Guardian | TBN

Guardian

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October 9, 2019
27:31

Music, Moments, & Memories

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Guardian

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  • [MUSIC]
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  • THE NEW CCM UNITED MUSIC, MOMENTS & MEMORIES
  • 00:00:02.040 --> 00:00:05.230
  • FEATURING MORE CCM HITS YOU GREW UP WITH. SIMPLY CALL THE NUMBER
  • 00:00:05.240 --> 00:00:10.160
  • ON YOUR SCREEN OR GO ONLINE. THE CD AND DVD ARE BOTH YOURS FOR
  • 00:00:10.170 --> 00:00:18.040
  • YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE OF HOPE AND
  • 00:00:18.050 --> 00:00:21.220
  • GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR SCREEN OR GO
  • 00:00:21.230 --> 00:00:25.210
  • ONLINE AND REQUEST YOUR COPY NOW.
  • 00:00:25.220 --> 00:00:28.260
  • [MUSIC]
  • 00:00:28.270 --> 00:00:30.270
  • -NO, THIS IS RAP.
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  • [LAUGHTER] MY NAME'S JAMIE ROAD DILLY, YILLY, DANG, DONG I USED
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  • TO HAVE HAIR AND IT WAS LONG I GOT NO HAIR NO MORE [LAUGHTER]
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  • [MUSIC]
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  • [MUSIC]
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  • JACKIE VELASQUEZ: HELLO, MY NAME IS JACKIE VELASQUEZ AND
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  • I'D LIKE TO WELCOME YOU TO THIS EPISODE FEATURING GUARDIAN. IN
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  • THE LATE 80S BASSIST DAVID BACH JOINED FORCES WITH GUITARIST
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  • TONY PALACIOS, AND THEN DRUMMER KARL NEY AND LATER WITH LEAD
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  • SINGER JAMIE ROWE. NOW, LET'S REWIND TO GUARDIANS PRODUCERS
  • 00:01:15.240 --> 00:01:19.120
  • JOHN AND DINO ELEFANTE. YOU MAY KNOW JOHN AS THE LEAD SINGER FOR
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  • THE MEGA ROCK BAND KANSAS, AND THE TWO BROTHERS PRODUCED
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  • LEGENDARY ARTISTS LIKE PETRA. IN THE 70S JOHN AND DINO GOT SAVED
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  • THROUGH CALVARY CHAPEL IN A TENT SET UP ON THE BEACH IN
  • 00:01:33.210 --> 00:01:37.040
  • CALIFORNIA. KIDS WERE GETTING SAVED LEFT AND RIGHT, AND THEY
  • 00:01:37.050 --> 00:01:40.140
  • SAW HOW GOD WAS MOVING IN THIS NEW GENRE CALLED CHRISTIAN ROCK.
  • 00:01:40.150 --> 00:01:45.100
  • FAST FORWARD TO THEM OWNING PACHYDERM RECORDS WHEN ONE DAY-
  • 00:01:45.110 --> 00:01:49.060
  • -THIS PHOTOGRAPH LANDED ON MY DESK AND IT WAS FOUR GUYS AND
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  • THEY HAD ON MOTOCROSS GEAR. AND IT WAS ALL SPRAY-PAINTED SILVER,
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  • AND IT HAD SPIKES AND THE COLLARS. AND THEY WERE LIKE
  • 00:01:58.060 --> 00:02:00.190
  • LOOKING REAL MAD AT THE CAMERA, LIKE, LOOK AT OUR ATTITUDE. AND
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  • IT WAS THIS BAND CALLED GUARDIAN AND THEY WERE ON ENIGMA. THEY
  • 00:02:04.060 --> 00:02:08.000
  • WERE ON THE SAME LABEL OF STRIPER. AND I WAS UNDERSTANDING
  • 00:02:08.010 --> 00:02:10.240
  • THAT THEY WERE, YOU KNOW, MAYBE LOOKING TO CHANGE LABELS OR
  • 00:02:10.250 --> 00:02:13.170
  • CHANGE PRODUCERS. AND SO WE SIGNED GUARDIAN WITHOUT A
  • 00:02:13.180 --> 00:02:16.120
  • SINGER. GUARDIAN DID NOT HAVE A SINGER. IT WAS DAVE AND KARL AND
  • 00:02:16.130 --> 00:02:21.200
  • TONY. -TONY ANSWERED AN AD. TONY JOINED IN '86, AND THEN WE
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  • WENT THROUGH, MADE OUR RECORD AND TOURED A LITTLE BIT. AND
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  • KARL WAS A FRIEND OF OUR BAND. LIKE, KARL AND HIS WIFE HAD BEEN
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  • AN EARLY FRIEND OF OURS AND WE KNEW KARL. -BUT GO BACK EVEN
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  • FURTHER, I DID SOUND AT THAT CALIFORNIA METAL THING. I HAD
  • 00:02:37.010 --> 00:02:40.150
  • ENOUGH SOUND TO DO THE PRODUCTION AND IT SUCKED. MY
  • 00:02:40.160 --> 00:02:44.250
  • SYSTEM WAS BIG BUT IT SUCKED. SO, IT WAS FUNNY, SO THESE GUYS
  • 00:02:44.260 --> 00:02:48.090
  • ARE PLAYING AND I SEE TONY IN THE CAPE AND I'M THINKING, WHO
  • 00:02:48.100 --> 00:02:52.210
  • ARE THESE GUYS, BECAUSE IT WAS LIKE '87. AND THEN I BECAME
  • 00:02:52.220 --> 00:02:56.250
  • FRIENDS, LIKE, THROUGH SONDRA AND THROUGH PAUL AND THAT. AND
  • 00:02:56.260 --> 00:03:01.070
  • THEN I WOULD GO SEE THEM PLAY. MY BAND QUIT AND I WAS JUST
  • 00:03:01.080 --> 00:03:04.080
  • SITTING ALONE GOING, OKAY, GOD, IF YOU WANT ME TO PLAY FOR
  • 00:03:04.090 --> 00:03:06.160
  • ANOTHER BAND, I'LL PLAY FOR GUARDIAN TWO YEARS BEFORE AND I
  • 00:03:06.170 --> 00:03:09.100
  • STOPPED PLAYING FOR TWO YEARS. AND THEN PAUL CALLS ME AT
  • 00:03:09.110 --> 00:03:12.230
  • CHRISTMAS, RIGHT BEFORE, NOVEMBER, -WE HAD JUST GOT BACK
  • 00:03:12.240 --> 00:03:15.180
  • FROM JAPAN, AND QUIT -AND THEY WERE LIKE, KARL, HE HASN'T EVEN
  • 00:03:15.190 --> 00:03:18.240
  • PLAYED FOR TWO YEARS. WE KNOW HIM, BUT -YEAH, WE LIKE KARL,
  • 00:03:18.250 --> 00:03:21.260
  • -YEAH, BUT YOU KNOW, AND SO I'M IN THERE TRYING TO FIGURE OUT IS
  • 00:03:21.270 --> 00:03:25.170
  • THIS EVEN GONNA WORK? BUT THEN I WAS LIKE, GOD, YOU'RE GONNA MAKE
  • 00:03:25.180 --> 00:03:27.230
  • IT HAPPEN. I DIDN'T EVEN ASK FOR THIS I JUST SAID, AND THEN JAMIE
  • 00:03:27.240 --> 00:03:31.270
  • -THERE WAS A NATIONWIDE HUNT FOR SINGERS, AND JAMIE AND TONY
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  • HAD KNOWN EACH OTHER OVER THE PHONE. RIGHT? [AFFIRMATIVE] AND
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  • HE SENT IN A TAPE. -IT WAS AMAZING. -WE WERE AUDITIONING,
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  • THOUGH, A LOT OF PEOPLE, SO WE WERE KIND OF LIKE, YEAH, WE KNOW
  • 00:03:42.180 --> 00:03:44.280
  • JAMIE ROWE FROM TEMPEST. I MEAN, I KNEW OF HIM BUT I DIDN'T. BUT
  • 00:03:44.290 --> 00:03:49.140
  • THEN WE POPPED IN THIS TAPE, WHICH ON HIS AUDITION TAPE WAS
  • 00:03:49.150 --> 00:03:53.200
  • 99 PERCENT OF NEVER SAY GOODBYE -YEAH, -WHICH IS ONE
  • 00:03:53.210 --> 00:03:57.200
  • OF OUR BIG SONGS AND WE'RE GONNA PLAY THAT TONIGHT. -SENT A
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  • BUNCH OF CHILLS. -AND THAT WAS HIS AUDITION TAPE. -AND THEY
  • 00:04:00.210 --> 00:04:03.130
  • CAME TO US SAYING, LOOK, WE'LL MAKE IT HAPPEN. THESE ARE THE
  • 00:04:03.140 --> 00:04:06.120
  • SONGS WE WANT TO RECORD. AND THEN THE TAPE COMES IN OF JAMIE,
  • 00:04:06.130 --> 00:04:08.190
  • AND I'M GOING THIS IS FREAKING STEVEN TYLER, MAN. THIS IS LIKE,
  • 00:04:08.200 --> 00:04:12.240
  • THIS IS FAMILIAR TO US. WE KNOW WHAT TO DO WITH THIS MELODICALLY
  • 00:04:12.250 --> 00:04:16.030
  • AND SONG STRUCTURALLY. SO, IT FELT, IT FELT NATURAL FOR US TO
  • 00:04:16.040 --> 00:04:21.170
  • GET INVOLVED WITH GUARDIAN. -SO AFTER THE GUYS HEARD THIS
  • 00:04:21.180 --> 00:04:24.130
  • AMAZING TAPE OF JAMIE SINGING THEIR FUTURE SONG NEVER SAY
  • 00:04:24.140 --> 00:04:28.100
  • GOODBYE ACAPELLA, THEY SENT FOR HIM TO AUDITION IN PERSON.
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  • -POWER OF LOVE IS ACTUALLY KIND OF COOLFOR ME, PERSONALLY,
  • 00:04:32.180 --> 00:04:34.280
  • BECAUSE WHEN I WAS 20 YEARS OLD, NEVER BEEN ON A PLANE BEFORE,
  • 00:04:34.290 --> 00:04:37.190
  • INDIANA GUY FLIES TO L.A. TO AUDITION FOR THE BAND. WE'D
  • 00:04:37.200 --> 00:04:42.030
  • PLAYED A COUPLE GUARDIAN SONGS. AND HE SAID, HEY, WE GOT THIS
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  • NEW THING I'M WORKING ON, JUST YOU KNOW, JUST SEE WHAT YOU
  • 00:04:44.220 --> 00:04:47.290
  • WOULD DO WITH IT. AND WHAT'S INTERESTING, IT WAS JUST
  • 00:04:48.000 --> 00:04:50.080
  • MOUTHING OFF AND SCATTING AND STUFF, BUT THE FIRST THING I
  • 00:04:50.090 --> 00:04:53.120
  • SANG FOR THE CHORUS IS THE CHORUS WE HAVE TODAY. -YEAH.
  • 00:04:53.130 --> 00:04:55.280
  • -AND SO I REMEMBER TONY, AT THE END OF THE NIGHT, SAYING, WELL,
  • 00:04:55.290 --> 00:05:00.290
  • IF YOU DON'T JOIN THE BAND, YOU AT LEAST GOT WRITING CREDIT.
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  • [CHUCKLES] -EXACTLY! EXACTLY! THAT WAS HIS BAND AUDITION.
  • 00:05:02.260 --> 00:05:06.190
  • -YEAH. -AND WE WROTE THE SONG, WE WERE, LIKE, OH MAYBE WE
  • 00:05:06.200 --> 00:05:09.150
  • SHOULD KEEP THIS GUY. -YEAH. -DINO GOES, HE PULLED US ASIDE,
  • 00:05:09.160 --> 00:05:12.050
  • HE GOES, IS THIS BIG REDHEADED GALOOT REALLY GONNA BE IN THE
  • 00:05:12.060 --> 00:05:16.140
  • BAND? AND BEFORE I COULD EVEN ANSWER HE GOES, I JUST WANT YOU
  • 00:05:16.150 --> 00:05:21.000
  • TO KNOW, JOHN AND I ARE TOTALLY OKAY WITH IT BECAUSE HE CAN SING
  • 00:05:21.010 --> 00:05:25.200
  • HIS BUTT OFF. -AND THEY FAR EXCEEDED OUR EXPECTATIONS,
  • 00:05:25.210 --> 00:05:29.040
  • BECAUSE AS A LABEL AND AS A PRODUCER, WHEN YOU GET INTO
  • 00:05:29.050 --> 00:05:32.010
  • BUSINESS WITH SOMEBODY THAT KEEPS THEIR END OF THE DEAL, AND
  • 00:05:32.020 --> 00:05:36.020
  • THAT DOESN'T ONLY WANT THE LABEL TO SPEND MONEY AND TO DO THINGS,
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  • THESE GUYS ARE OUT FLYERING CARS. THEY WERE GETTING IN A
  • 00:05:38.280 --> 00:05:41.120
  • VAN. THEY HAD A TRAILER. THEY WERE PRAYING WITH KIDS. THEY
  • 00:05:41.130 --> 00:05:44.130
  • WERE DOING THINGS THAT WERE LOGISTICALLY NOT IN CONTEXT OF
  • 00:05:44.140 --> 00:05:48.020
  • WHAT THE MAINSTREAM WANTED THEM TO DO. AND THEY REALLY KEPT
  • 00:05:48.030 --> 00:05:51.030
  • THEIR END OF THE BARGAIN AND THAT'S WHY I'M HERE BECAUSE THEY
  • 00:05:51.040 --> 00:05:53.230
  • WERE SO LOYAL AND SO GOOD TO DEAL WITH AND JUST SO HONEST
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  • WITH US THAT I LOVE THESE GUYS.
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  • [MUSIC]
  • 00:06:02.240 --> 00:06:06.030
  • CAN YOU FEEL THE POWER
  • 00:06:06.040 --> 00:06:11.240
  • GET UP!
  • 00:06:11.250 --> 00:06:21.130
  • WHOAH, WHOAH WHOAH, WHOAH
  • 00:06:21.140 --> 00:06:31.060
  • LISTEN UP I'M BACK ON MY FEET
  • 00:06:31.070 --> 00:06:33.100
  • I FINALLY BROKE LOOSE AND I'VE GOT SOMETHING TO SAY
  • 00:06:33.110 --> 00:06:41.220
  • ARE YOU DOING THE THINGS THAT HURT YOU
  • 00:06:41.230 --> 00:06:43.290
  • LET ME TELL YOU THERE'S A BETTER WAY
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  • YEAH, YEAH
  • 00:06:47.110 --> 00:06:49.270
  • CAUSE HE CAME DOWN FROM HIS THRONE
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  • AND SANG A SONG OF LOVE TO ME
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  • WITH JUST A TOUCH HIS POWER SET ME FREE
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  • I'M FREE
  • 00:06:58.240 --> 00:07:01.260
  • TELL ME CAN YOU FEEL IT
  • 00:07:01.270 --> 00:07:04.130
  • YES AND I BELIEVE IT
  • 00:07:04.140 --> 00:07:06.220
  • TALKIN' BOUT THE POWER OF LOVE
  • 00:07:06.230 --> 00:07:11.160
  • BURNIN' LIKE A FEVER IN THE HEARTS OF TRUE BELIEVERS
  • 00:07:11.170 --> 00:07:16.090
  • OH, WE'VE GOT THE POWER OF LOVE
  • 00:07:16.100 --> 00:07:20.220
  • COME ON
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  • WHOAH, WHOAH WHOAH, WHOAH
  • 00:07:26.140 --> 00:07:32.060
  • PEOPLE CALL ME CRAZY
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  • CAUSE I LOVE YOU, LORD
  • 00:07:34.250 --> 00:07:39.140
  • WHOAH
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  • AND WHEN MY CUP IS EMPTY
  • 00:07:41.190 --> 00:07:44.130
  • YOU ALWAYS GIVE ME MORE
  • 00:07:44.140 --> 00:07:47.230
  • SO MUCH MORE
  • 00:07:47.240 --> 00:07:49.250
  • YOU CAME DOWN FROM YOUR THRONE
  • 00:07:49.260 --> 00:07:51.120
  • AND SANG A SONG OF LOVE TO ME
  • 00:07:51.130 --> 00:07:54.150
  • WITH JUST A TOUCH YOUR POWER SET ME FREE
  • 00:07:54.160 --> 00:07:58.270
  • I'M FREE
  • 00:07:58.280 --> 00:08:01.200
  • TELL ME, CAN YOU FEEL IT
  • 00:08:01.210 --> 00:08:04.030
  • YES AND I BELIEVE IT
  • 00:08:04.040 --> 00:08:06.080
  • TALKIN' BOUT THE POWER OF LOVE
  • 00:08:06.090 --> 00:08:11.050
  • BURNIN' LIKE A FEVER
  • 00:08:11.060 --> 00:08:13.120
  • IN THE HEARTS OF TRUE BELIEVERS
  • 00:08:13.130 --> 00:08:15.280
  • OH, WE'VE GOT THE POWER OF LOVE
  • 00:08:15.290 --> 00:08:20.280
  • YES, WE'VE GOT THE POWER OF LOVE
  • 00:08:20.290 --> 00:08:26.030
  • ALL RIGHT
  • 00:08:26.040 --> 00:08:33.290
  • [MUSIC]
  • 00:08:34.000 --> 00:08:48.280
  • [MUSIC]
  • 00:08:48.280 --> 00:08:53.270
  • EVERY NIGHT I GO TO SLEEP
  • 00:08:53.280 --> 00:08:55.210
  • I PRAY THE LORD MY SOUL TO KEEP
  • 00:08:55.220 --> 00:08:58.120
  • HE LEADS ME THROUGH THE DARKEST NIGHT
  • 00:08:58.130 --> 00:09:00.190
  • GONNA TAKE ME TO THE MORNING LIGHT
  • 00:09:00.200 --> 00:09:03.050
  • GONNA MAKE IT TO THE MORNING LIGHT
  • 00:09:03.060 --> 00:09:09.270
  • WE'RE GONNA BRING IT DOWN
  • 00:09:09.280 --> 00:09:13.180
  • CAN YOU FEEL THE POWER
  • 00:09:13.190 --> 00:09:18.220
  • TELL ME CAN YOU FEEL IT
  • 00:09:18.230 --> 00:09:21.020
  • YES AND I BELIEVE IT
  • 00:09:21.030 --> 00:09:23.080
  • TALKIN' BOUT THE POWER OF LOVE
  • 00:09:23.090 --> 00:09:27.040
  • THE POWER
  • 00:09:27.050 --> 00:09:29.090
  • COME AND TELL ME
  • 00:09:29.100 --> 00:09:31.050
  • COME ON WON'T YOU TELL ME
  • 00:09:31.060 --> 00:09:33.140
  • DO YOU FEEL THE POWER OF HIS LOVE
  • 00:09:33.150 --> 00:09:37.160
  • BURNIN' LIKE A FEVER IN THE HEARTS OF TRUE BELIEVERS
  • 00:09:37.170 --> 00:09:43.150
  • TALKIN' BOUT
  • 00:09:43.160 --> 00:09:45.160
  • TALKIN' BOUT
  • 00:09:45.170 --> 00:09:50.030
  • YEAH DO YOU KNOW WHAT I'M TALKIN' ABOUT
  • 00:09:50.040 --> 00:09:56.200
  • [MUSIC]
  • 00:09:56.210 --> 00:10:07.280
  • I'M HAVING FUN
  • 00:10:07.290 --> 00:10:10.070
  • LISTEN TO THIS SAY
  • 00:10:10.080 --> 00:10:15.080
  • WHOAH, WHOAH, WHOAH
  • 00:10:15.090 --> 00:10:19.150
  • SAY WHOAH, WHOAH
  • 00:10:19.160 --> 00:10:24.070
  • SAY WHOAH, WHOAH, WHOAH
  • 00:10:24.080 --> 00:10:28.270
  • SAY WHOAH, WHOAH, WHOAH
  • 00:10:28.280 --> 00:10:33.060
  • GOOD JOB, TONY
  • 00:10:33.070 --> 00:10:36.240
  • [MUSIC]
  • 00:10:36.250 --> 00:10:51.230
  • [MUSIC]
  • 00:10:51.230 --> 00:10:56.180
  • ARE YOU STILL WITH US?
  • 00:10:56.190 --> 00:10:59.250
  • LET'S DO THIS RIGHT OKAY. LET'S MAKE SURE THEY HEAR US ALL
  • 00:10:59.260 --> 00:11:03.090
  • AROUND THE WORLD RIGHT HERE IN FRANKLIN, OKAY?
  • 00:11:03.100 --> 00:11:05.290
  • SECOND VERSE,
  • 00:11:06.000 --> 00:11:07.070
  • SAME AS THE FIRST, LITTLE BIT LOUDER, LITTLE BIT WORSE LET ME
  • 00:11:07.080 --> 00:11:09.140
  • HEAR YOU SAY
  • 00:11:09.150 --> 00:11:10.210
  • SAY WHOAH, WHOAH, WHOAH
  • 00:11:10.220 --> 00:11:14.140
  • SAY WHOAH, WHOAH, WHOAH
  • 00:11:14.150 --> 00:11:19.110
  • SAY WHOAH, WHOAH, WHOAH, WHOAH
  • 00:11:19.120 --> 00:11:23.240
  • SAY WHOAH, WHOAH, WHOAH
  • 00:11:23.250 --> 00:11:28.190
  • YEAH
  • 00:11:28.200 --> 00:11:30.130
  • COME ON
  • 00:11:30.140 --> 00:11:40.000
  • THE POWER OF LOVE
  • 00:11:40.010 --> 00:11:45.180
  • I CAN FEEL IT
  • 00:11:45.190 --> 00:11:48.280
  • HEY
  • 00:11:48.290 --> 00:11:59.120
  • THE POWER OF LOVE
  • 00:11:59.130 --> 00:12:05.130
  • FEEL YOUR LOVE
  • 00:12:05.140 --> 00:12:12.030
  • YEAH OH, YEAH
  • 00:12:12.040 --> 00:12:21.120
  • [APPLAUSE] [MUSIC]
  • 00:12:21.130 --> 00:12:34.040
  • [MUSIC]
  • 00:12:34.050 --> 00:12:42.230
  • THE NEW CCM UNITED MUSIC, MOMENTS & MEMORIES FEATURING
  • 00:12:42.240 --> 00:12:46.250
  • MORE CCM HITS YOU GREW UP WITH LIKE PHIL KEAGGY'S WHAT A DAY,
  • 00:12:46.260 --> 00:12:51.280
  • CLAY CROSSE'S I SURRENDER ALL AL DENSON BE THE ONE, EDDIE
  • 00:12:51.290 --> 00:12:56.160
  • DEGARMO OF DEGARMO AND KEY'S ROCK SOLID, WES KING'S THE
  • 00:12:56.170 --> 00:13:00.240
  • ROBE. TWENTY OF THE BIGGEST CCM SONGS SUNG BY THE ARTISTS WHO
  • 00:13:00.250 --> 00:13:05.140
  • MADE THEM FAMOUS AVAILABLE IN A DOUBLE CD AND DVD FOR A GIFT OF
  • 00:13:05.150 --> 00:13:10.050
  • $39 OR MORE TO TBN. SIMPLY CALL THE NUMBER ON YOUR SCREEN OR GO
  • 00:13:10.060 --> 00:13:15.050
  • ONLINE. MUSIC, MOMENTS & MEMORIES THE AUDIO DOUBLE CD IS
  • 00:13:15.060 --> 00:13:20.290
  • OUR GIFT AS YOU GIVE YOUR BEST GIFT TO TBN AND ITS GLOBAL
  • 00:13:21.000 --> 00:13:24.220
  • OUTREACH. THE CD AND DVD ARE BOTH YOURS FOR YOUR GIFT OF $39
  • 00:13:24.230 --> 00:13:29.230
  • OR MORE. HELP TAKE THE MESSAGE OF HOPE AND GRACE AROUND THE
  • 00:13:29.240 --> 00:13:33.170
  • WORLD. CALL THE NUMBER ON YOUR SCREEN OR GO ONLINE AND REQUEST
  • 00:13:33.180 --> 00:13:37.250
  • YOUR COPY NOW.
  • 00:13:37.260 --> 00:13:40.240
  • [MUSIC]
  • 00:13:40.250 --> 00:13:46.240
  • JACKIE VELASQUEZ: WELCOME BACK!
  • 00:13:46.250 --> 00:13:48.010
  • WHEN GUARDIAN WAS ON JOHN AND DINO ELEFANTE'S PACHYDERM
  • 00:13:48.020 --> 00:13:51.100
  • RECORDS, THEY WERE APPROACHED BY AN A&R MAN, MARK MAXWELL, TO
  • 00:13:51.110 --> 00:13:55.150
  • BROADEN THEIR FAN BASE TO LATIN AMERICA. -I REMEMBER MARK CAME
  • 00:13:55.160 --> 00:13:59.020
  • TO TONY AND I AND HE SAID YOU GUYS GREW UP IN SOUTHERN
  • 00:13:59.030 --> 00:14:02.170
  • CALIFORNIA. YOU'VE BEEN AROUND A LOT OF HISPANIC CULTURE. WHAT
  • 00:14:02.180 --> 00:14:06.080
  • WOULD YOU THINK ABOUT TAKING SOME OF YOUR SONGS, GETTING
  • 00:14:06.090 --> 00:14:10.020
  • JAMIE WITH A VOCAL COACH, AND DOING THEM IN SPANISH? AND TONY
  • 00:14:10.030 --> 00:14:13.100
  • AND I WERE, LIKE, COOL. YEAH, WHY NOT? I MEAN, WHY NOT? YEAH,
  • 00:14:13.110 --> 00:14:16.230
  • FUN. BUT WE DIDN'T REALLY THINK ABOUT IT THAT MUCH. AND THEN WE
  • 00:14:16.240 --> 00:14:20.210
  • STARTED GETTING OFFERS TO PLAY IN LATIN AMERICAN. AND I'LL
  • 00:14:20.220 --> 00:14:24.200
  • NEVER FORGET, I KNOW THESE GUYS WON'T EITHER, GOING TO THE FIRST
  • 00:14:24.210 --> 00:14:27.220
  • TIME WE WE'RE GOING DOWN TO COSTA RICA, AND WE'RE GOING TO
  • 00:14:27.230 --> 00:14:31.250
  • THE VENUE AND IT'S A 5.000 SEATER. AND WE'RE NOT USED TO
  • 00:14:31.260 --> 00:14:36.140
  • PLAY HALLS THAT BIG, AND WE'RE GOING WHO'S HEADLINING? AND OUR
  • 00:14:36.150 --> 00:14:38.290
  • FRIEND, WHO ENDED UP BEING OUR LONGTIME LATIN AMERICAN, SAYS
  • 00:14:39.000 --> 00:14:42.190
  • YOURE HEADLINING. AND JAMIE STARTED SINGING IN SPANISH, ALL
  • 00:14:42.200 --> 00:14:46.210
  • OF A SUDDEN THE WHOLE CROWD, 5.000 PEOPLE IN UNISON ARE
  • 00:14:46.220 --> 00:14:50.120
  • SINGING, LIKE, THE VERSES -SO LOUD YOU CAN'T HEAR. -THE WHOLE
  • 00:14:50.130 --> 00:14:54.120
  • SONG. -THE ENTIRE THING. -I'LL NEVER FORGET THAT. WE WERE JUST
  • 00:14:54.130 --> 00:14:56.210
  • LIKE, -IT WAS AMAZING. -THAT WAS COOL. -WE NEVER PLANNED
  • 00:14:56.220 --> 00:14:59.090
  • THIS. I REMEMBER, SPECIFICALLY, GOING TO A SHOW IN OHIO AND WE
  • 00:14:59.100 --> 00:15:02.070
  • WERE LISTENING TO THE ROUGH MIXES OF THE THING. OH, WE
  • 00:15:02.080 --> 00:15:04.110
  • THOUGHT IT WAS FUNNY. GOSH, IT'S FUN, WE SANG THIS IN SPANISH. IT
  • 00:15:04.120 --> 00:15:06.200
  • WAS ALMOST NOVELTY TO US. LIKE, WOW. WE DIDN'T THINK NOTHING OF
  • 00:15:06.210 --> 00:15:08.290
  • IT. THEN WE FOUND OUT LATER, LIKE I SAID, DAVE, YOU KNOW, WE
  • 00:15:09.000 --> 00:15:11.200
  • WEREN'T PLAYING 5.000 SEATERS IN THE U.S. AND WE DO DOWN THERE.
  • 00:15:11.210 --> 00:15:14.290
  • THEY KNOW ALL THE WORDS. THEY KNOW EVERYTHING. IT'S JUST KIND
  • 00:15:15.000 --> 00:15:16.180
  • OF CRAZY. AND I REMEMBER LOOKING BACK AT KARL DURING THE SHOW,
  • 00:15:16.190 --> 00:15:18.220
  • LIKE, WHAT'S GOING ON. -YEAH. -AND RICK WHO WAS AT THAT SHOW
  • 00:15:18.230 --> 00:15:21.090
  • AS WELL. HE'S LIKE I'VE NEVER SEEN ANYTHING LIKE THIS. YOU
  • 00:15:21.100 --> 00:15:24.000
  • KNOW? -YEAH. -AND THAT WAS REALLY COOL. BUT WHAT BLOWS MY
  • 00:15:24.010 --> 00:15:26.170
  • MIND IS, IS, AND THIS IS JUST LIKE THE FACT, I WOULD SAY THIS,
  • 00:15:26.180 --> 00:15:29.230
  • GOD USED A TALKING DONKEY FOR HIS PURPOSE IN THE WORD, SO HE
  • 00:15:29.240 --> 00:15:34.250
  • CAN USE GUARDIAN SINGING IN SPANISH BECAUSE IT WASN'T A PART
  • 00:15:34.260 --> 00:15:38.240
  • OF OUR PLAN. -ONLY HE DIDN'T USE THE WORD DONKEY. -EXACTLY!
  • 00:15:38.250 --> 00:15:41.230
  • [CHUCKLES] -WE'RE ON TBN. SO, NO, BUT WHAT'S REALLY JUST
  • 00:15:41.240 --> 00:15:46.070
  • AMAZING FOR ME, PERSONALLY, IS HERE WE ARE 25 YEARS LATER,
  • 00:15:46.080 --> 00:15:52.220
  • BEFORE THIS TAPING, WE MET FOUR GUYS WHO GOT IN THE CAR FROM
  • 00:15:52.230 --> 00:15:56.000
  • MEXICO AND DROVE UP HERE TO SEE GUARDIAN PLAY THREE SONGS. THAT
  • 00:15:56.010 --> 00:16:00.040
  • KIND OF PASSION THAT WE, AND LOVE, AND EVERYTHING WE GOT FROM
  • 00:16:00.050 --> 00:16:04.100
  • LATIN AMERICA, IS, I THINK, MAKES A LOT OF OTHER ARTISTS
  • 00:16:04.110 --> 00:16:08.210
  • KIND OF ENVIOUS OF US. AND LIKE I SAID, WE HAD NOTHING TO DO
  • 00:16:08.220 --> 00:16:11.030
  • WITH IT. WE WERE JUST LIKE, OKAY, THIS IS IT. AND HOW THEY
  • 00:16:11.040 --> 00:16:15.050
  • EMBRACED US IS JUST MIND-BLOWING. YOU KNOW? LIKE I
  • 00:16:15.060 --> 00:16:18.070
  • SAID, I DON'T SPEAK SPANISH. I KNOW, I SING IT PHONETICALLY, IT
  • 00:16:18.080 --> 00:16:21.240
  • CONNECTS AND SO THAT, TO ME, THAT WAS REALLY, TRULY, AND
  • 00:16:21.250 --> 00:16:24.270
  • PEOPLE OVERUSE THIS PHRASE, THAT WAS A GOD THING. -AND YOU
  • 00:16:24.280 --> 00:16:27.230
  • REMEMBER, REMEMBER THE JAIL. WE PLAYED A HIGH-SECURITY JAIL WITH
  • 00:16:27.240 --> 00:16:31.110
  • EVERY FIVE CHECKPOINTS, -IN CHILI. -EVERYBODY HAD A
  • 00:16:31.120 --> 00:16:34.050
  • SHOTGUN, AND WE WENT IN THERE THINKING WE'RE NOT COMING OUT.
  • 00:16:34.060 --> 00:16:37.210
  • AND WE WENT IN THERE AND SAT UP KIND OF AN ACOUSTICY THING, AND
  • 00:16:37.220 --> 00:16:41.180
  • THE PASTOR, -THE PRISON MINISTER. -YEAH, THE PRISON
  • 00:16:41.190 --> 00:16:46.100
  • MINISTER, HE'S THERE AND HE'S LIKE, OH, THIS IS COOL. AND ALL
  • 00:16:46.110 --> 00:16:48.220
  • THE GUYS COME IN, SHUFFLING IN; CHAINS ON THEIR FEET, CHAINS
  • 00:16:48.230 --> 00:16:51.220
  • HERE. AND THEN THEY WOULDN'T EVEN LET CERTAIN PEOPLE OUT
  • 00:16:51.230 --> 00:16:54.040
  • BECAUSE THOSE GUYS WERE, LIKE, MEAN, HARDENED KILLERS. AND SO,
  • 00:16:54.050 --> 00:16:58.050
  • WE'RE SITTING THERE GOING, OH MY GOSH, WHAT ARE WE DOING? AND WE
  • 00:16:58.060 --> 00:17:01.040
  • END UP THROUGH THE, LIKE, WHAT, 5-8 SONGS, SOMETHING LIKE THAT,
  • 00:17:01.050 --> 00:17:04.160
  • PLAYING AND THE GUYS ARE STARTING TO CRY. AND THEY'RE,
  • 00:17:04.170 --> 00:17:08.240
  • HE'S SINGING IN SPANISH AND A LITTLE BIT OF ENGLISH AND BOTH
  • 00:17:08.250 --> 00:17:12.160
  • MIXING IT UP, AND THE PASTOR WAS, LIKE, OH MY GOSH, YOU'VE
  • 00:17:12.170 --> 00:17:16.080
  • JUST SET THIS GROUND FOR ME TO BE ABLE TO TALK TO THESE GUYS
  • 00:17:16.090 --> 00:17:20.030
  • MORE ABOUT FAITH. AND IT WAS JUST MIND BOGGLING. -BECAUSE WE
  • 00:17:20.040 --> 00:17:24.160
  • THOUGHT, OKAY, ARE THESE, LIKE, PART OF THE PRISON FELLOWSHIP
  • 00:17:24.170 --> 00:17:28.100
  • PEOPLE? HE SAYS, NO, THESE ARE THE HARDEST GUYS IN JAIL. AND WE
  • 00:17:28.110 --> 00:17:31.080
  • CONNECTED. -AND YOU WENT DOWN THERE TO DO A CONCERT. -YEAH,
  • 00:17:31.090 --> 00:17:34.100
  • EXACTLY. -TO PLAY MUSIC. LIKE I SAID, WE GOT USED BY THIS
  • 00:17:34.110 --> 00:17:38.240
  • MOVEMENT IN SOUTHERN CALIFORNIA. IT JUST HAPPENED THROUGH THESE
  • 00:17:38.250 --> 00:17:42.290
  • KIDS. I MEAN, PLAYING HEAVY METAL WITH HUGE HAIR AND PRAYING
  • 00:17:43.000 --> 00:17:49.100
  • WITH KIDS AND KIDS ARE BEING SAVED AND BAPTIZED. AND JOHN AND
  • 00:17:49.110 --> 00:17:52.270
  • I ARE LOOKING AROUND GOING WHAT IS THIS? THIS DIDN'T HAPPEN WITH
  • 00:17:52.280 --> 00:17:55.290
  • KANSAS OR ANYTHING ELSE WE'VE EVER BEEN INVOLVED WITH. I MEAN,
  • 00:17:56.000 --> 00:17:59.050
  • IT WAS BIG. AND THESE GUYS HONORED IT THE WHOLE TIME. THEY
  • 00:17:59.060 --> 00:18:04.040
  • NEVER TRIED TO BE ROCK STARS. THEY, I MEAN, I LEARNED A LOT
  • 00:18:04.050 --> 00:18:08.180
  • FROM BOB HARTMAN AND JOHN LOWRY AND PETRA ABOUT WHAT IT TAKES TO
  • 00:18:08.190 --> 00:18:11.290
  • SUCCEED IN CHRISTIAN MUSIC. WELL, THESE GUYS HAD A MINISTRY
  • 00:18:12.000 --> 00:18:16.140
  • AND IT WAS SUCCESSFUL, IN MY OPINION. AND WE WERE REALLY
  • 00:18:16.150 --> 00:18:20.010
  • PROUD OF IT, JOHN AND I. REALLY PROUD OF IT. -GUARDIAN USED TO
  • 00:18:20.020 --> 00:18:23.170
  • REHEARSE AND PRACTICE THEIR CRAFT FOUR NIGHTS A WEEK AT A
  • 00:18:23.180 --> 00:18:27.130
  • TERRIBLE, LITTLE INDUSTRIAL SHED IN SANTA ANA, CALIFORNIA. ONE
  • 00:18:27.140 --> 00:18:30.250
  • NIGHT KARL WALKED IN WITH A NEW SONG IDEA. -AND THEN SHOESHINE
  • 00:18:30.260 --> 00:18:35.210
  • JOHNNY IS A SONG WHERE KARL, I RECALL, AS HE CAME INTO PRACTICE
  • 00:18:35.220 --> 00:18:40.010
  • ONE NIGHT AND HE HAD ONE OF THOSE LITTLE HANDHELD VOICE
  • 00:18:40.020 --> 00:18:43.000
  • RECORDERS. AND IT WAS JUST HIM GOING, AND IT WAS LIKE, IT WAS
  • 00:18:43.010 --> 00:18:48.230
  • THE WHOLE RIFF OF SHOESHINE JOHNNY. AND WE WENT, YEAH,
  • 00:18:48.240 --> 00:18:51.290
  • OKAY, THERE'S A SONG RIGHT THERE. -SO, I SANG IT FOR TONY
  • 00:18:52.000 --> 00:18:54.090
  • AND THEN HE'S LIKE, OH, I THINK I CAN, KIND OF, HE WENT LIKE
  • 00:18:54.100 --> 00:18:57.080
  • THIS AND STARTED PLAYING THE RIFF, -AND THAT CAME TOGETHER
  • 00:18:57.090 --> 00:19:02.100
  • QUICK. -IT WAS CRAZY. AND LYRIC WISE ON THAT, YOU CAME UP WITH
  • 00:19:02.110 --> 00:19:06.140
  • THE WHOLE SHOESHINE STORY. -AND WE SHOT THE VIDEO FOR IT ON
  • 00:19:06.150 --> 00:19:09.180
  • HOLLYWOOD BOULEVARD; TRUE L.A. BAND. COME ON.
  • 00:19:09.190 --> 00:19:14.020
  • [MUSIC]
  • 00:19:14.030 --> 00:19:16.270
  • WHAT'S UP EVERYBODY?
  • 00:19:16.280 --> 00:19:18.280
  • GET ON YOUR FEET! ALL RIGHT! COME ON!
  • 00:19:18.290 --> 00:19:32.270
  • [MUSIC]
  • 00:19:32.280 --> 00:19:38.050
  • SHOESHINE JOHNNY'S JUST DOIN' TIME
  • 00:19:38.060 --> 00:19:40.140
  • SETTIN' UP SHOP AT THE FIVE AND DIME
  • 00:19:40.150 --> 00:19:43.220
  • SEEN A WHOLE LOT OF MILES, GOT A FEW MORE TO GO
  • 00:19:43.230 --> 00:19:47.270
  • WELL, EVERYONE SAYS HE'S A HUMBLE MAN
  • 00:19:47.280 --> 00:19:50.180
  • TELL YA BOUT LIFE LIKE NO ONE CAN
  • 00:19:50.190 --> 00:19:53.140
  • WITH A WINK AND A SMILE HE'D LET YA KNOW
  • 00:19:53.150 --> 00:19:56.250
  • WHOAH
  • 00:19:56.260 --> 00:19:58.080
  • ALL KINDA PEOPLE COME FROM MILES AROUND
  • 00:19:58.090 --> 00:20:00.110
  • JUST TO HEAR JOHNNY TELL HIS STORIES
  • 00:20:00.120 --> 00:20:03.090
  • TALK ABOUT THE DAYS GONE BY
  • 00:20:03.100 --> 00:20:05.200
  • TALKIN' BOUT FUTURE GLORY
  • 00:20:05.210 --> 00:20:08.100
  • ROUND ROUND ROUND HE GOES
  • 00:20:08.110 --> 00:20:11.010
  • TELL YOU HOW THE GOOD LORD KNOWS
  • 00:20:11.020 --> 00:20:13.150
  • HE'D WAS SHININ' MOST EVERY DAY
  • 00:20:13.160 --> 00:20:16.050
  • SIT RIGHT DOWN LISTEN WHAT HE SAY
  • 00:20:16.060 --> 00:20:19.010
  • SOME LIKE TO PLAY WITH FIRE
  • 00:20:19.020 --> 00:20:21.190
  • BUT THERE'S A LOVE THAT'S HIGHER
  • 00:20:21.200 --> 00:20:24.130
  • AND YOU KNOW THE LORD'S BEEN GOOD TO ME FOR SURE
  • 00:20:24.140 --> 00:20:29.040
  • HARD TIMES CAN COME AND GO
  • 00:20:29.050 --> 00:20:31.220
  • ONE THING FOR SURE I KNOW
  • 00:20:31.230 --> 00:20:34.000
  • WHEN I DIE THE RICHEST MAN I'LL BE
  • 00:20:34.010 --> 00:20:37.270
  • OH, LORD I KNOW
  • 00:20:37.280 --> 00:20:40.220
  • LORD I KNOW
  • 00:20:40.230 --> 00:20:48.260
  • LOOKIN' BACK I REMEMBER THE TIMES
  • 00:20:48.270 --> 00:20:51.050
  • LAUGHIN-AND-A-JOKIN- AND-A-FEELIN FINE
  • 00:20:51.060 --> 00:20:54.200
  • OL' JOHNNY PICK YOU UP WHEN YOU'RE FEELIN' LOW
  • 00:20:54.210 --> 00:20:59.130
  • HIS WORDS HANG ON IN MY MEMORY
  • 00:20:59.140 --> 00:21:01.130
  • THE DUSTY OL' BOOK THAT HE READ TO ME
  • 00:21:01.140 --> 00:21:04.200
  • EVEN NOW I'M GROWN THEY SPEAK TO ME
  • 00:21:04.210 --> 00:21:09.050
  • WHAT GAINS A MAN TO WIN THE WORLD BUT LOSE HIS VERY SOUL
  • 00:21:09.060 --> 00:21:14.120
  • RICHES OF THE PROMISED LAND
  • 00:21:14.130 --> 00:21:16.140
  • ARE MUCH BETTER THAN SILVER AND GOLD
  • 00:21:16.150 --> 00:21:19.150
  • OH HOW WISE IS HE
  • 00:21:19.160 --> 00:21:22.030
  • THAT MAKES THE LORD HIS COMPANY
  • 00:21:22.040 --> 00:21:25.010
  • FEARLESS OF THE DAYS TO COME
  • 00:21:25.020 --> 00:21:27.000
  • KNOWIN' THAT THE BATTLE'S WON
  • 00:21:27.010 --> 00:21:29.280
  • SOME LIKE TO PLAY WITH FIRE
  • 00:21:29.290 --> 00:21:32.160
  • BUT THERE'S A LOVE THAT'S HIGHER
  • 00:21:32.170 --> 00:21:34.270
  • AND YOU KNOW THE LORD'S BEEN GOOD TO ME FOR SURE
  • 00:21:34.280 --> 00:21:40.000
  • HARD TIMES CAN COME AND GO
  • 00:21:40.010 --> 00:21:42.150
  • ONE THING FOR SURE I KNOW
  • 00:21:42.160 --> 00:21:45.000
  • WHEN I DIE THE RICHEST MAN I'LL BE
  • 00:21:45.010 --> 00:21:48.270
  • OH, LORD I KNOW
  • 00:21:48.280 --> 00:21:51.250
  • LORD I KNOW
  • 00:21:51.260 --> 00:21:54.200
  • I KNOW
  • 00:21:54.210 --> 00:21:57.060
  • I KNOW
  • 00:21:57.070 --> 00:22:00.090
  • LET ME HEAR YOU OUT THERE!
  • 00:22:00.100 --> 00:22:10.010
  • [MUSIC]
  • 00:22:10.020 --> 00:22:25.000
  • [MUSIC]
  • 00:22:25.000 --> 00:22:30.050
  • LISTEN SON HE SAID TO ME
  • 00:22:30.060 --> 00:22:32.200
  • JESUS DIED TO SET US FREE
  • 00:22:32.210 --> 00:22:35.100
  • YOU'RE OLD ENOUGH IT'S TIME TO CHOSE
  • 00:22:35.110 --> 00:22:37.150
  • WITH THE LORD YOU'LL NEVER LOSE
  • 00:22:37.160 --> 00:22:40.070
  • BEAT THEM EVERLASTING BLUES
  • 00:22:40.080 --> 00:22:45.020
  • OH, OH OH, I STILL HEAR HIM
  • 00:22:45.030 --> 00:22:51.180
  • I HEAR OLE JOHNNY SAY
  • 00:22:51.190 --> 00:22:56.110
  • BUT THERE'S A LOVE THAT'S HIGHER
  • 00:22:56.120 --> 00:22:59.050
  • AND YOU KNOW THE LORD'S BEEN GOOD TO ME FOR SURE
  • 00:22:59.060 --> 00:23:03.210
  • HARD TIMES WILL COME AND GO
  • 00:23:03.220 --> 00:23:06.000
  • ONE THING FOR SURE I KNOW
  • 00:23:06.010 --> 00:23:08.220
  • WHEN I DIE THE RICHEST MAN I'LL BE
  • 00:23:08.230 --> 00:23:13.280
  • SOME LIKE TO PLAY WITH FIRE
  • 00:23:13.290 --> 00:23:16.130
  • BUT THERE'S A LOVE THAT'S HIGHER
  • 00:23:16.140 --> 00:23:19.080
  • AND YOU KNOW THE LORD'S BEEN GOOD TO ME FOR SURE
  • 00:23:19.090 --> 00:23:23.220
  • HARD TIMES WILL COME AND GO
  • 00:23:23.230 --> 00:23:26.040
  • ONE THING FOR SURE I KNOW
  • 00:23:26.050 --> 00:23:28.240
  • WHEN I DIE THE RICHEST MAN I'LL BE
  • 00:23:28.250 --> 00:23:34.060
  • SOME LIKE TO PLAY WITH FIRE
  • 00:23:34.070 --> 00:23:41.220
  • [MUSIC]
  • 00:23:41.230 --> 00:23:51.130
  • THE NEW CCM UNITED
  • 00:23:51.140 --> 00:23:52.280
  • MUSIC, MOMENTS & MEMORIES FEATURING MORE CCM
  • 00:23:52.290 --> 00:23:57.000
  • HITS YOU GREW UP WITH LIKE PHIL KEAGGY'S WHAT A DAY, CLAY
  • 00:23:57.010 --> 00:24:00.280
  • CROSSE'S I SURRENDER ALL AL DENSON BE THE ONE, EDDIE
  • 00:24:00.290 --> 00:24:05.190
  • DEGARMO OF DEGARMO AND KEY'S ROCK SOLID, WES KING'S THE
  • 00:24:05.200 --> 00:24:09.250
  • ROBE. TWENTY OF THE BIGGEST CCM SONGS SUNG BY THE ARTISTS WHO
  • 00:24:09.260 --> 00:24:14.170
  • MADE THEM FAMOUS AVAILABLE IN A DOUBLE CD AND DVD FOR A GIFT OF
  • 00:24:14.180 --> 00:24:19.090
  • $39 OR MORE TO TBN. SIMPLY CALL THE NUMBER ON YOUR SCREEN OR GO
  • 00:24:19.100 --> 00:24:24.100
  • ONLINE. MUSIC, MOMENTS & MEMORIES THE AUDIO DOUBLE CD IS
  • 00:24:24.110 --> 00:24:29.280
  • OUR GIFT AS YOU GIVE YOUR BEST GIFT TO TBN AND ITS GLOBAL
  • 00:24:29.290 --> 00:24:33.250
  • OUTREACH. THE CD AND DVD ARE BOTH YOURS FOR YOUR GIFT OF $39
  • 00:24:33.260 --> 00:24:38.030
  • OR MORE. HELP TAKE THE MESSAGE OF HOPE AND GRACE AROUND THE
  • 00:24:38.040 --> 00:24:42.220
  • WORLD. CALL THE NUMBER ON YOUR SCREEN OR GO ONLINE AND REQUEST
  • 00:24:42.230 --> 00:24:47.000
  • YOUR COPY NOW.
  • 00:24:47.010 --> 00:24:50.040
  • [MUSIC]
  • 00:24:50.050 --> 00:24:56.080
  • JACKIE VELASQUEZ: THANK YOU SO
  • 00:24:56.090 --> 00:24:57.160
  • MUCH FOR JOINING US. WE HOPE YOU HAVE BEEN INSPIRED AND UPLIFTED
  • 00:24:57.170 --> 00:25:00.170
  • BY HEARING ABOUT THE AMAZING JOURNEY OF GUARDIAN. GOD HAS
  • 00:25:00.180 --> 00:25:03.230
  • USED WHAT WE NOW CALL CHRISTIAN ROCK TO REACH COUNTLESS YOUNG
  • 00:25:03.240 --> 00:25:07.040
  • LIVES WITH THE GOSPEL, AND GUARDIAN HELPED PAVE THE WAY.
  • 00:25:07.050 --> 00:25:12.000
  • PLEASE JOIN US NEXT TIME FOR MORE AMAZING STORIES ABOUT YOUR
  • 00:25:12.010 --> 00:25:14.240
  • FAVORITE LEGENDARY CCM ARTISTS. GOD BLESS YOU AND I SHALL SEE
  • 00:25:14.250 --> 00:25:18.250
  • YOU SOON.
  • 00:25:18.260 --> 00:25:20.170
  • [MUSIC]
  • 00:25:20.180 --> 00:25:25.000
  • THE POWER OF LOVE
  • 00:25:25.010 --> 00:25:30.050
  • FEEL THE LOVE
  • 00:25:30.060 --> 00:25:36.130
  • YEAH OH, YEAH
  • 00:25:36.140 --> 00:25:42.090
  • [MUSIC]
  • 00:25:42.100 --> 00:25:57.080
  • [MUSIC]
  • 00:25:57.080 --> 00:26:05.210
  • FOLLOWING THE SUCCESSFUL RELEASE OF CCM UNITED
  • 00:26:05.220 --> 00:26:08.260
  • WE WILL STAND COMES THE NEW CCM UNITED MUSIC, MOMENTS &
  • 00:26:08.270 --> 00:26:13.210
  • MEMORIES FEATURING MORE CCM HITS YOU GREW UP WITH LIKE PHIL
  • 00:26:13.220 --> 00:26:17.250
  • KEAGGY'S WHAT A DAY, CLAY CROSSE'S I SURRENDER ALL AL
  • 00:26:17.260 --> 00:26:22.090
  • DENSON BE THE ONE, EDDIE DEGARMO OF DEGARMO AND KEY'S
  • 00:26:22.100 --> 00:26:26.030
  • ROCK SOLID, WES KING'S THE ROBE. FOR THE ROBE TWENTY OF
  • 00:26:26.040 --> 00:26:34.140
  • THE BIGGEST CCM SONGS SUNG BY THE ARTISTS WHO MADE THEM FAMOUS
  • 00:26:34.150 --> 00:26:38.160
  • AVAILABLE IN A DOUBLE CD AND DVD FOR A GIFT OF $39 OR MORE TO
  • 00:26:38.170 --> 00:26:43.100
  • TBN. CALL NOW! DON'T MISS THIS COLLECTION OF CCM'S BEST LOVED
  • 00:26:43.110 --> 00:26:49.270
  • SONGS THAT HONOR OUR LORD JESUS CHRIST. AVAILABLE EXCLUSIVELY TO
  • 00:26:49.280 --> 00:26:53.250
  • TBN VIEWERS DURING THIS SPECIAL PRESENTATION. SIMPLY CALL THE
  • 00:26:53.260 --> 00:27:00.040
  • NUMBER ON YOUR SCREEN OR GO ONLINE. MUSIC, MOMENTS &
  • 00:27:00.050 --> 00:27:03.260
  • MEMORIES THE AUDIO DOUBLE CD IS OUR GIFT AS YOU GIVE YOUR BEST
  • 00:27:03.270 --> 00:27:07.270
  • GIFT TO TBN AND ITS GLOBAL OUTREACH. THE CD AND DVD ARE
  • 00:27:07.280 --> 00:27:12.230
  • BOTH YOURS FOR YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE
  • 00:27:12.240 --> 00:27:16.260
  • OF HOPE AND GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR
  • 00:27:16.270 --> 00:27:20.150
  • SCREEN OR GO ONLINE AND REQUEST YOUR COPY NOW. SING HALLELUJAH
  • 00:27:20.160 --> 00:27:25.110
  • TO THE KING LET THE WHOLE WORLD SING
  • 00:27:25.120 --> 00:27:28.130