Big Tent Revival | TBN

Big Tent Revival

Watch Big Tent Revival
October 23, 2019
27:31

Music, Moments, & Memories

Closed captions

Big Tent Revival

Show timecode
Hide timecode
  • [MUSIC]
  • 00:00:00.240 --> 00:00:02.150
  • THE NEW CCM UNITED MUSIC, MOMENTS & MEMORIES
  • 00:00:02.160 --> 00:00:06.050
  • FEATURING MORE CCM HITS YOU GREW UP WITH. SIMPLY CALL THE NUMBER
  • 00:00:06.060 --> 00:00:10.240
  • ON YOUR SCREEN OR GO ONLINE. THE CD AND DVD ARE BOTH YOURS FOR
  • 00:00:10.250 --> 00:00:17.290
  • YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE OF HOPE AND
  • 00:00:18.000 --> 00:00:21.250
  • GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR SCREEN OR GO
  • 00:00:21.260 --> 00:00:25.250
  • ONLINE AND REQUEST YOUR COPY NOW.
  • 00:00:25.260 --> 00:00:28.280
  • [MUSIC]
  • 00:00:28.290 --> 00:00:30.200
  • -I REMEMBER IT, TOO.
  • 00:00:30.210 --> 00:00:31.240
  • YOU'RE WALKING AND HE'S, LIKE, COULD SOMEBODY GET FABIAN
  • 00:00:31.250 --> 00:00:33.160
  • AWAY FROM ME FOR ONCE? [LAUGHTER] -NO, BUT MR. LAURIE,
  • 00:00:33.170 --> 00:00:38.220
  • MR. LAURIE.
  • 00:00:38.230 --> 00:00:41.100
  • [MUSIC]
  • 00:00:41.110 --> 00:00:56.090
  • [MUSIC]
  • 00:00:56.090 --> 00:01:02.040
  • JACKIE VELASQUEZ: HELLO! MY NAME IS JACKIE
  • 00:01:02.050 --> 00:01:03.150
  • VELASQUEZ AND I'D LIKE TO WELCOME YOU TO THIS EPISODE
  • 00:01:03.160 --> 00:01:06.120
  • FEATURING BIG TENT REVIVAL. STEVE WIGGINS STARTED OUT WITH A
  • 00:01:06.130 --> 00:01:10.050
  • SOLO CAREER AND THEN LOST IT. IT WASN'T UNTIL HE HOOKED UP WITH
  • 00:01:10.060 --> 00:01:14.230
  • CHILDHOOD FRIEND, SPENCE SMITH, THAT BIG TENT BEGAN, WITH THE
  • 00:01:14.240 --> 00:01:18.270
  • LATER EDITIONS OF STEVE DALE, RANDY WILLIAMS, AND DAVID ALLEN.
  • 00:01:18.280 --> 00:01:22.280
  • THE BAND WAS ROCKING! -THIS GUY NEEDED A BAND. [CHUCKLES] -I
  • 00:01:22.290 --> 00:01:27.050
  • NEEDED A BAND. BIG TENT REVIVAL STARTED, I HAD A RECORD DEAL ON
  • 00:01:27.060 --> 00:01:31.200
  • SPARROW RECORDS AND DID A SOLO RECORD ON SPARROW. AND ABOUT A
  • 00:01:31.210 --> 00:01:37.230
  • YEAR LATER I'M IN THE EMI OFFICE AND MY A&R GUY, PETER, IS
  • 00:01:37.240 --> 00:01:43.200
  • TELLING ME ABOUT HOW I'M NOT SELLING ANY RECORDS. AND THIS IS
  • 00:01:43.210 --> 00:01:46.250
  • HOW THE RECORD BUSINESS WORKS-YOU HAVE TO SELL THEM TO
  • 00:01:46.260 --> 00:01:49.220
  • MAKE MORE OF THEM. AND SO I WALKED OUT OF THAT OFFICE
  • 00:01:49.230 --> 00:01:54.080
  • WITHOUT A RECORD DEAL. BUT I STILL HAD SIGNED A PRODUCTION
  • 00:01:54.090 --> 00:01:57.170
  • AGREEMENT WITH ARDENT RECORDING STUDIO IN MEMPHIS. SO I WENT
  • 00:01:57.180 --> 00:02:01.270
  • BACK TO MEMPHIS FROM MY MEETING IN NASHVILLE AND WAS TRYING TO
  • 00:02:01.280 --> 00:02:06.270
  • CONVINCE PAT SKULLS AT ARDENT RECORDING STUDIO THAT THEY
  • 00:02:06.280 --> 00:02:12.030
  • NEEDED TO LET ME OUT OF MY DEAL SO THAT I COULD JUST GO BACK TO
  • 00:02:12.040 --> 00:02:17.270
  • LIVE MY LIFE, GO BACK TO COLLEGE, GO DO MY THING. AND SO,
  • 00:02:17.280 --> 00:02:23.000
  • HIS FATHER HAD PASSED AWAY, UNFORTUNATELY, AND HAD LEFT HIM
  • 00:02:23.010 --> 00:02:27.190
  • A SOD FARM IN SEARCY, ARKANSAS. AND SO, SPENCE, -YOU'RE DIGGING
  • 00:02:27.200 --> 00:02:33.290
  • DEEP ON STORY, AREN'T YOU? -YEAH, THIS IS, LIKE, -YEAH
  • 00:02:34.000 --> 00:02:37.130
  • WE'RE DIGGING DEEP INTO THE SOD. -THIS IS THE REAL STORY.
  • 00:02:37.140 --> 00:02:39.110
  • -YEAH, THIS IS THE REAL STORY. AND SO I'M IN THE CAR GOING FROM
  • 00:02:39.120 --> 00:02:43.270
  • MEMPHIS TO SEARCY TO SEE THIS GUY'S DAD'S SOD FARM, AND
  • 00:02:43.280 --> 00:02:49.160
  • EXPLAINING TO HIM FROM MEMPHIS TO SEARCY, ABOUT TWO HOURS, WHY
  • 00:02:49.170 --> 00:02:54.130
  • I SHOULD NOT BE IN THE MUSIC BUSINESS ANYMORE. AND I THINK I
  • 00:02:54.140 --> 00:02:57.200
  • HAD CONVINCED HIM BY THE TIME WE GOT TO HARDING UNIVERSITY WHERE
  • 00:02:57.210 --> 00:03:01.190
  • I WALKED INTO THE MUSIC ANNEX, PUT ON A GUITAR AND PLAYED A
  • 00:03:01.200 --> 00:03:09.090
  • REALLY UNBELIEVABLE REHEARSE-DO YOU REMEMBER HOW? -I TOTALLY
  • 00:03:09.100 --> 00:03:12.100
  • REMEMBER. -REMEMBER HOW MAGICAL IT WAS? -IT WAS GREAT. MAINLY
  • 00:03:12.110 --> 00:03:15.010
  • BECAUSE OF THE GUITAR. -[CHUCKLES] THE GUITAR. -YEAH,
  • 00:03:15.020 --> 00:03:18.070
  • AND SO, ON THE WAY BACK FROM SEARCY TO MEMPHIS HE TALKED ME
  • 00:03:18.080 --> 00:03:23.260
  • BACK INTO THE MUSIC BUSINESS. AND I SAID, WELL, I JUST DON'T
  • 00:03:23.270 --> 00:03:28.050
  • WANT TO DO IT ANYMORE. HE GOES, LISTEN, WE GOT A GUY NAMED BRAD
  • 00:03:28.060 --> 00:03:32.090
  • WHO IS, WE'LL LET YOU OUT OF YOUR DEAL, BUT WE HAVE A GUY
  • 00:03:32.100 --> 00:03:35.170
  • NAMED BRAD WHO'S TRYING TO GET A RECORD DEAL AND HE HAS A
  • 00:03:35.180 --> 00:03:38.290
  • SHOWCASE IN NASHVILLE. ALL I WANT YOU TO DO IS WHAT I JUST
  • 00:03:39.000 --> 00:03:42.060
  • SAW IN SEARCY, I WANT YOU TO WARM UP THE CROWD FOR BRAD. SO,
  • 00:03:42.070 --> 00:03:47.170
  • WE GO, AND WE HAVE NOTHING TO LOSE AND WE DON'T CARE, AND I
  • 00:03:47.180 --> 00:03:51.150
  • DON'T KNOW, MAYBE I'M WRONG, BUT I THINK TO THIS DAY IT'S
  • 00:03:51.160 --> 00:03:54.130
  • PROBABLY ONE OF THE TOP THREE SHOWS WE EVER PLAYED. IT WAS
  • 00:03:54.140 --> 00:03:57.160
  • LIKE A SPRINGSTEEN SHOW. IT'S LIKE WE COULD HAVE BEEN ON THE
  • 00:03:57.170 --> 00:03:59.240
  • TABLES JUST CUZ WE DIDN'T CARE. WE JUST WERE, NOT THAT WE DIDN'T
  • 00:03:59.250 --> 00:04:03.250
  • CARE LIKE WE DON'T LOVE THE LORD, OR WE DON'T CARE ABOUT, WE
  • 00:04:03.260 --> 00:04:06.090
  • JUST WERE LIKE, WE WEREN'T SELLING IT, WE WERE JUST UP
  • 00:04:06.100 --> 00:04:08.290
  • THERE HAVING A BLAST. AND AT THE END OF THE NIGHT, POOR BRAD,
  • 00:04:09.000 --> 00:04:13.140
  • NOBODY WANTED TO SIGN BRAD AND THEN EVERYBODY WAS TALKING TO
  • 00:04:13.150 --> 00:04:19.030
  • THE RECORD LABEL ABOUT THIS BAND. -AND FROM THEN ON TO A
  • 00:04:19.040 --> 00:04:22.270
  • GIG IN SOUTH AFRICA, THEY WERE OFF TO THE RACES. STEVE
  • 00:04:22.280 --> 00:04:27.080
  • UNDERSTOOD BROKENNESS AND LET THAT CONCEPT FUEL HIS WRITING
  • 00:04:27.090 --> 00:04:31.090
  • THE SONG MEND ME. -YOU, KNOW MEND ME IS A SONG THAT I
  • 00:04:31.100 --> 00:04:35.250
  • WROTE. IT WAS NEW YEAR'S EVE, LITERALLY, NEW YEAR'S EVE. AND I
  • 00:04:35.260 --> 00:04:41.020
  • WAS AT THAT POINT OF BEING A NEW BELIEVER WHERE I'D MAYBE BEEN A
  • 00:04:41.030 --> 00:04:44.080
  • CHRISTIAN FOR A COUPLE OF YEARS. YOU KNOW, I KNEW THAT I COULD
  • 00:04:44.090 --> 00:04:46.220
  • TRUST JESUS WITH MY SOUL FOR HEAVEN, BUT THE WHOLE
  • 00:04:46.230 --> 00:04:50.210
  • SURRENDERING THERE'S STILL THINGS KIND OF STILL IN YOUR
  • 00:04:50.220 --> 00:04:53.140
  • HANDS THAT YOU WANT TO SURRENDER TO THE LORD. AND I JUST REMEMBER
  • 00:04:53.150 --> 00:04:55.280
  • BEING CONFLICTED. AND THAT'S THE WHOLE IDEA OF THIS SONG, IS NEW
  • 00:04:55.290 --> 00:05:00.080
  • YEAR'S EVE AND THIS IS WHAT I SEE. I'M STARING AT THESE PEOPLE
  • 00:05:00.090 --> 00:05:04.200
  • STARING BACK AT ME, SOMETIMES INSECURE, BUT I KNOW YOUR LOVE
  • 00:05:04.210 --> 00:05:09.020
  • IS PURE, I'M BROKEN, MEND ME. OVER BACKWARDS BENDING FOR THE
  • 00:05:09.030 --> 00:05:13.230
  • LOVE YOU'RE SENDING. AND THAT'S THE WHOLE CONCEPT OF THE SONG.
  • 00:05:13.240 --> 00:05:17.290
  • ALL THE PLACES THAT I'VE BEEN, STILL I CAN'T ESCAPE THIS LIFE
  • 00:05:18.000 --> 00:05:20.280
  • OF SIN, WHAT I WANT TO DO I DON'T DO. OF COURSE, NOW WE'RE
  • 00:05:20.290 --> 00:05:24.090
  • QUOTING PAUL, AND WHO, AS WE ALL KNOW, WAS ONE OF THE BEATLES.
  • 00:05:24.100 --> 00:05:28.250
  • NO, [CHUCKLES] WAS ONE OF THE APOSTLES. BUT THE LEAST OF THE
  • 00:05:28.260 --> 00:05:33.230
  • APOSTLES. RIGHT? AND SO, YOU KNOW, WE ALL WANT TO CLAIM THAT
  • 00:05:33.240 --> 00:05:39.230
  • WE ARE DIRECT HEIRS TO THE RIGHTEOUS ONES, BUT I THINK IT'S
  • 00:05:39.240 --> 00:05:44.150
  • THE ONE WHO SAYS I'M THE CHIEF OF SINNERS THAT WE PROBABLY
  • 00:05:44.160 --> 00:05:47.100
  • REALLY RELATE TO MOST OF ALL.
  • 00:05:47.110 --> 00:05:50.050
  • [MUSIC]
  • 00:05:50.060 --> 00:06:05.060
  • [MUSIC]
  • 00:06:05.060 --> 00:06:25.060
  • [MUSIC]
  • 00:06:25.060 --> 00:06:31.130
  • [MUSIC]
  • 00:06:31.140 --> 00:06:46.120
  • [MUSIC]
  • 00:06:46.120 --> 00:06:57.200
  • IT'S TIME TO GET UP OUT
  • 00:06:57.210 --> 00:06:58.200
  • OF YOUR SEAT LET'S PUT YOUR HANDS TOGETHER
  • 00:06:58.210 --> 00:07:05.210
  • I WANT TO SEE
  • 00:07:05.220 --> 00:07:06.210
  • SOME HANDS UP IN THE AIR TONIGHT
  • 00:07:06.220 --> 00:07:10.180
  • NEW YEAR EVE, AND THIS IS WHAT I SEE
  • 00:07:10.190 --> 00:07:17.180
  • STARING AT THESE FACES STARING BACK AT ME
  • 00:07:17.190 --> 00:07:24.230
  • SOMETIMES INSECURE,
  • 00:07:24.240 --> 00:07:28.010
  • BUT I KNOW YOUR LOVE IS PURE
  • 00:07:28.020 --> 00:07:31.240
  • I AM BROKEN MEND ME
  • 00:07:31.250 --> 00:07:35.010
  • OVER BACKWARDS BENDING
  • 00:07:35.020 --> 00:07:39.000
  • FOR THE LOVE YOU'RE SENDING
  • 00:07:39.010 --> 00:07:43.120
  • [MUSIC]
  • 00:07:43.130 --> 00:07:52.100
  • ALL THE PLACES THAT I'VE BEEN
  • 00:07:52.110 --> 00:07:56.000
  • LIKE FRANKLIN, TN
  • 00:07:56.010 --> 00:07:59.110
  • STILL I CAN'T ESCAPE THIS LIFE OF SIN
  • 00:07:59.120 --> 00:08:06.010
  • WHAT I WANT TO DO I DON'T DO
  • 00:08:06.020 --> 00:08:09.250
  • AND WHAT I DO I DON'T WANT TO
  • 00:08:09.260 --> 00:08:13.100
  • I AM BROKEN MEND ME
  • 00:08:13.110 --> 00:08:16.250
  • OVER BACKWARDS BENDING
  • 00:08:16.260 --> 00:08:20.240
  • FOR THE LOVE YOU'RE SENDING
  • 00:08:20.250 --> 00:08:24.130
  • [MUSIC]
  • 00:08:24.140 --> 00:08:37.220
  • DAYS HAVE COME AND DAYS HAVE GONE
  • 00:08:37.230 --> 00:08:41.010
  • AND STILL I'M UNDER SIEGE
  • 00:08:41.020 --> 00:08:44.130
  • EVERYDAY DECISIONS MADE
  • 00:08:44.140 --> 00:08:47.260
  • FOR WHICH SIDE TO ALLEIGE
  • 00:08:47.270 --> 00:08:51.290
  • SOME NIGHTS I JUST SIT AND CRY
  • 00:08:52.000 --> 00:08:55.090
  • FOR WORDS I CAN'T ERASE
  • 00:08:55.100 --> 00:08:59.040
  • ALL I HAVE IN THIS WORLD
  • 00:08:59.050 --> 00:09:02.070
  • IS THE PROMISE OF YOUR GRACE
  • 00:09:02.080 --> 00:09:05.150
  • I AM BROKEN MEND ME
  • 00:09:05.160 --> 00:09:09.060
  • OVER BACKWARDS BENDING
  • 00:09:09.070 --> 00:09:12.280
  • FOR THE LOVE YOU'RE SENDING
  • 00:09:12.290 --> 00:09:17.040
  • I AM BROKEN MEND ME
  • 00:09:17.050 --> 00:09:20.120
  • OVER BACKWARDS BENDING
  • 00:09:20.130 --> 00:09:24.110
  • FOR THE LOVE YOU'RE SENDING
  • 00:09:24.120 --> 00:09:28.160
  • I AM BROKEN
  • 00:09:28.170 --> 00:09:32.080
  • I AM BROKEN
  • 00:09:32.090 --> 00:09:36.000
  • I AM BROKEN
  • 00:09:36.010 --> 00:09:41.120
  • YOU MADE THE UNIVERSE
  • 00:09:41.130 --> 00:09:48.210
  • AND YOU CAN MEND ME
  • 00:09:48.220 --> 00:09:55.110
  • [MUSIC]
  • 00:09:55.120 --> 00:10:05.170
  • THE NEW
  • 00:10:05.180 --> 00:10:07.180
  • CCM UNITED MUSIC, MOMENTS & MEMORIES FEATURING MORE CCM
  • 00:10:07.190 --> 00:10:12.030
  • HITS YOU GREW UP WITH LIKE PHIL KEAGGY'S WHAT A DAY, CLAY
  • 00:10:12.040 --> 00:10:16.120
  • CROSSE'S I SURRENDER ALL AL DENSON BE THE ONE, EDDIE
  • 00:10:16.130 --> 00:10:20.270
  • DEGARMO OF DEGARMO AND KEY'S ROCK SOLID, WES KING'S THE
  • 00:10:20.280 --> 00:10:25.120
  • ROBE. TWENTY OF THE BIGGEST CCM SONGS SUNG BY THE ARTISTS WHO
  • 00:10:25.130 --> 00:10:29.260
  • MADE THEM FAMOUS AVAILABLE IN A DOUBLE CD AND DVD FOR A GIFT OF
  • 00:10:29.270 --> 00:10:34.190
  • $39 OR MORE TO TBN. SIMPLY CALL THE NUMBER ON YOUR SCREEN OR GO
  • 00:10:34.200 --> 00:10:39.190
  • ONLINE. MUSIC, MOMENTS & MEMORIES THE AUDIO DOUBLE CD IS
  • 00:10:39.200 --> 00:10:45.130
  • OUR GIFT AS YOU GIVE YOUR BEST GIFT TO TBN AND ITS GLOBAL
  • 00:10:45.140 --> 00:10:49.050
  • OUTREACH. THE CD AND DVD ARE BOTH YOURS FOR YOUR GIFT OF $39
  • 00:10:49.060 --> 00:10:53.140
  • OR MORE. HELP TAKE THE MESSAGE OF HOPE AND GRACE AROUND THE
  • 00:10:53.150 --> 00:10:58.000
  • WORLD. CALL THE NUMBER ON YOUR SCREEN OR GO ONLINE AND REQUEST
  • 00:10:58.010 --> 00:11:02.050
  • YOUR COPY NOW.
  • 00:11:02.060 --> 00:11:04.260
  • [MUSIC]
  • 00:11:04.270 --> 00:11:11.020
  • JACKIE VELASQUEZ: WELCOME BACK!
  • 00:11:11.030 --> 00:11:12.120
  • REMEMBER PAT SHOALS AND STEVE'S CAR RIDE WITH HIM FROM SEARCY TO
  • 00:11:12.130 --> 00:11:16.030
  • MEMPHIS? WELL, PAT WORKED AT ARDENT STUDIOS WHERE STEVEN
  • 00:11:16.040 --> 00:11:20.000
  • SPENCE MET EDDIE DEGARMO AND DANA KEY, WHO RECORDED ALL THEIR
  • 00:11:20.010 --> 00:11:24.170
  • D&K RECORDS THERE. BACK THEN BIG TENT WAS JUST STEVEN SPENCE.
  • 00:11:24.180 --> 00:11:29.270
  • THEY DIDN'T HAVE THE REST OF THE BAND YET. -THE GREAT CONNECTION
  • 00:11:29.280 --> 00:11:32.290
  • TO ALL THAT IS THAT ARDENT STUDIOS IN MEMPHIS WAS THE PLACE
  • 00:11:33.000 --> 00:11:36.250
  • THAT WE DID ALL THIS RECORDING, WHERE SCOTT PAT WAS WORKING,
  • 00:11:36.260 --> 00:11:39.140
  • WHERE STEVE WAS RECORDING HIS FIRST RECORD, WHICH IS ALSO THE
  • 00:11:39.150 --> 00:11:42.290
  • PLACE WHERE D&K RECORDED ALL THEIR RECORDS, AND THAT'S WHERE
  • 00:11:43.000 --> 00:11:46.120
  • THEIR HISTORY COMES FROM. SO, THAT'S WHERE OUR PATHS CROSSED
  • 00:11:46.130 --> 00:11:50.240
  • INTO ALL OF THIS, BECAUSE NONE OF US GREW UP WITH CHRISTIAN
  • 00:11:50.250 --> 00:11:54.150
  • MUSIC. SO, EVEN WHEN WE MET EDDIE AND DANA, WE REALLY HAD NO
  • 00:11:54.160 --> 00:11:57.260
  • IDEA, WHICH WAS A FUNNY CONVERSATION WITH DANA. -WOULD
  • 00:11:57.270 --> 00:12:01.260
  • BE. -WOULD BE, YEAH. AND THAT'S WHERE THIS FRIENDSHIP AND
  • 00:12:01.270 --> 00:12:08.070
  • PARTNERSHIP OVER THE YEARS REALLY STARTED TO TAKE FORM WAS
  • 00:12:08.080 --> 00:12:11.270
  • OUT OF THAT STUDIO IN MEMPHIS. -I HAD MOVED TO NASHVILLE. D&K
  • 00:12:11.280 --> 00:12:15.260
  • WAS KIND OF STEPPING BACK A LITTLE BIT. WE HAD BEEN AT IT
  • 00:12:15.270 --> 00:12:18.080
  • FOR QUITE A FEW YEARS AND SO WE WERE STEPPING BACK. AND I GOT
  • 00:12:18.090 --> 00:12:21.190
  • INVOLVED IN THE RECORD LABEL THAT I BEGAN WITH SOME GUYS
  • 00:12:21.200 --> 00:12:25.000
  • CALLED FOREFRONT. WELL, DANA STARTED WORKING IN ARDENT
  • 00:12:25.010 --> 00:12:29.030
  • CHRISTIAN MUSIC WITH PAT AND I HAD FOREFRONT UP HERE. AND PAT
  • 00:12:29.040 --> 00:12:34.160
  • STARTED SAYING, STARTED CALLING ME AND HE SAID, MAN, I GOT THIS
  • 00:12:34.170 --> 00:12:37.100
  • GROUP I WANT YOU TO HEAR, YOU KNOW, CALLED BIG TENT REVIVAL.
  • 00:12:37.110 --> 00:12:42.230
  • AND IT'S GOT THIS GUY, STEVE WIGGINS, HE DID RECORD FOR
  • 00:12:42.240 --> 00:12:45.030
  • SPARROW, YOU KNOW, THAT PROBABLY DIDN'T SELL AS WELL AS YOU
  • 00:12:45.040 --> 00:12:50.070
  • WANTED. BUT HE SAID CAN I COME MEET WE AND PLAY SOME SONGS? AND
  • 00:12:50.080 --> 00:12:54.220
  • I SAID, WELL, WHO'S IN THE BAND? HE GOES, UH, UH, SPENCE, UH,
  • 00:12:54.230 --> 00:13:02.020
  • AND, UH, SPENCE. [LAUGHTER] -YEAH, IT GETS BETTER. SO, PAT
  • 00:13:02.030 --> 00:13:10.050
  • COMES TO NASHVILLE AND HE PLAYS ME, THE FIRST THING I HEAR IS A
  • 00:13:10.060 --> 00:13:15.190
  • SONG CALLED TWO SETS OF JONES, AND YOU KNOW, IT WAS A VERY
  • 00:13:15.200 --> 00:13:20.080
  • WELL-WRITTEN SONG, AND IT MOVED ME. AND I SAID, YOU KNOW,
  • 00:13:20.090 --> 00:13:24.250
  • THERE'S SOMETHING DEEPER HERE; I WANT TO TALK TO THESE GUYS AND
  • 00:13:24.260 --> 00:13:29.080
  • SEE WHAT'S UP HERE. AND WE SET UP WHAT'S CALLED AN IMPRINT
  • 00:13:29.090 --> 00:13:34.290
  • DEAL. SO, THAT'S THE STORY ON HOW THIS STARTED. AND, OF
  • 00:13:35.000 --> 00:13:39.270
  • COURSE, THEY CAME ON TOUR WITH US AND THE AUDIENCE LOVED THEM.
  • 00:13:39.280 --> 00:13:44.090
  • AND GREATER SONGS CAME AND, YOU KNOW, WE SAW IT GROW INTO A VERY
  • 00:13:44.100 --> 00:13:49.270
  • SUBSTANTIAL ARTIST OVER THE YEARS. -SO NOT ONLY DID BIG
  • 00:13:49.280 --> 00:13:53.060
  • TENT GET SIGNED TO EDDIE AND DANA'S RECORD LABEL, DEGARMO AND
  • 00:13:53.070 --> 00:13:56.240
  • KEY ALSO TOOK THEM ON TOUR WITH THEM FOR A SHOW THEY CREATED
  • 00:13:56.250 --> 00:13:59.240
  • CALLED THE ACOUSTIC CAFÉ. THIS WAS DURING THE ERA THAT ERIC
  • 00:13:59.250 --> 00:14:04.020
  • CLAPTON DID HIS UNPLUGGED RECORD. BUT IT WASN'T ALL
  • 00:14:04.030 --> 00:14:07.020
  • GLAMOROUS BEING ON TOUR, AS STEVE SOON FOUND OUT, AND
  • 00:14:07.030 --> 00:14:10.170
  • RECALLS A FUNNY STORY ABOUT LIFE ON THE ROAD. -AND DANA SAID,
  • 00:14:10.180 --> 00:14:14.080
  • HEY, MAN, I LEARNED A LONG TIME AGO THAT A MUSICIAN'S SUCCESS IS
  • 00:14:14.090 --> 00:14:19.180
  • DIRECTLY PROPORTIONAL TO THEIR WILLINGNESS TO CARRY THEIR OWN
  • 00:14:19.190 --> 00:14:22.270
  • GEAR. AND HE GOES SO, YOU KNOW, JUST KNOW YOU'RE OUT THERE
  • 00:14:22.280 --> 00:14:27.040
  • CARRYING THE GEAR. AND I'M SAYING, BUT WAIT A SECOND, I'M
  • 00:14:27.050 --> 00:14:29.060
  • ALSO CARRYING YOUR GEAR. [LAUGHTER] -THAT WAS DANA!
  • 00:14:29.070 --> 00:14:34.010
  • -YEAH, HE ALWAYS HAD A WAY AND THEN HE WAS LIKE, HEY, MAN, I
  • 00:14:34.020 --> 00:14:36.140
  • GOTTA GO. -YEAH. -AND YOU KNOW, IT'S JUST, I THINK IT'S
  • 00:14:36.150 --> 00:14:41.070
  • LIKE ANYTHING ELSE IN LIFE, THERE'S A, YOU KNOW, THERE'S A
  • 00:14:41.080 --> 00:14:44.040
  • SAYING IF IT WAS THAT EASY TO GRAB THERE WOULDN'T BE ANY OF IT
  • 00:14:44.050 --> 00:14:46.070
  • LEFT. AND YOU CAN'T GET ANYWHERE WITHOUT PAYING YOUR DUES. BUT
  • 00:14:46.080 --> 00:14:50.150
  • YOU KNOW WHAT? HERE'S THE THING, WE ALL GOT INTO THIS BUSINESS,
  • 00:14:50.160 --> 00:14:55.290
  • WE ALL CHOSE THIS FORM OF MUSIC, WE ALL CHOSE WHAT WE'RE DOING
  • 00:14:56.000 --> 00:14:59.020
  • BECAUSE OF OUR BELIEF IN THE POWER OF THE GOSPEL. BUT BACK IN
  • 00:14:59.030 --> 00:15:06.100
  • THE DAY, WHEN IT'S JUST GUYS IN A VAN TRAVELING FROM YOUTH GROUP
  • 00:15:06.110 --> 00:15:11.140
  • TO YOUTH GROUP, THE ONLY REASON WHY WE WOULD EVEN CHOOSE TO DO
  • 00:15:11.150 --> 00:15:15.000
  • THAT IS SO THAT WE COULD GET A CROWD OF PEOPLE SO THAT WE COULD
  • 00:15:15.010 --> 00:15:19.100
  • SHARE THE GOSPEL AND GIVE PEOPLE AN OPPORTUNITY TO MAKE A PUBLIC
  • 00:15:19.110 --> 00:15:24.280
  • PROFESSION OF THEIR FAITH IN JESUS, TO LITERALLY, CROSS ALONG
  • 00:15:24.290 --> 00:15:28.220
  • ACROSS THAT LINE OF FAITH FROM I'M NOT A BELIEVER TO I JUST
  • 00:15:28.230 --> 00:15:32.260
  • HEARD THE GOSPEL AND THAT RESONATES WITH MY LIFE. I THINK
  • 00:15:32.270 --> 00:15:36.110
  • I'M GONNA STEP ACROSS. AND WE WOULD, LITERALLY, GIVE AN
  • 00:15:36.120 --> 00:15:39.020
  • INVITATION JUST LIKE A CRUSADE OR A BILLY GRAHAM OR ANYBODY
  • 00:15:39.030 --> 00:15:42.140
  • ELSE. AND I WOULD GET UP, WE'D STOP THE SHOW, JUST SAY HEY LET
  • 00:15:42.150 --> 00:15:46.270
  • ME TELL YOU HOW I CAME TO KNOW JESUS IN A SAVING WAY AND SO
  • 00:15:46.280 --> 00:15:49.240
  • THAT YOU COULD KNOW IT TOO. AND TO ME ANYTHING ELSE IN LIFE THAT
  • 00:15:49.250 --> 00:15:55.030
  • WE HAD TO PUT, YOU KNOW, OFF TO THE SIDE IN ORDER FOR THAT GOAL,
  • 00:15:55.040 --> 00:16:01.010
  • WAS, IT WAS WORTH IT. AND I GOT TO TELL YOU, AT 50 YEARS OLD
  • 00:16:01.020 --> 00:16:04.210
  • TODAY, IT'S STILL WORTH IT. IT'S STILL THE ONLY MESSAGE WORTH
  • 00:16:04.220 --> 00:16:09.250
  • LIVING FOR AND WORTH SHARING. AND THAT WAS THE CONTENT OF
  • 00:16:09.260 --> 00:16:15.150
  • EVERY SONG THAT WE WROTE WAS TRYING TO POINT PEOPLE TOWARD A
  • 00:16:15.160 --> 00:16:20.260
  • DEEPER RELATIONSHIP WITH JESUS CHRIST. -AND I REMEMBER, I'LL
  • 00:16:20.270 --> 00:16:25.210
  • GET CHOKED UP WHEN I TELL THIS STORY A LOT TO DIFFERENT PEOPLE
  • 00:16:25.220 --> 00:16:29.000
  • WHO ASK, AND I REMEMBER THIS MOMENT, THE INVITATIONS AT THESE
  • 00:16:29.010 --> 00:16:34.060
  • CRUSADES ARE JUST SO MOVING BECAUSE THERE'S HUNDREDS OF
  • 00:16:34.070 --> 00:16:37.060
  • PEOPLE JUST STREAMING, IT JUST SEEMS LIKE A CONSTANT ENDLESS
  • 00:16:37.070 --> 00:16:40.170
  • SEA OF PEOPLE COMING FORWARD. I MEAN, I'M PUSHING RIGHT NOW,
  • 00:16:40.180 --> 00:16:43.260
  • IT'S A FATHER, HAD TO BE A FATHER AND A SON, I'M ASSUMING
  • 00:16:43.270 --> 00:16:46.250
  • IT WAS, AND HE JUST HAD HIS ARM AROUND HIS SON AND HIS SON WAS
  • 00:16:46.260 --> 00:16:49.210
  • WEEPING, GROWN SON. THE SON WAS PROBABLY 30-35, AND THE DAD'S IN
  • 00:16:49.220 --> 00:16:53.150
  • HIS 60'S, PROBABLY. AND I WAS SITTING THERE GOING THIS MOMENT
  • 00:16:53.160 --> 00:16:57.020
  • IS SO REAL FOR THEM RIGHT NOW AND SOMETHING VERY REAL IS
  • 00:16:57.030 --> 00:17:00.080
  • HAPPENING RIGHT NOW. AND SO, NO MATTER WHAT HAPPENED TOURING,
  • 00:17:00.090 --> 00:17:03.230
  • YOU KNOW, ISSUES EITHER WITH THE LABEL OR WITH THE PROMOTER OR
  • 00:17:03.240 --> 00:17:08.120
  • EVEN WITH EACH OTHER OR JUST IN OUR OWN PERSONAL LIVES, I COULD
  • 00:17:08.130 --> 00:17:12.230
  • ALWAYS GO BACK TO THAT MOMENT AND JUST REMEMBER SOMETHING IS
  • 00:17:12.240 --> 00:17:18.160
  • HAPPENING BETWEEN ME HITTING THESE NOTES STEVE, SINGING THESE
  • 00:17:18.170 --> 00:17:21.280
  • LYRICS, THE MUSIC COMING OUT OF THE SPEAKERS GOING INTO THE EARS
  • 00:17:21.290 --> 00:17:25.140
  • OF THESE PEOPLE. THERE'S AN INTERCHANGE THAT'S HAPPENING
  • 00:17:25.150 --> 00:17:27.280
  • THAT WE DON'T HAVE ANYTHING TO WITH. -RIGHT. -WHICH FREES US
  • 00:17:27.290 --> 00:17:31.070
  • UP FROM THE BURDEN OF HAVING TO PERFORM, AND IT ALLOWED ME TO
  • 00:17:31.080 --> 00:17:37.040
  • SAY GOD IS DOING SOMETHING FAR BIGGER AND MORE AND DEEPER AND
  • 00:17:37.050 --> 00:17:41.040
  • WIDER THAN I COULD EVEN ASK OR IMAGINE. -GOD WAS USING BIG
  • 00:17:41.050 --> 00:17:44.230
  • TENT TO PERFORM HIS WORD THROUGH THEIR PERFORMANCES. SPENCE
  • 00:17:44.240 --> 00:17:48.260
  • REMEMBERS HOW THE SONG CHOOSE LIFE CAME FROM A SERMON BY
  • 00:17:48.270 --> 00:17:51.240
  • PASTOR GREG LAURIE. -AND STEVE ALWAYS HAD THIS THING HE DID
  • 00:17:51.250 --> 00:17:57.290
  • WITH, WHEREVER HE WAS GOING TO CHURCH, HE WOULD TALK TO THE
  • 00:17:58.000 --> 00:18:00.270
  • PASTOR AND SAY, HEY, BY THE WAY, IF YOU HAVE A SERMON THAT
  • 00:18:00.280 --> 00:18:04.190
  • YOU KNOW YOU'RE GONNA PREACH AND WOULD LIKE A SONG, I'LL WRITE A
  • 00:18:04.200 --> 00:18:06.070
  • SONG FOR IT. I WAS WALKING DOWN THIS CORRIDOR, THIS RAMP, AT A
  • 00:18:06.080 --> 00:18:11.100
  • HARVEST CRUSADE ONE NIGHT WITH GREG LAURIE AND WE WERE JUST
  • 00:18:11.110 --> 00:18:13.230
  • TALKING, AND I SAID, HEY, SOMETHING ABOUT, WELL, YOU KNOW,
  • 00:18:13.240 --> 00:18:18.130
  • STEVE WRITES SONGS FOR HIS PASTORS. AND HE'S LIKE REALLY?
  • 00:18:18.140 --> 00:18:22.110
  • AND I SAID, YEAH. HE GOES YOU THINK HE'D WANT TO WRITE ONE FOR
  • 00:18:22.120 --> 00:18:24.010
  • ME? AND I'M LIKE, WELL, YEAH, JUST ASK HIM. AND SO NEXT THING
  • 00:18:24.020 --> 00:18:28.090
  • YOU KNOW THAT NIGHT HE SAID, HEY, I'VE GOT THIS VERSE IN
  • 00:18:28.100 --> 00:18:30.190
  • DEUTERONOMY. -AND THERE WAS A TIME IN THE HISTORY OF ISRAEL
  • 00:18:30.200 --> 00:18:33.240
  • WHEN THE LORD GAVE THEM A CHOICE, HE SAYS, LOOK, I HAVE
  • 00:18:33.250 --> 00:18:36.060
  • TODAY LIVING OR DYING, BLESSING OR CURSING, CHOOSE LIFE. AND
  • 00:18:36.070 --> 00:18:42.010
  • THAT'S WHAT THIS SONG IS ABOUT.
  • 00:18:42.020 --> 00:18:44.140
  • [MUSIC]
  • 00:18:44.150 --> 00:18:53.270
  • A CHOICE
  • 00:18:53.280 --> 00:18:55.070
  • IS SET FOR YOU NOW
  • 00:18:55.080 --> 00:18:58.230
  • LIVING OR DYING
  • 00:18:58.240 --> 00:19:02.000
  • BLESSING OR CURSING
  • 00:19:02.010 --> 00:19:07.030
  • AND KNOW, THE TIME HAS COME AROUND
  • 00:19:07.040 --> 00:19:12.200
  • TO TURN FROM YOUR FIGHTING
  • 00:19:12.210 --> 00:19:15.200
  • AND REST IN HIS MERCY
  • 00:19:15.210 --> 00:19:20.050
  • AND CHOOSE LIFE
  • 00:19:20.060 --> 00:19:22.230
  • THAT YOU MIGHT LIVE
  • 00:19:22.240 --> 00:19:26.020
  • THE LIFE THAT HE GIVES
  • 00:19:26.030 --> 00:19:29.100
  • HE GIVES YOU FOREVER
  • 00:19:29.110 --> 00:19:34.000
  • CHOOSE LIFE
  • 00:19:34.010 --> 00:19:36.210
  • THE WAY THAT IS TRUE
  • 00:19:36.220 --> 00:19:40.000
  • FROM THE ONE WHO CHOSE YOU
  • 00:19:40.010 --> 00:19:43.170
  • YOUR FATHER IN HEAVEN
  • 00:19:43.180 --> 00:19:48.110
  • CHOOSE LIFE
  • 00:19:48.120 --> 00:19:56.120
  • TRUST THE LORD WITH ALL YOUR HEART
  • 00:19:56.130 --> 00:20:01.010
  • ALL OF YOUR SOUL
  • 00:20:01.020 --> 00:20:04.060
  • AND ALL OF YOUR BEING
  • 00:20:04.070 --> 00:20:08.200
  • HOLD ON,
  • 00:20:08.210 --> 00:20:11.010
  • LISTEN AND OBEY
  • 00:20:11.020 --> 00:20:14.150
  • SURRENDER YOUR LIFE NTO HIS KEEPING
  • 00:20:14.160 --> 00:20:22.000
  • CHOOSE LIFE
  • 00:20:22.010 --> 00:20:24.150
  • THAT YOU MIGHT LIVE
  • 00:20:24.160 --> 00:20:27.200
  • THE LIFE THAT HE GIVES
  • 00:20:27.210 --> 00:20:30.220
  • HE GIVES YOU FOREVER
  • 00:20:30.230 --> 00:20:35.080
  • CHOOSE LIFE
  • 00:20:35.090 --> 00:20:37.190
  • THE WAY THAT IS TRUE
  • 00:20:37.200 --> 00:20:40.180
  • FROM THE ONE WHO CHOSE YOU
  • 00:20:40.190 --> 00:20:43.270
  • YOUR FATHER IN HEAVEN
  • 00:20:43.280 --> 00:20:48.090
  • CHOOSE LIFE
  • 00:20:48.100 --> 00:20:53.240
  • AND THE WEIGHT YOU'RE UNDER
  • 00:20:53.250 --> 00:20:57.010
  • WILL BE LIFTED AWAY
  • 00:20:57.020 --> 00:21:06.260
  • AND THE WORLD WILL WONDER
  • 00:21:06.270 --> 00:21:10.090
  • WHAT HAPPENED HERE TODAY
  • 00:21:10.100 --> 00:21:15.170
  • THEN YOU'LL STAND RIGHT HERE AND SAY
  • 00:21:15.180 --> 00:21:18.010
  • CHOOSE LIFE
  • 00:21:18.020 --> 00:21:20.270
  • THAT YOU MIGHT LIVE
  • 00:21:20.280 --> 00:21:23.260
  • THE LIFE THAT HE GIVES
  • 00:21:23.270 --> 00:21:26.280
  • HE GIVES YOU FOREVER
  • 00:21:26.290 --> 00:21:31.130
  • CHOOSE LIFE
  • 00:21:31.140 --> 00:21:33.270
  • THE WAY THAT IS TRUE
  • 00:21:33.280 --> 00:21:36.260
  • FROM THE ONE WHO CHOSE YOU
  • 00:21:36.270 --> 00:21:40.010
  • YOUR FATHER IN HEAVEN
  • 00:21:40.020 --> 00:21:44.160
  • CHOOSE LIFE
  • 00:21:44.170 --> 00:21:46.270
  • THAT YOU MIGHT LIVE
  • 00:21:46.280 --> 00:21:50.050
  • THE LIFE THAT HE GIVES
  • 00:21:50.060 --> 00:21:53.130
  • HE GIVES YOU FOREVER
  • 00:21:53.140 --> 00:21:57.210
  • CHOOSE LIFE
  • 00:21:57.220 --> 00:21:59.270
  • THE WAY THAT IS TRUE
  • 00:21:59.280 --> 00:22:03.050
  • FROM THE ONE WHO CHOSE YOU
  • 00:22:03.060 --> 00:22:06.090
  • YOUR FATHER IN HEAVEN
  • 00:22:06.100 --> 00:22:10.240
  • CHOOSE LIFE
  • 00:22:10.250 --> 00:22:14.080
  • NA, NA, NA, NA
  • 00:22:14.090 --> 00:22:17.180
  • CHOOSE LIFE
  • 00:22:17.190 --> 00:22:19.240
  • NA, NA, NA, NA
  • 00:22:19.250 --> 00:22:23.280
  • CHOOSE LIFE
  • 00:22:23.290 --> 00:22:26.050
  • NA, NA, NA, NA
  • 00:22:26.060 --> 00:22:30.180
  • CHOOSE LIFE
  • 00:22:30.190 --> 00:22:32.230
  • NA, NA, NA, NA
  • 00:22:32.240 --> 00:22:37.000
  • CHOOSE LIFE
  • 00:22:37.010 --> 00:22:43.210
  • CHOOSE LIFE
  • 00:22:43.220 --> 00:22:50.040
  • CHOOSE LIFE
  • 00:22:50.050 --> 00:22:56.140
  • CHOOSE LIFE
  • 00:22:56.150 --> 00:23:04.000
  • SO A CHOICE IS SET FOR YOU NOW
  • 00:23:04.010 --> 00:23:08.250
  • LIVING OR DYING
  • 00:23:08.260 --> 00:23:12.120
  • BLESSING OR CURSING
  • 00:23:12.130 --> 00:23:17.250
  • CHOOSE LIFE
  • 00:23:17.260 --> 00:23:26.090
  • [MUSIC]
  • 00:23:26.100 --> 00:23:35.150
  • THE NEW CCM UNITED
  • 00:23:35.160 --> 00:23:36.260
  • MUSIC, MOMENTS & MEMORIES FEATURING MORE CCM HITS YOU GREW
  • 00:23:36.270 --> 00:23:41.030
  • UP WITH LIKE PHIL KEAGGY'S WHAT A DAY, CLAY CROSSE'S I
  • 00:23:41.040 --> 00:23:44.260
  • SURRENDER ALL AL DENSON BE THE ONE, EDDIE DEGARMO OF DEGARMO
  • 00:23:44.270 --> 00:23:49.270
  • AND KEY'S ROCK SOLID, WES KING'S THE ROBE. TWENTY OF THE
  • 00:23:49.280 --> 00:23:55.000
  • BIGGEST CCM SONGS SUNG BY THE ARTISTS WHO MADE THEM FAMOUS
  • 00:23:55.010 --> 00:23:59.020
  • AVAILABLE IN A DOUBLE CD AND DVD FOR A GIFT OF $39 OR MORE TO
  • 00:23:59.030 --> 00:24:03.210
  • TBN. SIMPLY CALL THE NUMBER ON YOUR SCREEN OR GO ONLINE.
  • 00:24:03.220 --> 00:24:08.040
  • MUSIC, MOMENTS & MEMORIES THE AUDIO DOUBLE CD IS OUR GIFT AS
  • 00:24:08.050 --> 00:24:13.240
  • YOU GIVE YOUR BEST GIFT TO TBN AND ITS GLOBAL OUTREACH. THE CD
  • 00:24:13.250 --> 00:24:18.200
  • AND DVD ARE BOTH YOURS FOR YOUR GIFT OF $39 OR MORE. HELP TAKE
  • 00:24:18.210 --> 00:24:23.040
  • THE MESSAGE OF HOPE AND GRACE AROUND THE WORLD. CALL THE
  • 00:24:23.050 --> 00:24:26.200
  • NUMBER ON YOUR SCREEN OR GO ONLINE AND REQUEST YOUR COPY
  • 00:24:26.210 --> 00:24:31.010
  • NOW.
  • 00:24:31.020 --> 00:24:32.080
  • [MUSIC]
  • 00:24:32.090 --> 00:24:38.290
  • JACKIE VELASQUEZ: THANK YOU SO MUCH FOR
  • 00:24:39.000 --> 00:24:40.060
  • JOINING US. WE HOPE YOU HAVE BEEN ENCOURAGED AND EDIFIED BY
  • 00:24:40.070 --> 00:24:42.260
  • HEARING ABOUT THE POWERFUL JOURNEY OF BIG TENT REVIVAL. MAY
  • 00:24:42.270 --> 00:24:45.280
  • THEIR SONGS OF HOPE FOR A BETTER FUTURE AND FREEDOM IN CHRIST
  • 00:24:45.290 --> 00:24:49.220
  • INSPIRE GENERATIONS TO COME. PLEASE JOIN US NEXT TIME FOR
  • 00:24:49.230 --> 00:24:53.210
  • MORE AMAZING STORIES ABOUT YOUR FAVORITE LEGENDARY CCM ARTISTS.
  • 00:24:53.220 --> 00:24:57.130
  • GOD BLESS YOU AND WE SHALL SEE YOU SOON.
  • 00:24:57.140 --> 00:24:59.220
  • [MUSIC]
  • 00:24:59.230 --> 00:25:01.110
  • ALL I HAVE IN THIS WORLD
  • 00:25:01.120 --> 00:25:02.280
  • IS THE PROMISE OF YOUR GRACE
  • 00:25:02.290 --> 00:25:06.130
  • I AM BROKEN MEND ME
  • 00:25:06.140 --> 00:25:09.240
  • OVER BACKWARD BENDING
  • 00:25:09.250 --> 00:25:13.220
  • FOR THE LOVE YOU'RE SENDING
  • 00:25:13.230 --> 00:25:17.240
  • I AM BROKEN MEND ME
  • 00:25:17.250 --> 00:25:21.070
  • OVER BACKWARD BENDING
  • 00:25:21.080 --> 00:25:24.280
  • FOR THE LOVE YOU'RE SENDING
  • 00:25:24.290 --> 00:25:29.050
  • I AM BROKEN
  • 00:25:29.060 --> 00:25:32.250
  • I AM BROKEN
  • 00:25:32.260 --> 00:25:36.190
  • I AM BROKEN
  • 00:25:36.200 --> 00:25:42.010
  • YOU MADE THE UNIVERSE AND YOU CAN MEND ME
  • 00:25:42.020 --> 00:25:55.280
  • [MUSIC]
  • 00:25:55.290 --> 00:26:05.250
  • FOLLOWING THE SUCCESSFUL RELEASE OF CCM
  • 00:26:05.260 --> 00:26:08.060
  • UNITED WE WILL STAND COMES THE NEW CCM UNITED MUSIC, MOMENTS &
  • 00:26:08.070 --> 00:26:13.170
  • MEMORIES FEATURING MORE CCM HITS YOU GREW UP WITH LIKE PHIL
  • 00:26:13.180 --> 00:26:18.050
  • KEAGGY'S WHAT A DAY, CLAY CROSSE'S I SURRENDER ALL AL
  • 00:26:18.060 --> 00:26:22.160
  • DENSON BE THE ONE, EDDIE DEGARMO OF DEGARMO AND KEY'S
  • 00:26:22.170 --> 00:26:26.100
  • ROCK SOLID, WES KING'S THE ROBE. FOR THE ROBE TWENTY OF
  • 00:26:26.110 --> 00:26:34.270
  • THE BIGGEST CCM SONGS SUNG BY THE ARTISTS WHO MADE THEM FAMOUS
  • 00:26:34.280 --> 00:26:38.260
  • AVAILABLE IN A DOUBLE CD AND DVD FOR A GIFT OF $39 OR MORE TO
  • 00:26:38.270 --> 00:26:43.160
  • TBN. CALL NOW! DON'T MISS THIS COLLECTION OF CCM'S BEST LOVED
  • 00:26:43.170 --> 00:26:49.240
  • SONGS THAT HONOR OUR LORD JESUS CHRIST. AVAILABLE EXCLUSIVELY TO
  • 00:26:49.250 --> 00:26:54.010
  • TBN VIEWERS DURING THIS SPECIAL PRESENTATION. SIMPLY CALL THE
  • 00:26:54.020 --> 00:26:59.020
  • NUMBER ON YOUR SCREEN OR GO ONLINE. MUSIC, MOMENTS &
  • 00:26:59.030 --> 00:27:03.230
  • MEMORIES THE AUDIO DOUBLE CD IS OUR GIFT AS YOU GIVE YOUR BEST
  • 00:27:03.240 --> 00:27:08.010
  • GIFT TO TBN AND ITS GLOBAL OUTREACH. THE CD AND DVD ARE
  • 00:27:08.020 --> 00:27:12.230
  • BOTH YOURS FOR YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE
  • 00:27:12.240 --> 00:27:17.010
  • OF HOPE AND GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR
  • 00:27:17.020 --> 00:27:20.230
  • SCREEN OR GO ONLINE AND REQUEST YOUR COPY NOW. SING HALLELUJAH
  • 00:27:20.240 --> 00:27:25.140
  • TO THE KING LET THE WHOLE WORLD SING
  • 00:27:25.150 --> 00:27:28.160