROW UP AND
  • 00:56:57.200 --> 00:56:58.240
  • DEVELOP A TASTE FOR...
  • 00:56:58.240 --> 00:56:59.200
  • - RHODA: HMMM...
  • 00:56:59.200 --> 00:57:00.200
  • - DR. CHIRONNA:
  • 00:57:00.200 --> 00:57:01.130
  • ...SHAKESPEARE?
  • 00:57:01.130 --> 00:57:02.030
  • - RHODA: I DON'T KNOW ANY
  • 00:57:02.030 --> 00:57:02.220
  • DIFFERENT.
  • 00:57:02.220 --> 00:57:03.220
  • I'M VERY FORTUNATE THAT THIS IS
  • 00:57:03.220 --> 00:57:04.290
  • ALL I'VE EVER DONE.
  • 00:57:04.290 --> 00:57:06.230
  • I DON'T KNOW WHAT IT'S LIKE TO
  • 00:57:06.230 --> 00:57:07.140
  • GO 9 TO 5.
  • 00:57:07.140 --> 00:57:09.130
  • I KNOW -- IT'S A BLESSING.
  • 00:57:09.130 --> 00:57:10.270
  • MY JOB -- I WORKED WITH THE
  • 00:57:10.290 --> 00:57:13.290
  • NORTH CAROLINA SHAKESPEARE
  • 00:57:13.290 --> 00:57:15.180
  • FESTIVAL FOR SEVEN SEASONS.
  • 00:57:15.180 --> 00:57:17.270
  • AND I GOT TO PLAY JUST ABOUT
  • 00:57:17.270 --> 00:57:18.210
  • EVERY WOMAN CHARACTER IN HIS
  • 00:57:18.210 --> 00:57:20.250
  • PLAYS -- WHICH YOU KNOW YOU'RE
  • 00:57:20.250 --> 00:57:22.160
  • NOT GONNA BE ONSTAGE THE WHOLE
  • 00:57:22.160 --> 00:57:23.120
  • TIME.
  • 00:57:23.120 --> 00:57:24.020
  • - DR. CHIRONNA: RIGHT.
  • 00:57:24.020 --> 00:57:24.200
  • [CHUCKLES]
  • 00:57:24.200 --> 00:57:25.030
  • - RHODA: YOU'RE GONNA DIE.
  • 00:57:25.030 --> 00:57:25.230
  • AND THEN, SOMEBODY'S GONNA COME
  • 00:57:25.230 --> 00:57:26.150
  • BACK AND TALK ABOUT YOUR DEATH.
  • 00:57:26.150 --> 00:57:27.070
  • - DR. CHIRONNA: RIGHT.
  • 00:57:27.070 --> 00:57:27.250
  • - RHODA: OR YOU'LL DO A LOT OF
  • 00:57:27.250 --> 00:57:28.180
  • LOUD SCREAMING.
  • 00:57:28.180 --> 00:57:30.070
  • BUT, I THINK IT TEACHES WHO YOU
  • 00:57:30.070 --> 00:57:31.080
  • ARE, WHAT ARE THE BASICS, WHAT
  • 00:57:31.160 --> 00:57:34.160
  • YOU CAN DO WITH AN AUDIENCE
  • 00:57:34.160 --> 00:57:37.160
  • LISTENING, AND HOW YOU CAN
  • 00:57:37.160 --> 00:57:38.210
  • CONTROL EMOTIONS IN YOURSELF AS
  • 00:57:38.210 --> 00:57:40.250
  • WELL AS OTHER PEOPLE.
  • 00:57:40.250 --> 00:57:42.150
  • THAT'S, I THINK, WHY I LIKE
  • 00:57:42.150 --> 00:57:43.240
  • LIVE THEATRE SO MUCH.
  • 00:57:43.240 --> 00:57:45.150
  • WHEN EVERYBODY IS DEAD SILENT
  • 00:57:46.080 --> 00:57:49.080
  • AND YOU HEAR PEOPLE LEANING
  • 00:57:49.080 --> 00:57:51.060
  • FORWARD BECAUSE THEY'RE SO WITH
  • 00:57:51.060 --> 00:57:52.040
  • YOU...THAT'S THE BEST FEELING.
  • 00:57:52.040 --> 00:57:54.110
  • THAT'S THE BATTERY CHARGE I'M
  • 00:57:54.110 --> 00:57:55.170
  • TALKING ABOUT.
  • 00:57:55.170 --> 00:57:57.090
  • THERE'S NOTHING LIKE IT.
  • 00:57:57.090 --> 00:57:57.270
  • - DR. CHIRONNA: THOSE ARE LIFE
  • 00:57:57.270 --> 00:57:58.190
  • LESSONS.
  • 00:57:58.190 --> 00:57:59.010
  • - RHODA: MM-HMM.
  • 00:57:59.010 --> 00:57:59.180
  • - DR. CHIRONNA: HAVE YOU EVER
  • 00:57:59.180 --> 00:58:00.110
  • THOUGHT ABOUT WRITING A BOOK?
  • 00:58:00.110 --> 00:58:01.020
  • - RHODA: I'VE BEEN ASKED MANY
  • 00:58:01.020 --> 00:58:03.090
  • TIMES TO WRITE STORIES FROM MY
  • 00:58:03.090 --> 00:58:05.090
  • CHILDHOOD, BUT, I HAVEN'T
  • 00:58:05.100 --> 00:58:08.100
  • WRESTLED PEN TO PAPER.
  • 00:58:08.100 --> 00:58:10.280
  • I'M INSPIRED BY ANDY AND JON,
  • 00:58:10.280 --> 00:58:12.230
  • BUT, I DON'T KNOW IF I HAVE A
  • 00:58:12.230 --> 00:58:14.190
  • STORY LIKE "WOODLAWN" IN ME.
  • 00:58:14.190 --> 00:58:16.190
  • THEY-- I SAID-- EVERYBODY
  • 00:58:16.190 --> 00:58:18.210
  • ALWAYS SAYS WRITE WHAT YOU
  • 00:58:18.210 --> 00:58:19.200
  • KNOW.
  • 00:58:19.200 --> 00:58:21.230
  • I DON'T KNOW WHAT I KNOW YET.
  • 00:58:21.230 --> 00:58:22.150
  • MAYBE THAT'S ONE OF MY BUCKET
  • 00:58:22.150 --> 00:58:23.170
  • LIST THINGS.
  • 00:58:23.170 --> 00:58:24.230
  • I'LL...SIT BACK AT A REST HOME
  • 00:58:24.230 --> 00:58:26.250
  • IN BOCA AND COME UP WITH THIS
  • 00:58:26.250 --> 00:58:28.170
  • GREAT STORY.
  • 00:58:28.170 --> 00:58:29.230
  • [DR. CHIRONNA CHUCKLING]
  • 00:58:29.230 --> 00:58:30.130
  • I DON'T KNOW!
  • 00:58:30.130 --> 00:58:31.040
  • I WANNA GET MY HANDS HENNAED
  • 00:58:31.040 --> 00:58:31.280
  • AND WEAR A CAFTAN ON THE BEACH
  • 00:58:31.280 --> 00:58:33.200
  • OR SOMETHING.
  • 00:58:33.200 --> 00:58:35.030
  • - DR. CHIRONNA: TACIT
  • 00:58:35.030 --> 00:58:36.020
  • KNOWLEDGE IS WE KNOW MORE THAN
  • 00:58:36.020 --> 00:58:37.250
  • WE CAN TELL.
  • 00:58:37.250 --> 00:58:38.200
  • - RHODA: OOH!
  • 00:58:38.200 --> 00:58:39.130
  • - DR. CHIRONNA: MICHAEL
  • 00:58:39.130 --> 00:58:40.040
  • POLANYI.
  • 00:58:40.040 --> 00:58:41.030
  • BUT, I MEAN, YOU DO KNOW MORE
  • 00:58:41.030 --> 00:58:42.050
  • THAN YOU CAN TELL.
  • 00:58:42.050 --> 00:58:43.160
  • IT'S JUST A MATTER OF TAPPING
  • 00:58:43.160 --> 00:58:44.070
  • INTO IT.
  • 00:58:44.070 --> 00:58:46.020
  • WHEN-- I HAD ANDY DO THIS
  • 00:58:46.020 --> 00:58:47.180
  • BEFORE, BUT I'D LIKE YOU TO
  • 00:58:47.180 --> 00:58:49.120
  • JUST TALK A LITTLE BIT ABOUT
  • 00:58:49.120 --> 00:58:52.040
  • THE JOURNEY FOR A YOUNG ACTOR
  • 00:58:52.040 --> 00:58:53.080
  • OR ACTRESS AND WHAT YOU WOULD
  • 00:58:53.080 --> 00:58:54.210
  • TELL THEM, GIVEN YOUR JOURNEY
  • 00:58:54.210 --> 00:58:57.020
  • AT THIS POINT, WHERE THINGS
  • 00:58:57.020 --> 00:58:58.210
  • ARE, WHERE THE INDUSTRY IS, AND
  • 00:58:58.210 --> 00:59:00.240
  • HOW THEY CAN NAVIGATE THEIR
  • 00:59:00.240 --> 00:59:01.220
  • WAY, IF THEY REALLY HAVE THAT
  • 00:59:01.220 --> 00:59:02.140
  • DREAM.
  • 00:59:02.140 --> 00:59:03.190
  • - RHODA: I TELL YOUNG ACTORS A
  • 00:59:03.190 --> 00:59:05.110
  • LOT: IF YOU CAN THINK OF
  • 00:59:05.110 --> 00:59:05.290
  • ANYTHING ELSE YOU'D RATHER DO
  • 00:59:05.290 --> 00:59:07.090
  • THAT YOU'RE PASSIONATE ABOUT,
  • 00:59:07.090 --> 00:59:08.170
  • THAT YOU WOULD DO FOR FREE, YOU
  • 00:59:08.170 --> 00:59:10.140
  • SHOULD DO THAT FIRST.
  • 00:59:10.270 --> 00:59:13.270
  • YOU SHOULD ALWAYS GO WITH YOUR
  • 00:59:13.270 --> 00:59:15.010
  • HEART INTO ACTING.
  • 00:59:15.050 --> 00:59:18.050
  • IT'S SOMETHING THAT YOU WORK
  • 00:59:18.050 --> 00:59:18.250
  • HARDER AT GETTING A JOB THAN
  • 00:59:18.250 --> 00:59:20.150
  • ACTUALLY EVER DOING.
  • 00:59:20.150 --> 00:59:23.130
  • YOUR BUSINESS IS GOING TO THE
  • 00:59:23.130 --> 00:59:25.130
  • NEXT JOB.
  • 00:59:25.130 --> 00:59:27.160
  • AND YOU MEET FAMILIES AND
  • 00:59:27.160 --> 00:59:28.100
  • BEAUTIFUL FRIENDS ON EVERY SET.
  • 00:59:28.100 --> 00:59:30.240
  • BUT IT'S LIKE CHURCH CAMP.
  • 00:59:30.240 --> 00:59:33.060
  • YOU SAY GOODBYE TO THEM AND YOU
  • 00:59:33.060 --> 00:59:34.000
  • MOVE ON TO THE NEXT JOB.
  • 00:59:34.000 --> 00:59:35.290
  • I THINK MY JOB AS A CHRISTIAN
  • 00:59:35.290 --> 00:59:37.200
  • ACTRESS IS TO BE A LIGHT AND
  • 00:59:39.010 --> 00:59:42.010
  • LET OTHERS SEE MY TALENT IS
  • 00:59:42.010 --> 00:59:44.190
  • FROM GOD AND USE IT CORRECTLY.
  • 00:59:44.190 --> 00:59:46.030
  • BUT, I THINK YOU CAN NEVER KNOW
  • 00:59:46.030 --> 00:59:48.010
  • ENOUGH.
  • 00:59:48.010 --> 00:59:49.280
  • I THINK TRAINING IS THE KEY TO
  • 00:59:50.020 --> 00:59:53.020
  • LONGEVITY IN THIS BUSINESS, IN
  • 00:59:53.020 --> 00:59:54.040
  • ANY FACET, BE IT FILM,
  • 00:59:54.040 --> 00:59:56.110
  • TELEVISION, THEATRE, VOICEOVER
  • 00:59:56.110 --> 00:59:59.080
  • -- ANY ASPECT OF THIS BUSINESS.
  • 00:59:59.080 --> 01:00:01.280
  • I THINK YOU CAN NEVER STOP
  • 01:00:01.280 --> 01:00:02.270
  • LEARNING ABOUT YOURSELF, ABOUT
  • 01:00:02.270 --> 01:00:04.130
  • LIFE, AND EXPERIENCE EVERYTHING
  • 01:00:04.130 --> 01:00:06.160
  • YOU CAN POSSIBLY EXPERIENCE
  • 01:00:06.160 --> 01:00:09.070
  • ABOUT PEOPLE, ABOUT HUMAN
  • 01:00:09.070 --> 01:00:09.260
  • NATURE.
  • 01:00:09.260 --> 01:00:12.220
  • AND, BE GIVING, BE LOVING, AND
  • 01:00:12.220 --> 01:00:14.100
  • LOVE YOURSELF.
  • 01:00:14.100 --> 01:00:16.160
  • - DR. CHIRONNA: POWERFUL.
  • 01:00:16.160 --> 01:00:18.080
  • [APPLAUSE]
  • 01:00:18.080 --> 01:00:19.020
  • POWERFUL.
  • 01:00:19.020 --> 01:00:19.230
  • [APPLAUSE]
  • 01:00:19.230 --> 01:00:22.050
  • IF THERE'S...IF THERE'S ONE
  • 01:00:22.050 --> 01:00:23.260
  • THING THAT YOU WOULD SAY NOW
  • 01:00:23.260 --> 01:00:25.140
  • THAT HAD YOU KNOWN THAT WAS
  • 01:00:29.190 --> 01:00:32.190
  • YOUR BIGGEST ISSUE YOU WOULD
  • 01:00:32.190 --> 01:00:34.190
  • HAVE GOTTEN IT OUT OF THE WAY
  • 01:00:34.190 --> 01:00:35.100
  • SOONER...
  • 01:00:35.100 --> 01:00:36.140
  • - RHODA: OH...THERE'S SO MANY.
  • 01:00:36.140 --> 01:00:37.060
  • I THINK THE NUMBER ONE FOR ME,
  • 01:00:37.060 --> 01:00:38.180
  • AS A WOMAN, IS DON'T GIVE YOUR
  • 01:00:38.180 --> 01:00:39.270
  • POWER AWAY.
  • 01:00:39.270 --> 01:00:41.150
  • - DR. CHIRONNA: WOW.
  • 01:00:41.150 --> 01:00:42.020
  • - RHODA: AS SOUTHERN WOMEN,
  • 01:00:42.020 --> 01:00:42.270
  • WE'RE TAUGHT TO LET MEN DECIDE
  • 01:00:42.270 --> 01:00:43.250
  • FOR US, OR PEOPLE OLDER THAN
  • 01:00:43.250 --> 01:00:44.170
  • US.
  • 01:00:44.170 --> 01:00:45.220
  • AND EVEN IF IT'S A WRONG
  • 01:00:45.220 --> 01:00:46.260
  • DECISION, WE'RE HESITANT TO
  • 01:00:46.260 --> 01:00:48.210
  • STAND UP AND CRY FOWL.
  • 01:00:48.210 --> 01:00:50.170
  • AND I'VE LEARNED-- I THINK
  • 01:00:50.170 --> 01:00:52.140
  • IT'S-- I THINK IT'S WHEN
  • 01:00:52.140 --> 01:00:53.200
  • I TURNED 40: NO.
  • 01:00:53.200 --> 01:00:54.290
  • I WON'T BE DOING THAT.
  • 01:00:54.290 --> 01:00:57.180
  • THERE'S A LOT OF POWER IN THE
  • 01:00:57.180 --> 01:00:58.140
  • WORD "NO."
  • 01:00:58.140 --> 01:00:59.150
  • AND--
  • 01:00:59.150 --> 01:01:00.130
  • [APPLAUSE]
  • 01:01:00.130 --> 01:01:01.210
  • WOMEN GET IT.
  • 01:01:01.210 --> 01:01:02.230
  • WOMEN GET IT.
  • 01:01:02.230 --> 01:01:03.280
  • I DON'T KNOW ABOUT MEN, BUT,
  • 01:01:03.280 --> 01:01:05.260
  • FOR ME, I GAVE MY POWER AWAY SO
  • 01:01:05.260 --> 01:01:07.160
  • EASILY.
  • 01:01:07.160 --> 01:01:09.230
  • AND IT'S ALL IN HERE.
  • 01:01:09.230 --> 01:01:11.240
  • AND I THINK IT'S A GIFT.
  • 01:01:11.240 --> 01:01:12.260
  • BUT IF YOU LISTEN TO THAT
  • 01:01:12.260 --> 01:01:14.030
  • VOICE, IT WON'T STEER YOU
  • 01:01:14.030 --> 01:01:15.100
  • WRONG.
  • 01:01:15.100 --> 01:01:16.240
  • - DR. CHIRONNA: WE'VE GOT LIKE
  • 01:01:16.240 --> 01:01:17.160
  • TWO MINUTES.
  • 01:01:17.160 --> 01:01:18.270
  • I PROMISE YOU YOU JUST STRUCK A
  • 01:01:18.270 --> 01:01:19.270
  • MAJOR CHORD WITH THE ENTIRE
  • 01:01:19.270 --> 01:01:21.050
  • VIEWING AUDIENCE.
  • 01:01:21.050 --> 01:01:22.040
  • [AUDIENCE VOICES AGREEMENT]
  • 01:01:22.060 --> 01:01:25.060
  • WOULD YOU LOOK INTO THAT
  • 01:01:25.060 --> 01:01:26.170
  • CAMERA AND WOULD YOU
  • 01:01:26.170 --> 01:01:27.110
  • ADDRESS THEM AND THEN PRAY FOR
  • 01:01:27.110 --> 01:01:28.040
  • THEM TO BE RELEASED FROM
  • 01:01:28.040 --> 01:01:29.150
  • ANYTHING THAT WOULD PREVENT
  • 01:01:29.150 --> 01:01:30.280
  • THEM FROM HAVING THE KIND OF
  • 01:01:30.280 --> 01:01:32.110
  • FREEDOM YOU'RE TALKING ABOUT?
  • 01:01:32.110 --> 01:01:33.020
  • I'D LIKE FOR EVERY ACTOR,
  • 01:01:36.050 --> 01:01:37.270
  • ACTRESS, WANNA-BE, BANKER THAT
  • 01:01:37.270 --> 01:01:40.090
  • WANTS TO START ACTING -- LOOK
  • 01:01:40.090 --> 01:01:42.270
  • IN YOUR HEART AND FIGURE OUT
  • 01:01:42.270 --> 01:01:45.250
  • WHAT THAT VOICE IS TELLING YOU,
  • 01:01:45.250 --> 01:01:48.000
  • WHERE YOU CAN GROW WHERE YOU'RE
  • 01:01:48.100 --> 01:01:51.100
  • PLANTED, BE IT IDAHO OR NEW YORK
  • 01:01:51.100 --> 01:01:53.120
  • CITY OR LOS ANGELES.
  • 01:01:55.120 --> 01:01:58.120
  • I'VE PROVEN THAT YOU CAN HAVE A
  • 01:01:58.120 --> 01:01:59.130
  • LIFE AND MAKE A LIVING IN A
  • 01:01:59.130 --> 01:02:01.010
  • BUSINESS THAT YOU LOVE AND NOT
  • 01:02:01.010 --> 01:02:03.070
  • AND I DIDN'T REALIZE THAT WAS
  • 01:02:06.010 --> 01:02:06.220
  • AN ODDITY.
  • 01:02:06.220 --> 01:02:08.240
  • BUT LISTEN TO THAT VOICE.
  • 01:02:08.240 --> 01:02:10.240
  • BE HONEST TO YOURSELF AND YOU
  • 01:02:10.240 --> 01:02:11.270
  • WILL NEVER GO WRONG.
  • 01:02:11.270 --> 01:02:13.130
  • DEAR HEAVENLY FATHER,
  • 01:02:14.140 --> 01:02:17.140
  • I PRAY THAT YOU WOULD MOLD AND
  • 01:02:17.140 --> 01:02:18.290
  • MAKE EVERY ONE OF US INTO
  • 01:02:18.290 --> 01:02:20.260
  • SOMETHING YOU CAN USE.
  • 01:02:21.010 --> 01:02:24.010
  • HELP US TO BE HONEST WITH
  • 01:02:24.010 --> 01:02:25.290
  • OURSELVES AND WITH OTHERS AND
  • 01:02:25.290 --> 01:02:28.280
  • TO ALWAYS REMEMBER IT JUST
  • 01:02:28.280 --> 01:02:29.250
  • TAKES SO LITTLE TO BE NICE.
  • 01:02:30.210 --> 01:02:33.210
  • THANK YOU FOR ALL OF YOUR
  • 01:02:33.210 --> 01:02:34.100
  • BLESSINGS.
  • 01:02:34.100 --> 01:02:35.280
  • IN YOUR NAME I PRAY...
  • 01:02:35.280 --> 01:02:37.110
  • - DR. CHIRONNA: AMEN.
  • 01:02:37.110 --> 01:02:38.050
  • - RHODA: AMEN.
  • 01:02:38.050 --> 01:02:38.270
  • [APPLAUSE]
  • 01:02:38.270 --> 01:02:39.240
  • - DR. CHIRONNA: RHODA, YOU'RE
  • 01:02:39.240 --> 01:02:41.170
  • AMAZING.
  • 01:02:41.170 --> 01:02:42.020
  • - RHODA: THANK YOU -- VERY
  • 01:02:42.020 --> 01:02:42.220
  • MUCH!
  • 01:02:42.220 --> 01:02:43.240
  • - DR. CHIRONNA: THANK YOU FOR
  • 01:02:43.240 --> 01:02:46.000
  • YOUR TRANSPARENCY, AND FOR YOUR
  • 01:02:46.000 --> 01:02:47.200
  • CANDOR, AND FOR THE MANY LIVES
  • 01:02:47.200 --> 01:02:49.110
  • YOU CONTINUE TO TOUCH.
  • 01:02:49.110 --> 01:02:50.030
  • - RHODA: OH, IT'S MY
  • 01:02:50.030 --> 01:02:51.020
  • PRIVILEGE.
  • 01:02:51.020 --> 01:02:51.190
  • - DR. CHIRONNA: MAY HE
  • 01:02:51.190 --> 01:02:52.070
  • CONTINUE TO USE YOU.
  • 01:02:52.070 --> 01:02:52.230
  • COME BACK AGAIN.
  • 01:02:52.230 --> 01:02:53.140
  • - RHODA: THANK YOU VERY MUCH
  • 01:02:53.140 --> 01:02:54.110
  • FOR HAVING ME.
  • 01:02:54.110 --> 01:02:55.240
  • - DR. CHIRONNA: BLESS YOU,
  • 01:02:55.240 --> 01:02:56.170
  • BLESS YOU.
  • 01:02:56.170 --> 01:02:57.060
  • - RHODA: THANK YOU.
  • 01:02:57.060 --> 01:02:57.240
  • [APPLAUSE]
  • 01:02:57.240 --> 01:02:58.120
  • - DR. CHIRONNA: MICAH'S ABOUT
  • 01:02:58.120 --> 01:02:59.030
  • TO SING WITH THE TEAM ONCE
  • 01:02:59.030 --> 01:02:59.220
  • AGAIN -- "HEAVEN ON EARTH."
  • 01:02:59.220 --> 01:03:00.140
  • LET'S WELCOME MICAH AND THE
  • 01:03:00.140 --> 01:03:01.040
  • TEAM AS THEY COME.
  • 01:03:01.040 --> 01:03:03.150
  • - MICAH: ALL RIGHT, PRAISERS,
  • 01:03:05.090 --> 01:03:06.010
  • BE SEATED IN HEAVENLY PLACES
  • 01:03:09.200 --> 01:03:11.270
  • JUST LIKE HEAVEN...
  • 01:03:11.270 --> 01:03:13.220
  • JUST LIKE HEAVEN ON EARTH
  • 01:03:16.110 --> 01:03:19.110
  • TO BE WALKING IN HIS FAVOR AD
  • 01:03:19.110 --> 01:03:20.090
  • JUST LIKE HEAVEN...
  • 01:03:22.170 --> 01:03:23.080
  • JUST LIKE HEAVEN ON EARTH
  • 01:03:23.080 --> 01:03:24.250
  • OH!
  • 01:03:24.250 --> 01:03:25.240
  • WHOA-OH-OH-OH
  • 01:03:25.240 --> 01:03:27.290
  • COME ON, YOU GOT IT!
  • 01:03:27.290 --> 01:03:29.130
  • HEAVEN...
  • 01:03:29.130 --> 01:03:30.110
  • HEAVEN...
  • 01:03:30.110 --> 01:03:33.020
  • HEAVEN ON EARTH!
  • 01:03:33.020 --> 01:03:33.250
  • SAY,
  • 01:03:33.250 --> 01:03:34.110
  • WHOA-OH-OH-OH
  • 01:03:34.110 --> 01:03:36.140
  • HEAVEN...
  • 01:03:38.290 --> 01:03:41.290
  • [DELIVERS HIGH-PITCHED NOTE]
  • 01:03:41.290 --> 01:03:43.100
  • THE SPIRIT OF THE LORD IS UPN
  • 01:03:43.100 --> 01:03:45.010
  • ME
  • 01:03:45.010 --> 01:03:45.220
  • OH, GOD!
  • 01:03:45.220 --> 01:03:46.290
  • HIS ANOINTING --
  • 01:03:50.000 --> 01:03:53.000
  • IT'S EMPOWERING
  • 01:03:53.000 --> 01:03:53.270
  • THE KINGDOM OF THE LORD IS
  • 01:03:53.270 --> 01:03:55.000
  • WITHIN ME
  • 01:03:55.000 --> 01:03:56.150
  • AND HE'S CALLING ME...
  • 01:03:56.150 --> 01:03:58.120
  • TO THE HEAVENLIES
  • 01:03:59.100 --> 01:04:02.120
  • YEAH...
  • 01:04:02.120 --> 01:04:04.150
  • BE SEATED IN HEAVENLY PLACES
  • 01:04:04.150 --> 01:04:07.080
  • COME ON, EVERYBODY!
  • 01:04:07.080 --> 01:04:08.130
  • JUST LIKE HEAVEN...
  • 01:04:11.080 --> 01:04:14.080
  • HEY...
  • 01:04:14.080 --> 01:04:14.270
  • TO BE WALKING IN HIS FAVOR
  • 01:04:14.270 --> 01:04:16.130
  • AND GRACE...
  • 01:04:16.130 --> 01:04:18.070
  • IS JUST LIKE HEAVEN...
  • 01:04:18.070 --> 01:04:19.170
  • HEAVEN ON EARTH
  • 01:04:19.170 --> 01:04:20.290
  • SAY, OH!
  • 01:04:20.290 --> 01:04:21.290
  • WHOA-OH-OH-OH
  • 01:04:21.290 --> 01:04:23.160
  • HEAVEN...
  • 01:04:24.200 --> 01:04:27.200
  • HEAVEN ON EARTH
  • 01:04:27.200 --> 01:04:29.090
  • EVERYBODY SAY!
  • 01:04:29.090 --> 01:04:30.060
  • WHOA-OH-OH-OH
  • 01:04:30.170 --> 01:04:33.170
  • CAN WE HAVE SOME CHURCH?
  • 01:04:33.170 --> 01:04:35.080
  • YA'LL READY?
  • 01:04:35.080 --> 01:04:37.290
  • SOMETHING'S MOVING!
  • 01:04:37.290 --> 01:04:39.170
  • [CHEERS]
  • 01:04:39.170 --> 01:04:40.250
  • CHANGIN'!
  • 01:04:40.250 --> 01:04:42.170
  • SEE HIS GLORY!
  • 01:04:42.170 --> 01:04:44.200
  • FEELS LIKE HEAVEN ON EARTH!
  • 01:04:44.200 --> 01:04:46.130
  • WALLS ARE FALLING!
  • 01:04:46.130 --> 01:04:48.250
  • CHAINS ARE BREAKING!
  • 01:04:48.250 --> 01:04:50.280
  • AYYYYYYYYYY!
  • 01:04:51.150 --> 01:04:54.150
  • SOMETHING MOVIN'!
  • 01:04:54.150 --> 01:04:56.260
  • SOMETHING'S MOVING
  • 01:04:56.260 --> 01:04:57.210
  • SOMETHING'S CHANGING
  • 01:04:57.210 --> 01:04:59.010
  • SEE HIS GLORY!
  • 01:04:59.010 --> 01:05:00.040
  • FEELS LIKE HEAVEN ON EARTH
  • 01:05:00.040 --> 01:05:02.020
  • SAY IT!
  • 01:05:02.020 --> 01:05:03.130
  • SOMETHING'S MOVING
  • 01:05:03.130 --> 01:05:04.250
  • CHANGIN'!
  • 01:05:04.250 --> 01:05:06.230
  • SEE HIS GLORY...
  • 01:05:06.230 --> 01:05:08.170
  • FEELS LIKE HEAVEN ON EARTH
  • 01:05:08.170 --> 01:05:11.110
  • [EMITS ELONGATED NOTE]
  • 01:05:11.110 --> 01:05:12.270
  • SOMETHING'S MOVIN'
  • 01:05:12.270 --> 01:05:14.100
  • HEY!
  • 01:05:14.100 --> 01:05:15.070
  • SOMETHING'S CHANGING
  • 01:05:17.210 --> 01:05:20.210
  • SEE HIS GLORY!
  • 01:05:20.210 --> 01:05:21.090
  • SEE HIS GLORY
  • 01:05:21.090 --> 01:05:22.250
  • [VOCALIZING]
  • 01:05:22.250 --> 01:05:23.150
  • FEELS LIKE HEAVEN ON EARTH
  • 01:05:23.150 --> 01:05:24.270
  • SOMETHING'S MOVING
  • 01:05:24.270 --> 01:05:25.240
  • HEY!
  • 01:05:25.240 --> 01:05:26.180
  • SOMETHING'S CHANGIN'
  • 01:05:26.180 --> 01:05:27.110
  • YEAH!
  • 01:05:27.110 --> 01:05:29.200
  • SEE HIS GLORY
  • 01:05:29.200 --> 01:05:31.000
  • FEELS LIKE HEAVEN ON EARTH
  • 01:05:31.000 --> 01:05:31.240
  • THERE IS LIGHTNING AND
  • 01:05:31.240 --> 01:05:32.140
  • THUNDER!
  • 01:05:32.140 --> 01:05:33.140
  • MIRACLES AND WONDERS!
  • 01:05:33.140 --> 01:05:34.200
  • THE SOUND OF MANY WATERS!
  • 01:05:34.200 --> 01:05:35.280
  • HEAVEN ON EARTH!
  • 01:05:35.280 --> 01:05:36.290
  • SAY!
  • 01:05:36.290 --> 01:05:38.140
  • LIGHTNING AND THUNDER
  • 01:05:38.140 --> 01:05:39.280
  • MIRACLES AND WONDERS
  • 01:05:39.280 --> 01:05:41.260
  • THE SOUND OF MANY WATERS!
  • 01:05:41.260 --> 01:05:44.140
  • HEAVEN ON EARTH!
  • 01:05:44.140 --> 01:05:46.090
  • [VOCALIZING]
  • 01:05:46.090 --> 01:05:47.270
  • LIGHTNING AND THUNDER!
  • 01:05:47.270 --> 01:05:49.020
  • MIRACLES AND WONDERS!
  • 01:05:49.020 --> 01:05:50.280
  • I CAN'T SEE YA'LL.
  • 01:05:50.280 --> 01:05:52.150
  • LIFT UP YOUR WORSHIP IN HERE!
  • 01:05:52.150 --> 01:05:54.170
  • LIGHTNING AND THUNDER!
  • 01:05:54.170 --> 01:05:56.040
  • MIRACLES AND WONDERS!
  • 01:05:56.040 --> 01:05:57.060
  • I FEEL THE HOLY GHOST IN HERE.
  • 01:05:57.160 --> 01:06:00.180
  • [VOCALIZING]
  • 01:06:00.180 --> 01:06:02.260
  • WHOA-OH-OH-OH
  • 01:06:02.260 --> 01:06:04.020
  • HEAVEN...
  • 01:06:04.020 --> 01:06:05.290
  • HEAVEN...
  • 01:06:10.190 --> 01:06:13.190
  • HEY!
  • 01:06:13.190 --> 01:06:15.000
  • HEAVEN ON EARTH
  • 01:06:15.000 --> 01:06:15.270
  • [VOCALIZING]
  • 01:06:15.270 --> 01:06:16.240
  • WHOA-OH-OH-OH
  • 01:06:16.240 --> 01:06:17.260
  • HEAVEN...
  • 01:06:19.200 --> 01:06:22.200
  • NOW, OPEN UP YOUR MOUTH AND
  • 01:06:22.200 --> 01:06:23.100
  • GIVE HIM GLORY!
  • 01:06:23.100 --> 01:06:24.220
  • OPEN UP YOUR MOUTH AND GIVE HIM
  • 01:06:24.220 --> 01:06:27.150
  • WORSHIP!
  • 01:06:27.150 --> 01:06:30.080
  • OUT OF YOUR BELLY!
  • 01:06:30.080 --> 01:06:31.230
  • LIFT UP YOUR GOOD WORSHIP!
  • 01:06:31.230 --> 01:06:33.140
  • LIFT IT UP!
  • 01:06:33.140 --> 01:06:34.160
  • SAY!
  • 01:06:34.260 --> 01:06:37.260
  • FOR THINE IS THE KINGDOM
  • 01:06:41.200 --> 01:06:44.200
  • AND THE POWER!
  • 01:06:45.290 --> 01:06:48.290
  • AND THE POWER...
  • 01:06:50.170 --> 01:06:53.170
  • AND THE GLORY!
  • 01:06:53.170 --> 01:06:56.060
  • AND THE GLOOOOORY FOREVER...
  • 01:06:56.060 --> 01:06:58.290
  • AND EVER...
  • 01:07:00.250 --> 01:07:03.250
  • FOREVER...
  • 01:07:04.110 --> 01:07:07.110
  • [EXCLAIMS]
  • 01:07:07.110 --> 01:07:08.290
  • AND EVER
  • 01:07:08.290 --> 01:07:10.170
  • AND EVER...
  • 01:07:10.170 --> 01:07:12.050
  • FOREVER!
  • 01:07:12.050 --> 01:07:13.020
  • FOREVER...
  • 01:07:13.020 --> 01:07:15.160
  • [MUSICAL SCREAM]
  • 01:07:17.230 --> 01:07:20.230
  • SOMETHING'S MOVIN'
  • 01:07:20.230 --> 01:07:22.080
  • HEY!
  • 01:07:22.080 --> 01:07:22.280
  • SOMETHING'S CHANGING
  • 01:07:22.280 --> 01:07:24.060
  • YEAH!
  • 01:07:24.060 --> 01:07:25.240
  • SEE HIS GLORY
  • 01:07:25.240 --> 01:07:26.150
  • FEELS LIKE HEAVEN
  • 01:07:26.150 --> 01:07:27.280
  • SOMETHING'S MOVING!
  • 01:07:27.280 --> 01:07:29.190
  • I FEEL THE HOLY GHOST
  • 01:07:29.190 --> 01:07:31.270
  • YEAAAAAH!
  • 01:07:31.270 --> 01:07:33.220
  • SOMEBODY BREAK OUT IN A DANCE.
  • 01:07:33.220 --> 01:07:36.180
  • HEY!
  • 01:07:36.180 --> 01:07:37.200
  • SAY!
  • 01:07:37.200 --> 01:07:38.150
  • [MUSIC PICKS UP TEMPO]
  • 01:07:45.170 --> 01:07:48.170
  • MOVIN'!
  • 01:07:48.170 --> 01:07:49.270
  • MOVIN'!
  • 01:07:49.270 --> 01:07:51.290
  • YEAH!
  • 01:07:51.290 --> 01:07:54.150
  • SOMETHING'S MOVIN'!
  • 01:07:54.150 --> 01:07:56.130
  • OH, YEAH...
  • 01:07:56.130 --> 01:07:57.270
  • SOMETHING'S CHANGIN'
  • 01:07:59.090 --> 01:08:02.110
  • SEE HIS GLORY!
  • 01:08:02.110 --> 01:08:02.290
  • SEE HIS GLORY
  • 01:08:02.290 --> 01:08:03.170
  • FEELS LIKE HEAVEN ON EARTH
  • 01:08:03.170 --> 01:08:04.150
  • YEAH!
  • 01:08:04.150 --> 01:08:05.050
  • SOMETHING'S MOVING
  • 01:08:05.050 --> 01:08:05.280
  • YEAH!
  • 01:08:05.280 --> 01:08:06.220
  • SOMETHING'S CHANGIN'
  • 01:08:06.220 --> 01:08:07.130
  • SEE HIS GLORY!
  • 01:08:07.130 --> 01:08:08.070
  • ONE MORE TIME!
  • 01:08:08.070 --> 01:08:10.150
  • FEELS LIKE HEAVEN ON EARTH
  • 01:08:10.150 --> 01:08:11.190
  • SING!
  • 01:08:11.190 --> 01:08:12.150
  • SOMETHING'S MOVIN'
  • 01:08:12.150 --> 01:08:13.190
  • SOMETHING'S CHANGIN'
  • 01:08:13.190 --> 01:08:15.180
  • SEE HIS GLORY
  • 01:08:15.180 --> 01:08:18.080
  • FEELS LIKE HEAVEN ON EARTH
  • 01:08:18.080 --> 01:08:20.210
  • [MUSICAL CRY]
  • 01:08:20.210 --> 01:08:21.200
  • SOMETHING'S MOVIN'
  • 01:08:21.200 --> 01:08:22.140
  • SOMETHING'S CHANGIN'
  • 01:08:22.140 --> 01:08:24.080
  • SEE HIS GLORY
  • 01:08:24.090 --> 01:08:27.090
  • FEELS LIKE HEAVEN ON EARTH
  • 01:08:27.090 --> 01:08:29.240
  • [VOCALIZING]
  • 01:08:29.240 --> 01:08:31.180
  • HEAVEN...
  • 01:08:31.270 --> 01:08:34.270
  • HEAVEN ON EARTH
  • 01:08:34.270 --> 01:08:36.080
  • SAY!
  • 01:08:36.080 --> 01:08:38.030
  • OH-OH-OH-OH...
  • 01:08:39.060 --> 01:08:42.060
  • HEAVEN...
  • 01:08:42.060 --> 01:08:43.120
  • HEAVEN...
  • 01:08:43.120 --> 01:08:44.290
  • HEAVEN ON EARTH
  • 01:08:44.290 --> 01:08:46.200
  • ONE MORE TIME
  • 01:08:46.200 --> 01:08:47.130
  • EVERYBODY...
  • 01:08:47.130 --> 01:08:48.230
  • OH-OH-OH-OH...
  • 01:08:48.230 --> 01:08:49.230
  • HEAVEN...
  • 01:08:49.230 --> 01:08:51.070
  • HEAVEN...
  • 01:08:51.070 --> 01:08:53.220
  • HEAVEN ON EARTH
  • 01:08:53.220 --> 01:08:56.110
  • HEAVEN ON EARTH
  • 01:08:56.110 --> 01:08:57.210
  • SAY...
  • 01:08:57.210 --> 01:08:58.260
  • OH-OH-OH-OH...
  • 01:08:58.260 --> 01:09:00.040
  • HEAVEN...
  • 01:09:01.130 --> 01:09:04.130
  • HALLELUJAH!
  • 01:09:04.130 --> 01:09:06.170
  • HALLELUJAH...
  • 01:09:06.270 --> 01:09:09.270
  • HALLELUJAH
  • 01:09:10.200 --> 01:09:13.200
  • HALLELUJAH
  • 01:09:13.200 --> 01:09:15.220
  • [VOCALIZING]
  • 01:09:15.220 --> 01:09:16.290
  • HALLELUJAH...
  • 01:09:16.290 --> 01:09:17.270
  • WHOOH!
  • 01:09:17.270 --> 01:09:18.240
  • [APPLAUSE, CHEERS]
  • 01:09:18.240 --> 01:09:21.070
  • - DR. CHIRONNA: THANK YOU,
  • 01:09:21.070 --> 01:09:23.010
  • MICAH.
  • 01:09:23.010 --> 01:09:24.030
  • "HEAVEN ON EARTH."
  • 01:09:24.030 --> 01:09:26.110
  • [EXUBERANT APPLAUSE AND CHEERS
  • 01:09:26.110 --> 01:09:28.160
  • CONTINUE]
  • 01:09:28.160 --> 01:09:29.180
  • GOD IS MOVING BY HIS SPIRIT AND
  • 01:09:29.180 --> 01:09:30.100
  • YOU'RE A PART OF IT.
  • 01:09:31.220 --> 01:09:34.220
  • I WANNA TAKE A MOMENT RIGHT NOW
  • 01:09:34.230 --> 01:09:37.230
  • AND I'D LIKE YOU TO CONSIDER
  • 01:09:37.230 --> 01:09:40.030
  • SOME THOUGHTS IN LIGHT OF WHERE
  • 01:09:40.030 --> 01:09:41.050
  • WE ARE AND WHERE THINGS ARE
  • 01:09:41.050 --> 01:09:42.250
  • GOING.
  • 01:09:42.250 --> 01:09:43.240
  • AS WE'VE CROSSED THE THRESHOLD
  • 01:09:43.240 --> 01:09:45.000
  • AND MOVED INTO 2016, INTO A NEW
  • 01:09:45.060 --> 01:09:48.060
  • YEAR, THERE ARE MANY PEOPLE
  • 01:09:48.080 --> 01:09:51.080
  • THAT ARE PROGNOSTICATING DOOM
  • 01:09:51.080 --> 01:09:53.150
  • AND GLOOM.
  • 01:09:53.150 --> 01:09:55.180
  • THERE ARE MANY PEOPLE THAT ARE
  • 01:09:55.180 --> 01:09:57.080
  • SAYING THIS IS THE DARKEST HOUR
  • 01:09:57.080 --> 01:09:59.090
  • THERE ARE MANY SAYING THAT THE
  • 01:10:04.010 --> 01:10:04.220
  • WORST IS YET TO COME.
  • 01:10:04.220 --> 01:10:05.270
  • AND, I AM MINDFUL OF THE FACT
  • 01:10:06.130 --> 01:10:09.130
  • THAT CERTAINLY WE LIVE IN A DAY
  • 01:10:09.130 --> 01:10:10.130
  • OF GREAT UNCERTAINTY.
  • 01:10:10.140 --> 01:10:13.140
  • WE LIVE IN A DAY OF GREAT
  • 01:10:13.140 --> 01:10:14.030
  • BUT THERE ISN'T ANYONE ON THE
  • 01:10:16.210 --> 01:10:17.120
  • PLANET THAT HAS THE POWER TO
  • 01:10:17.120 --> 01:10:18.230
  • OUT-DREAM GOD'S DREAM GOD'S
  • 01:10:18.230 --> 01:10:20.270
  • DREAM IN GOD'S PEOPLE.
  • 01:10:20.270 --> 01:10:22.140
  • [APPLAUSE]
  • 01:10:23.240 --> 01:10:26.240
  • AND WHAT WE NEED IS TO BEGIN
  • 01:10:26.240 --> 01:10:28.230
  • ONCE AGAIN TO DREAM KINGDOM
  • 01:10:28.230 --> 01:10:30.140
  • DREAMS...
  • 01:10:32.010 --> 01:10:35.010
  • ...KNOWING THAT WE HAVE BEEN
  • 01:10:35.010 --> 01:10:36.200
  • ENTRUSTED BY GOD WITH THE
  • 01:10:36.200 --> 01:10:38.100
  • ABILITY TO BRING HEAVEN TO
  • 01:10:38.100 --> 01:10:40.190
  • EARTH BY THE THINGS WE DECLARE
  • 01:10:40.210 --> 01:10:43.210
  • THAT ARE TIED TO THE THINGS GOD
  • 01:10:43.210 --> 01:10:46.010
  • WANTS TO SEE HAPPEN.
  • 01:10:46.290 --> 01:10:49.290
  • AND THE THING IS GOD CAN'T GET
  • 01:10:49.290 --> 01:10:52.240
  • THOSE THINGS TO HAPPEN WITHOUT
  • 01:10:52.240 --> 01:10:53.290
  • YOUR COOPERATION AND MINE.
  • 01:10:53.290 --> 01:10:56.060
  • I'M MINDFUL OF THE FACT THAT
  • 01:10:56.060 --> 01:10:57.020
  • ONE OF THE GREAT, GREAT, GREAT
  • 01:10:57.150 --> 01:11:00.170
  • LITERARY GIANTS OF THE 20TH
  • 01:11:00.170 --> 01:11:01.080
  • CENTURY, C.S. LEWIS, KNEW HOW
  • 01:11:01.080 --> 01:11:03.130
  • TO CAPTURE THE IMAGINATION NOT
  • 01:11:03.130 --> 01:11:04.230
  • ONLY OF ADULTS BUT OF CHILDREN
  • 01:11:04.230 --> 01:11:06.070
  • AND TELL THE OLD, OLD STORY OF
  • 01:11:06.070 --> 01:11:09.040
  • JESUS AND HIS LOVE, USING MYTHS
  • 01:11:10.020 --> 01:11:13.020
  • AND METAPHORS AND INVITING US
  • 01:11:13.020 --> 01:11:15.060
  • INTO A WORLD OF ADVENTURE.
  • 01:11:15.060 --> 01:11:17.040
  • IN PARTICULAR, I WANNA JUST USE
  • 01:11:17.040 --> 01:11:19.110
  • THIS AS A BEGINNING MOMENT TO
  • 01:11:19.110 --> 01:11:20.240
  • SHARE A THOUGHT WITH YOU.
  • 01:11:20.240 --> 01:11:22.030
  • "THE LION, THE WITCH AND THE
  • 01:11:22.030 --> 01:11:24.110
  • WARDROBE," WHICH IS THE FIRST
  • 01:11:24.110 --> 01:11:25.090
  • IN THE SERIES OF
  • 01:11:25.090 --> 01:11:27.090
  • "THE CHRONICLES OF NARNIA,"
  • 01:11:27.090 --> 01:11:29.160
  • OPENS UP WITH THE FACT THAT
  • 01:11:29.160 --> 01:11:30.250
  • NARNIA HAS BEEN UNDER A FROZEN
  • 01:11:31.130 --> 01:11:34.130
  • BED OF SNOW FOR OVER A CENTURY.
  • 01:11:35.000 --> 01:11:38.000
  • THE WITCH HAS PUT A CURSE ON
  • 01:11:38.000 --> 01:11:40.090
  • NARNIA AND HAS FROZEN THE
  • 01:11:40.090 --> 01:11:41.120
  • ENTIRE PLACE.
  • 01:11:41.120 --> 01:11:43.250
  • AND THERE'S NOT BEEN ANYTHING
  • 01:11:43.250 --> 01:11:45.200
  • BUT WINTER FOR OVER A HUNDRED
  • 01:11:45.200 --> 01:11:46.200
  • YEARS.
  • 01:11:46.200 --> 01:11:48.260
  • AND CHRISTMAS HAS NOT BEEN
  • 01:11:48.260 --> 01:11:49.220
  • CELEBRATED.
  • 01:11:49.220 --> 01:11:51.170
  • NOW, YOU HAVE TO UNDERSTAND
  • 01:11:51.170 --> 01:11:53.160
  • WHAT IT IS THAT LEWIS IS TRYING
  • 01:11:53.160 --> 01:11:54.250
  • TO CONVEY BECAUSE CHRISTMAS
  • 01:11:54.250 --> 01:11:56.130
  • REPRESENTS THE FIRST COMING OF
  • 01:11:56.130 --> 01:11:58.010
  • THE LORD, WHEN GOD BECAME MAN.
  • 01:11:58.010 --> 01:12:00.180
  • IT'S THE ADVENT SEASON THAT IS
  • 01:12:00.200 --> 01:12:03.200
  • CELEBRATED AT THE END OF EVERY
  • 01:12:03.200 --> 01:12:06.030
  • YEAR AND THE EPIPHANY AT THE
  • 01:12:06.030 --> 01:12:07.180
  • BEGINNING OF EVERY NEW YEAR.
  • 01:12:07.180 --> 01:12:09.100
  • BECAUSE THE ADVENT REPRESENTS
  • 01:12:09.100 --> 01:12:11.060
  • THE COMING OF THE LORD.
  • 01:12:11.060 --> 01:12:12.280
  • AND WE LIVE IN BETWEEN THE
  • 01:12:12.280 --> 01:12:14.190
  • FIRST COMING AND THE SECOND
  • 01:12:14.190 --> 01:12:16.110
  • COMING.
  • 01:12:16.110 --> 01:12:17.270
  • AND MAKE NO MISTAKES.
  • 01:12:17.270 --> 01:12:19.270
  • IN BETWEEN THE FIRST COMING AND
  • 01:12:19.270 --> 01:12:20.200
  • THE SECOND COMING, THERE ARE
  • 01:12:20.200 --> 01:12:23.040
  • MANY COMINGS BY THE SPIRIT
  • 01:12:23.040 --> 01:12:25.010
  • THROUGHOUT THE ENTIRE GOSPEL
  • 01:12:25.010 --> 01:12:27.120
  • AGE WHERE GOD MOVES AGAIN AND
  • 01:12:27.120 --> 01:12:29.260
  • LET'S US KNOW HE'S STILL ON THE
  • 01:12:29.260 --> 01:12:31.010
  • THRONE.
  • 01:12:31.010 --> 01:12:32.000
  • [APPLAUSE]
  • 01:12:32.000 --> 01:12:34.030
  • AND WHILE IT MAY LOOK LIKE
  • 01:12:34.030 --> 01:12:35.160
  • EVERYTHING IS FROZEN OVER UNDER
  • 01:12:35.160 --> 01:12:37.260
  • A CURSE OF SNOW AND NOTHING CAN
  • 01:12:37.260 --> 01:12:40.020
  • BE CELEBRATED, COMES WORD AND
  • 01:12:40.060 --> 01:12:43.060
  • OBSERVATION ASLAN IS SEEN
  • 01:12:43.230 --> 01:12:46.230
  • RETURNING TO NARNIA AND HE'S
  • 01:12:46.230 --> 01:12:48.250
  • WALKING AMONGST THE SNOW BANKS.
  • 01:12:48.250 --> 01:12:51.010
  • AND THE MOMENT HE PUTS HIS PAWS
  • 01:12:52.200 --> 01:12:55.200
  • ON THOSE BANKS OF SNOW, THEY
  • 01:12:55.200 --> 01:12:57.060
  • BEGIN TO MELT BECAUSE IN HIS
  • 01:12:57.060 --> 01:12:58.210
  • PRESENCE, THE CURSE CANNOT
  • 01:12:58.210 --> 01:12:59.230
  • STAND.
  • 01:12:59.230 --> 01:13:01.260
  • [APPLAUSE, CHEERS]
  • 01:13:01.260 --> 01:13:03.120
  • BECAUSE HE COMES TO MAKE HIS
  • 01:13:03.120 --> 01:13:04.050
  • BLESSINGS KNOWN FAR AS THE
  • 01:13:04.050 --> 01:13:06.100
  • CURSE IS FOUND.
  • 01:13:09.130 --> 01:13:12.130
  • ASLAN'S RETURN TO NARNIA MEANT
  • 01:13:12.130 --> 01:13:13.040
  • THERE WAS ANOTHER SPRINGTIME
  • 01:13:13.040 --> 01:13:15.010
  • COMING FOR THE PEOPLE OF
  • 01:13:15.010 --> 01:13:17.130
  • NARNIA.
  • 01:13:17.130 --> 01:13:17.270
  • I'M HERE TO TELL YOU THAT AS
  • 01:13:17.270 --> 01:13:20.190
  • BEST AS I CAN EXPLAIN THIS TO
  • 01:13:20.190 --> 01:13:21.180
  • YOU, THE HOLY SPIRIT HAS MADE
  • 01:13:21.180 --> 01:13:23.150
  • IT CLEAR TO ME, AS ONE VOICE --
  • 01:13:23.150 --> 01:13:25.060
  • BUT I'M NOT THE ONLY ONE, THERE
  • 01:13:25.060 --> 01:13:26.220
  • ARE MANY -- THAT IN SPITE OF
  • 01:13:26.220 --> 01:13:27.140
  • THE MANY CHALLENGES WE'RE
  • 01:13:27.230 --> 01:13:30.230
  • FACING, IN SPITE OF THE FACT
  • 01:13:30.230 --> 01:13:32.090
  • THAT MEN'S HEARTS ARE FAILING
  • 01:13:32.090 --> 01:13:33.180
  • THEM FOR FEAR, IN SPITE OF THE
  • 01:13:33.180 --> 01:13:35.010
  • FACT THAT CHANGE IS SO RAPID
  • 01:13:35.010 --> 01:13:36.280
  • AND ACCELERATED THAT PEOPLE ARE
  • 01:13:36.280 --> 01:13:38.270
  • TRYING TO JUST KEEP UP TO MAKE
  • 01:13:38.270 --> 01:13:40.180
  • IT THROUGH A DAY, I'M HERE TO
  • 01:13:40.180 --> 01:13:42.030
  • TELL YOU I HAVE HEARD IT IN THE
  • 01:13:42.030 --> 01:13:43.120
  • WIND OF THE SPIRIT--
  • 01:13:43.140 --> 01:13:46.140
  • [CATCHES BREATH]
  • 01:13:46.140 --> 01:13:47.110
  • --OUR LION KING IS RETURNING
  • 01:13:47.110 --> 01:13:48.210
  • WITH A FRESH VISITATION OF THE
  • 01:13:48.210 --> 01:13:49.230
  • SPIRIT.
  • 01:13:49.230 --> 01:13:52.180
  • [LOUD APPLAUSE, CHEERS]
  • 01:13:52.180 --> 01:13:54.090
  • THERE IS COMING ANOTHER
  • 01:13:54.090 --> 01:13:55.120
  • SPRINGTIME IN THE HOLY SPIRIT
  • 01:13:55.280 --> 01:13:58.280
  • AND THE EARTH IS GOING TO
  • 01:13:58.280 --> 01:14:00.260
  • EXPERIENCE THE REIGN OF HEAVEN.
  • 01:14:00.260 --> 01:14:03.230
  • A LATTER REIGN OF THE GLORY OF
  • 01:14:03.230 --> 01:14:05.020
  • GOD IS COMING AGAIN TO THE BODY
  • 01:14:05.020 --> 01:14:07.140
  • OF CHRIST IN EVERY TRIBE, EVERY
  • 01:14:07.140 --> 01:14:09.100
  • RACE, EVERY KINDRED, EVERY
  • 01:14:09.100 --> 01:14:10.220
  • TONGUE.
  • 01:14:10.220 --> 01:14:12.160
  • MAKE NO MISTAKE -- THE NATIONS
  • 01:14:12.160 --> 01:14:15.040
  • DO NOT BELONG TO US.
  • 01:14:15.040 --> 01:14:17.090
  • WHEN JESUS DIED, GOD SAID TO
  • 01:14:17.290 --> 01:14:20.290
  • HIS SON: SIT AT MY RIGHT HAND
  • 01:14:20.290 --> 01:14:23.220
  • UNTIL I MAKE EVERY NATION YOUR
  • 01:14:23.220 --> 01:14:24.290
  • POSSESSION.
  • 01:14:24.290 --> 01:14:27.080
  • I WANT YOU TO KNOW EVERY NATION
  • 01:14:27.080 --> 01:14:29.080
  • ON THE PLANET -- I DON'T CARE
  • 01:14:29.080 --> 01:14:30.010
  • WHO'S LEADING IT, I DON'T CARE
  • 01:14:30.010 --> 01:14:31.140
  • WHAT IDEOLOGY THEY HAVE --
  • 01:14:31.140 --> 01:14:33.220
  • EVERY NATION ON THE PLANET
  • 01:14:33.220 --> 01:14:36.030
  • BELONGS TO JESUS AND HE IS
  • 01:14:36.030 --> 01:14:38.160
  • GOING TO WIN EVERY NATION FOR
  • 01:14:39.260 --> 01:14:42.260
  • THE GLORY OF HIS FATHER.
  • 01:14:42.260 --> 01:14:44.190
  • [LOUD APPLAUSE, CHEERS]
  • 01:14:45.200 --> 01:14:48.200
  • BUT IN ORDER FOR JESUS TO WIN
  • 01:14:48.230 --> 01:14:51.230
  • EVERY NATION, HE NEEDS TO
  • 01:14:51.230 --> 01:14:54.190
  • OVERCOME HIS BIGGEST OBSTACLE.
  • 01:14:55.080 --> 01:14:58.080
  • AND THAT BIGGEST OBSTACLE IS
  • 01:14:58.080 --> 01:15:01.040
  • THAT PART OF YOU THAT SAYS HE
  • 01:15:01.040 --> 01:15:03.160
  • CAN'T USE YOU.
  • 01:15:05.170 --> 01:15:08.170
  • BECAUSE MOST OF US HAVE FAITH
  • 01:15:08.170 --> 01:15:11.020
  • FOR THE PAST AND HAVE FAITH FOR
  • 01:15:11.020 --> 01:15:12.000
  • THE FUTURE, BUT DON'T HAVE
  • 01:15:12.000 --> 01:15:12.290
  • FAITH THAT RIGHT NOW GOD CAN
  • 01:15:13.120 --> 01:15:16.120
  • USE US RIGHT WHERE WE ARE.
  • 01:15:16.120 --> 01:15:19.080
  • [APPLAUSE]
  • 01:15:19.080 --> 01:15:20.180
  • AND IF THE BODY OF CHRIST WOULD
  • 01:15:20.180 --> 01:15:22.000
  • JUST BEGIN TO REALIZE THAT THE
  • 01:15:22.000 --> 01:15:24.070
  • ONE THING GOD WANTS FROM US IS
  • 01:15:25.240 --> 01:15:28.240
  • TO DARE TO BELIEVE THAT HE CAN
  • 01:15:28.240 --> 01:15:31.040
  • USE US, WE WOULD WAKE UP
  • 01:15:32.030 --> 01:15:35.030
  • OVERNIGHT FROM A SLUMBER OF
  • 01:15:35.030 --> 01:15:37.250
  • FROZEN WINTER AND WE WOULD
  • 01:15:37.250 --> 01:15:39.060
  • BEGIN TO BE THE AGENTS OF THE
  • 01:15:40.040 --> 01:15:43.040
  • GREATEST OUTPOURING OF THE HOLY
  • 01:15:43.040 --> 01:15:45.240
  • SPIRIT THE WORLD HAS EVER
  • 01:15:45.240 --> 01:15:46.210
  • KNOWN.
  • 01:15:46.210 --> 01:15:49.180
  • WHAT'S JESUS UP TO?
  • 01:15:49.180 --> 01:15:52.000
  • WHERE'S HE GOING?
  • 01:15:52.000 --> 01:15:53.140
  • I CAN PROMISE YOU JESUS IS NOT
  • 01:15:53.210 --> 01:15:56.210
  • READING THE BAD NEWS THE WAY
  • 01:15:56.210 --> 01:15:57.180
  • YOU AND I DO.
  • 01:15:57.180 --> 01:15:59.040
  • HE'S NOT BITING HIS NAILS IN
  • 01:15:59.040 --> 01:16:00.240
  • HEAVEN SAYING: I DON'T KNOW
  • 01:16:00.240 --> 01:16:02.070
  • WHAT I'M GOING TO DO ABOUT
  • 01:16:02.070 --> 01:16:03.100
  • THIS.
  • 01:16:03.100 --> 01:16:04.020
  • I-- I'M NOT SURE I CAN HANDLE
  • 01:16:04.020 --> 01:16:05.180
  • ISIS.
  • 01:16:05.180 --> 01:16:06.210
  • I WANT YOU TO KNOW THE LAST
  • 01:16:06.210 --> 01:16:09.180
  • ENEMY IS NOT ISIS; THE LAST
  • 01:16:09.180 --> 01:16:10.180
  • ENEMY IS DEATH.
  • 01:16:10.180 --> 01:16:12.250
  • ANYTHING BETWEEN THAT, HE'S
  • 01:16:12.250 --> 01:16:14.060
  • GONNA OVERCOME THEM ALL...
  • 01:16:14.060 --> 01:16:16.180
  • [APPLAUSE, CHEERS]
  • 01:16:17.160 --> 01:16:20.160
  • AND THERE IS SOMETHING GOING
  • 01:16:20.160 --> 01:16:22.260
  • ON.
  • 01:16:22.260 --> 01:16:24.010
  • "I HEARD A GROAN IN THE
  • 01:16:24.010 --> 01:16:25.280
  • SPIRIT," ONE PROPHET SAID.
  • 01:16:25.280 --> 01:16:27.240
  • AND I SAID, "WHAT ARE YOU
  • 01:16:27.240 --> 01:16:28.230
  • TALKING ABOUT?"
  • 01:16:28.230 --> 01:16:30.010
  • HE SAID, "THE EARTH IS
  • 01:16:30.010 --> 01:16:30.290
  • GROANING."
  • 01:16:30.290 --> 01:16:31.220
  • AND HE SAID, "THE EARTH IS
  • 01:16:31.220 --> 01:16:33.110
  • GROANING FOR THE SONS AND
  • 01:16:33.110 --> 01:16:34.120
  • DAUGHTERS OF GOD TO GROW UP
  • 01:16:34.120 --> 01:16:37.070
  • INTO FULL MATURITY AND OPERATE
  • 01:16:37.070 --> 01:16:39.080
  • IN THEIR AUTHORITY IN CHRIST
  • 01:16:39.080 --> 01:16:42.010
  • AND SEE THE ATMOSPHERE SHIFTED
  • 01:16:42.010 --> 01:16:44.130
  • IN FAVOR OF THE GLORY OF GOD."
  • 01:16:45.290 --> 01:16:48.290
  • [APPLAUSE, CHEERS]
  • 01:16:48.290 --> 01:16:49.200
  • I BELIEVE OUR GREATEST DAYS ARE
  • 01:16:49.200 --> 01:16:50.120
  • NOT BEHIND US; THEY ARE YET
  • 01:16:50.120 --> 01:16:51.070
  • AHEAD OF US.
  • 01:16:51.070 --> 01:16:52.290
  • THERE WAS A DAY WHEN GOD HAD
  • 01:16:52.290 --> 01:16:54.050
  • CALLED A YOUNG MAN TO BE A
  • 01:16:54.050 --> 01:16:56.080
  • DELIVERER FOR AN ENTIRE
  • 01:16:56.230 --> 01:16:59.230
  • MULTITUDE OF PEOPLE THAT WERE
  • 01:16:59.230 --> 01:17:00.280
  • ENSLAVED.
  • 01:17:00.280 --> 01:17:03.010
  • THE ONLY PROBLEM WAS HE DIDN'T
  • 01:17:03.010 --> 01:17:05.250
  • THINK HE HAD WHAT IT TOOK TO DO
  • 01:17:05.250 --> 01:17:07.170
  • WHAT GOD CALLED HIM TO DO.
  • 01:17:07.170 --> 01:17:10.040
  • IT'S ONE THING FOR YOU TO BE
  • 01:17:10.040 --> 01:17:11.290
  • QUESTIONING YOUR ABILITY.
  • 01:17:12.250 --> 01:17:15.250
  • IT'S HUMAN TO QUESTION YOUR
  • 01:17:15.250 --> 01:17:17.130
  • LIMITATIONS.
  • 01:17:17.130 --> 01:17:19.020
  • BUT YOU ARE NOT CALLED TO
  • 01:17:20.250 --> 01:17:23.250
  • QUESTION WHETHER GOD
  • 01:17:23.250 --> 01:17:24.150
  • IS LIMITED OR NOT.
  • 01:17:24.150 --> 01:17:25.260
  • [APPLAUSE, CHEERS]
  • 01:17:25.260 --> 01:17:26.260
  • MOSES HAD AN ISSUE.
  • 01:17:27.160 --> 01:17:30.160
  • THE ISSUE WAS HE WAS AWARE OF
  • 01:17:30.160 --> 01:17:31.070
  • HIS LIMITATIONS, BUT THEN HE
  • 01:17:31.070 --> 01:17:33.010
  • PROJECTED HIS OWN LIMITATIONS
  • 01:17:33.010 --> 01:17:34.290
  • ONTO GOD AND FELT LIKE SINCE HE
  • 01:17:34.290 --> 01:17:37.070
  • WAS LIMITED, SO MUST GOD BE
  • 01:17:37.070 --> 01:17:38.060
  • LIMITED.
  • 01:17:38.070 --> 01:17:41.070
  • GOD IS NOT A MAN THAT HE SHOULD
  • 01:17:41.070 --> 01:17:43.060
  • LIE.
  • 01:17:43.060 --> 01:17:44.080
  • [APPLAUSE]
  • 01:17:44.080 --> 01:17:45.060
  • AND WHEN GOD CALLED MOSES, HE
  • 01:17:45.060 --> 01:17:47.290
  • DIDN'T MAKE A MISTAKE.
  • 01:17:47.290 --> 01:17:48.170
  • WHAT GOD WANTED MOSES TO
  • 01:17:48.170 --> 01:17:50.260
  • REALIZE WAS THAT GOD'S STRENGTH
  • 01:17:51.280 --> 01:17:54.280
  • IS MADE PERFECT IN HIS
  • 01:17:54.280 --> 01:17:56.100
  • WEAKNESS.
  • 01:17:56.100 --> 01:17:57.070
  • [APPLAUSE, CHEERS]
  • 01:17:57.070 --> 01:17:58.200
  • I'M GONNA GIVE YOU THE CHIRONNA
  • 01:17:58.200 --> 01:18:00.220
  • DEFINITION OF GRACE.
  • 01:18:01.010 --> 01:18:04.010
  • I CAN'T SO GOD HAS TO.
  • 01:18:06.060 --> 01:18:09.060
  • [APPLAUSE, CHEERS]
  • 01:18:09.060 --> 01:18:10.070
  • MOSES NEEDED TO COME TO A
  • 01:18:11.010 --> 01:18:14.010
  • MOMENT OF LOOKING AT HIS
  • 01:18:14.010 --> 01:18:15.170
  • LIMITATION AND SAYING, "I
  • 01:18:15.170 --> 01:18:16.110
  • CAN'T," BUT THEN GO BEYOND THAT
  • 01:18:16.110 --> 01:18:17.030
  • AND SAY, "THEREFORE, IF GOD
  • 01:18:17.030 --> 01:18:18.110
  • CALLED ME, HE HAS TO"!
  • 01:18:18.110 --> 01:18:21.000
  • AND AT THAT MOMENT...
  • 01:18:21.000 --> 01:18:22.140
  • [APPLAUSE, CHEERS]
  • 01:18:22.140 --> 01:18:23.170
  • ...AT THAT MOMENT, YOU GOTTA
  • 01:18:23.170 --> 01:18:25.120
  • OPEN UP THE BOOK OF HEBREWS,
  • 01:18:25.120 --> 01:18:26.130
  • CHAPTER 11, AND YOU DISCOVER BY
  • 01:18:26.130 --> 01:18:28.160
  • FAITH, ABEL; BY FAITH, ADAM; BY
  • 01:18:28.220 --> 01:18:31.220
  • FAITH, NOAH; BY FAITH, ABRAHAM;
  • 01:18:31.220 --> 01:18:33.040
  • BY FAITH, MOSES; BY FAITH,
  • 01:18:33.040 --> 01:18:35.220
  • ISAIAH!
  • 01:18:35.220 --> 01:18:37.290
  • [LOUD APPLAUSE, CHEERS]
  • 01:18:37.290 --> 01:18:38.290
  • THERE IS THIS THING CALLED "BY
  • 01:18:38.290 --> 01:18:39.200
  • FAITH" THAT GOD IS LOOKING FOR
  • 01:18:40.030 --> 01:18:43.030
  • THAT ONLY COMES WHEN YOU LOOK
  • 01:18:43.240 --> 01:18:46.240
  • AT YOUR LIMITATION AND STOP
  • 01:18:46.240 --> 01:18:49.220
  • MAKING IT GOD'S AND START
  • 01:18:49.220 --> 01:18:51.140
  • TRUSTING THAT, BY FAITH, GRACE
  • 01:18:51.140 --> 01:18:53.200
  • CAN MAKE OF YOU WHAT YOU CAN'T
  • 01:18:53.200 --> 01:18:55.190
  • MAKE OF YOURSELF.
  • 01:18:55.190 --> 01:18:57.110
  • [APPLAUSE, CHEERS]
  • 01:19:00.180 --> 01:19:03.180
  • IT DOESN'T HAVE TO TAKE YOUR
  • 01:19:03.180 --> 01:19:05.050
  • WHOLE LIFE TO LEARN THE LESSON
  • 01:19:05.050 --> 01:19:05.290
  • MOSES LEARNED.
  • 01:19:05.290 --> 01:19:07.290
  • TOOK HIM 80 YEARS TILL HE WAS
  • 01:19:07.290 --> 01:19:10.140
  • SO ISOLATED ON THE BACK SIDE OF
  • 01:19:10.140 --> 01:19:12.160
  • THE DESERT THAT HE THOUGHT HE
  • 01:19:12.160 --> 01:19:13.160
  • WAS SEEING THINGS.
  • 01:19:14.020 --> 01:19:17.020
  • AND ONE AFTERNOON IN THE HEAT
  • 01:19:17.020 --> 01:19:19.290
  • OF THE SINAI DESERT, A BUSH
  • 01:19:20.240 --> 01:19:23.240
  • BEGAN TO BE CONSUMED -- OR LOOK
  • 01:19:23.240 --> 01:19:25.290
  • LIKE IT WAS CONSUMED.
  • 01:19:25.290 --> 01:19:27.070
  • THAT WASN'T UNCOMMON.
  • 01:19:27.070 --> 01:19:28.100
  • IT'S NOT UNCOMMON TODAY.
  • 01:19:28.100 --> 01:19:29.100
  • BRAMBLE BUSHES ARE CONSUMED IN
  • 01:19:29.100 --> 01:19:30.290
  • THE SINAI HEAT IMMEDIATELY.
  • 01:19:30.290 --> 01:19:32.270
  • MOSES HAD SEEN MANY BRAMBLE
  • 01:19:33.000 --> 01:19:36.000
  • BUSHES BURNING AND CONSUMED.
  • 01:19:36.000 --> 01:19:37.190
  • THE CHALLENGE WAS THIS ONE KEPT
  • 01:19:37.190 --> 01:19:39.200
  • BURNING BUT IT DIDN'T GET
  • 01:19:39.200 --> 01:19:40.190
  • CONSUMED.
  • 01:19:40.190 --> 01:19:42.060
  • IT'S NOT A BURNING BUSH; IT'S A
  • 01:19:42.060 --> 01:19:44.040
  • NON-BURNING BUSH.
  • 01:19:44.040 --> 01:19:46.200
  • [CHATTERING]
  • 01:19:46.200 --> 01:19:47.260
  • AND MOSES SAID, "I MUST TURN
  • 01:19:47.260 --> 01:19:49.010
  • ASIDE NOW."
  • 01:19:49.010 --> 01:19:51.220
  • AND THE METAPHOR THERE HAS TO
  • 01:19:51.220 --> 01:19:54.020
  • DO WITH SHIFTING HIS
  • 01:19:54.020 --> 01:19:56.040
  • PERCEPTION.
  • 01:19:56.040 --> 01:19:57.190
  • WE CALL IT REPENTANCE,
  • 01:19:57.190 --> 01:19:58.220
  • METANOIA, A FUNDAMENTAL SHIFT.
  • 01:19:58.220 --> 01:20:01.210
  • UNTIL YOU MAKE A FUNDAMENTAL
  • 01:20:01.210 --> 01:20:02.290
  • SHIFT OF HOW YOU SEE WHAT GOD
  • 01:20:02.290 --> 01:20:05.130
  • IS SAYING, YOU CAN NEVER MAKE
  • 01:20:05.130 --> 01:20:06.220
  • THE SHIFT INTERNALLY TO BE THE
  • 01:20:06.220 --> 01:20:09.210
  • VEHICLE GOD'S GONNA SAY IT
  • 01:20:09.210 --> 01:20:11.210
  • THROUGH.
  • 01:20:12.090 --> 01:20:15.090
  • AND MOSES HAD TO TURN ASIDE.
  • 01:20:15.090 --> 01:20:17.000
  • AND WHEN HE TURNED ASIDE, WHEN
  • 01:20:17.000 --> 01:20:19.050
  • HE MADE THE SHIFT, GOD SAW THAT
  • 01:20:19.050 --> 01:20:20.200
  • MOSES WAS READY TO RECEIVE
  • 01:20:20.200 --> 01:20:23.020
  • SOMETHING THAT WOULD BREAK
  • 01:20:23.020 --> 01:20:25.070
  • EVERY BARRIER IN MOSES FROM
  • 01:20:25.070 --> 01:20:26.290
  • BEING THE DELIVERER GOD ALREADY
  • 01:20:26.290 --> 01:20:28.190
  • KNEW HE WAS.
  • 01:20:28.190 --> 01:20:30.250
  • AND WHEN HE TURNED ASIDE, GOD
  • 01:20:30.250 --> 01:20:32.270
  • SAID TO HIM, "I AM THE GOD OF
  • 01:20:33.140 --> 01:20:36.140
  • YOUR FATHER, THE GOD OF
  • 01:20:36.140 --> 01:20:37.280
  • ABRAHAM, THE GOD OF ISAAC, AND
  • 01:20:37.280 --> 01:20:38.290
  • THE GOD OF JACOB."
  • 01:20:38.290 --> 01:20:39.200
  • NOW, NOTICE -- THE FIRST THING
  • 01:20:39.200 --> 01:20:41.210
  • GOD SAID WAS: I'M YOUR DADDY'S
  • 01:20:41.210 --> 01:20:42.230
  • GOD.
  • 01:20:42.230 --> 01:20:44.010
  • HE DIDN'T START WITH ABRAHAM,
  • 01:20:44.010 --> 01:20:44.270
  • ISAAC, AND JACOB.
  • 01:20:44.270 --> 01:20:45.160
  • HE STARTED WITH EVERYTHING IN
  • 01:20:45.160 --> 01:20:46.170
  • HIS OWN FAMILY.
  • 01:20:46.170 --> 01:20:47.250
  • BUT I NEED YOU TO HEAR ME.
  • 01:20:47.250 --> 01:20:48.210
  • JUST BECAUSE YOUR DADDY AND
  • 01:20:48.210 --> 01:20:50.010
  • MAMA KNOW GOD, YOU'VE GOTTA
  • 01:20:50.010 --> 01:20:51.250
  • KNOW GOD FOR YOURSELF.
  • 01:20:51.250 --> 01:20:54.180
  • [APPLAUSE, CHEERS]
  • 01:20:54.180 --> 01:20:56.210
  • YOU'VE GOTTA COME TO A PLACE
  • 01:20:58.040 --> 01:21:01.060
  • WHERE YOU COME TO THE END OF
  • 01:21:01.060 --> 01:21:02.090
  • YOUR FRUSTRATION AND LIMITATION
  • 01:21:02.090 --> 01:21:04.290
  • AND TURN ASIDE AND GET A
  • 01:21:04.290 --> 01:21:07.220
  • REVELATION THAT ONLY GOD CAN
  • 01:21:07.220 --> 01:21:10.190
  • GIVE YOU THAT HE'S NOT JUST
  • 01:21:10.190 --> 01:21:11.280
  • YOUR MAMA'S GOD, NOT JUST YOUR
  • 01:21:12.060 --> 01:21:15.060
  • DADDY'S GOD -- HE'S YOUR GOD,
  • 01:21:15.060 --> 01:21:16.090
  • AS WELL.
  • 01:21:17.150 --> 01:21:20.150
  • AND WHEN HE DOES HEAR THAT, IT
  • 01:21:20.150 --> 01:21:22.040
  • SAYS MOSES HID HIS FACE.
  • 01:21:22.040 --> 01:21:24.060
  • 'CAUSE HE WAS AFRAID TO LOOK AT
  • 01:21:24.060 --> 01:21:25.030
  • GOD.
  • 01:21:25.030 --> 01:21:26.060
  • WHY WOULD HE BE AFRAID TO LOOK
  • 01:21:26.060 --> 01:21:27.260
  • AT GOD?
  • 01:21:27.260 --> 01:21:28.230
  • BECAUSE IN THE PRESENCE OF
  • 01:21:28.230 --> 01:21:30.060
  • TRUTH, HE HAS TO TAKE A GOOD
  • 01:21:30.060 --> 01:21:31.080
  • HARD LOOK AT HIMSELF.
  • 01:21:31.080 --> 01:21:32.200
  • AND HE DOESN'T LIKE WHAT HE
  • 01:21:32.200 --> 01:21:33.230
  • SEES ABOUT HIMSELF.
  • 01:21:33.230 --> 01:21:36.190
  • BUT, BELOVED, I NEED YOU TO
  • 01:21:36.190 --> 01:21:37.110
  • HEAR ME.
  • 01:21:37.110 --> 01:21:38.050
  • YOU AND I HAVE SPENT A LOT OF
  • 01:21:38.050 --> 01:21:41.030
  • TIME LOOKING AT WHAT'S WRONG
  • 01:21:41.030 --> 01:21:42.010
  • WITH US.
  • 01:21:42.010 --> 01:21:42.240
  • AND IT HASN'T HELPED US MOVE IN
  • 01:21:42.240 --> 01:21:45.020
  • THE POWER OF GOD.
  • 01:21:45.020 --> 01:21:46.160
  • IF GOD WAS GONNA FOCUS ON
  • 01:21:46.160 --> 01:21:49.060
  • EVERYTHING THAT WAS WRONG WITH
  • 01:21:49.060 --> 01:21:50.160
  • YOU, WHY WOULD HE CALL YOU TO
  • 01:21:50.160 --> 01:21:51.170
  • BEGIN WITH?
  • 01:21:51.170 --> 01:21:53.050
  • [AUDIENCE REACTS]
  • 01:21:53.050 --> 01:21:54.250
  • LAST I CHECKED, EVERY ONE OF US
  • 01:21:54.250 --> 01:21:57.000
  • WAS IMPERFECT.
  • 01:21:57.000 --> 01:21:58.110
  • AND YET, WE'RE ALL GOD'S GOT TO
  • 01:21:58.110 --> 01:22:00.070
  • WORK WITH, WHICH IS WHY HE SENT
  • 01:22:00.070 --> 01:22:01.060
  • JESUS, WHO, IN HIS PERFECTION,
  • 01:22:01.060 --> 01:22:03.020
  • COVERS OUR IMPERFECTION...
  • 01:22:03.030 --> 01:22:06.030
  • [APPLAUSE]
  • 01:22:06.030 --> 01:22:07.240
  • ...SO THAT, BY FAITH, WE CAN DO
  • 01:22:07.240 --> 01:22:09.140
  • EXPLOITS FOR HIM.
  • 01:22:09.140 --> 01:22:12.060
  • AND MOSES SAID, "WELL, WHAT IF
  • 01:22:12.060 --> 01:22:14.170
  • THEY DON'T BELIEVE ME?"
  • 01:22:14.170 --> 01:22:15.230
  • ALL OF US WRESTLE WITH WHETHER
  • 01:22:15.230 --> 01:22:16.220
  • OR NOT WE'RE CREDIBLE.
  • 01:22:16.220 --> 01:22:18.250
  • I DON'T CARE HOW CLASSY WE LOOK
  • 01:22:18.250 --> 01:22:21.080
  • ON THE OUTSIDE.
  • 01:22:21.080 --> 01:22:22.130
  • ALL OF US INSIDE FEEL LIKE WE
  • 01:22:22.130 --> 01:22:24.260
  • NEVER MEASURE UP.
  • 01:22:24.260 --> 01:22:26.270
  • ALL OF US HAVE ISSUES INSIDE
  • 01:22:26.270 --> 01:22:28.040
  • WHERE WE FEEL LIKE--
  • 01:22:28.040 --> 01:22:29.100
  • AND WE COMPARE OURSELVES WITH
  • 01:22:29.100 --> 01:22:30.200
  • OTHER PEOPLE.
  • 01:22:30.200 --> 01:22:31.290
  • YOU'RE NEVER SUPPOSED TO
  • 01:22:31.290 --> 01:22:32.230
  • COMPARE YOURSELF WITH ANYONE
  • 01:22:32.230 --> 01:22:33.260
  • ELSE.
  • 01:22:33.260 --> 01:22:35.240
  • BUT WE DO THAT SO OFTEN.
  • 01:22:35.240 --> 01:22:37.230
  • AND THEN WE DISQUALIFY
  • 01:22:37.230 --> 01:22:39.150
  • OURSELVES BEFORE WE'RE ABOUT TO
  • 01:22:39.150 --> 01:22:41.120
  • HAVE OUR GREATEST BREAKTHROUGH.
  • 01:22:41.120 --> 01:22:43.020
  • AND THERE'S ALL SORTS OF PEOPLE
  • 01:22:43.020 --> 01:22:45.270
  • THAT CAN'T GET SET FREE UNTIL
  • 01:22:45.270 --> 01:22:48.000
  • YOU'RE FREE.
  • 01:22:48.070 --> 01:22:51.070
  • YOUR DELIVERANCE IS THEIR
  • 01:22:51.070 --> 01:22:52.050
  • DELIVERANCE.
  • 01:22:52.050 --> 01:22:53.200
  • [APPLAUSE]
  • 01:22:53.200 --> 01:22:54.180
  • YOUR EMANCIPATION IS THEIR
  • 01:22:54.180 --> 01:22:55.170
  • EMANCIPATION.
  • 01:22:55.170 --> 01:22:56.180
  • [APPLAUSE]
  • 01:22:56.180 --> 01:22:57.270
  • SO WHAT IS THIS KEY THAT YOU
  • 01:22:57.270 --> 01:23:00.120
  • AND I NEED TO UNDERSTAND AS WE
  • 01:23:00.120 --> 01:23:01.240
  • MOVE INTO THIS NEW SEASON OF
  • 01:23:01.240 --> 01:23:03.180
  • "BY FAITH"?
  • 01:23:03.180 --> 01:23:05.150
  • THE KEY IS WHEN GOD SAYS TO
  • 01:23:05.150 --> 01:23:07.220
  • MOSES:
  • 01:23:07.220 --> 01:23:09.170
  • - TELL THEM I AM SENT YOU.
  • 01:23:09.170 --> 01:23:11.250
  • - WELL, WHO'S I AM?
  • 01:23:11.250 --> 01:23:13.100
  • - I AM IS ME.
  • 01:23:13.100 --> 01:23:15.180
  • I AM THAT I AM.
  • 01:23:15.180 --> 01:23:17.120
  • I WILL BE WHAT YOU NEED ME TO
  • 01:23:17.120 --> 01:23:20.100
  • BE WHEN YOU NEED ME TO BE IT.
  • 01:23:20.100 --> 01:23:21.100
  • [APPLAUSE, CHEERS]
  • 01:23:21.100 --> 01:23:22.180
  • AND I AM IS MY MEMORIAL NAME
  • 01:23:23.210 --> 01:23:26.210
  • FOR EVERY GENERATION THAT'S
  • 01:23:26.210 --> 01:23:28.190
  • EVER TO COME.
  • 01:23:28.190 --> 01:23:30.250
  • AND WHAT YOU AND I NEED TO LET
  • 01:23:30.250 --> 01:23:32.100
  • GO OF, IN TERMS OF OUR FEARS,
  • 01:23:32.100 --> 01:23:34.240
  • IN TERMS OF OUR UNCERTAINTIES,
  • 01:23:34.240 --> 01:23:36.270
  • IN TERMS OF OUR LIMITATIONS IS
  • 01:23:37.100 --> 01:23:40.100
  • BELIEVING THAT THAT DEFINES US.
  • 01:23:40.230 --> 01:23:43.230
  • BECAUSE CHRIST IN YOU IS THE I
  • 01:23:43.230 --> 01:23:45.140
  • AM THAT "I AM..."
  • 01:23:45.240 --> 01:23:48.240
  • AND THE MOMENT YOU HAVE FAITH
  • 01:23:48.240 --> 01:23:50.280
  • IN THE ONE WHO IS INSIDE YOU,
  • 01:23:50.280 --> 01:23:52.070
  • YOU WILL DISCOVER THAT HE NOT
  • 01:23:52.070 --> 01:23:54.180
  • ONLY IS BUT HE'S A REWARDER OF
  • 01:23:54.180 --> 01:23:56.180
  • THOSE WHO DILIGENTLY SEEK HIM.
  • 01:23:56.180 --> 01:23:58.160
  • [APPLAUSE]
  • 01:23:58.160 --> 01:24:01.140
  • AND THEN, ALL OF A SUDDEN, YOU
  • 01:24:01.140 --> 01:24:02.050
  • WILL WALK INTO SITUATIONS, NOT
  • 01:24:02.050 --> 01:24:03.260
  • AS IF YOU DON'T HAVE ANY POWER,
  • 01:24:04.060 --> 01:24:07.060
  • BUT YOU WILL WALK IN KNOWING:
  • 01:24:07.060 --> 01:24:07.270
  • I'M NOT HERE ON MY OWN.
  • 01:24:07.270 --> 01:24:10.110
  • I'VE BEEN COMMISSIONED.
  • 01:24:10.110 --> 01:24:12.090
  • I KNOW I WAS CALLED BUT NOW
  • 01:24:12.090 --> 01:24:13.110
  • I'VE GOT A COMMISSION.
  • 01:24:13.110 --> 01:24:14.270
  • AND I'M HERE TO SHIFT THE
  • 01:24:18.120 --> 01:24:19.060
  • ATMOSPHERE IN FAVOR OF GOD'S
  • 01:24:19.060 --> 01:24:20.260
  • GOODNESS, TRIUMPHING OVER EVIL!
  • 01:24:20.260 --> 01:24:22.100
  • BECAUSE GOOD WILL ALWAYS
  • 01:24:22.100 --> 01:24:23.160
  • TRIUMPH OVER EVIL!
  • 01:24:23.160 --> 01:24:26.140
  • AND I'M HERE TO BE A GAME
  • 01:24:26.140 --> 01:24:27.160
  • CHANGER!
  • 01:24:27.160 --> 01:24:28.190
  • I'M HERE TO BE A HISTORY MAKER!
  • 01:24:28.190 --> 01:24:30.080
  • I'M HERE TO BE AN ATMOSPHERE
  • 01:24:30.080 --> 01:24:31.090
  • I'M HERE TO BE SOMEONE THAT
  • 01:24:33.250 --> 01:24:34.150
  • BRINGS LIGHT IN THE DARKNESS!
  • 01:24:34.150 --> 01:24:35.240
  • AND I AM GOING TO OPERATE IN
  • 01:24:35.250 --> 01:24:38.250
  • FAITH AND MOUNTAINS ARE GONNA
  • 01:24:38.250 --> 01:24:40.120
  • MOVE, BROKEN BODIES ARE GONNA
  • 01:24:41.090 --> 01:24:44.090
  • BE HEALED, BLIND EYES ARE GOING
  • 01:24:44.090 --> 01:24:47.050
  • TO BE OPENED...BECAUSE THE
  • 01:24:47.050 --> 01:24:49.000
  • GREATER WORKS THAT JESUS
  • 01:24:49.000 --> 01:24:50.180
  • PROMISED ARE GONNA BE DONE
  • 01:24:50.180 --> 01:24:52.190
  • GREATLY THROUGH ME!
  • 01:24:52.190 --> 01:24:54.130
  • I CHALLENGE YOU IN THIS NEW
  • 01:24:54.130 --> 01:24:56.270
  • YEAR!
  • 01:24:56.270 --> 01:24:58.050
  • BY FAITH, LAY HOLD OF THE GLORY
  • 01:24:59.040 --> 01:25:02.060
  • OF GOD INSIDE YOU AND WALK IN
  • 01:25:02.060 --> 01:25:04.080
  • THE REALITY THAT GOD IS IN YOU,
  • 01:25:06.130 --> 01:25:09.130
  • CHRIST IN YOU, THE HOPE OF
  • 01:25:09.130 --> 01:25:10.020
  • GLORY!
  • 01:25:12.220 --> 01:25:15.220
  • AND WALK INTO EVERY DARK
  • 01:25:15.220 --> 01:25:16.120
  • SITUATION AND STAND AND
  • 01:25:16.120 --> 01:25:17.000
  • DECLARE: TODAY, EVERYTHING
  • 01:25:17.000 --> 01:25:18.030
  • CHANGES BECAUSE JESUS IS
  • 01:25:18.030 --> 01:25:19.100
  • BRINGING US SPRINGTIME IN THE
  • 01:25:19.100 --> 01:25:21.050
  • MIDST OF THE WINTER OF THIS
  • 01:25:21.050 --> 01:25:22.030
  • SEASON!
  • 01:25:22.170 --> 01:25:25.170
  • IN THE NAME OF THE FATHER AND
  • 01:25:25.170 --> 01:25:26.250
  • THE SON AND THE HOLY GHOST...
  • 01:25:26.250 --> 01:25:28.160
  • AND EVERYBODY SAID...
  • 01:25:28.240 --> 01:25:31.240
  • - ALL: AMEN!
  • 01:25:31.240 --> 01:25:33.240
  • - MALE VOICEOVER: WE'RE SO
  • 01:25:47.230 --> 01:25:48.270
  • GLAD YOU'VE BEEN WITH US FOR
  • 01:25:48.270 --> 01:25:49.260
  • "PRAISE THE LORD."
  • 01:25:49.260 --> 01:25:50.160
  • TBN HAS A WORLDWIDE MINISTRY.
  • 01:25:50.160 --> 01:25:52.090
  • WE NEED YOUR LOVE GIFTS, LARGE
  • 01:25:52.090 --> 01:25:53.140
  • OR SMALL, TO HELP KEEP THE
  • 01:25:53.140 --> 01:25:55.120
  • GOSPEL OF JESUS CHRIST GOING
  • 01:25:55.120 --> 01:25:56.180
  • AROUND THE WORLD.
  • 01:25:56.180 --> 01:25:57.270
  • IF YOU HAVEN'T ASKED CHRIST
  • 01:26:05.190 --> 01:26:06.120
  • INTO YOUR LIFE, CALL OUR PRAYER
  • 01:26:06.120 --> 01:26:07.150
  • PARTNER NOW AND PRAY TO RECEIVE
  • 01:26:07.150 --> 01:26:08.270
  • JESUS AS SAVIOR AND LORD.
  • 01:26:08.270 --> 01:26:11.170
  • NOW, UNTIL NEXT TIME, REMEMBER
  • 01:26:11.170 --> 01:26:13.120
  • - MALE VOICEOVER: THIS PROGRAM
  • 01:26:51.160 --> 01:26:52.160
  • HAS BEEN BROUGHT TO YOU THROUGH
  • 01:26:52.160 --> 01:26:53.090
  • THE PRAYERS AND CONTRIBUTIONS
  • 01:26:53.090 --> 01:26:54.290
  • OF OUR FAITHFUL PARTNERS
  • 01:26:54.290 --> 01:26:56.050
  • THROUGHOUT NORTH AMERICA AND
  • 01:26:56.050 --> 01:26:58.070