Episode 5 | He won’t be coming home this time… | TBN
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Episode 5 | He won’t be coming home this time…

Watch Episode 5 | He won’t be coming home this time…
Leon Fontaine
July 31, 2018
26:31

Dawson’s arrest sets the match to the fuse, and Smoketown is primed to explode.

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Episode 5 | He won’t be coming home this time…

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  • - MALE NARRATOR: PREVIOUSLY ON
  • 00:00:00.000 --> 00:00:00.260
  • "SMOKETOWN":
  • 00:00:00.260 --> 00:00:03.060
  • [SOUND OF STRUGGLE, GIRL
  • 00:00:03.060 --> 00:00:03.250
  • CRYING]
  • 00:00:03.250 --> 00:00:04.200
  • - ALLEN: THE PRECIOUS DAUGHTER
  • 00:00:04.200 --> 00:00:05.120
  • OF CRAIG AND JANET SLOANE,
  • 00:00:05.120 --> 00:00:06.160
  • 16-YEAR-OLD BRITTANY ELIZABETH,
  • 00:00:06.160 --> 00:00:07.280
  • WAS BRUTALLY MURDERED LAST
  • 00:00:07.280 --> 00:00:08.280
  • NIGHT...
  • 00:00:08.280 --> 00:00:10.150
  • [POLICE SIRENS WAIL]
  • 00:00:10.150 --> 00:00:11.010
  • ...IN AN ALLEY BEHIND THE
  • 00:00:11.010 --> 00:00:11.200
  • SMOKETOWN FAMILY SHELTER.
  • 00:00:11.200 --> 00:00:12.240
  • - JACK: MORNING, SUNSHINE.
  • 00:00:12.240 --> 00:00:13.220
  • - DAWSON: YOU KEEP ME HERE ALL
  • 00:00:13.220 --> 00:00:14.140
  • NIGHT, ASKIN' THE SAME
  • 00:00:14.140 --> 00:00:15.240
  • QUESTIONS OVER AND OVER, AND
  • 00:00:15.240 --> 00:00:17.140
  • NOW I CAN JUST LEAVE?
  • 00:00:17.140 --> 00:00:19.080
  • - JACK: YOU HAVEN'T BEEN
  • 00:00:19.080 --> 00:00:19.270
  • CHARGED WITH A CRIME.
  • 00:00:19.270 --> 00:00:20.280
  • YET.
  • 00:00:20.280 --> 00:00:23.230
  • I'LL BE SEEING YOU...
  • 00:00:23.230 --> 00:00:26.090
  • - VOICE OF DAWSON: I'M SCARED.
  • 00:00:26.090 --> 00:00:27.150
  • AND I DON'T SEE THE WAY OUT.
  • 00:00:27.150 --> 00:00:28.290
  • [CAR DOOR CLOSES]
  • 00:00:28.290 --> 00:00:30.020
  • I'M CHOOSING TO BELIEVE THAT WE
  • 00:00:30.020 --> 00:00:31.110
  • ARE FAVORED AND POWERFUL.
  • 00:00:31.110 --> 00:00:32.000
  • I BELIEVE THAT.
  • 00:00:32.000 --> 00:00:34.080
  • I DO.
  • 00:00:34.080 --> 00:00:36.030
  • - PAUL: I HAVE
  • 00:00:36.030 --> 00:00:37.150
  • SOME...INFORMATION FOR YOU, BUT
  • 00:00:37.150 --> 00:00:38.180
  • YOU DIDN'T HEAR IT FROM ME.
  • 00:00:38.180 --> 00:00:39.190
  • THE AUTOPSY REPORT CAME BACK ON
  • 00:00:39.190 --> 00:00:40.110
  • BRITTANY SLOANE.
  • 00:00:40.110 --> 00:00:41.000
  • SHE WAS PREGNANT.
  • 00:00:41.000 --> 00:00:42.240
  • - ELENA: DO THEY HAVE ANY IDEA
  • 00:00:42.240 --> 00:00:43.160
  • WHO THE FATHER MIGHT BE?
  • 00:00:43.160 --> 00:00:44.040
  • - PAUL: APPARENTLY, SHE DIDN'T
  • 00:00:44.040 --> 00:00:44.260
  • EVEN HAVE A BOYFRIEND.
  • 00:00:44.260 --> 00:00:45.270
  • - ELENA: SECRET PREGNANCY,
  • 00:00:45.270 --> 00:00:46.170
  • MYSTERY FATHER -- THERE'S
  • 00:00:46.170 --> 00:00:47.260
  • MOTIVE ALL OVER THAT.
  • 00:00:47.260 --> 00:00:48.270
  • - ALLEN: GENTLEMEN, THE
  • 00:00:48.270 --> 00:00:49.150
  • ELECTION'S IN EIGHT DAYS.
  • 00:00:49.150 --> 00:00:50.140
  • NOW, IF I LOOK LIKE A HERO IN
  • 00:00:50.140 --> 00:00:52.040
  • THIS CASE, THEN I'M YOUR NEW
  • 00:00:52.040 --> 00:00:52.240
  • MAYOR.
  • 00:00:52.240 --> 00:00:54.130
  • BUT IF I LOOK LIKE A FOOL FOR
  • 00:00:54.130 --> 00:00:55.190
  • THE NEXT WEEK, THEN I REMAIN
  • 00:00:55.190 --> 00:00:56.140
  • YOUR VERY.ANGRY.D.A.
  • 00:00:56.140 --> 00:00:57.260
  • [POUNDS FINGER AGAINST DESK FOR
  • 00:00:57.260 --> 00:00:58.240
  • EMPHASIS]
  • 00:00:58.240 --> 00:00:59.210
  • MAKE AN ARREST.
  • 00:00:59.210 --> 00:01:00.230
  • YOU NEED EVIDENCE?
  • 00:01:00.230 --> 00:01:01.110
  • GO FIND IT.
  • 00:01:01.110 --> 00:01:03.000
  • - CRAIG: YOU'RE TELLING ME
  • 00:01:03.000 --> 00:01:03.200
  • BRITTANY WAS ON DRUGS?
  • 00:01:03.200 --> 00:01:05.270
  • - PAUL: THE AUTOPSY REPORT
  • 00:01:05.270 --> 00:01:06.230
  • ALSO REVEALED THAT...BRITTANY
  • 00:01:06.230 --> 00:01:07.270
  • WAS PREGNANT.
  • 00:01:07.270 --> 00:01:10.200
  • [JANET GASPS, CRIES]
  • 00:01:10.200 --> 00:01:11.230
  • - CRAIG: NO.
  • 00:01:11.230 --> 00:01:12.130
  • [PAPER LANDS HARD ON TABLE]
  • 00:01:12.130 --> 00:01:13.160
  • THAT'S...A MISTAKE.
  • 00:01:13.160 --> 00:01:14.020
  • [INDISTINCT CHATTER]
  • 00:01:14.020 --> 00:01:15.220
  • - JACK: TAKE IT.
  • 00:01:15.220 --> 00:01:16.130
  • IT'S A WARRANT.
  • 00:01:16.130 --> 00:01:18.000
  • [CLATTERING]
  • 00:01:18.040 --> 00:01:21.040
  • [TENSE MUSIC PLAYS]
  • 00:01:21.040 --> 00:01:23.120
  • - AMELIA: YOU'RE RUINING IT!
  • 00:01:23.120 --> 00:01:24.030
  • [AMELIA YELPS]
  • 00:01:24.030 --> 00:01:25.170
  • - JACK: (FORCEFULLY) BACK OFF.
  • 00:01:25.170 --> 00:01:26.190
  • [AMELIA GASPING]
  • 00:01:26.190 --> 00:01:28.010
  • I DON'T NEED YOU TO TELL ME HOW
  • 00:01:28.010 --> 00:01:29.010
  • TO DO MY JOB.
  • 00:01:29.010 --> 00:01:31.150
  • [AMELIA CATCHING BREATH]
  • 00:01:31.150 --> 00:01:32.200
  • [GLASS SHATTERING]
  • 00:01:32.200 --> 00:01:33.120
  • [AMELIA CRIES OUT]
  • 00:01:33.120 --> 00:01:35.100
  • [CLINK OF BROKEN GLASS]
  • 00:01:35.100 --> 00:01:35.280
  • - RAYMOND: WHAT'S GOING ON
  • 00:01:35.280 --> 00:01:36.180
  • HERE?
  • 00:01:36.180 --> 00:01:36.290
  • - BAILEY: THE POLICE HAVE A
  • 00:01:36.290 --> 00:01:37.190
  • SEARCH WARRANT.
  • 00:01:37.190 --> 00:01:38.090
  • - RAYMOND: THEY COME IN HERE
  • 00:01:38.090 --> 00:01:39.000
  • LIKE STORMTROOPERS AND IT'S ALL
  • 00:01:39.000 --> 00:01:39.220
  • RIGHT!
  • 00:01:39.220 --> 00:01:40.010
  • - BAILEY: THEY'RE THE ONES
  • 00:01:40.010 --> 00:01:41.020
  • WITH BADGES AND GUNS.
  • 00:01:41.140 --> 00:01:44.140
  • YOU CAN'T FIGHT THEM.
  • 00:01:44.140 --> 00:01:46.160
  • - RAYMOND: AND YOU'RE GOOD
  • 00:01:46.160 --> 00:01:47.130
  • WITH THAT?!
  • 00:01:47.130 --> 00:01:47.270
  • - BAILEY: THERE'S NOTHING WE
  • 00:01:47.270 --> 00:01:48.290
  • CAN DO!
  • 00:01:48.290 --> 00:01:49.280
  • - RAYMOND: WE CAN'T ASK FOR
  • 00:01:49.280 --> 00:01:50.190
  • JUSTICE.
  • 00:01:50.190 --> 00:01:51.130
  • WE HAVE TO DEMAND IT.
  • 00:01:52.240 --> 00:01:55.240
  • [SERIOUS MUSIC PLAYS]
  • 00:01:55.240 --> 00:01:58.150
  • [SHOW THEME PLAYS]
  • 00:02:03.210 --> 00:02:04.240
  • - LEON FONTAINE (NARRATING):
  • 00:02:09.210 --> 00:02:10.140
  • ...AND TEMPTATIONS.
  • 00:02:13.060 --> 00:02:14.000
  • RIGHT AND WRONG RARELY SEEM TO
  • 00:02:17.120 --> 00:02:18.030
  • DIFFERENCES IN CLASS, AND
  • 00:02:24.000 --> 00:02:24.190
  • RELIGION, AND THE COLOR OF OUR
  • 00:02:24.190 --> 00:02:26.150
  • SKIN SEEM TO PIT US AGAINST
  • 00:02:26.150 --> 00:02:27.160
  • [MASS SHOUTING]
  • 00:02:33.220 --> 00:02:34.160
  • WE ALSO LIVE IN A WORLD OF
  • 00:02:34.160 --> 00:02:35.180
  • PEACE AND JOY, EVEN IN THE
  • 00:02:35.180 --> 00:02:37.200
  • MIDST OF HEARTACHE AND PAIN.
  • 00:02:38.220 --> 00:02:41.220
  • [THEME MUSIC TURNS HOPEFUL]
  • 00:02:41.220 --> 00:02:42.130
  • GOD IS STILL CALLING HIS PEOPLE
  • 00:02:42.130 --> 00:02:43.090
  • TO LIVE SUPERHUMAN LIVES.
  • 00:02:43.090 --> 00:02:45.250
  • GOD HAS A FAMILY ON THIS
  • 00:02:45.250 --> 00:02:47.090
  • PLANET, A GROUP OF PEOPLE WHO
  • 00:02:47.090 --> 00:02:49.290
  • ARE EMPOWERED BY HOLY SPIRIT TO
  • 00:02:49.290 --> 00:02:51.180
  • WALK INTO A FALLEN WORLD AND
  • 00:02:51.230 --> 00:02:54.230
  • WE LIVE IN A FALLEN, GRITTY
  • 00:03:00.280 --> 00:03:03.140
  • WORLD.
  • 00:03:03.170 --> 00:03:06.170
  • MANY CHRISTIANS WANNA BURY
  • 00:03:06.170 --> 00:03:07.180
  • THEIR HEAD IN THE SAND AND NOT
  • 00:03:08.010 --> 00:03:11.010
  • DISCUSS OR EVEN BE REMINDED OF
  • 00:03:11.010 --> 00:03:12.160
  • THE HORRIBLENESS OF SIN AND ITS
  • 00:03:12.260 --> 00:03:15.260
  • PAIN IN OTHER PEOPLE'S LIVES.
  • 00:03:15.260 --> 00:03:18.150
  • BUT WE NEED TO BE AWARE OF THE
  • 00:03:18.150 --> 00:03:19.110
  • ISSUES IN OUR COMMUNITIES AND
  • 00:03:19.110 --> 00:03:20.160
  • IN OUR SOCIETY AT LARGE.
  • 00:03:21.030 --> 00:03:24.030
  • HOW CAN...WE BRING JESUS AS THE
  • 00:03:24.030 --> 00:03:25.130
  • ANSWER IF WE'RE GONNA HIDE FROM
  • 00:03:25.200 --> 00:03:28.200
  • THE UNGODLY THINGS THAT ARE
  • 00:03:28.200 --> 00:03:30.270
  • GOING ON ON OUR PLANET?
  • 00:03:30.270 --> 00:03:33.170
  • TO BE SPIRIT CONTEMPORARY MEANS
  • 00:03:33.170 --> 00:03:34.290
  • THAT WE MUST BE RELEVANT TO THE
  • 00:03:34.290 --> 00:03:37.090
  • PEOPLE AROUND US -- ESPECIALLY
  • 00:03:37.090 --> 00:03:39.050
  • THE HURTING ONES!
  • 00:03:39.050 --> 00:03:41.270
  • AND TO BE SPIRITUALLY ALIVE
  • 00:03:41.270 --> 00:03:44.060
  • MEANS TO BE ABLE TO COMMUNICATE
  • 00:03:44.060 --> 00:03:46.000
  • AND BRING THE MIRACULOUS INTO
  • 00:03:46.000 --> 00:03:47.250
  • THEIR EVERYDAY LIVES.
  • 00:03:47.250 --> 00:03:49.290
  • WE CAN'T SIT IDLY BY, PRAYING
  • 00:03:49.290 --> 00:03:52.110
  • FOR THIS WORLD AND THOSE WHO
  • 00:03:52.110 --> 00:03:54.120
  • DON'T KNOW JESUS, ONLY.
  • 00:03:57.050 --> 00:04:00.070
  • HOLY SPIRIT IS INSIDE OF US,
  • 00:04:00.070 --> 00:04:01.020
  • EMPOWERING US, HELPING US.
  • 00:04:01.020 --> 00:04:01.290
  • BUT IT'S STILL UP TO US TO STEP
  • 00:04:01.290 --> 00:04:04.190
  • INTO THEIR CRISES.
  • 00:04:05.100 --> 00:04:08.100
  • MOVING INTO PEOPLE'S WORLDS IS
  • 00:04:08.100 --> 00:04:09.270
  • CRUCIAL IF WE ARE GOING TO SEE
  • 00:04:09.270 --> 00:04:12.000
  • THE MIRACULOUS.
  • 00:04:12.000 --> 00:04:14.230
  • - MALE VOICE ON DEVICE:
  • 00:04:14.230 --> 00:04:15.200
  • WHEN THE BLACK MAN IN
  • 00:04:15.200 --> 00:04:16.160
  • AMERICA LOOKS BACK ON HIS
  • 00:04:16.160 --> 00:04:17.200
  • HISTORY, ON WHAT HE ONCE WAS,
  • 00:04:17.200 --> 00:04:20.020
  • AND WHAT WAS DONE TO...AND
  • 00:04:20.020 --> 00:04:21.260
  • THROUGH HIM...
  • 00:04:21.260 --> 00:04:23.240
  • [PHONE CLANKING]
  • 00:04:23.240 --> 00:04:24.160
  • ...HE HAS TO ADMIT HE IS MADE
  • 00:04:24.160 --> 00:04:26.140
  • TO FEEL LIKE A STRANGER IN A
  • 00:04:26.140 --> 00:04:27.100
  • STRANGE LAND.
  • 00:04:27.100 --> 00:04:28.270
  • THIS PLACE WHERE HE GAVE HIS
  • 00:04:28.270 --> 00:04:30.220
  • FREE LABOR, SWEAT, AND BLOOD
  • 00:04:30.220 --> 00:04:33.170
  • DOES NOT FEEL LIKE HOME TO HIM.
  • 00:04:33.170 --> 00:04:34.090
  • AND IF HE IS OF SOUND MIND,
  • 00:04:34.090 --> 00:04:35.270
  • WHEN HE LOOKS BACK, HE
  • 00:04:35.270 --> 00:04:37.120
  • RECOGNIZES SOMETHING CRUEL AND
  • 00:04:37.120 --> 00:04:39.200
  • CRIMINAL HAS BEEN DONE TO BRING
  • 00:04:39.200 --> 00:04:41.180
  • HIM TO THE LOW CONDITION HE
  • 00:04:41.180 --> 00:04:43.220
  • FINDS HIMSELF IN TODAY.
  • 00:04:43.220 --> 00:04:46.010
  • WHEN THE BLACK MAN IN AMERICA
  • 00:04:46.010 --> 00:04:47.000
  • LOOKS AT HIS PRESENT CONDITION
  • 00:04:47.000 --> 00:04:48.040
  • AND REALIZES WHO DID WHAT TO
  • 00:04:48.040 --> 00:04:51.040
  • CAUSE IT, HE WILL WAKE UP AND
  • 00:04:51.040 --> 00:04:52.240
  • UNDERTAKE NEW WAYS OF
  • 00:04:52.240 --> 00:04:54.000
  • THINKING...
  • 00:04:54.000 --> 00:04:55.160
  • [DRAMATIC TONE SOUNDS]
  • 00:04:55.160 --> 00:04:56.060
  • ...AND NEW WAYS OF REACTING.
  • 00:04:56.060 --> 00:04:58.000
  • - FATHER: (PLAYFULLY) GIVE ME
  • 00:04:58.000 --> 00:04:59.080
  • THOSE EARS.
  • 00:04:59.080 --> 00:05:00.120
  • GIVE ME THEM.
  • 00:05:00.120 --> 00:05:00.250
  • GIVE IT, HERE!
  • 00:05:00.250 --> 00:05:01.280
  • [FOOTSTEPS]
  • 00:05:01.280 --> 00:05:02.100
  • HEY, JAY.
  • 00:05:02.100 --> 00:05:02.220
  • WHAT'S GOIN' ON?
  • 00:05:02.220 --> 00:05:03.060
  • - JAY: HOW YA DOIN'?
  • 00:05:03.060 --> 00:05:04.290
  • - FATHER: I'M GREAT, MAN.
  • 00:05:04.290 --> 00:05:06.030
  • - (YOUNG) RAYMOND: YOU KNOW
  • 00:05:06.030 --> 00:05:07.000
  • THE GARBAGEMAN?
  • 00:05:07.000 --> 00:05:08.130
  • - FATHER: SOUNDS LIKE YOU
  • 00:05:08.130 --> 00:05:09.200
  • DON'T HOLD THESE BROTHERS IN
  • 00:05:09.200 --> 00:05:10.100
  • HIGH ESTEEM.
  • 00:05:10.100 --> 00:05:11.240
  • - RAYMOND: I'D NEVER BE A
  • 00:05:11.240 --> 00:05:12.170
  • GARBAGEMAN.
  • 00:05:12.170 --> 00:05:13.180
  • THAT'S GROSS.
  • 00:05:13.180 --> 00:05:14.070
  • [FENCE RATTLES]
  • 00:05:14.070 --> 00:05:15.090
  • - FATHER: RAYMOND?
  • 00:05:15.090 --> 00:05:15.270
  • UNDERSTAND THIS:
  • 00:05:18.140 --> 00:05:21.140
  • WORK OF ANY KIND IS HONORABLE,
  • 00:05:21.140 --> 00:05:22.160
  • NO MATTER WHAT IT IS.
  • 00:05:22.160 --> 00:05:24.090
  • SITTING AT HOME WAITING FOR A
  • 00:05:24.090 --> 00:05:25.040
  • CHECK TO COME IN?
  • 00:05:25.040 --> 00:05:26.120
  • THERE'S NO HONOR IN THAT.
  • 00:05:26.120 --> 00:05:28.110
  • - RAYMOND: YOU DON'T SEE ANY
  • 00:05:28.110 --> 00:05:29.020
  • WHITE GARBAGEMEN, DO YOU?
  • 00:05:29.020 --> 00:05:31.080
  • THE BLACK MAN HAVE TO PICK UP
  • 00:05:31.080 --> 00:05:33.040
  • GARBAGE BECAUSE WHITE PEOPLE
  • 00:05:33.040 --> 00:05:33.240
  • ARE TOO GOOD TO DO A JOB LIKE
  • 00:05:33.240 --> 00:05:35.010
  • THAT.
  • 00:05:35.010 --> 00:05:36.180
  • THAT IS JUST DISCRIMINATION.
  • 00:05:36.180 --> 00:05:38.260
  • - FATHER: THERE'S SOME TRUTH
  • 00:05:38.260 --> 00:05:40.030
  • IN THAT.
  • 00:05:40.030 --> 00:05:42.260
  • BUT THERE'S A GREATER TRUTH IN
  • 00:05:42.260 --> 00:05:43.170
  • UNDERSTANDING THAT THE REAL
  • 00:05:43.170 --> 00:05:44.070
  • DISCRIMINATION, THE
  • 00:05:44.070 --> 00:05:45.140
  • DISCRIMINATION THAT MATTERS, IS
  • 00:05:45.140 --> 00:05:47.160
  • IN THE WAGES.
  • 00:05:47.160 --> 00:05:49.100
  • BLACK GARBAGE WORKERS ARE PAID
  • 00:05:49.100 --> 00:05:51.080
  • 30% LESS THAN WHITE STREET
  • 00:05:51.080 --> 00:05:53.180
  • CLEANERS.
  • 00:05:53.180 --> 00:05:55.220
  • GETTING PAID LESS THAN THE
  • 00:05:55.220 --> 00:05:56.180
  • WHITE MAN FOR THE SAME AMOUNT
  • 00:05:56.180 --> 00:05:57.270
  • OF WORK?
  • 00:05:57.270 --> 00:05:58.140
  • NOW, THAT'S INJUSTICE.
  • 00:05:58.140 --> 00:06:00.250
  • BUT, TAKING A JOB A WHITE MAN
  • 00:06:01.020 --> 00:06:04.020
  • DOESN'T WANT?
  • 00:06:04.110 --> 00:06:07.110
  • THAT'S OPPORTUNITY.
  • 00:06:07.110 --> 00:06:08.270
  • SO, YOU TAKE THAT JOB.
  • 00:06:08.270 --> 00:06:10.230
  • AND YOU WORK HARDER THAN ALL
  • 00:06:10.230 --> 00:06:12.010
  • THE MAN AROUND YOU -- AND THEN
  • 00:06:12.010 --> 00:06:12.250
  • YOU GET A BETTER JOB.
  • 00:06:12.250 --> 00:06:14.140
  • AND THEN, A BETTER JOB.
  • 00:06:14.140 --> 00:06:15.250
  • YOU GOTTA GET YOUR FEET ON THE
  • 00:06:15.250 --> 00:06:17.140
  • LADDER BEFORE YOU CAN START
  • 00:06:17.140 --> 00:06:18.140
  • CLIMBING.
  • 00:06:18.140 --> 00:06:20.100
  • AND GARBAGE COLLECTOR IS AS
  • 00:06:20.100 --> 00:06:22.110
  • GOOD AS ANY PLACE TO START.
  • 00:06:22.120 --> 00:06:25.120
  • [RAYMOND SIGHS, FATHER
  • 00:06:25.120 --> 00:06:26.190
  • CHUCKLES]
  • 00:06:26.190 --> 00:06:28.090
  • BUT THAT DOESN'T MEAN THAT YOU
  • 00:06:28.090 --> 00:06:29.030
  • HAVE TO START AS A GARBAGEMAN.
  • 00:06:29.030 --> 00:06:29.240
  • - FATHER: GOOD, 'CAUSE THAT'S
  • 00:06:29.240 --> 00:06:30.150
  • STILL NASTY.
  • 00:06:30.150 --> 00:06:31.090
  • [FATHER LAUGHS]
  • 00:06:31.090 --> 00:06:32.250
  • [INTENSE TONE PLAYS]
  • 00:06:32.250 --> 00:06:34.030
  • [MUSIC]
  • 00:06:34.210 --> 00:06:37.210
  • - LEON: WE CANNOT JUST PRAY
  • 00:06:37.210 --> 00:06:38.160
  • FROM A SAFE DISTANCE AND HOPE
  • 00:06:38.160 --> 00:06:41.080
  • THAT SOMEONE GETS INVOLVED.
  • 00:06:41.080 --> 00:06:43.220
  • JESUS EVEN TEACHES US TO PRAY
  • 00:06:43.220 --> 00:06:45.110
  • FOR LABORERS TO GO INTO THE
  • 00:06:45.110 --> 00:06:47.060
  • HARVEST FIELDS BECAUSE THE
  • 00:06:47.060 --> 00:06:48.260
  • HARVEST IS RIPE.
  • 00:06:48.260 --> 00:06:50.220
  • DO YOU KNOW SITUATIONS AROUND
  • 00:06:50.220 --> 00:06:52.150
  • YOU THAT YOU DON'T EVEN WANT TO
  • 00:06:52.150 --> 00:06:54.190
  • THINK ABOUT OR WANT TO GET
  • 00:06:54.190 --> 00:06:56.060
  • INVOLVED IN?
  • 00:06:56.060 --> 00:06:57.270
  • UNLESS A LABORER FOR GOD STEPS
  • 00:06:57.270 --> 00:07:00.080
  • INTO THE SITUATION AND GETS
  • 00:07:00.080 --> 00:07:02.100
  • INVOLVED, THERE IS NO HOPE FOR
  • 00:07:02.100 --> 00:07:04.210
  • REDEMPTION, FOR THE FREEDOM
  • 00:07:04.210 --> 00:07:06.210
  • THAT JESUS BRINGS.
  • 00:07:06.210 --> 00:07:09.000
  • [SOUND OF PASSING TRAFFIC]
  • 00:07:09.000 --> 00:07:10.000
  • [FOOTSTEPS]
  • 00:07:10.000 --> 00:07:11.080
  • [CARS HONKING]
  • 00:07:11.160 --> 00:07:14.160
  • [BIRDS CHIRPING]
  • 00:07:15.260 --> 00:07:18.260
  • [DOOR OPENING]
  • 00:07:18.260 --> 00:07:21.150
  • [FOOTSTEPS]
  • 00:07:22.010 --> 00:07:25.010
  • - ELENA: HI, I'M ELENA
  • 00:07:25.010 --> 00:07:25.200
  • MENDOZA.
  • 00:07:25.200 --> 00:07:26.110
  • - RECEPTIONIST: HOW CAN I HELP
  • 00:07:26.110 --> 00:07:27.030
  • YOU?
  • 00:07:27.030 --> 00:07:28.110
  • - ELENA: HAVE YOU SEEN...THIS
  • 00:07:28.110 --> 00:07:29.020
  • GIRL BEFORE?
  • 00:07:29.020 --> 00:07:31.160
  • - RECEPTIONIST: I'M SORRY, BUT
  • 00:07:31.160 --> 00:07:33.080
  • I'M NOT ALLOWED TO SHARE A
  • 00:07:33.080 --> 00:07:34.150
  • PATIENT'S PRIVATE MEDICAL
  • 00:07:34.150 --> 00:07:35.110
  • INFORMATION.
  • 00:07:35.110 --> 00:07:37.140
  • - ELENA: SO, SHE WAS A
  • 00:07:37.140 --> 00:07:38.020
  • PATIENT, THEN?
  • 00:07:38.020 --> 00:07:39.210
  • - RECEPTIONIST: I DIDN'T SAY
  • 00:07:39.210 --> 00:07:40.120
  • THAT.
  • 00:07:40.120 --> 00:07:41.180
  • - ELENA: SO, SHE WASN'T A
  • 00:07:41.180 --> 00:07:42.070
  • PATIENT?
  • 00:07:42.070 --> 00:07:43.200
  • [DEPARTING FOOTSTEPS]
  • 00:07:44.020 --> 00:07:47.020
  • [APPROACHING FOOTSTEPS]
  • 00:07:48.000 --> 00:07:51.000
  • - DIRECTOR: I'M THE DIRECTOR
  • 00:07:51.000 --> 00:07:51.240
  • OF THE WOMEN'S SURGICAL CENTER
  • 00:07:51.240 --> 00:07:52.150
  • AND THE CLINIC HAS NO COMMENT.
  • 00:07:53.000 --> 00:07:56.000
  • [PHONE LINES RINGING]
  • 00:07:56.000 --> 00:07:56.280
  • - ELENA: YOU'VE SEEN THIS
  • 00:07:56.280 --> 00:07:57.170
  • GIRL'S PICTURE IN THE PAPER --
  • 00:07:57.170 --> 00:07:58.080
  • BRITTANY SLOANE.
  • 00:07:58.080 --> 00:08:00.240
  • SHE WAS FOUND DEAD IN THE ALLEY
  • 00:08:00.240 --> 00:08:01.180
  • BEHIND THE SHELTER THREE DAYS
  • 00:08:01.180 --> 00:08:02.130
  • AGO.
  • 00:08:02.130 --> 00:08:03.030
  • YOU CAN'T PRETEND YOU DON'T
  • 00:08:03.030 --> 00:08:03.230
  • KNOW THAT.
  • 00:08:03.230 --> 00:08:04.230
  • THE SHELTER'S HALF A BLOCK FROM
  • 00:08:04.230 --> 00:08:05.150
  • HERE.
  • 00:08:05.150 --> 00:08:06.190
  • I'M NOT ASKING FOR PRIVATE
  • 00:08:06.190 --> 00:08:08.220
  • MEDICAL INFORMATION.
  • 00:08:08.220 --> 00:08:09.230
  • I JUST WANT TO KNOW IF YOU SAW
  • 00:08:09.230 --> 00:08:10.140
  • HER THAT DAY.
  • 00:08:10.140 --> 00:08:12.080
  • [MUSIC]
  • 00:08:13.270 --> 00:08:16.270
  • - DIRECTOR: I DON'T KNOW
  • 00:08:16.270 --> 00:08:17.160
  • ANYBODY NAMED BRITTANY SLOANE
  • 00:08:17.160 --> 00:08:20.020
  • AND I DID NOT SEE THE GIRL IN
  • 00:08:20.020 --> 00:08:21.210
  • THAT PICTURE ON THE DAY THAT
  • 00:08:21.210 --> 00:08:22.110
  • SHE DIED.
  • 00:08:22.110 --> 00:08:24.100
  • THAT'S ALL WE HAVE TO SAY.
  • 00:08:24.100 --> 00:08:25.090
  • [BOTH WOMEN SPEAKING
  • 00:08:25.090 --> 00:08:25.250
  • SIMULTANEOUSLY]
  • 00:08:25.250 --> 00:08:26.090
  • - ELENA: BUT YOU HAVE SEEN HER
  • 00:08:26.090 --> 00:08:27.010
  • BEFORE.
  • 00:08:27.010 --> 00:08:27.110
  • - DIRECTOR: I'LL HAVE TO ASK
  • 00:08:27.110 --> 00:08:28.020
  • YOU TO LEAVE NOW.
  • 00:08:28.020 --> 00:08:28.170
  • - ELENA: HER NAME JUST WASN'T
  • 00:08:28.170 --> 00:08:29.150
  • BRITTANY SLOANE AND IT WASN'T
  • 00:08:29.150 --> 00:08:30.170
  • ON THE DAY SHE DIED.
  • 00:08:30.170 --> 00:08:31.080
  • SHE WAS HERE BEFORE, WASN'T
  • 00:08:31.080 --> 00:08:31.290
  • SHE?
  • 00:08:31.290 --> 00:08:32.230
  • - DIRECTOR: WE HAVE SECURITY
  • 00:08:32.230 --> 00:08:33.140
  • IN THE BUILDING.
  • 00:08:33.140 --> 00:08:34.020
  • UNLESS YOU LEAVE NOW, I'LL CALL
  • 00:08:34.020 --> 00:08:34.240
  • AND HAVE THEM ESCORT YOU OFF
  • 00:08:34.240 --> 00:08:35.140
  • THE PROPERTY.
  • 00:08:35.140 --> 00:08:36.140
  • [SERIOUS MUSIC PLAYS]
  • 00:08:36.140 --> 00:08:38.090
  • - ELENA: THANK YOU.
  • 00:08:38.090 --> 00:08:39.130
  • [FOOTSTEPS]
  • 00:08:39.140 --> 00:08:42.140
  • - LEON: YES, LET'S PRAY.
  • 00:08:42.140 --> 00:08:44.020
  • YES, LET'S BELIEVE GOD.
  • 00:08:44.020 --> 00:08:46.150
  • AND THEN, LET HOLY SPIRIT GUIDE
  • 00:08:46.150 --> 00:08:49.110
  • US INTO DIFFICULT SITUATIONS TO
  • 00:08:49.110 --> 00:08:51.290
  • BE THE HANDS OF JESUS, THE FEET
  • 00:08:51.290 --> 00:08:54.030
  • OF JESUS, SPEAK THE WORDS OF
  • 00:08:54.080 --> 00:08:57.080
  • JESUS, AND SHOW THE LOVE THAT
  • 00:08:57.080 --> 00:08:59.160
  • ONLY JESUS CAN BRING TO CHANGE
  • 00:08:59.160 --> 00:09:02.000
  • AND HEAL HEARTS.
  • 00:09:02.000 --> 00:09:04.200
  • [FOOTSTEPS]
  • 00:09:04.200 --> 00:09:07.110
  • [SOUNDS OF PASSING TRAFFIC]
  • 00:09:13.110 --> 00:09:16.110
  • - CHILDREN: (SINGING JUMP-ROPE
  • 00:09:16.110 --> 00:09:17.130
  • DITTY)
  • 00:09:17.130 --> 00:09:18.000
  • FIVE LITTLE MONKEYS JUMPIN' ON
  • 00:09:18.000 --> 00:09:18.210
  • THE BED,
  • 00:09:18.210 --> 00:09:19.070
  • [WHIP OF ROPE, THUD OF JUMPING
  • 00:09:19.070 --> 00:09:20.020
  • FEET]
  • 00:09:20.020 --> 00:09:20.290
  • ONE FELL DOWN AND BUMPED HIS
  • 00:09:20.290 --> 00:09:21.190
  • HEAD
  • 00:09:21.190 --> 00:09:22.070
  • MAMA CALLED THE DOCTOR AND THE
  • 00:09:22.070 --> 00:09:22.280
  • DOCTOR SAID,
  • 00:09:22.280 --> 00:09:23.250
  • NO MORE MONKEYS JUMPING ON THE
  • 00:09:23.250 --> 00:09:24.170
  • BED
  • 00:09:25.020 --> 00:09:28.020
  • [SOMBER MUSIC PLAYS]
  • 00:09:28.020 --> 00:09:30.030
  • [MUSIC CONTINUES]
  • 00:09:30.030 --> 00:09:32.180
  • FOUR LITTLE MONKEYS JUMPING ON
  • 00:09:32.180 --> 00:09:33.090
  • THE BED,
  • 00:09:33.090 --> 00:09:35.210
  • [WHIP OF ROPE, THUD OF JUMPING
  • 00:09:35.210 --> 00:09:37.040
  • FEET]
  • 00:09:37.040 --> 00:09:37.220
  • ONE FELL DOWN AND BUMPED HIS
  • 00:09:37.220 --> 00:09:38.120
  • HEAD
  • 00:09:38.120 --> 00:09:39.030
  • MAMA CALLED THE DOCTOR AND THE
  • 00:09:39.030 --> 00:09:39.240
  • DOCTOR SAID
  • 00:09:39.240 --> 00:09:42.100
  • [RUNNING FOOTSTEPS]
  • 00:09:42.100 --> 00:09:43.080
  • [ELENA BANGS DESK WITH HAND]
  • 00:09:43.080 --> 00:09:44.010
  • MAMA BEATRICE, IT'S HAPPENING
  • 00:09:44.010 --> 00:09:44.220
  • AGAIN!
  • 00:09:44.220 --> 00:09:45.250
  • HE'S HURTING MIKE -- YOU HAVE
  • 00:09:45.250 --> 00:09:46.190
  • TO HURRY!
  • 00:09:46.190 --> 00:09:47.030
  • - MOTHER BEATRICE:
  • 00:09:47.030 --> 00:09:47.230
  • ELENA, I'VE SPOKEN WITH
  • 00:09:47.230 --> 00:09:48.110
  • MIKE AND HE'S ASSURED ME THAT
  • 00:09:48.110 --> 00:09:49.150
  • THESE CLAIMS ARE NOT TRUE.
  • 00:09:49.150 --> 00:09:51.080
  • FATHER NICHOLAS--
  • 00:09:51.080 --> 00:09:53.110
  • - ELENA: GAAAH!
  • 00:09:53.110 --> 00:09:54.170
  • [CALAMITOUS SOUNDS]
  • 00:09:54.170 --> 00:09:55.200
  • [RUNNING FOOTSTEPS]
  • 00:09:55.200 --> 00:09:56.260
  • [HEAVY SIGH]
  • 00:09:56.260 --> 00:09:58.130
  • [FAST-PACED MUSIC PLAYS]
  • 00:09:58.130 --> 00:09:59.180
  • [RUNNING FOOTSTEPS, SQUEAK OF
  • 00:09:59.180 --> 00:10:01.270
  • SHOES ON FLOOR]
  • 00:10:01.270 --> 00:10:03.200
  • [MOTHER BEATRICE BREATHLESS]
  • 00:10:03.200 --> 00:10:04.250
  • [MOTHER BEATRICE BREATHES
  • 00:10:04.250 --> 00:10:05.140
  • HEAVILY]
  • 00:10:06.000 --> 00:10:09.000
  • - MOTHER BEATRICE: YOUNG LADY,
  • 00:10:09.000 --> 00:10:10.200
  • YOU'RE ABOUT TO BE...
  • 00:10:10.200 --> 00:10:11.270
  • [BREATHES HEAVILY]
  • 00:10:11.270 --> 00:10:13.220
  • ...VERY...
  • 00:10:13.220 --> 00:10:14.120
  • [BREATHES HEAVILY]
  • 00:10:14.120 --> 00:10:16.180
  • ...SORRY.
  • 00:10:16.180 --> 00:10:18.070
  • [DOOR OPENING]
  • 00:10:18.070 --> 00:10:19.010
  • - FATHER NICHOLAS: MOTHER
  • 00:10:19.010 --> 00:10:19.200
  • SUPERIOR.
  • 00:10:19.200 --> 00:10:20.060
  • UH-- I--
  • 00:10:20.060 --> 00:10:21.010
  • - MOTHER BEATRICE: FATHER
  • 00:10:21.010 --> 00:10:21.200
  • NICHOLAS!
  • 00:10:21.200 --> 00:10:22.170
  • UGH!
  • 00:10:22.170 --> 00:10:23.270
  • [DOOR CLOSING]
  • 00:10:23.270 --> 00:10:25.250
  • [SERIOUS MUSIC PLAYS]
  • 00:10:25.250 --> 00:10:28.070
  • [TRANSITION SOUND EFFECT]
  • 00:10:28.070 --> 00:10:30.150
  • - LEON: WHEN I USE THE WORD
  • 00:10:30.150 --> 00:10:32.010
  • "RELIGION," I ALWAYS MEAN IT IN
  • 00:10:32.010 --> 00:10:33.270
  • A NEGATIVE SENSE.
  • 00:10:33.270 --> 00:10:36.100
  • I MEAN IT AS AN ORGANIZED
  • 00:10:36.100 --> 00:10:38.040
  • MANMADE RESPONSE IN TRYING TO
  • 00:10:38.040 --> 00:10:40.250
  • PLEASE GOD, OR EARNING OUR
  • 00:10:40.250 --> 00:10:43.020
  • PLACE WITH GOD, WHICH IS FUTILE
  • 00:10:43.020 --> 00:10:45.070
  • AND LEADS TO CONDEMNATION AND
  • 00:10:45.070 --> 00:10:47.060
  • GUILT.
  • 00:10:47.060 --> 00:10:49.030
  • [BIRDS CHIRPING]
  • 00:10:49.030 --> 00:10:49.270
  • RELIGION DOESN'T WORK.
  • 00:10:49.270 --> 00:10:50.260
  • JESUS NEVER CAME TO START
  • 00:10:50.260 --> 00:10:52.080
  • ANOTHER RELIGION.
  • 00:10:52.080 --> 00:10:54.010
  • HE CAME TO GIVE EVERY
  • 00:10:54.010 --> 00:10:55.120
  • INDIVIDUAL A RELATIONSHIP WITH
  • 00:10:55.120 --> 00:10:57.010
  • GOD.
  • 00:10:57.010 --> 00:10:59.030
  • WHEN PEOPLE FALL INTO RELIGION,
  • 00:10:59.030 --> 00:11:00.250
  • YOU'LL OFTEN SEE AN ABUSE OF
  • 00:11:00.250 --> 00:11:02.120
  • POWER.
  • 00:11:02.120 --> 00:11:03.180
  • PEOPLE WHO DON'T ACTUALLY HAVE
  • 00:11:03.180 --> 00:11:05.020
  • A RELATIONSHIP WITH JESUS, WHO
  • 00:11:05.020 --> 00:11:06.180
  • ARE NOT FILLED WITH HIS SPIRIT,
  • 00:11:06.180 --> 00:11:09.130
  • WALKING IN THE VICTORY THAT
  • 00:11:09.130 --> 00:11:11.130
  • HOLY SPIRIT BRINGS, WILL FALL
  • 00:11:11.130 --> 00:11:14.110
  • INTO SIN, LIKE EVERY OTHER
  • 00:11:14.110 --> 00:11:15.200
  • PERSON ON THE PLANET.
  • 00:11:15.200 --> 00:11:17.280
  • RELIGION DOESN'T SET US FREE
  • 00:11:17.280 --> 00:11:19.280
  • FROM THE POWER OF SIN.
  • 00:11:19.280 --> 00:11:21.160
  • ONLY JESUS DOES.
  • 00:11:21.160 --> 00:11:24.030
  • PEOPLE WHO ARE SEEKERS, TRYING
  • 00:11:24.030 --> 00:11:25.200
  • TO FIND GOD, OFTEN GET STUCK
  • 00:11:25.260 --> 00:11:28.260
  • WHEN THEY SEE THE CORRUPTION
  • 00:11:28.260 --> 00:11:31.230
  • AND THE ABUSE THAT RELIGION HAS
  • 00:11:31.230 --> 00:11:32.150
  • PROMPTED.
  • 00:11:32.150 --> 00:11:34.070
  • THE WORLD HAS BECOME SO TURNED
  • 00:11:34.070 --> 00:11:36.120
  • OFF TO CHRISTIANITY BECAUSE
  • 00:11:36.120 --> 00:11:38.080
  • THE SAME FAILURE, THE SAME SIN,
  • 00:11:40.050 --> 00:11:43.050
  • AND THE SAME ATTITUDES ON THE
  • 00:11:43.050 --> 00:11:44.080
  • STREETS ARE RAMPANT IN SO MANY
  • 00:11:44.080 --> 00:11:45.030
  • CHURCHES TODAY.
  • 00:11:45.100 --> 00:11:48.100
  • [MUSIC]
  • 00:11:48.100 --> 00:11:48.290
  • IT IS CRUCIAL FOR US TO
  • 00:11:48.290 --> 00:11:49.200
  • RECOGNIZE THAT FOLLOWING JESUS
  • 00:11:49.200 --> 00:11:51.230
  • MEANS SOMETHING DIFFERENT THAN
  • 00:11:51.230 --> 00:11:53.030
  • RELIGION.
  • 00:11:53.030 --> 00:11:55.250
  • HE MADE THAT CLEAR IN MATTHEW
  • 00:11:55.250 --> 00:11:57.190
  • WHEN HE SAID: ARE YOU TIRED,
  • 00:11:57.190 --> 00:11:59.080
  • WORN OUT, BURNED OUT ON
  • 00:11:59.080 --> 00:12:01.150
  • RELIGION?
  • 00:12:01.150 --> 00:12:02.190
  • COME TO ME.
  • 00:12:02.190 --> 00:12:04.090
  • GET AWAY WITH ME AND YOU'LL
  • 00:12:04.090 --> 00:12:06.080
  • RECOVER YOUR LIFE.
  • 00:12:06.080 --> 00:12:08.210
  • I'LL SHOW YOU HOW TO TAKE A
  • 00:12:08.210 --> 00:12:10.230
  • REAL REST.
  • 00:12:10.230 --> 00:12:12.060
  • WALK WITH ME AND WORK WITH ME.
  • 00:12:12.060 --> 00:12:14.030
  • WATCH HOW I DO IT.
  • 00:12:14.030 --> 00:12:15.280
  • LEARN THE UNFORCED RHYTHMS OF
  • 00:12:16.160 --> 00:12:19.160
  • GRACE.
  • 00:12:19.160 --> 00:12:20.140
  • I WON'T LAY ANYTHING HEAVY OR
  • 00:12:20.140 --> 00:12:22.170
  • ILL-FITTING ON YOU.
  • 00:12:22.170 --> 00:12:25.100
  • KEEP COMPANY WITH ME AND YOU'LL
  • 00:12:25.100 --> 00:12:26.020
  • LEARN TO LIVE FREELY AND
  • 00:12:26.020 --> 00:12:27.150
  • LIGHTLY.
  • 00:12:27.170 --> 00:12:30.170
  • - ELENA: EXCUSE ME, MR. LEE?
  • 00:12:30.170 --> 00:12:31.080
  • - ALLEN: MISS MENDOZA.
  • 00:12:31.080 --> 00:12:31.260
  • ALWAYS A PLEASURE.
  • 00:12:31.260 --> 00:12:32.120
  • [FOOTSTEPS]
  • 00:12:32.120 --> 00:12:34.060
  • - ELENA: DO YOU HAVE A MOMENT.
  • 00:12:34.060 --> 00:12:34.280
  • I...HAVE A FEW QUESTIONS ABOUT
  • 00:12:34.280 --> 00:12:35.200
  • THE BRITTANY SLOANE MURDER
  • 00:12:35.200 --> 00:12:36.090
  • CASE.
  • 00:12:36.090 --> 00:12:37.010
  • - ALLEN: I'LL TELL YOU
  • 00:12:37.010 --> 00:12:38.280
  • ANYTHING THAT I CAN, BUT, WE'VE
  • 00:12:38.280 --> 00:12:39.260
  • ALREADY RELEASED ALL THE
  • 00:12:39.260 --> 00:12:41.030
  • PERTINENT INFORMATION TO THE
  • 00:12:41.030 --> 00:12:41.230
  • PRESS.
  • 00:12:41.230 --> 00:12:43.010
  • - ELENA: ARE THE POLICE TRYING
  • 00:12:43.010 --> 00:12:43.230
  • TO FIND OUT THE IDENTITY OF THE
  • 00:12:43.230 --> 00:12:44.150
  • FATHER OF BRITTANY'S BABY?
  • 00:12:44.150 --> 00:12:46.190
  • - ALLEN: WE'RE LOOKING INTO
  • 00:12:46.190 --> 00:12:48.100
  • ANYTHING AND EVERYTHING THAT
  • 00:12:48.100 --> 00:12:49.250
  • COULD POTENTIALLY PROVIDE US
  • 00:12:49.250 --> 00:12:50.220
  • WITH VALUABLE INFORMATION.
  • 00:12:50.220 --> 00:12:51.210
  • - ELENA: YOU DIDN'T ANSWER MY
  • 00:12:51.210 --> 00:12:54.060
  • QUESTION.
  • 00:12:54.060 --> 00:12:55.240
  • ARE YOU TRYING TO FIND OUT WHO
  • 00:12:55.240 --> 00:12:56.150
  • FATHERED BRITTANY'S BABY?
  • 00:12:56.150 --> 00:12:59.070
  • - ALLEN: WE ARE CHECKING OUT
  • 00:12:59.070 --> 00:13:00.080
  • EVERY LEAD IN THIS CASE.
  • 00:13:00.080 --> 00:13:02.030
  • - ELENA: SO, YOU KNOW SHE WAS
  • 00:13:02.030 --> 00:13:03.120
  • SKIPPING SCHOOL TO SEE HER
  • 00:13:03.120 --> 00:13:04.070
  • SECRET BOYFRIEND, RIGHT?
  • 00:13:04.070 --> 00:13:05.200
  • [ALLEN INHALES SOMEWHAT
  • 00:13:05.200 --> 00:13:06.130
  • SHARPLY]
  • 00:13:06.130 --> 00:13:07.050
  • - ALLEN: THE DEPARTMENT'S
  • 00:13:07.050 --> 00:13:07.270
  • TRYING TO ESTABLISH HER
  • 00:13:07.270 --> 00:13:09.040
  • WHEREABOUTS FOR EVERY SECOND OF
  • 00:13:09.040 --> 00:13:10.110
  • EVERY DAY IN THE PAST MONTH.
  • 00:13:10.110 --> 00:13:11.140
  • DIFFICULT TASK.
  • 00:13:11.140 --> 00:13:12.120
  • - ELENA: HMH. HAVE YOU TRIED
  • 00:13:12.120 --> 00:13:13.190
  • THE ABORTION CLINIC -- THE
  • 00:13:13.190 --> 00:13:15.070
  • WOMEN'S SURGICAL CENTER, HALF A
  • 00:13:15.070 --> 00:13:16.050
  • BLOCK FROM THE SHELTER?
  • 00:13:16.050 --> 00:13:16.250
  • HAVE YOU SPOKEN TO THEM?
  • 00:13:16.250 --> 00:13:18.120
  • - ALLEN: MISS MENDOZA, I
  • 00:13:18.120 --> 00:13:19.180
  • ASSURE YOU METRO POLICE ARE
  • 00:13:19.180 --> 00:13:21.270
  • DOING EVERYTHING WITHIN THEIR
  • 00:13:21.270 --> 00:13:24.010
  • POWER TO BRING THIS MURDERER TO
  • 00:13:24.010 --> 00:13:25.110
  • JUSTICE.
  • 00:13:25.110 --> 00:13:26.070
  • - ELENA: THAT'S NOT HOW IT
  • 00:13:26.070 --> 00:13:27.220
  • LOOKS FROM MY END.
  • 00:13:27.220 --> 00:13:29.240
  • [MUSIC]
  • 00:13:29.240 --> 00:13:30.190
  • FROM WHAT I'VE SEEN, DETECTIVE
  • 00:13:30.190 --> 00:13:31.140
  • JACK MITCHELL IS TRYING TO FIND
  • 00:13:31.140 --> 00:13:32.160
  • SOMEBODY, ANYBODY IN SMOKETOWN
  • 00:13:32.160 --> 00:13:33.130
  • TO BLAME IT ON!
  • 00:13:33.130 --> 00:13:34.190
  • - ALLEN: DETECTIVE MITCHELL IS
  • 00:13:34.190 --> 00:13:35.110
  • DOING HIS JOB!
  • 00:13:35.110 --> 00:13:36.110
  • AND HE WILL NOT STOP UNTIL HE
  • 00:13:36.110 --> 00:13:38.250
  • HAS FOUND THE PERSON WHO KILLED
  • 00:13:38.250 --> 00:13:40.220
  • THAT SWEET LITTLE GIRL.
  • 00:13:40.220 --> 00:13:42.130
  • LISTEN, THIS CASE IS PERSONAL
  • 00:13:42.130 --> 00:13:44.190
  • FOR ME.
  • 00:13:44.190 --> 00:13:46.240
  • THE SLOANES ARE MY NEIGHBORS!
  • 00:13:46.240 --> 00:13:48.220
  • I KNEW BRITTANY WHEN SHE LOST
  • 00:13:48.220 --> 00:13:51.000
  • HER FIRST TOOTH.
  • 00:13:51.000 --> 00:13:52.040
  • I BOUGHT COOKIES FROM HER WHEN
  • 00:13:52.040 --> 00:13:53.040
  • SHE WAS 10 YEARS OLD.
  • 00:13:53.040 --> 00:13:54.010
  • [MUSIC]
  • 00:13:54.010 --> 00:13:55.250
  • I CARE MORE ABOUT THIS CASE
  • 00:13:55.250 --> 00:13:56.220
  • THAN ANYONE.
  • 00:13:59.130 --> 00:14:02.150
  • - JESSICA: YOU JUST WANT ME TO
  • 00:14:02.150 --> 00:14:03.070
  • WALK AROUND IN RAGS -- IS THAT
  • 00:14:03.070 --> 00:14:03.280
  • IT?
  • 00:14:03.280 --> 00:14:04.180
  • - PAUL: I DON'T MIND A NEW
  • 00:14:04.180 --> 00:14:05.080
  • OUTFIT, A NEW DRESS--
  • 00:14:05.080 --> 00:14:06.170
  • - JESSICA: YOU DON'T WANT ME
  • 00:14:06.170 --> 00:14:07.140
  • TO HAVE ANYTHING TO WEAR
  • 00:14:07.140 --> 00:14:08.040
  • BECAUSE YOU WANT ME TO STAY AT
  • 00:14:08.040 --> 00:14:08.280
  • HOME AND NEVER TALK TO ANYBODY
  • 00:14:08.280 --> 00:14:09.290
  • AND NEVER SEE ANYBODY AND BE
  • 00:14:09.290 --> 00:14:10.290
  • YOUR LITTLE SUZY HOMEMAKER.
  • 00:14:10.290 --> 00:14:12.080
  • - PAUL: YOU CAN GO WHEREVER
  • 00:14:12.080 --> 00:14:12.280
  • YOU WANT!
  • 00:14:12.280 --> 00:14:13.290
  • SEE WHOEVER YOU WANT!
  • 00:14:13.290 --> 00:14:14.180
  • WE JUST CAN'T AFFORD
  • 00:14:14.180 --> 00:14:15.060
  • THOUSANDS OF--
  • 00:14:15.060 --> 00:14:16.080
  • - JESSICA: FINE!
  • 00:14:16.080 --> 00:14:16.240
  • NO. I WILL TAKE IT ALL BACK.
  • 00:14:16.240 --> 00:14:17.150
  • OKAY?
  • 00:14:17.150 --> 00:14:18.000
  • I'LL TAKE IT ALL BACK, EVERY
  • 00:14:18.000 --> 00:14:18.240
  • LAST PIECE OF IT.
  • 00:14:18.240 --> 00:14:19.090
  • AND THEN I'LL--
  • 00:14:19.090 --> 00:14:19.260
  • [MOBILE RINGS]
  • 00:14:19.260 --> 00:14:20.160
  • --MAKE SURE TO TELL THE CLERKS
  • 00:14:20.160 --> 00:14:21.140
  • THAT MY HUSBAND DOESN'T LET ME
  • 00:14:21.140 --> 00:14:22.050
  • WEAR ANYTHING BUT A NUN'S HABIT
  • 00:14:22.050 --> 00:14:22.270
  • OR A BURKA WITHOUT AN EYE SLIT.
  • 00:14:22.270 --> 00:14:24.090
  • [PHONE CONTINUES RINGING]
  • 00:14:24.090 --> 00:14:25.160
  • - PAUL: I...DIDN'T SAY YOU HAD
  • 00:14:25.160 --> 00:14:26.080
  • TO TAKE IT ALL BACK.
  • 00:14:26.080 --> 00:14:26.240
  • - JESSICA: NO, YOU IMPLIED IT,
  • 00:14:26.240 --> 00:14:27.160
  • PAUL.
  • 00:14:27.160 --> 00:14:28.280
  • THAT'S JUST DISGUSTING...
  • 00:14:28.280 --> 00:14:29.270
  • [VOICE TRAILS OFF, MUTTERING]
  • 00:14:29.270 --> 00:14:31.010
  • - PAUL: HI, THERE.
  • 00:14:31.010 --> 00:14:32.030
  • - ELENA: HI, YOURSELF.
  • 00:14:32.030 --> 00:14:33.020
  • YOU BUSY?
  • 00:14:33.020 --> 00:14:33.130
  • - PAUL: NO, UH...SAME OLD,
  • 00:14:33.130 --> 00:14:34.030
  • SAME OLD.
  • 00:14:34.030 --> 00:14:34.160
  • WHAT'S UP?
  • 00:14:34.160 --> 00:14:35.160
  • - ELENA: JUST WANTED TO WARN
  • 00:14:35.160 --> 00:14:36.280
  • YOU THAT I'M ABOUT TO HIT
  • 00:14:36.280 --> 00:14:37.240
  • "PUBLISH" ON A JOURNALISTIC
  • 00:14:37.240 --> 00:14:38.210
  • HURRICANE.
  • 00:14:38.210 --> 00:14:40.030
  • - PAUL: DOES IT HAVE A NAME
  • 00:14:40.030 --> 00:14:40.280
  • YET?
  • 00:14:40.280 --> 00:14:41.140
  • - ELENA: "SMOKETOWN."
  • 00:14:41.140 --> 00:14:43.280
  • - PAUL: IT'S ALWAYS STORM
  • 00:14:43.280 --> 00:14:45.010
  • SEASON IN SMOKETOWN.
  • 00:14:45.010 --> 00:14:46.060
  • [JESSICA BLABBERING TO SELF IN
  • 00:14:46.060 --> 00:14:47.070
  • BACKGROUND, IRRITATEDLY]
  • 00:14:47.070 --> 00:14:47.250
  • THANKS FOR THE HEADS-UP.
  • 00:14:47.250 --> 00:14:49.040
  • AND, UM-- YOU, EH--
  • 00:14:49.040 --> 00:14:51.020
  • YOU BE CAREFUL, OKAY?
  • 00:14:51.020 --> 00:14:53.080
  • - ELENA: YOU WORRIED ABOUT ME?
  • 00:14:53.080 --> 00:14:54.250
  • - PAUL: WELL, YOU'RE THE ONLY
  • 00:14:54.250 --> 00:14:55.290
  • REPORTER I EVER MET WHO GAVE ME
  • 00:14:55.290 --> 00:14:56.260
  • A HEADS-UP BEFORE THINGS WERE
  • 00:14:56.260 --> 00:14:57.250
  • ABOUT TO HIT THE FAN.
  • 00:14:57.250 --> 00:14:59.190
  • - ELENA: AH...SO, YOU WISH ALL
  • 00:14:59.190 --> 00:15:00.270
  • REPORTERS WERE LIKE ME.
  • 00:15:00.270 --> 00:15:03.100
  • - PAUL: THERE'S NOT ANOTHER
  • 00:15:03.100 --> 00:15:04.000
  • REPORTER IN THE WORLD LIKE YOU.
  • 00:15:04.000 --> 00:15:06.270
  • - ELENA: TALK TO YOU SOON.
  • 00:15:06.270 --> 00:15:09.160
  • [CLUNK OF MOBILE ON DESK]
  • 00:15:09.160 --> 00:15:11.050
  • [ELENA INHALES DEEPLY]
  • 00:15:11.050 --> 00:15:12.220
  • [CLATTER OF KEYBOARD]
  • 00:15:13.020 --> 00:15:16.020
  • [SHOW THEME PLAYS]
  • 00:15:16.020 --> 00:15:18.110
  • (READING ARTICLE) "SMOKETOWN IS
  • 00:15:18.110 --> 00:15:19.060
  • A STUDY IN EXTREMES.
  • 00:15:19.060 --> 00:15:21.040
  • THE DARKNESS OF POVERTY,
  • 00:15:21.040 --> 00:15:21.220
  • GANG VIOLENCE,
  • 00:15:21.220 --> 00:15:22.110
  • HOMELESSNESS,
  • 00:15:22.110 --> 00:15:23.200
  • AND DRUG USE IS HIGHLY
  • 00:15:23.200 --> 00:15:24.080
  • PUBLICIZED.
  • 00:15:24.080 --> 00:15:25.260
  • LESS WELL KNOWN IS THE SHINING
  • 00:15:25.260 --> 00:15:26.260
  • LIGHT OF THE SMOKETOWN FAMILY
  • 00:15:26.260 --> 00:15:28.240
  • SHELTER AND THE SELFLESS
  • 00:15:28.240 --> 00:15:29.280
  • COMMUNITY LEADERS WHO SERVE
  • 00:15:29.280 --> 00:15:30.260
  • THERE.
  • 00:15:30.260 --> 00:15:32.110
  • BUT THREE DAYS AGO, A TEENAGE
  • 00:15:32.110 --> 00:15:33.280
  • GIRL WAS MURDERED IN THE ALLEY
  • 00:15:33.280 --> 00:15:35.000
  • BEHIND THE SHELTER.
  • 00:15:35.000 --> 00:15:36.060
  • SHE DIDN'T BELONG THERE.
  • 00:15:36.060 --> 00:15:37.170
  • [CRINKLE OF PLASTIC BAG]
  • 00:15:37.170 --> 00:15:38.130
  • SHE WAS EVERYTHING SMOKETOWN
  • 00:15:38.130 --> 00:15:39.130
  • ISN'T: RICH, SUBURBAN, WHITE.
  • 00:15:39.240 --> 00:15:42.240
  • [CRINKLE OF PLASTIC BAG]
  • 00:15:42.240 --> 00:15:44.170
  • THE INVESTIGATION INTO THE
  • 00:15:44.170 --> 00:15:45.220
  • MURDER CARRIED OUT BY METRO
  • 00:15:45.220 --> 00:15:46.250
  • POLICE USING THREATS,
  • 00:15:46.250 --> 00:15:47.230
  • INTIMIDATION, AND OTHER GESTAPO
  • 00:15:47.230 --> 00:15:49.100
  • TACTICS IS NOT BRINGING LIGHT
  • 00:15:49.100 --> 00:15:50.230
  • TO SMOKETOWN.
  • 00:15:50.230 --> 00:15:51.120
  • IT IS SETTING A MATCH TO A
  • 00:15:51.120 --> 00:15:53.010
  • FUSE, ONE THAT IS THREATENING
  • 00:15:53.010 --> 00:15:54.220
  • TO BLOW THE COMMUNITY APART.
  • 00:15:54.220 --> 00:15:56.050
  • AND IF SMOKETOWN EXPLODES, THE
  • 00:15:56.050 --> 00:15:57.100
  • FIRESTORM WILL IGNITE THE REST
  • 00:15:57.100 --> 00:15:59.080
  • OF THE CITY RIGHT ALONG WITH
  • 00:15:59.080 --> 00:15:59.280
  • [FOOTSTEPS]
  • 00:16:10.070 --> 00:16:12.080
  • [AMBIENT NOISE]
  • 00:16:14.190 --> 00:16:17.190
  • [MUSIC]
  • 00:16:22.230 --> 00:16:25.230
  • [RUNNING FOOTSTEPS]
  • 00:16:25.230 --> 00:16:28.040
  • [GRUNT]
  • 00:16:28.040 --> 00:16:29.090
  • - ROSA HERNANDEZ: SOFIA!
  • 00:16:29.090 --> 00:16:30.080
  • YOU BE CAREFUL.
  • 00:16:30.080 --> 00:16:31.190
  • APOLOGIZE TO THIS NICE LADY FOR
  • 00:16:31.190 --> 00:16:33.090
  • RUNNING INTO HER.
  • 00:16:33.090 --> 00:16:35.260
  • - SOFIA: SORRY.
  • 00:16:35.260 --> 00:16:36.180
  • - BAILEY: ROSA, IS THIS...
  • 00:16:36.180 --> 00:16:37.080
  • [BAILEY GASPS]
  • 00:16:37.080 --> 00:16:37.210
  • [ROSA LAUGHS]
  • 00:16:37.210 --> 00:16:38.120
  • - SOFIA: CAN I GO PLAY, NOW?
  • 00:16:38.120 --> 00:16:39.220
  • - ROSA: OKAY.
  • 00:16:39.220 --> 00:16:41.270
  • [BAILEY LAUGHS]
  • 00:16:41.270 --> 00:16:43.050
  • - ROSA: I'VE BEEN LOOKING FOR
  • 00:16:43.050 --> 00:16:43.290
  • YOU TO TALK TO YOU TO SHOW
  • 00:16:43.290 --> 00:16:46.080
  • YOU-- WELL, YOU SEE FOR
  • 00:16:46.080 --> 00:16:48.020
  • YOURSELF THE DIFFERENCE IN
  • 00:16:48.020 --> 00:16:48.210
  • SOFIA?
  • 00:16:48.210 --> 00:16:50.200
  • - BAILEY: I HARDLY RECOGNIZED
  • 00:16:50.200 --> 00:16:51.110
  • HER.
  • 00:16:51.110 --> 00:16:53.010
  • SHE WAS SO SICK, SO PALE
  • 00:16:53.010 --> 00:16:54.050
  • BEFORE.
  • 00:16:54.050 --> 00:16:55.160
  • NOW--
  • 00:16:55.160 --> 00:16:56.140
  • - ROSA: NOW, SHE IS SO MUCH
  • 00:16:56.140 --> 00:16:57.180
  • BETTER.
  • 00:16:57.180 --> 00:16:59.050
  • [DIN OF CHILDREN'S CHATTER,
  • 00:16:59.050 --> 00:17:00.050
  • LAUGHTER IN DISTANCE]
  • 00:17:00.050 --> 00:17:01.080
  • - BAILEY: YOU WERE ABLE TO GET
  • 00:17:01.080 --> 00:17:02.070
  • HER INTO THE CLINIC FOR
  • 00:17:02.070 --> 00:17:03.080
  • TREATMENT?
  • 00:17:03.080 --> 00:17:03.190
  • - ROSA: SHE FELT SO MUCH
  • 00:17:03.190 --> 00:17:04.100
  • BETTER OVERNIGHT.
  • 00:17:04.100 --> 00:17:05.040
  • THE DOCTORS ARE AMAZED.
  • 00:17:05.040 --> 00:17:06.170
  • THEY SAY IT'S A MIRACLE.
  • 00:17:06.170 --> 00:17:08.200
  • - BAILEY: SO GLAD SHE'S GOTTEN
  • 00:17:08.200 --> 00:17:09.270
  • BETTER.
  • 00:17:09.270 --> 00:17:10.140
  • SOMETIMES, HEALINGS TAKE TIME.
  • 00:17:11.080 --> 00:17:14.080
  • - SOFIA: MAMA, MAMA!
  • 00:17:14.080 --> 00:17:17.050
  • CAN I GO PLAY
  • 00:17:17.050 --> 00:17:18.000
  • DODGEBALL...PLEEEEASE?
  • 00:17:18.000 --> 00:17:20.060
  • [ROSA LAUGHS]
  • 00:17:20.060 --> 00:17:20.290
  • - BAILEY: OH, BEFORE SHE RUNS
  • 00:17:20.290 --> 00:17:21.200
  • OFF AGAIN, WOULD YOU MIND IF I
  • 00:17:21.200 --> 00:17:22.140
  • THANK GOD FOR HIS HEALING?
  • 00:17:22.140 --> 00:17:23.190
  • - ROSA: SI, POR FAVOR.
  • 00:17:25.100 --> 00:17:28.100
  • - BAILEY: GOD, THANK YOU FOR
  • 00:17:28.100 --> 00:17:29.010
  • MAKING SOFIA BETTER.
  • 00:17:29.010 --> 00:17:31.150
  • AND WE CONTINUE TO THANK YOU
  • 00:17:31.150 --> 00:17:32.220
  • FOR THE COMPLETE HEALING YOU'RE
  • 00:17:32.220 --> 00:17:34.160
  • GOING TO DO IN HER BODY, RIGHT
  • 00:17:34.160 --> 00:17:35.070
  • NOW.
  • 00:17:35.070 --> 00:17:36.290
  • [SOFIA GIGGLES]
  • 00:17:36.290 --> 00:17:38.050
  • IN JESUS' NAME...AMEN.
  • 00:17:38.050 --> 00:17:38.290
  • - SOFIA: AMEN! AMEN!
  • 00:17:38.290 --> 00:17:40.090
  • [LAUGHTER]
  • 00:17:40.090 --> 00:17:42.020
  • [MUSIC CONTINUES]
  • 00:17:44.070 --> 00:17:47.070
  • - ROSA: GRACIAS, MI AMIGA.
  • 00:17:47.070 --> 00:17:47.270
  • GRACIAS.
  • 00:17:51.120 --> 00:17:54.120
  • [NEW, PERCUSSION-HEAVY MUSIC]
  • 00:17:54.120 --> 00:17:55.220
  • [DOORS CLOSING]
  • 00:17:59.140 --> 00:18:02.160
  • [DOOR CLOSING]
  • 00:18:02.160 --> 00:18:03.250
  • - JACK: ALL RIGHT, ENGLISH,
  • 00:18:03.250 --> 00:18:04.150
  • TANNA -- OUT FRONT.
  • 00:18:04.150 --> 00:18:06.180
  • THE REST OF YOU...COME WITH ME.
  • 00:18:06.180 --> 00:18:09.100
  • NOBODY LIFTS OFF, NOBODY GETS
  • 00:18:09.100 --> 00:18:10.150
  • HOT.
  • 00:18:10.150 --> 00:18:13.050
  • NICE AND EASY.
  • 00:18:13.050 --> 00:18:14.030
  • [INTENSE MUSIC PLAYS]
  • 00:18:15.240 --> 00:18:18.240
  • (GRUFFLY) HEY.
  • 00:18:18.240 --> 00:18:20.100
  • WHERE'S YOUR FATHER?
  • 00:18:20.100 --> 00:18:23.070
  • - BAILEY: WHAT DO YOU WANT?
  • 00:18:23.070 --> 00:18:24.150
  • - JACK: GO GET HIM.
  • 00:18:24.150 --> 00:18:25.260
  • - BAILEY: WHY?
  • 00:18:25.260 --> 00:18:26.140
  • WHAT ARE YOU HERE FOR?
  • 00:18:26.140 --> 00:18:28.220
  • [JACK CLEARS THROAT]
  • 00:18:28.220 --> 00:18:30.170
  • - JACK: SEE...I DON'T ANSWER
  • 00:18:30.170 --> 00:18:32.160
  • YOUR QUESTIONS.
  • 00:18:33.000 --> 00:18:36.000
  • NOW, ARE YOU GONNA GET HIM OR
  • 00:18:36.000 --> 00:18:37.070
  • DO YOU WANT ME TO SEARCH?
  • 00:18:37.070 --> 00:18:39.080
  • - DAWSON: WHAT DO YOU WANT?
  • 00:18:39.080 --> 00:18:41.260
  • [INTENSE MUSIC CONTINUES]
  • 00:18:41.260 --> 00:18:44.020
  • - JACK: TOLD YOU I'D BE SEEIN'
  • 00:18:44.020 --> 00:18:45.090
  • YOU AGAIN REAL SOON.
  • 00:18:46.060 --> 00:18:49.060
  • CUFF HIM.
  • 00:18:49.060 --> 00:18:50.040
  • - DAWSON: WHAT?
  • 00:18:50.040 --> 00:18:51.010
  • WHAT ARE YOU DOIN'?
  • 00:18:51.010 --> 00:18:52.040
  • [CLINK OF HANDCUFFS]
  • 00:18:52.040 --> 00:18:52.270
  • - JACK: DAWSON CHAPMAN, YOU'RE
  • 00:18:52.270 --> 00:18:53.190
  • UNDER ARREST FOR THE MURDER OF
  • 00:18:53.190 --> 00:18:54.140
  • BRITTANY ELIZABETH SLOANE.
  • 00:18:54.140 --> 00:18:56.140
  • - DAWSON: YOU MUST BE JOKIN'.
  • 00:18:56.160 --> 00:18:59.160
  • - JACK: DO YOU SEE ME SMILING?
  • 00:18:59.160 --> 00:19:02.090
  • - AMELIA: WHAT'S HAPPENING?
  • 00:19:02.090 --> 00:19:03.040
  • [FOOTSTEPS]
  • 00:19:03.040 --> 00:19:04.080
  • WHAT ARE YOU DOING WITH MY
  • 00:19:04.080 --> 00:19:04.270
  • HUSBAND?
  • 00:19:04.270 --> 00:19:05.250
  • - JACK: WHAT DOES IT LOOK LIKE
  • 00:19:05.250 --> 00:19:06.170
  • I'M DOING?
  • 00:19:06.170 --> 00:19:08.050
  • - AMELIA: THAT'S CRAZY.
  • 00:19:08.050 --> 00:19:09.060
  • LEAVE HIM ALONE!
  • 00:19:09.060 --> 00:19:10.250
  • - JACK: HEY!
  • 00:19:10.250 --> 00:19:11.220
  • I CAN HAUL YOU IN RIGHT
  • 00:19:11.220 --> 00:19:12.220
  • ALONGSIDE HIM, IF THAT'S WHAT
  • 00:19:12.220 --> 00:19:13.140
  • YOU WANT.
  • 00:19:13.140 --> 00:19:14.130
  • - BAILEY: YOU KNOW HE DIDN'T
  • 00:19:14.130 --> 00:19:15.250
  • DO IT.
  • 00:19:15.250 --> 00:19:16.260
  • YOU ALREADY TOOK HIM IN AND
  • 00:19:16.260 --> 00:19:18.120
  • COULDN'T MAKE IT STICK.
  • 00:19:18.120 --> 00:19:20.060
  • - JACK: NEW EVIDENCE, SWEETIE
  • 00:19:20.060 --> 00:19:21.030
  • PIE.
  • 00:19:21.030 --> 00:19:22.180
  • AND HE WON'T BE COMING HOME
  • 00:19:22.180 --> 00:19:23.080
  • THIS TIME.
  • 00:19:24.120 --> 00:19:27.120
  • - DAWSON: IT'LL BE OKAY.
  • 00:19:27.120 --> 00:19:29.160
  • [FOOTSTEPS]
  • 00:19:33.160 --> 00:19:36.160
  • - JACK: YOU HAVE THE RIGHT TO
  • 00:19:36.160 --> 00:19:37.070
  • REMAIN SILENT.
  • 00:19:37.070 --> 00:19:38.150
  • ANYTHING YOU SAY CAN AND WILL
  • 00:19:38.150 --> 00:19:39.130
  • BE USED AGAINST YOU IN A COURT
  • 00:19:39.130 --> 00:19:41.190
  • OF LAW.
  • 00:19:41.190 --> 00:19:42.030
  • [FOOTSTEPS]
  • 00:19:42.030 --> 00:19:42.290
  • - FEMALE LEAD VOCALS:
  • 00:19:42.290 --> 00:19:43.260
  • OH, THE WIND...
  • 00:19:43.260 --> 00:19:44.190
  • - JACK: YOU HAVE A RIGHT TO AN
  • 00:19:44.190 --> 00:19:45.110
  • ATTORNEY.
  • 00:19:45.110 --> 00:19:45.230
  • OH, THE WIND...
  • 00:19:45.230 --> 00:19:46.290
  • ONE WILL BE PROVIDED FOR YOU BY
  • 00:19:46.290 --> 00:19:48.030
  • THE COURTS.
  • 00:19:48.030 --> 00:19:49.200
  • DON'T LET IT BLOW
  • 00:19:49.200 --> 00:19:50.270
  • DON'T LET IT BLOW...
  • 00:19:55.000 --> 00:19:58.000
  • OH, THE WIND
  • 00:19:58.000 --> 00:19:58.170
  • [MALE SINGER JOINS]
  • 00:19:58.170 --> 00:19:59.030
  • (OH, THE WIND)
  • 00:19:59.030 --> 00:19:59.210
  • OH, THE WIND
  • 00:19:59.210 --> 00:20:00.080
  • (OH, THE WIND)
  • 00:20:00.080 --> 00:20:01.040
  • DON'T LET IT BLOW
  • 00:20:01.040 --> 00:20:01.240
  • - JACK: DO YOU UNDERSTAND THE
  • 00:20:01.240 --> 00:20:02.150
  • RIGHTS THAT HAVE BEEN
  • 00:20:02.150 --> 00:20:03.020
  • EXPLAINED TO YOU?
  • 00:20:03.020 --> 00:20:03.170
  • - MALE, LONG-SLEEVED SHIRT:
  • 00:20:03.170 --> 00:20:04.070
  • WHAT RIGHTS?
  • 00:20:04.070 --> 00:20:05.000
  • HE DOESN'T HAVE ANY RIGHTS!
  • 00:20:05.000 --> 00:20:05.270
  • - RAYMOND: THE ONLY ONES WITH
  • 00:20:05.270 --> 00:20:06.220
  • RIGHTS ARE THE ONES WITH WHITE
  • 00:20:06.220 --> 00:20:07.170
  • FACES.
  • 00:20:07.170 --> 00:20:09.020
  • I'VE GOT MY JESUS
  • 00:20:09.020 --> 00:20:10.230
  • I'VE GOT MY JESUS
  • 00:20:10.230 --> 00:20:12.220
  • - JACK: WHITE FACES...AND
  • 00:20:12.220 --> 00:20:13.110
  • GUNS.
  • 00:20:13.110 --> 00:20:16.000
  • OH, THE WIND
  • 00:20:16.000 --> 00:20:16.210
  • DON'T LET IT BLOW
  • 00:20:16.210 --> 00:20:17.290
  • - JACK: DON'T FORGET THAT PART,
  • 00:20:17.290 --> 00:20:18.210
  • BOY.
  • 00:20:18.210 --> 00:20:19.250
  • [FOOTSTEPS]
  • 00:20:19.250 --> 00:20:20.230
  • THUNDERING AND LIGHTNING
  • 00:20:20.230 --> 00:20:21.160
  • (THUNDERING AND LIGHTNING)
  • 00:20:21.160 --> 00:20:22.100
  • AND IT LOOKS LIKE RAIN
  • 00:20:22.100 --> 00:20:23.050
  • (AND IT LOOKS LIKE RAIN)
  • 00:20:23.050 --> 00:20:24.210
  • OH, THE WIND
  • 00:20:24.210 --> 00:20:26.220
  • [FOOTSTEPS]
  • 00:20:26.220 --> 00:20:27.200
  • DON'T LET IT BLOW
  • 00:20:27.200 --> 00:20:30.010
  • [DOOR OPENING]
  • 00:20:30.010 --> 00:20:31.100
  • THUNDERING AND LIGHTNING
  • 00:20:31.100 --> 00:20:32.210
  • (THUNDERING AND LIGHTNING)
  • 00:20:32.210 --> 00:20:34.060
  • [DOOR CLOSING]
  • 00:20:34.060 --> 00:20:34.270
  • AND IT LOOKS LIKE RAIN
  • 00:20:34.270 --> 00:20:35.190
  • - JACK: GO 'HEAD.
  • 00:20:35.190 --> 00:20:36.180
  • STAND THERE.
  • 00:20:36.180 --> 00:20:37.250
  • (AND IT LOOKS LIKE RAIN)
  • 00:20:37.250 --> 00:20:38.240
  • - JACK: WE'LL RUN YOU OVER LIKE
  • 00:20:38.240 --> 00:20:39.160
  • A SPEED BUMP.
  • 00:20:39.160 --> 00:20:40.210
  • DON'T LET IT BLOW
  • 00:20:40.210 --> 00:20:41.190
  • IT WOULD SERIOUSLY MAKE MY DAY
  • 00:20:41.190 --> 00:20:42.240
  • TO REDUCE THE LOWLIFE
  • 00:20:42.240 --> 00:20:43.290
  • POPULATION OF SMOKETOWN.
  • 00:20:43.290 --> 00:20:46.260
  • OH, THE WIND
  • 00:20:46.260 --> 00:20:47.200
  • (OH, THE WIND)
  • 00:20:47.200 --> 00:20:49.060
  • OH, THE WIND
  • 00:20:49.060 --> 00:20:50.150
  • (OH, THE WIND)
  • 00:20:50.150 --> 00:20:51.240
  • OH, THE WIND...
  • 00:20:51.240 --> 00:20:52.180
  • DON'T LET IT BLOW
  • 00:20:52.180 --> 00:20:55.020
  • [CAR IGNITION STARTING]
  • 00:20:59.230 --> 00:21:02.250
  • [TIRES SCREECH AS CAR DEPARTS]
  • 00:21:07.220 --> 00:21:10.220
  • - EVERETT: BECAUSE KINGLAND
  • 00:21:10.220 --> 00:21:12.020
  • INDUSTRIES DISCRIMINATES
  • 00:21:12.020 --> 00:21:14.100
  • AGAINST BLACK IN THEIR HIRING
  • 00:21:14.100 --> 00:21:15.210
  • PROCESSES.
  • 00:21:17.030 --> 00:21:20.030
  • - MAN IN CROWD: THAT'S RIGHT,
  • 00:21:20.030 --> 00:21:21.070
  • THAT'S RIGHT.
  • 00:21:21.070 --> 00:21:21.240
  • [APPLAUSE]
  • 00:21:21.240 --> 00:21:22.170
  • - EVERETT: WHEN WE SHOWED UP
  • 00:21:22.170 --> 00:21:23.130
  • LAST WEEK TO PROTEST, THEY
  • 00:21:23.130 --> 00:21:25.240
  • HIRED THUGS WHO CAME IN THE
  • 00:21:25.240 --> 00:21:26.250
  • CROWDS AND BEAT UP ON SOME OF
  • 00:21:26.250 --> 00:21:28.080
  • US.
  • 00:21:28.080 --> 00:21:30.100
  • BUT LOOK AROUND YOU, NOW --
  • 00:21:30.100 --> 00:21:31.170
  • IT'S GONNA TAKE MORE THAN A FEW
  • 00:21:31.170 --> 00:21:34.080
  • HIRED THUGS TO STOP US, NOW!
  • 00:21:34.080 --> 00:21:37.050
  • [APPLAUSE, CHEERS]
  • 00:21:37.050 --> 00:21:38.070
  • HARD TO BEAT UP ON A THOUSAND
  • 00:21:38.070 --> 00:21:38.280
  • PEOPLE!
  • 00:21:38.280 --> 00:21:40.020
  • [APPLAUSE, CHEERS]
  • 00:21:40.280 --> 00:21:43.280
  • BECAUSE THERE'S STRENGTH...
  • 00:21:43.280 --> 00:21:45.230
  • IN NUMBERS!
  • 00:21:45.230 --> 00:21:47.010
  • [APPLAUSE, CHEERS]
  • 00:21:47.010 --> 00:21:48.160
  • AND OUR NUMBERS GIVE US VOICE
  • 00:21:48.160 --> 00:21:51.140
  • THAT CANNOT BE IGNORED!
  • 00:21:51.140 --> 00:21:52.140
  • [APPLAUSE, CHEERS]
  • 00:21:52.190 --> 00:21:55.190
  • - FEMALE VOICE: YEAH!
  • 00:21:55.190 --> 00:21:56.140
  • [CHEERS]
  • 00:21:56.140 --> 00:21:57.170
  • THAT'S RIGHT.
  • 00:21:57.170 --> 00:21:58.180
  • - EVERETT: BUT WHAT OUR
  • 00:21:58.180 --> 00:21:59.200
  • NUMBERS DO NOT GIVE US...IS THE
  • 00:21:59.200 --> 00:22:00.140
  • RIGHT TO THROW OUR WEIGHT
  • 00:22:00.140 --> 00:22:01.140
  • AROUND.
  • 00:22:01.140 --> 00:22:02.270
  • OUR NUMBERS DO NOT ALLOW US TO
  • 00:22:02.270 --> 00:22:04.080
  • USE OUR STRENGTH...FOR VIOLENCE
  • 00:22:04.080 --> 00:22:05.060
  • AND RETRIBUTION.
  • 00:22:05.110 --> 00:22:08.110
  • [APPLAUSE, CHEERS]
  • 00:22:08.110 --> 00:22:09.230
  • WE'VE GOT THE MORAL HIGH
  • 00:22:09.230 --> 00:22:11.000
  • GROUND, NOW...AND NOT SINK TO
  • 00:22:11.000 --> 00:22:13.240
  • THE LEVEL OF THOSE WHO'LL DO US
  • 00:22:13.240 --> 00:22:15.230
  • HARM.
  • 00:22:15.230 --> 00:22:18.070
  • [APPLAUSE, CHEERS]
  • 00:22:21.180 --> 00:22:24.180
  • [SOUND EFFECT]
  • 00:22:24.180 --> 00:22:25.260
  • - LEON: WHEN PEOPLE TRY TO
  • 00:22:25.260 --> 00:22:26.240
  • BRING JUSTICE WITHOUT THE
  • 00:22:26.240 --> 00:22:27.280
  • WISDOM OF HOLY SPIRIT, IT OFTEN
  • 00:22:27.280 --> 00:22:30.080
  • FURTHER COMPLICATES AN ALREADY
  • 00:22:30.080 --> 00:22:32.070
  • COMPLICATED SITUATION.
  • 00:22:32.070 --> 00:22:35.050
  • [BIRDS CHIRPING]
  • 00:22:35.050 --> 00:22:36.070
  • HUMAN EFFORT WILL ALWAYS BE AN
  • 00:22:36.070 --> 00:22:37.090
  • INCOMPLETE ANSWER.
  • 00:22:37.090 --> 00:22:39.140
  • GOD'S ORIGINAL INTENTION IN THE
  • 00:22:39.140 --> 00:22:41.120
  • GARDEN OF EDEN WAS FOR PEACE
  • 00:22:41.120 --> 00:22:42.260
  • AND FOR LOVE.
  • 00:22:42.260 --> 00:22:45.170
  • BUT THE FURTHER WE GET FROM
  • 00:22:45.170 --> 00:22:46.230
  • GOD'S WISDOM, THE MORE PAIN AND
  • 00:22:46.230 --> 00:22:48.270
  • HEARTACHE WE CAUSE.
  • 00:22:48.270 --> 00:22:51.110
  • ALL OF MAN'S WISDOM WITHOUT GOD
  • 00:22:51.110 --> 00:22:53.020
  • ONLY SEEMS TO EXASPERATE
  • 00:22:53.020 --> 00:22:55.190
  • HOPELESS SITUATIONS.
  • 00:22:55.190 --> 00:22:57.150
  • TRYING TO FIX PROBLEMS WITHOUT
  • 00:22:57.150 --> 00:22:59.150
  • CHRIST IS LIKE POURING WATER ON
  • 00:22:59.150 --> 00:23:01.190
  • A GREASE FIRE.
  • 00:23:01.190 --> 00:23:04.020
  • IT ONLY SPREADS IT FURTHER.
  • 00:23:04.020 --> 00:23:05.290
  • GOD CHANGING THE HUMAN HEART IS
  • 00:23:05.290 --> 00:23:08.050
  • THE ONLY ANSWER.
  • 00:23:08.050 --> 00:23:10.110
  • [AMELIA SUSPIRING
  • 00:23:10.110 --> 00:23:11.230
  • ARRHYTHMICALLY]
  • 00:23:11.230 --> 00:23:13.090
  • - AMELIA: I'M BELIEVING...
  • 00:23:13.090 --> 00:23:14.070
  • ...WE ARE FAVORED...
  • 00:23:14.070 --> 00:23:14.230
  • ...AND PROTECTED...
  • 00:23:14.230 --> 00:23:15.230
  • [FOOTSTEPS IN BACKGROUND]
  • 00:23:15.230 --> 00:23:16.250
  • ...AND POWERFUL.
  • 00:23:16.250 --> 00:23:18.010
  • [TENDER THEME PLAYS]
  • 00:23:18.010 --> 00:23:18.220
  • I DO BELIEVE.
  • 00:23:18.220 --> 00:23:19.150
  • [SUSPIRING ARRHYTHMICALLY]
  • 00:23:19.150 --> 00:23:20.080
  • I DO.
  • 00:23:20.080 --> 00:23:21.030
  • [FOOTSTEPS]
  • 00:23:21.030 --> 00:23:22.040
  • DAWSON IS FAVORED BY YOU, LORD.
  • 00:23:22.040 --> 00:23:23.090
  • HE IS UNDER YOUR PROTECTION.
  • 00:23:23.090 --> 00:23:25.140
  • AND BY YOUR SPIRIT, HE IS...
  • 00:23:25.140 --> 00:23:28.100
  • POWERFUL.
  • 00:23:28.100 --> 00:23:30.200
  • I DO BELIEVE-- I DO.
  • 00:23:30.200 --> 00:23:33.040
  • - BAILEY: YES.
  • 00:23:33.040 --> 00:23:33.190
  • YES.
  • 00:23:33.190 --> 00:23:34.220
  • YES.
  • 00:23:36.290 --> 00:23:39.290
  • WE...ARE FAVORED...
  • 00:23:39.290 --> 00:23:42.030
  • ...AND PROTECTED...
  • 00:23:42.030 --> 00:23:42.280
  • ...AND POWERFUL.
  • 00:23:43.010 --> 00:23:46.010
  • - AMELIA: YES, LORD.
  • 00:23:46.010 --> 00:23:47.140
  • [SUSPIRING ARRHYTHMICALLY]
  • 00:23:47.140 --> 00:23:49.240
  • - BAILEY: IN THE SPIRIT, WE
  • 00:23:49.240 --> 00:23:50.140
  • ARE POWERFUL.
  • 00:23:50.140 --> 00:23:52.240
  • [AMELIA SOBBING]
  • 00:23:54.250 --> 00:23:57.250
  • - LEON: HOPE IS A POWERFUL
  • 00:23:57.250 --> 00:23:58.190
  • FORCE.
  • 00:23:58.190 --> 00:24:01.100
  • BIBLE HOPE IS A CONFIDENT
  • 00:24:01.100 --> 00:24:03.040
  • EXPECTATION THAT GOD IS GOING
  • 00:24:03.040 --> 00:24:04.280
  • TO MOVE.
  • 00:24:04.280 --> 00:24:07.170
  • WHEN WE CONFIDENTLY EXPECT GOD
  • 00:24:07.170 --> 00:24:08.090
  • TO MOVE, HOPE THEN TAKES US TO
  • 00:24:08.090 --> 00:24:09.210
  • FAITH, WHICH IS BEING FULLY
  • 00:24:10.010 --> 00:24:13.010
  • PERSUADED THAT GOD IS GOING TO
  • 00:24:13.010 --> 00:24:14.150
  • DO SOMETHING.
  • 00:24:14.150 --> 00:24:17.070
  • BEFORE JESUS DID MIRACLES, HE
  • 00:24:17.070 --> 00:24:19.000
  • ALWAYS BROUGHT HOPE THROUGH THE
  • 00:24:19.000 --> 00:24:21.040
  • WORDS AND THE TEACHING THAT HE
  • 00:24:21.040 --> 00:24:22.150
  • BROUGHT PEOPLE.
  • 00:24:22.150 --> 00:24:24.250
  • [FOOTSTEPS]
  • 00:24:24.250 --> 00:24:25.190
  • HE ALSO WOULD SAY, "FEAR NOT,"
  • 00:24:25.190 --> 00:24:26.170
  • IN SO MANY SITUATIONS.
  • 00:24:26.170 --> 00:24:28.240
  • BECAUSE WHEN FEAR CAME INTO THE
  • 00:24:28.240 --> 00:24:30.140
  • ROOM, IT WOULD BE HARD TO GET A
  • 00:24:30.140 --> 00:24:31.180
  • MIRACLE.
  • 00:24:31.180 --> 00:24:33.120
  • [SOUND OF FAUCET RUNNING]
  • 00:24:33.120 --> 00:24:35.050
  • [MUSIC]
  • 00:24:35.050 --> 00:24:37.290
  • [RAYMOND BREATHING HEAVILY]
  • 00:24:39.160 --> 00:24:42.160
  • [RAYMOND SNARLS]
  • 00:24:42.160 --> 00:24:43.230
  • [SOUND OF GLASS SHATTERING]
  • 00:24:43.230 --> 00:24:45.050
  • [POLICE SIREN WAILS]
  • 00:24:48.210 --> 00:24:51.210
  • [POLICE SCANNER AUDIBLE]
  • 00:24:51.210 --> 00:24:53.050
  • - EVERETT: GOD...
  • 00:24:53.050 --> 00:24:54.200
  • STAY HERE.
  • 00:25:03.220 --> 00:25:06.220
  • [MUSIC TENSING]
  • 00:25:06.220 --> 00:25:08.140
  • [FOOTSTEPS]
  • 00:25:08.170 --> 00:25:11.170
  • - POLICE OFFICER: SHUT YOUR
  • 00:25:11.170 --> 00:25:12.070
  • MOUTH, EVERETT.
  • 00:25:12.070 --> 00:25:14.170
  • [SCOFFS]
  • 00:25:14.170 --> 00:25:15.200
  • LOOK, THE NEXT TIME YOU CAUSE
  • 00:25:15.200 --> 00:25:16.240
  • TROUBLE FOR KINGLAND, SOMEONE'S
  • 00:25:16.240 --> 00:25:17.160
  • GONNA GET HURT.
  • 00:25:17.160 --> 00:25:19.250
  • MAYBE YOUR FAMILY.
  • 00:25:19.250 --> 00:25:22.030
  • [MUSIC DARKENS]
  • 00:25:26.160 --> 00:25:29.160
  • - RAYMOND: WE'VE BEEN GOOD
  • 00:25:29.160 --> 00:25:30.210
  • CITIZENS.
  • 00:25:30.210 --> 00:25:31.280
  • [CHEERS]
  • 00:25:31.280 --> 00:25:32.280
  • WE'VE OBEYED THE LAW.
  • 00:25:32.280 --> 00:25:33.260
  • WE'VE DONE EVERYTHING THAT
  • 00:25:33.260 --> 00:25:35.060
  • WE'RE SUPPOSED TO DO.
  • 00:25:35.060 --> 00:25:36.260
  • [CHEERS]
  • 00:25:36.260 --> 00:25:37.200
  • THEY STILL COME IN HERE, DRAG
  • 00:25:37.200 --> 00:25:38.120
  • US OFF, AND LOCK US UP!
  • 00:25:38.120 --> 00:25:39.240
  • BUT I SAY, NO MORE!
  • 00:25:39.240 --> 00:25:42.170
  • WE ARE SMOKETOWN, AND WE SPEAK
  • 00:25:42.170 --> 00:25:43.260
  • WITH ONE VOICE!
  • 00:25:43.260 --> 00:25:45.280
  • [CHATTERING]
  • 00:25:45.280 --> 00:25:46.260
  • [SHOW THEME]
  • 00:26:01.130 --> 00:26:04.130
  • [MUSIC]
  • 00:26:24.050 --> 00:26:27.050