The Difference: Influence | TBN

The Difference: Influence

Watch The Difference: Influence
December 23, 2016
27:31

Matthew Hagee

Closed captions

The Difference: Influence

Show timecode
Hide timecode
  • PLEASE WELCOME MATT
  • 00:00:12.030 --> 00:00:15.030
  • AND KENDAL HAGGEE!
  • 00:00:15.030 --> 00:00:16.240
  • (applause)
  • 00:00:16.240 --> 00:00:17.220
  • WELCOME TO THE DIFFERENCE.
  • 00:00:24.170 --> 00:00:27.170
  • YOU KNOW, THERE ARE A LOT OF
  • 00:00:27.170 --> 00:00:28.120
  • PROGRAMS AND PLACES YOU CAN LOOK
  • 00:00:28.120 --> 00:00:29.190
  • IN LIFE WHERE THEY WANT TO TALK
  • 00:00:29.190 --> 00:00:31.130
  • ABOUT AFFLUENCE, COMPLETE WITH
  • 00:00:31.130 --> 00:00:33.190
  • ALL OF THESE QUICK TIPS ON
  • 00:00:33.190 --> 00:00:35.130
  • HOW TO GET RICH, HOW TO FIND THE
  • 00:00:35.130 --> 00:00:36.210
  • BEST JOB, HOW TO GET AHEAD
  • 00:00:36.210 --> 00:00:38.210
  • AND STAY ON TOP.
  • 00:00:38.210 --> 00:00:41.060
  • WHATEVER THE COST,
  • 00:00:41.060 --> 00:00:41.260
  • THEY'RE WILLING TO SELL
  • 00:00:41.260 --> 00:00:42.150
  • AN IDEA. BUT THIS IS THE
  • 00:00:42.150 --> 00:00:43.260
  • DIFFERENCE AND WE DON'T WANT TO
  • 00:00:43.260 --> 00:00:45.280
  • TALK ABOUT AFFLUENCE, WE WANT TO
  • 00:00:45.280 --> 00:00:47.190
  • TALK ABOUT LIVING A LIFE
  • 00:00:47.190 --> 00:00:49.000
  • OF INFLUENCE AND WHAT
  • 00:00:49.000 --> 00:00:50.210
  • THAT MEANS.
  • 00:00:50.210 --> 00:00:51.170
  • >THAT'S RIGHT. SO TO GOOD LORD,
  • 00:00:51.170 --> 00:00:52.230
  • I'M GRATEFUL. I'M GRATEFUL THAT
  • 00:00:52.230 --> 00:00:54.060
  • GOD HAS A UNIQUE PLAN FOR US
  • 00:00:54.060 --> 00:00:56.040
  • ALL. AND WITHIN THAT PLAN WE'RE
  • 00:00:56.040 --> 00:00:57.210
  • TO BE LIVING LIVES OVERFLOWING
  • 00:00:57.210 --> 00:00:59.080
  • WITH HIS WISDOM, HIS POWER,
  • 00:00:59.080 --> 00:01:01.150
  • AND LOVE.
  • 00:01:01.150 --> 00:01:02.170
  • >ABSOLUTELY. YOU KNOW, YOU CAN
  • 00:01:02.170 --> 00:01:03.210
  • BE A POSITIVE INFLUENCE TO THE
  • 00:01:03.210 --> 00:01:05.040
  • PEOPLE AROUND YOU.
  • 00:01:05.040 --> 00:01:06.100
  • AND JUST TO GIVE YOU AN IDEA,
  • 00:01:06.100 --> 00:01:07.210
  • TO GET STARTED, WE TOOK THE
  • 00:01:07.210 --> 00:01:09.040
  • CAMERA TO THE STREET AND ASKED
  • 00:01:09.040 --> 00:01:10.230
  • SOME OF YOU WHAT YOU THOUGHT
  • 00:01:10.230 --> 00:01:11.270
  • ABOUT THE TOPIC OF INFLUENCE.
  • 00:01:11.270 --> 00:01:14.110
  • >WHEN I THINK OF INFLUENCE, IT'S
  • 00:01:14.110 --> 00:01:16.040
  • JUST ANYTHING THAT YOU CONSUME,
  • 00:01:16.040 --> 00:01:18.020
  • YOU KNOW, SO A LOT OF MUSIC,
  • 00:01:18.020 --> 00:01:21.000
  • SOCIAL MEDIA, MOVIES.
  • 00:01:21.000 --> 00:01:24.000
  • THINGS LIKE THAT.
  • 00:01:24.000 --> 00:01:25.160
  • >MY FAITH INFLUENCES ME.
  • 00:01:25.160 --> 00:01:26.240
  • MY FAMILY LIFE. HOW MY HUSBAND
  • 00:01:26.240 --> 00:01:29.060
  • AND I COMMUNICATE ON A LOT
  • 00:01:29.060 --> 00:01:30.120
  • OF THINGS. THAT'S WHAT
  • 00:01:30.120 --> 00:01:31.120
  • INFLUENCES ME.
  • 00:01:31.120 --> 00:01:33.060
  • >I GET INFLUENCED BY MEDIA, LIKE
  • 00:01:33.060 --> 00:01:34.170
  • MUSIC, I LIKE TO LISTEN TO
  • 00:01:34.170 --> 00:01:36.070
  • ALL KINDS OF ARTISTS.
  • 00:01:36.070 --> 00:01:38.220
  • I LIKE SO MUCH MUSIC.
  • 00:01:38.220 --> 00:01:40.110
  • >THERE ARE A LOT OF THINGS THAT
  • 00:01:40.110 --> 00:01:41.070
  • ARE INFLUENCING YOU THAT
  • 00:01:41.070 --> 00:01:42.060
  • YOU DON'T EVEN REALIZE ARE.
  • 00:01:42.060 --> 00:01:44.130
  • LIKE THINGS YOU'RE BELIEVING AND
  • 00:01:44.130 --> 00:01:45.070
  • THINGS YOU READ. JUST EVERYWHERE
  • 00:01:45.070 --> 00:01:46.170
  • ALL THE TIME. THERE'S FACEBOOK
  • 00:01:46.170 --> 00:01:48.210
  • AND INSTAGRAM. ESPECIALLY FOR US
  • 00:01:48.210 --> 00:01:50.130
  • CAUSE WE'RE YOUNG.
  • 00:01:50.130 --> 00:01:51.240
  • I WANT TO LEAVE AN INFLUENCE OF
  • 00:01:51.240 --> 00:01:53.080
  • SHOWING PEOPLE THAT DOING THE
  • 00:01:53.080 --> 00:01:56.040
  • RIGHT THING MAKES A DIFFERENCE.
  • 00:01:56.040 --> 00:01:58.290
  • WELL, HOPEFULLY FOR MY CHILDREN
  • 00:01:58.290 --> 00:02:00.050
  • A GOOD INFLUENCE, BUT THAT MY
  • 00:02:00.050 --> 00:02:01.090
  • GIRLS WILL WALK THIS EARTH
  • 00:02:02.050 --> 00:02:05.050
  • KNOWING THAT THEIR PARENTS DID
  • 00:02:05.050 --> 00:02:08.040
  • THE BEST THAT THEY COULD.
  • 00:02:08.040 --> 00:02:10.050
  • >MAYBE THERE'S THINGS THAT I DO
  • 00:02:10.050 --> 00:02:10.280
  • IN MY LIFE THAT CAN INFLUENCE
  • 00:02:10.280 --> 00:02:12.200
  • OTHERS THAT I MAY NEVER EVEN
  • 00:02:12.200 --> 00:02:14.030
  • KNOW ABOUT. AS LONG AS I'M DOING
  • 00:02:14.030 --> 00:02:15.180
  • THE RIGHT THING, HOPEFULLY IT'S
  • 00:02:15.180 --> 00:02:17.250
  • GONNA INFLUENCE OTHER PEOPLE.
  • 00:02:17.250 --> 00:02:18.200
  • >FROM HIS POPULAR PERFORMANCES
  • 00:02:18.200 --> 00:02:20.220
  • IN THE BAND "ANTHEM LIGHTS" TO
  • 00:02:20.220 --> 00:02:23.020
  • HIS IMPRESSIVE ROLES IN FILMS
  • 00:02:23.020 --> 00:02:24.090
  • LIKE "THE SONG" AND "OUT OF
  • 00:02:24.090 --> 00:02:25.130
  • ASHES", OUR FIRST GUEST
  • 00:02:25.130 --> 00:02:27.110
  • DEFINITELY HAS A POSITIVE
  • 00:02:27.110 --> 00:02:28.220
  • INFLUENCE THROUGH WHATEVER HE
  • 00:02:28.220 --> 00:02:30.070
  • TACKLES. AND HIS LAST PROJECT
  • 00:02:30.070 --> 00:02:32.090
  • WAS NO EXCEPTION.
  • 00:02:32.090 --> 00:02:33.130
  • HERE'S A LOOK AT
  • 00:02:33.130 --> 00:02:34.070
  • "CAGED NO MORE".
  • 00:02:34.070 --> 00:02:35.100
  • (dramatic music, breathing)
  • 00:02:40.130 --> 00:02:43.130
  • RECOGNIZE YOU
  • 00:02:43.140 --> 00:02:46.140
  • THE FIRE IN YOUR EYES
  • 00:02:46.140 --> 00:02:49.080
  • IS FADING INTO EMBER
  • 00:02:49.080 --> 00:02:52.000
  • >YOU DO KNOW THAT HE'S GOING
  • 00:02:52.000 --> 00:02:52.240
  • TO TRY TO SELL THEM.
  • 00:02:52.240 --> 00:02:54.140
  • >GET THEM TO LIKE YOU. NOW.
  • 00:02:56.050 --> 00:02:59.050
  • >SHE CAN MAKE MORE THAN
  • 00:02:59.050 --> 00:02:59.240
  • THE LAST ONE.
  • 00:02:59.240 --> 00:03:00.140
  • >SHE'S YOUNGER, FOR SURE.
  • 00:03:01.170 --> 00:03:04.170
  • >YOU HAVE GOT TO TRY
  • 00:03:04.170 --> 00:03:05.120
  • AND BELIEVE ME.
  • 00:03:05.120 --> 00:03:07.120
  • BECAUSE MY ELLE IS STILL
  • 00:03:07.120 --> 00:03:08.190
  • OUT THERE AND WE GOTTA
  • 00:03:08.190 --> 00:03:09.230
  • GO GET HER BACK.
  • 00:03:09.230 --> 00:03:12.130
  • TODAY IS THE DAY.
  • 00:03:12.130 --> 00:03:15.030
  • (gun shot)
  • 00:03:15.030 --> 00:03:16.130
  • >I NEED YOUR HELP.
  • 00:03:16.130 --> 00:03:18.020
  • MY GIRLS NEED YOUR HELP.
  • 00:03:18.020 --> 00:03:19.020
  • >LET'S GET SKY.
  • 00:03:19.020 --> 00:03:20.090
  • >THIS GUY CAN BE ANYONE.
  • 00:03:20.090 --> 00:03:21.260
  • (punching, screaming)
  • 00:03:21.290 --> 00:03:24.290
  • >GOD PLEASE, DELIVER MY
  • 00:03:24.290 --> 00:03:25.260
  • CHILDREN FROM EVIL.
  • 00:03:25.260 --> 00:03:28.010
  • >THIS IS HUMANITY AT ITS WORST.
  • 00:03:28.010 --> 00:03:29.180
  • (car screeches)
  • 00:03:29.180 --> 00:03:31.080
  • >RUN, ELLE! RUN!
  • 00:03:31.080 --> 00:03:33.260
  • >MILLIONS ARE STILL WAITING
  • 00:03:33.260 --> 00:03:35.120
  • TO BE RESCUED.
  • 00:03:35.120 --> 00:03:37.100
  • WAITING FOR ALL OF US
  • 00:03:37.130 --> 00:03:40.130
  • TO SAY, NO MORE.
  • 00:03:40.130 --> 00:03:41.190
  • >WHAT A POWERFUL MESSAGE.
  • 00:03:42.190 --> 00:03:45.190
  • WILL YOU PLEASE HELP WELCOME
  • 00:03:45.190 --> 00:03:46.210
  • SINGER, SONGWRITER, ACTOR,
  • 00:03:46.210 --> 00:03:48.100
  • AND FELLOW PREACHER'S KID,
  • 00:03:48.100 --> 00:03:50.100
  • ALAN POWELL.
  • 00:03:50.100 --> 00:03:51.080
  • (applause)
  • 00:03:52.280 --> 00:03:55.280
  • >HELLO, ALAN.
  • 00:03:55.280 --> 00:03:57.100
  • >HOW ARE YOU?
  • 00:03:57.100 --> 00:03:57.250
  • >WOW. WHAT AN INTENSE
  • 00:03:57.250 --> 00:03:58.270
  • TOPIC TO TACKLE.
  • 00:03:59.040 --> 00:04:02.060
  • AND, YOU KNOW, WHAT A REALITY
  • 00:04:04.120 --> 00:04:07.120
  • THAT PEOPLE REALLY
  • 00:04:07.120 --> 00:04:08.050
  • DON'T WANT TO FACE.
  • 00:04:08.050 --> 00:04:08.290
  • THEY DON'T WANT TO BELIEVE
  • 00:04:08.290 --> 00:04:09.290
  • THAT THIS KIND OF THING EXISTS.
  • 00:04:09.290 --> 00:04:11.290
  • BUT YOU'RE USING YOUR INFLUENCE
  • 00:04:11.290 --> 00:04:13.180
  • TO BRING AWARENESS TO THIS
  • 00:04:13.180 --> 00:04:16.060
  • MESSAGE AND TO HELP PEOPLE WALK
  • 00:04:16.060 --> 00:04:17.100
  • OUT OF THIS VERY TRAGIC
  • 00:04:17.100 --> 00:04:19.000
  • CIRCUMSTANCE OF BEING
  • 00:04:19.000 --> 00:04:21.080
  • TRAFFICKED, CORRECT?
  • 00:04:21.080 --> 00:04:22.170
  • >WELL, YEAH. I'VE GOT THREE
  • 00:04:22.170 --> 00:04:23.110
  • DAUGHTERS MYSELF, AND SO WHEN
  • 00:04:23.110 --> 00:04:25.070
  • THIS SCRIPT AND STORY CAME TO
  • 00:04:25.070 --> 00:04:26.090
  • ME, IT HIT CLOSE TO HOME. I WANT
  • 00:04:26.090 --> 00:04:28.150
  • TO DO ANYTHING I CAN. CERTAINLY
  • 00:04:28.150 --> 00:04:29.110
  • PERSONALLY AS A FATHER, MAKE
  • 00:04:29.110 --> 00:04:30.150
  • SURE THEY DON'T EXPERIENCE
  • 00:04:30.150 --> 00:04:31.110
  • ANYTHING LIKE THAT, BUT USING
  • 00:04:31.110 --> 00:04:32.090
  • THE GIFTS THAT I HAVE AND THE
  • 00:04:32.090 --> 00:04:34.150
  • ABILITY THAT I HAVE AS AN ACTOR
  • 00:04:34.150 --> 00:04:36.170
  • TO BRING THIS STORY TO LIFE.
  • 00:04:36.170 --> 00:04:38.060
  • AND BE ABLE TO ILLUMINATE THIS
  • 00:04:38.060 --> 00:04:39.120
  • TRAGIC REALITY TO AS MANY PEOPLE
  • 00:04:39.120 --> 00:04:41.270
  • AS I COULD WAS IMPORTANT TO ME.
  • 00:04:41.270 --> 00:04:43.270
  • >NOW, YOU KNOW, ACTING IS
  • 00:04:43.270 --> 00:04:44.240
  • SOMETHING THAT YOU'RE CURRENTLY
  • 00:04:44.240 --> 00:04:46.020
  • INVOLVED IN. ANTHEM LIGHTS IS
  • 00:04:46.020 --> 00:04:47.150
  • THE MUSIC THAT YOU SHARED YEARS
  • 00:04:47.150 --> 00:04:48.280
  • AGO. BEFORE THAT YOU WERE AT
  • 00:04:48.280 --> 00:04:50.100
  • LIBERTY UNIVERSITY AND, YOU
  • 00:04:50.100 --> 00:04:51.170
  • KNOW, ALL OF THESE STEPS,
  • 00:04:51.230 --> 00:04:54.230
  • WHENEVER YOU WERE IN SCHOOL, DID
  • 00:04:54.230 --> 00:04:56.170
  • YOU EVER THINK YOU'D BE DOING
  • 00:04:56.170 --> 00:04:57.130
  • WHAT YOU'RE DOING TODAY?
  • 00:04:57.130 --> 00:04:58.200
  • >I HAD NO IDEA. NO.
  • 00:04:58.200 --> 00:05:00.110
  • SO WHAT PATH WERE YOU ON THEN.
  • 00:05:00.110 --> 00:05:01.220
  • >I WAS, I GOT A B.A. IN THE
  • 00:05:01.220 --> 00:05:03.070
  • BIBLE. I WAS STUDYING TO BE A
  • 00:05:03.070 --> 00:05:04.180
  • NEW TESTAMENT PROFESSOR WITH A
  • 00:05:04.180 --> 00:05:06.030
  • MINOR IN GREEK AND I GOT TO THE
  • 00:05:06.030 --> 00:05:07.180
  • PLACE WHERE-
  • 00:05:07.180 --> 00:05:09.000
  • >YOU WERE GOING TO SPEND THE
  • 00:05:09.000 --> 00:05:09.260
  • REST OF YOUR LIFE IN SCHOOL?
  • 00:05:09.260 --> 00:05:11.140
  • >IN LYNCHBURG, VIRGINIA TEACHING
  • 00:05:11.140 --> 00:05:12.100
  • GREEK. THAT'S WHAT I WAS GONNA
  • 00:05:12.100 --> 00:05:13.140
  • DO. YEAH. AND THEY HAVE A TALENT
  • 00:05:13.140 --> 00:05:15.010
  • SHOW THERE AND, I GREW UP
  • 00:05:15.010 --> 00:05:16.270
  • DANCING ACTUALLY. AND THEY HAD A
  • 00:05:16.270 --> 00:05:18.220
  • TALENT SHOW THERE AND I JUST
  • 00:05:18.220 --> 00:05:19.250
  • DECIDED ON A WHIM TO DO IT AND
  • 00:05:19.250 --> 00:05:20.200
  • IT WENT REALLY WELL AND A FRIEND
  • 00:05:20.200 --> 00:05:23.200
  • OF MINE SAID, HEY MAN, YOU GOT
  • 00:05:23.200 --> 00:05:24.270
  • SOMETHING. YOU SHOULD DO MUSIC.
  • 00:05:24.270 --> 00:05:27.140
  • AND I WON'T BORE YOU WITH ALL
  • 00:05:27.140 --> 00:05:28.140
  • THE DETAILS, BUT THAT TOOK ME TO
  • 00:05:28.140 --> 00:05:29.160
  • CALIFORNIA AND STARTED A BAND
  • 00:05:29.160 --> 00:05:30.210
  • AND WENT TO NASHVILLE AND SUCH
  • 00:05:30.210 --> 00:05:32.030
  • WAS ANTHEM LIGHTS, AND ANTHEM
  • 00:05:32.030 --> 00:05:34.010
  • LIGHTS TURNED INTO FILM
  • 00:05:34.010 --> 00:05:35.060
  • OPPORTUNITIES, AND THAT TURNED
  • 00:05:35.060 --> 00:05:36.010
  • INTO PRODUCING, WHAT I'M NOW
  • 00:05:36.010 --> 00:05:37.100
  • DOING. THIS IS JUST FUNNY
  • 00:05:37.100 --> 00:05:38.180
  • HOW ONE THING TURNS INTO
  • 00:05:38.180 --> 00:05:39.250
  • ANOTHER ONE.
  • 00:05:39.250 --> 00:05:41.090
  • >YOU KNOW THE INTERESTING THING
  • 00:05:41.090 --> 00:05:42.230
  • IS THAT'S REALLY A WIDE RANGE OF
  • 00:05:44.070 --> 00:05:47.070
  • DYNAMICS IN ONE INDIVIDUAL.
  • 00:05:47.070 --> 00:05:49.160
  • BECAUSE UNDERSTANDING WHAT I'VE
  • 00:05:49.160 --> 00:05:50.290
  • COME TO LEARN IN CLASSROOM
  • 00:05:50.290 --> 00:05:52.080
  • SETTINGS FOR GREEK AND NEW
  • 00:05:52.080 --> 00:05:54.200
  • TESTAMENT TEACHINGS, THAT'S A
  • 00:05:54.200 --> 00:05:57.080
  • PRETTY CEREBRAL AND DEEP TOPIC
  • 00:05:57.080 --> 00:05:59.090
  • AND INTO THE WORLD OF DANCE AND
  • 00:05:59.090 --> 00:06:01.090
  • MUSIC AND NOW MOVIES, THAT'S
  • 00:06:01.090 --> 00:06:02.280
  • PRETTY ARTISTIC. THAT'S A WIDE
  • 00:06:02.280 --> 00:06:04.020
  • RANGE, YOU KNOW.
  • 00:06:04.020 --> 00:06:05.280
  • >WELL, YOU KNOW, MY DAD,
  • 00:06:05.280 --> 00:06:07.040
  • ALTHOUGH A PASTOR MY WHOLE LIFE,
  • 00:06:07.040 --> 00:06:08.150
  • WAS ALSO ARTISTIC, AND WE GREW
  • 00:06:08.150 --> 00:06:10.000
  • UP SINGING AND ACTUALLY SANG
  • 00:06:10.000 --> 00:06:11.000
  • SOUTHERN GOSPEL WITH MY SISTERS
  • 00:06:11.000 --> 00:06:12.180
  • >A GREAT GENRE. IT'S HUGE. YEAH,
  • 00:06:13.050 --> 00:06:16.050
  • IT'S EMERGING. YOU SHOULD
  • 00:06:16.050 --> 00:06:17.010
  • JUMP BACK IN.
  • 00:06:17.010 --> 00:06:17.290
  • (laughs)
  • 00:06:17.290 --> 00:06:18.240
  • >SO WE DID THAT FOR A WHILE. I
  • 00:06:18.240 --> 00:06:20.110
  • GREW UP IN AN ARTISTIC FAMILY
  • 00:06:20.110 --> 00:06:22.020
  • ALTHOUGH HE WAS A PASTOR.
  • 00:06:22.020 --> 00:06:23.070
  • I DID, I HAD BOTH OF THOSE
  • 00:06:23.070 --> 00:06:24.070
  • THINGS, YOU KNOW, GOING ON, AND
  • 00:06:24.070 --> 00:06:25.130
  • WHEN I WENT TO COLLEGE, THAT
  • 00:06:25.130 --> 00:06:26.170
  • REALLY, THE CEREBRAL SIDE KIND
  • 00:06:26.170 --> 00:06:28.090
  • OF TOOK HOLD AND TOOK FLIGHT AND
  • 00:06:28.090 --> 00:06:30.150
  • I LOVED THAT. BUT THEN WHEN
  • 00:06:30.150 --> 00:06:31.260
  • THINGS CHANGED, I JUMPED ON THE
  • 00:06:31.260 --> 00:06:33.150
  • ARTISTIC SIDE AND THAT REALLY
  • 00:06:33.150 --> 00:06:35.000
  • TOOK FLIGHT, AND NOW IT'S
  • 00:06:35.000 --> 00:06:36.000
  • INTERESTING PRODUCING NOW WHERE
  • 00:06:36.000 --> 00:06:37.270
  • YOU GET TO DO BOTH OF THEM,
  • 00:06:37.270 --> 00:06:39.270
  • AND IT'S JUST FUNNY HOW THINGS
  • 00:06:39.270 --> 00:06:40.220
  • COME TOGETHER.
  • 00:06:40.220 --> 00:06:41.180
  • >AND I THINK ONE OF THE THINGS
  • 00:06:41.180 --> 00:06:42.090
  • THAT IT'S IMPORTANT FOR
  • 00:06:42.090 --> 00:06:43.070
  • LISTENERS TO HEAR IS REGARDLESS
  • 00:06:43.070 --> 00:06:45.070
  • OF THE ARENA YOU WERE IN,
  • 00:06:45.070 --> 00:06:47.110
  • WHETHER IT WAS A FAMILIAR ONE,
  • 00:06:47.110 --> 00:06:48.260
  • WHICH WOULD HAVE BEEN ACADEMIA
  • 00:06:48.260 --> 00:06:50.140
  • AND CHRISTIAN APOLOGETICS SO TO
  • 00:06:50.140 --> 00:06:52.260
  • SPEAK, OR AN UNFAMILIAR ONE OF
  • 00:06:52.260 --> 00:06:55.020
  • ENTERTAINMENT AND MOVIES,
  • 00:06:55.020 --> 00:06:56.210
  • YOU HAVE AN INFLUENCE ANYWHERE
  • 00:06:56.210 --> 00:06:58.040
  • YOU GO, AS LONG AS YOU TAKE
  • 00:06:58.040 --> 00:07:00.040
  • YOUR FAITH WITH YOU.
  • 00:07:00.040 --> 00:07:01.120
  • >ABSOLUTELY. I THINK, YOU KNOW,
  • 00:07:01.120 --> 00:07:02.290
  • AS WE'RE TALKING ABOUT INFLUENCE
  • 00:07:02.290 --> 00:07:03.240
  • TODAY, THERE'S SOME OF US THAT
  • 00:07:03.240 --> 00:07:05.070
  • HAVE THE OPPORTUNITY TO HAVE AN
  • 00:07:05.070 --> 00:07:06.270
  • INFLUENCE TO HAVE AN INFLUENCE
  • 00:07:06.270 --> 00:07:08.050
  • OVER A WIDER AUDIENCE,
  • 00:07:08.050 --> 00:07:09.070
  • SUCH AS YOURSELVES,
  • 00:07:09.070 --> 00:07:10.220
  • AND THAT'S FANTASTIC.
  • 00:07:10.220 --> 00:07:11.260
  • AND WE CERTAINLY NEED TO BE
  • 00:07:11.260 --> 00:07:13.050
  • RESPONSIBLE WITH THAT.
  • 00:07:13.050 --> 00:07:14.040
  • BUT INFLUENCE EXISTS MOST
  • 00:07:14.040 --> 00:07:15.190
  • PROMINENTLY IN PEOPLE THAT KNOW
  • 00:07:15.190 --> 00:07:16.270
  • YOU BEST, PEOPLE WHO ARE LIVING
  • 00:07:16.270 --> 00:07:19.030
  • IN YOUR IMMEDIATE WORLD.
  • 00:07:19.030 --> 00:07:20.270
  • YOU KNOW THERE'S VERY FEW PEOPLE
  • 00:07:20.270 --> 00:07:21.230
  • IN THE WORLD THAT CAN IMPACT ME
  • 00:07:21.230 --> 00:07:22.220
  • THE WAY THAT MY WIFE CAN,
  • 00:07:22.220 --> 00:07:24.100
  • SOMETHING THAT SHE SAYS,
  • 00:07:24.100 --> 00:07:25.070
  • OR MY KIDS.
  • 00:07:25.070 --> 00:07:26.090
  • >YOU AIN'T LYING.
  • 00:07:26.090 --> 00:07:26.220
  • >OR MY BEST FRIENDS.
  • 00:07:26.220 --> 00:07:28.110
  • AND SO, WHEN WE TALK ABOUT
  • 00:07:28.110 --> 00:07:29.110
  • INFLUENCE, I THINK IT HAS
  • 00:07:29.110 --> 00:07:30.080
  • TO START THERE. YOU KNOW, IF
  • 00:07:30.080 --> 00:07:31.170
  • THERE'S SOMEBODY WATCHING THIS
  • 00:07:31.170 --> 00:07:32.080
  • GOING, MAN I JUST DON'T,
  • 00:07:32.080 --> 00:07:33.000
  • NOBODY'S LISTENING TO WHAT I
  • 00:07:33.000 --> 00:07:34.110
  • HAVE TO SAY, THAT'S NOT TRUE.
  • 00:07:34.110 --> 00:07:34.290
  • PEOPLE THAT YOU SPEAK WITH EVERY
  • 00:07:34.290 --> 00:07:36.230
  • DAY, WHETHER IT BE PEOPLE THAT
  • 00:07:36.230 --> 00:07:37.240
  • YOU LIVE WITH OR YOUR FAMILY, OR
  • 00:07:37.240 --> 00:07:39.150
  • AT CHURCH, OR PEOPLE THAT YOU
  • 00:07:39.150 --> 00:07:41.040
  • JUST INTERACT WITH IN THE STORE,
  • 00:07:41.040 --> 00:07:43.000
  • THESE ARE THE PEOPLE THAT YOU
  • 00:07:43.000 --> 00:07:44.070
  • INFLUENCE-
  • 00:07:44.070 --> 00:07:44.240
  • >I THINK AS A MOTHER OF FOUR
  • 00:07:44.240 --> 00:07:45.110
  • KIDS, OUR CHILDREN ARE OUR
  • 00:07:45.110 --> 00:07:46.010
  • SANCTUARY. AND YOUR WIFE, I'M
  • 00:07:46.010 --> 00:07:47.110
  • SURE, WITH THREE GIRLS,
  • 00:07:47.110 --> 00:07:48.160
  • SHE POURS INTO THEM.
  • 00:07:48.160 --> 00:07:50.070
  • HOW DO YOU PICK YOUR PROJECTS.
  • 00:07:50.070 --> 00:07:52.050
  • HOW DO YOU KNOW WHICH ONES YOU
  • 00:07:52.050 --> 00:07:53.180
  • ARE GONNA DO AND GONNA PASS-
  • 00:07:53.180 --> 00:07:54.290
  • >WELL, AS AN ARTIST YOU GOTTA
  • 00:07:54.290 --> 00:07:56.140
  • START WITH DO YOU THINK THIS IS
  • 00:07:56.140 --> 00:07:57.230
  • A GREAT PIECE OF ART. YOU KNOW,
  • 00:07:57.230 --> 00:07:59.270
  • IS THIS SOMETHING THAT OTHER
  • 00:07:59.270 --> 00:08:01.120
  • GREAT CREATIVES HAVE ALREADY
  • 00:08:01.120 --> 00:08:02.190
  • BEEN INVOLVED IN?
  • 00:08:02.190 --> 00:08:03.160
  • DOING SOMETHING THAT IS
  • 00:08:03.160 --> 00:08:04.100
  • REALLY WORTHWHILE DOING.
  • 00:08:04.100 --> 00:08:05.240
  • AND THEN ALSO IS THIS SOMETHING
  • 00:08:05.240 --> 00:08:07.060
  • THAT I WANT TO PUT MY
  • 00:08:07.060 --> 00:08:08.090
  • TIME AND ENERGY BEHIND.
  • 00:08:08.090 --> 00:08:10.050
  • BECAUSE IT ASKS A LOT OF US,
  • 00:08:10.050 --> 00:08:11.270
  • YOU KNOW.
  • 00:08:11.270 --> 00:08:13.040
  • >WELL, WITH CAGED NO MORE YOU
  • 00:08:13.040 --> 00:08:14.040
  • HAD A GREAT CAST TO WORK WITH.
  • 00:08:14.040 --> 00:08:15.160
  • >YEAH, IT WAS INCREDIBLE.
  • 00:08:15.160 --> 00:08:16.160
  • AS A MATTER OF FACT, I ACTUALLY
  • 00:08:16.160 --> 00:08:17.080
  • TOLD THE PRODUCERS, AS SOON AS
  • 00:08:17.080 --> 00:08:18.080
  • YOU LOCK DOWN THAT LEAD PART
  • 00:08:18.080 --> 00:08:19.090
  • THAT LORETTA DIVINE ENDED UP
  • 00:08:19.090 --> 00:08:21.000
  • PLAYING, YOU LET ME KNOW, AND
  • 00:08:21.000 --> 00:08:23.060
  • THAT'S WHEN I'LL DECIDE WHETHER
  • 00:08:23.060 --> 00:08:24.000
  • OR NOT I WANT TO BE A PART OF IT
  • 00:08:24.000 --> 00:08:25.020
  • BECAUSE THAT'S SUCH A BIG PART
  • 00:08:25.020 --> 00:08:26.000
  • AND THE FILM NEEDED THAT
  • 00:08:26.000 --> 00:08:27.070
  • INCREDIBLE ACTRESS TO
  • 00:08:27.070 --> 00:08:28.220
  • BRING IT TO LIFE.
  • 00:08:28.220 --> 00:08:29.280
  • ONCE THAT'S LOCKED IN, YOU KNOW,
  • 00:08:29.280 --> 00:08:30.200
  • I'M IN. WHATEVER IT TAKES.
  • 00:08:30.200 --> 00:08:32.120
  • AND I GOT TO WORK WITH KEVIN
  • 00:08:32.120 --> 00:08:33.150
  • SORBO, WHO I GREW UP WATCHING AS
  • 00:08:33.150 --> 00:08:34.260
  • HERCULES. AND I ACTUALLY GOT TO
  • 00:08:34.260 --> 00:08:36.180
  • BEAT HIM UP IN THE MOVIE, AND
  • 00:08:36.180 --> 00:08:37.240
  • REALLY, THAT'S REALLY ALL I
  • 00:08:37.240 --> 00:08:39.100
  • NEEDED. YOU KNOW, HERCULES,
  • 00:08:39.100 --> 00:08:40.070
  • I WAS IN.
  • 00:08:40.070 --> 00:08:42.060
  • >AND THAT FILM LIVES FOREVER.
  • 00:08:42.060 --> 00:08:43.150
  • YOU CAN SHOW IT TO YOUR KIDS BE
  • 00:08:43.150 --> 00:08:44.210
  • LIKE, HEY, DON'T MESS WITH DAD.
  • 00:08:44.210 --> 00:08:46.030
  • >YEAH, I'LL SHOW THEM HERCULES
  • 00:08:46.030 --> 00:08:46.210
  • FIRST, JUST A LITTLE SNIPPET,
  • 00:08:46.210 --> 00:08:47.250
  • AND THEN GO, HEY, WATCH WHAT
  • 00:08:47.250 --> 00:08:48.230
  • HAPPENS.
  • 00:08:48.230 --> 00:08:50.080
  • >THIS IS WHAT HAPPENS WHEN
  • 00:08:50.080 --> 00:08:50.280
  • HE FIGHTS IN CLOTHES.
  • 00:08:50.280 --> 00:08:52.040
  • >THAT'S RIGHT.
  • 00:08:52.040 --> 00:08:53.190
  • >AND SO, THERE ARE A LOT OF
  • 00:08:53.190 --> 00:08:55.200
  • PEOPLE THAT THEY SEE MOVIES AND
  • 00:08:55.200 --> 00:08:57.270
  • THEY WANT TO KIND OF ESCAPE
  • 00:08:57.270 --> 00:09:00.100
  • REALITY. CAGED NO MORE IS VERY
  • 00:09:00.100 --> 00:09:02.060
  • MUCH A REAL STORY. IT'S
  • 00:09:02.060 --> 00:09:04.100
  • SOMETHING THAT'S HAPPENING IN
  • 00:09:04.100 --> 00:09:05.190
  • THE WORLD AROUND US ON A DAILY
  • 00:09:05.190 --> 00:09:07.000
  • BASIS. WHAT HAVE YOU SEEN AS A
  • 00:09:07.000 --> 00:09:08.190
  • RESULT OF THIS MOVIE TO HELP
  • 00:09:08.190 --> 00:09:10.040
  • BRING INFLUENCE IN THE PROCESS
  • 00:09:10.040 --> 00:09:12.110
  • AND THE PROBLEM OF
  • 00:09:12.110 --> 00:09:13.200
  • HUMAN TRAFFICKING
  • 00:09:13.200 --> 00:09:14.120
  • IN TERMS OF AWARENESS
  • 00:09:14.120 --> 00:09:15.200
  • AND PEOPLE'S WILLINGNESS TO GET
  • 00:09:15.200 --> 00:09:16.130
  • INVOLVED IN THAT FIGHT.
  • 00:09:16.130 --> 00:09:17.190
  • >WELL YOU SAID IT. IT STARTS
  • 00:09:17.190 --> 00:09:18.150
  • WITH AWARENESS. IN FACT, IT
  • 00:09:18.150 --> 00:09:19.040
  • STARTS WITH ME. I READ THE
  • 00:09:19.040 --> 00:09:20.000
  • SCRIPT AND I WAS LIKE, THIS IS,
  • 00:09:20.000 --> 00:09:20.260
  • THIS IS, THIS DOESN'T HAPPEN.
  • 00:09:20.260 --> 00:09:23.030
  • LIKE I APPRECIATE WHAT YOU GUYS
  • 00:09:23.030 --> 00:09:24.030
  • ARE DOING, BUT- I CALLED THE
  • 00:09:24.030 --> 00:09:25.110
  • PRODUCERS AND SAID THIS JUST
  • 00:09:25.110 --> 00:09:26.040
  • DOESN'T HAPPEN.
  • 00:09:26.040 --> 00:09:27.110
  • >TOO FAR OF A REACH.
  • 00:09:27.110 --> 00:09:28.210
  • >AND THEY SAID IMMEDIATELY THEY
  • 00:09:28.210 --> 00:09:29.190
  • SENT ME FOUR ARTICLES OF A
  • 00:09:29.190 --> 00:09:30.150
  • SIMILAR STORY THAT HAD HAPPENED
  • 00:09:30.150 --> 00:09:31.290
  • WITHIN THE LAST 90 DAYS WITHIN
  • 00:09:31.290 --> 00:09:33.190
  • A 200 MILE RADIUS OF MY HOUSE.
  • 00:09:33.190 --> 00:09:34.190
  • IT WAS TALKING ABOUT FATHERS
  • 00:09:34.190 --> 00:09:35.210
  • TAKING THEIR KIDS OVERSEAS AND
  • 00:09:35.210 --> 00:09:37.260
  • SELLING THEIR KIDS. NOT
  • 00:09:37.260 --> 00:09:39.000
  • SOMETHING THAT HAPPENS IN 3RD
  • 00:09:39.000 --> 00:09:39.230
  • WORLD COUNTRIES THAT REALLY
  • 00:09:39.230 --> 00:09:40.230
  • DOESN'T RELATE TO MY LIFE,
  • 00:09:40.230 --> 00:09:42.190
  • ALTHOUGH THE WORK THAT'S BEING
  • 00:09:42.190 --> 00:09:44.060
  • DONE IN THOSE AREAS IS
  • 00:09:44.060 --> 00:09:45.050
  • INCREDIBLY IMPORTANT. TO ME IT
  • 00:09:45.050 --> 00:09:46.140
  • JUST FELT LIKE TOO MUCH OF A
  • 00:09:46.140 --> 00:09:47.250
  • STRETCH. WHEN I LEARNED QUICKLY
  • 00:09:47.250 --> 00:09:48.290
  • THAT IT WASN'T A STRETCH, THIS
  • 00:09:48.290 --> 00:09:50.140
  • IS HAPPENING, I WANTED TO DO
  • 00:09:50.140 --> 00:09:51.260
  • ANYTHING I COULD TO BE A PART OF
  • 00:09:51.260 --> 00:09:52.240
  • IT AND TO BRING AWARENESS.
  • 00:09:52.240 --> 00:09:53.230
  • BUT YOU SAID IT, IT'S ABOUT
  • 00:09:53.230 --> 00:09:54.220
  • AWARENESS. AND THE FIRST STEP
  • 00:09:54.220 --> 00:09:55.250
  • THAT YOU CAN DO,
  • 00:09:55.250 --> 00:09:57.050
  • YOU CAN WATCH THIS MOVIE.
  • 00:09:57.050 --> 00:09:58.100
  • IT CAN MAKE YOU AWARE OF
  • 00:09:58.100 --> 00:09:59.200
  • THE REALITIES OF THE SITUATION
  • 00:09:59.200 --> 00:10:01.060
  • AND THERE ARE SUCH INCREDIBLE
  • 00:10:01.060 --> 00:10:02.110
  • LOCAL ORGANIZATIONS, REALLY
  • 00:10:02.110 --> 00:10:03.130
  • EVERYWHERE THAT ARE TACKLING
  • 00:10:03.130 --> 00:10:05.040
  • THIS PROBLEM BOTH LOCALLY AND IN
  • 00:10:05.040 --> 00:10:06.190
  • A MORE BROAD SENSE AS WELL.
  • 00:10:06.190 --> 00:10:09.040
  • SO IF YOU'RE JUST NOW
  • 00:10:09.040 --> 00:10:11.040
  • BECOMING AWARE OF THIS
  • 00:10:11.040 --> 00:10:12.080
  • TERRIBLE ISSUE, THERE ARE PLACES
  • 00:10:12.080 --> 00:10:13.150
  • THAT YOU CAN PLUG IN
  • 00:10:13.150 --> 00:10:14.170
  • IMMEDIATELY, LOCALLY, AND
  • 00:10:14.170 --> 00:10:16.150
  • YOU CAN HELP SUPPORT THINGS
  • 00:10:16.150 --> 00:10:17.260
  • LIKE THIS PIECE OF ART, THIS
  • 00:10:17.260 --> 00:10:19.130
  • FILM, THAT WE'RE TRYING TO BRING
  • 00:10:19.130 --> 00:10:20.190
  • AWARENESS TO THIS ISSUE AS WELL.
  • 00:10:20.190 --> 00:10:22.110
  • SO THERE'S ALWAYS SOMETHING
  • 00:10:22.110 --> 00:10:23.230
  • THAT WE CAN DO,
  • 00:10:23.230 --> 00:10:25.000
  • AND FOR ME IN THIS
  • 00:10:25.000 --> 00:10:25.210
  • PARTICULAR SITUATION,
  • 00:10:25.210 --> 00:10:26.150
  • IT WAS PLAYING THIS PART.
  • 00:10:26.150 --> 00:10:27.190
  • >SO IF SOMEBODY WANTS TO FIND
  • 00:10:27.190 --> 00:10:28.110
  • OUT ABOUT HOW THEY CAN COME IN
  • 00:10:28.110 --> 00:10:29.180
  • CONTACT WITH THIS MOVIE,
  • 00:10:29.180 --> 00:10:31.040
  • "CAGED NO MORE". IF THEY WANT TO
  • 00:10:31.040 --> 00:10:32.280
  • GET INVOLVED IN HELPING IN
  • 00:10:32.280 --> 00:10:34.070
  • THIS GREAT CAUSE OF HUMAN
  • 00:10:34.070 --> 00:10:36.090
  • TRAFFICKING, WHERE DO THEY NEED
  • 00:10:36.090 --> 00:10:37.220
  • TO GO?
  • 00:10:37.220 --> 00:10:38.160
  • >WELL, THERE'S A WEBSITE.
  • 00:10:38.160 --> 00:10:39.120
  • CAGEDNOMORE.COM,
  • 00:10:39.120 --> 00:10:40.250
  • IT MAY BE CAGEDNOMOREMOVIE.COM.
  • 00:10:40.250 --> 00:10:43.070
  • PLEASE DON'T QUOTE ME ON THAT.
  • 00:10:43.070 --> 00:10:44.010
  • BUT A GOOGLE WILL PUT YOU RIGHT
  • 00:10:44.010 --> 00:10:46.070
  • WHERE YOU NEED
  • 00:10:46.070 --> 00:10:47.030
  • >WE'LL PUT IT RIGHT ON THE
  • 00:10:47.030 --> 00:10:47.230
  • BOTTOM OF THE SCREEN.
  • 00:10:47.230 --> 00:10:48.170
  • >THANK YOU. AND, FIND THE MOVIE,
  • 00:10:48.170 --> 00:10:49.230
  • WATCH THE MOVIE. YOU KNOW, YOU
  • 00:10:49.230 --> 00:10:51.240
  • CAN GET IT ON AMAZON, WALMART,
  • 00:10:51.240 --> 00:10:52.290
  • ANYWHERE, YOU KNOW, IT'S OUT ON
  • 00:10:52.290 --> 00:10:54.210
  • DVD AT THIS POINT. I DO THINK
  • 00:10:54.210 --> 00:10:55.250
  • IT'S IMPORTANT TO SUPPORT
  • 00:10:55.250 --> 00:10:57.010
  • FILMMAKERS LIKE THIS SO THEY CAN
  • 00:10:57.010 --> 00:10:58.140
  • CONTINUE TO MAKE FILMS LIKE
  • 00:10:58.140 --> 00:10:59.290
  • THIS, AND THAT'S REALLY IT,
  • 00:10:59.290 --> 00:11:01.140
  • IF PEOPLE BUY IT AND THEY
  • 00:11:01.140 --> 00:11:03.160
  • SUPPORT IT, THEN WE GET TO
  • 00:11:03.160 --> 00:11:04.250
  • DO MORE OF THEM.
  • 00:11:04.250 --> 00:11:05.220
  • >WELL IN REALITY THAT'S
  • 00:11:05.220 --> 00:11:06.260
  • SOMEWAY THAT EVERYBODY
  • 00:11:06.260 --> 00:11:08.110
  • CAN LEVERAGE INFLUENCE.
  • 00:11:08.110 --> 00:11:09.200
  • YOU KNOW, NOT EVERYBODY'S GONNA
  • 00:11:09.200 --> 00:11:10.200
  • HAVE A WIDER RANGE OF TALENTS.
  • 00:11:10.200 --> 00:11:12.190
  • YOU KNOW, NOT EVERYBODY'S GONNA
  • 00:11:12.190 --> 00:11:13.230
  • BE ABLE TO GET INVOLVED IN MOVIE
  • 00:11:13.230 --> 00:11:14.250
  • PRODUCTION, BUT IF YOU GET
  • 00:11:14.250 --> 00:11:15.190
  • BEHIND PEOPLE THAT ARE USING
  • 00:11:15.190 --> 00:11:16.270
  • THOSE TALENTS IN POSITIVE WAYS,
  • 00:11:16.270 --> 00:11:18.230
  • YOU'RE LEVERAGING INFLUENCE.
  • 00:11:18.230 --> 00:11:20.180
  • >TEAMWORK. THIS THING HAPPENS
  • 00:11:20.180 --> 00:11:22.000
  • AS A TEAM.
  • 00:11:22.000 --> 00:11:23.010
  • >SOME OF THE THINGS THAT GIVE
  • 00:11:23.010 --> 00:11:23.220
  • PEOPLE THE OPPORTUNITY TO
  • 00:11:23.220 --> 00:11:25.080
  • INFLUENCE MILLIONS IS THAT
  • 00:11:25.080 --> 00:11:26.250
  • THEY'VE GOT A TREMENDOUS
  • 00:11:26.250 --> 00:11:27.160
  • AMOUNT OF SUPPORT,
  • 00:11:27.160 --> 00:11:28.210
  • AND I THINK IT'S IMPORTANT FOR
  • 00:11:28.210 --> 00:11:29.290
  • BELIEVERS TO KNOW THAT IF THEY
  • 00:11:29.290 --> 00:11:31.090
  • SUPPORT PEOPLE WHO INFLUENCE US
  • 00:11:31.090 --> 00:11:32.260
  • IN A POSITIVE WAY, THEY
  • 00:11:32.260 --> 00:11:34.010
  • THEMSELVES ARE BEING AN
  • 00:11:34.010 --> 00:11:34.270
  • INFLUENCE AS WELL.
  • 00:11:34.270 --> 00:11:36.030
  • OUR NEXT GUEST SAYS THERE'S A
  • 00:11:36.030 --> 00:11:38.040
  • POWER BUTTON, AND THAT POWER
  • 00:11:38.040 --> 00:11:40.010
  • BUTTON IS IN HUMAN NATURE.
  • 00:11:40.010 --> 00:11:42.070
  • HE'S GONNA HELP US FIND IT.
  • 00:11:42.070 --> 00:11:43.200
  • HE'S AUTHOR ERIK VANALSTINE,
  • 00:11:43.200 --> 00:11:45.160
  • WHO JOINS US NEXT
  • 00:11:45.160 --> 00:11:46.170
  • HERE ON THE DIFFERENCE.
  • 00:11:46.170 --> 00:11:47.170
  • (applause)
  • 00:11:47.170 --> 00:11:48.200
  • THIS CHRISTMAS, PEOPLE ALL OVER
  • 00:11:52.040 --> 00:11:55.040
  • THE WORLD WILL GATHER AROUND THE
  • 00:11:55.040 --> 00:11:57.000
  • TREE AND CELEBRATE TOGETHER.
  • 00:11:57.220 --> 00:12:00.240
  • BUT WHAT ABOUT THOSE WITH BROKEN
  • 00:12:00.240 --> 00:12:01.290
  • FAMILIES? RAISING THEIR CHILDREN
  • 00:12:01.290 --> 00:12:04.000
  • ALONE, BARELY ABLE TO GIVE
  • 00:12:04.000 --> 00:12:05.220
  • THEM A CHRISTMAS AT ALL.
  • 00:12:05.220 --> 00:12:08.060
  • THIS HOLIDAY SEASON, LET'S UNIFY
  • 00:12:08.060 --> 00:12:09.180
  • THROUGH OUR GIVING TO BE A
  • 00:12:09.180 --> 00:12:11.090
  • FAMILY TO THOSE WITHOUT ONE.
  • 00:12:11.090 --> 00:12:14.050
  • FOR A GIFT OF ANY AMOUNT TO JOHN
  • 00:12:14.050 --> 00:12:15.060
  • HAGEE MINISTRIES, WE'D LIKE TO
  • 00:12:15.060 --> 00:12:16.290
  • SEND YOU A FREE HAGEE'S
  • 00:12:16.290 --> 00:12:18.110
  • CHRISTMAS ALBUM.
  • 00:12:18.110 --> 00:12:20.020
  • AND FOR A TAX DEDUCTIBLE GIFT OF
  • 00:12:20.020 --> 00:12:21.000
  • $150 OR MORE, WE'LL SEND YOU
  • 00:12:21.000 --> 00:12:23.130
  • THE CHRISTMAS ALBUM, ALONG
  • 00:12:23.130 --> 00:12:24.230
  • WITH A PROPHETIC BIBLE AND
  • 00:12:24.230 --> 00:12:26.010
  • DAILY TRUTH DEVOTIONAL.
  • 00:12:26.010 --> 00:12:27.230
  • ALL PROCEEDS WILL GO TO
  • 00:12:27.230 --> 00:12:28.180
  • THE SANCTUARY OF HOPE.
  • 00:12:28.180 --> 00:12:31.100
  • >THANK YOU FOR HELPING US
  • 00:12:31.100 --> 00:12:32.020
  • GO INTO THE NEW YEAR FINANCIALLY
  • 00:12:32.020 --> 00:12:33.120
  • STRONGER AND READY TO SHARE THE
  • 00:12:33.120 --> 00:12:34.270
  • GOSPEL TO THE NATIONS OF THE
  • 00:12:34.270 --> 00:12:36.270
  • WORLD. TOGETHER WE ARE MAKING A
  • 00:12:36.270 --> 00:12:38.250
  • DIFFERENCE. FROM ALL OF US AT
  • 00:12:38.250 --> 00:12:40.160
  • JOHN HAGEE MINISTRIES,
  • 00:12:40.160 --> 00:12:42.060
  • MERRY CHRISTMAS
  • 00:12:42.060 --> 00:12:43.040
  • AND A HAPPY NEW YEAR.
  • 00:12:43.040 --> 00:12:44.250
  • >TO GIVE YOUR TAX DEDUCTIBLE
  • 00:12:44.250 --> 00:12:46.120
  • GIFT, CALL 1-800-854-9899
  • 00:12:47.100 --> 00:12:50.100
  • OR VISIT JHM.ORG/UNITY.
  • 00:12:50.100 --> 00:12:52.110
  • WEBSTER'S DICTIONARY DEFINES
  • 00:12:52.110 --> 00:12:54.200
  • REVOLUTION AS A SUDDEN
  • 00:12:54.200 --> 00:12:56.120
  • OR COMPLETE CHANGE.
  • 00:12:56.120 --> 00:12:58.100
  • THE FACT IS, AMERICA NEEDS
  • 00:12:58.100 --> 00:12:59.250
  • A REVOLUTION, IF SHE'S
  • 00:12:59.250 --> 00:13:01.050
  • GOING TO SURVIVE.
  • 00:13:01.050 --> 00:13:03.020
  • WE WANT YOU TO JOIN US IN
  • 00:13:03.020 --> 00:13:04.040
  • BRANSON, MISSOURI FOR A
  • 00:13:04.040 --> 00:13:05.050
  • RIGHTEOUS REVOLUTION,
  • 00:13:05.050 --> 00:13:06.200
  • APRIL 27TH AND 28TH.
  • 00:13:06.200 --> 00:13:08.060
  • FEATURING MUSIC BY CANTON
  • 00:13:08.060 --> 00:13:09.160
  • JUNCTION, THE HAGEES, THE
  • 00:13:09.160 --> 00:13:10.260
  • CORNERSTONE CHURCH CHOIR,
  • 00:13:10.260 --> 00:13:12.180
  • AND MORE!
  • 00:13:12.180 --> 00:13:13.200
  • WITH TEACHINGS BY PASTORS
  • 00:13:13.200 --> 00:13:15.060
  • JOHN AND MATTHEW HAGEE
  • 00:13:15.060 --> 00:13:16.090
  • AND DIANA HAGEE.
  • 00:13:16.090 --> 00:13:17.190
  • REGISTER BY CALLING
  • 00:13:17.190 --> 00:13:18.170
  • 1-800-854-9899
  • 00:13:18.170 --> 00:13:20.280
  • OR GO TO JHM.ORG.
  • 00:13:20.280 --> 00:13:22.060
  • (applause)
  • 00:13:22.060 --> 00:13:25.020
  • WELCOME BACK TO THE DIFFERENCE.
  • 00:13:25.020 --> 00:13:26.090
  • HE'S A HUMOROUS AND DYNAMIC
  • 00:13:26.090 --> 00:13:27.200
  • COMMUNICATOR, WHO HAS A STRAIGHT
  • 00:13:27.200 --> 00:13:29.120
  • FORWARD MISSION IN LIFE:
  • 00:13:29.120 --> 00:13:30.270
  • TO PROMOTE TRANSFORMATION
  • 00:13:30.270 --> 00:13:32.040
  • IN PEOPLE AND ORGANIZATIONS
  • 00:13:32.040 --> 00:13:34.070
  • AROUND THE WORLD.
  • 00:13:34.070 --> 00:13:35.120
  • PLEASE WELCOME, ERIK VANALSTINE
  • 00:13:35.120 --> 00:13:37.220
  • (applause)
  • 00:13:37.220 --> 00:13:38.190
  • >IT'S A LONG WALK.
  • 00:13:43.270 --> 00:13:46.270
  • >NICE TO HAVE YOU.
  • 00:13:46.270 --> 00:13:47.230
  • >HAVE A SEAT.
  • 00:13:47.230 --> 00:13:49.190
  • >THANK YOU. HAPPY TO BE HERE.
  • 00:13:49.190 --> 00:13:50.250
  • >WE'RE GLAD TO HAVE YOU.
  • 00:13:50.250 --> 00:13:52.020
  • >SO, YOU SPEAK ABOUT A BUTTON IN
  • 00:13:52.020 --> 00:13:53.220
  • HUMAN NATURE. WHAT IS THAT
  • 00:13:53.220 --> 00:13:55.120
  • BUTTON?
  • 00:13:55.120 --> 00:13:56.090
  • >WHAT IS THAT?
  • 00:13:56.090 --> 00:13:56.250
  • >IT'S PERCEPTION.
  • 00:13:56.250 --> 00:13:58.070
  • PERCEPTION. THE WAY WE SEE LIFE.
  • 00:13:58.070 --> 00:14:00.130
  • THE WAY WE SEE SITUATIONS
  • 00:14:00.130 --> 00:14:01.240
  • IS THE DEEPEST POWER IN HUMAN
  • 00:14:01.240 --> 00:14:03.180
  • NATURE AND I'VE ALWAYS LOVED
  • 00:14:03.180 --> 00:14:04.210
  • THIS QUOTE BY THOREAU THAT SAYS
  • 00:14:04.210 --> 00:14:06.200
  • FOR EVERY THOUSAND HACKING AT
  • 00:14:06.200 --> 00:14:08.190
  • THE BRANCHES OF EVIL,
  • 00:14:08.190 --> 00:14:10.010
  • THERE'S ONE STRIKING AT THE
  • 00:14:10.010 --> 00:14:11.060
  • ROOT. AND WHEN IT COMES TO
  • 00:14:11.060 --> 00:14:12.190
  • INFLUENCE, IT'S SO VITAL THAT WE
  • 00:14:12.190 --> 00:14:14.170
  • GET DOWN TO THE ROOT AND
  • 00:14:14.170 --> 00:14:15.270
  • INFLUENCE, THE ROOT OF
  • 00:14:15.270 --> 00:14:17.240
  • INFLUENCE, I'VE DISCOVERED IS
  • 00:14:17.240 --> 00:14:18.290
  • THE WAY WE SEE LIFE,
  • 00:14:18.290 --> 00:14:21.040
  • THE WAY WE SEE GOD,
  • 00:14:21.040 --> 00:14:22.040
  • THE WAY WE SEE OTHER PEOPLE,
  • 00:14:22.040 --> 00:14:23.040
  • THE WAY WE SEE OURSELVES.
  • 00:14:23.040 --> 00:14:24.140
  • IT'S THE WAY WE SEE.
  • 00:14:24.140 --> 00:14:25.140
  • THAT'S THE POWER.
  • 00:14:25.140 --> 00:14:27.040
  • >THAT'S COOL.
  • 00:14:27.040 --> 00:14:27.220
  • WELL, YOU TALK ABOUT AUTOMATIC
  • 00:14:27.220 --> 00:14:28.100
  • INFLUENCE. HOW DOES THAT HELP
  • 00:14:28.100 --> 00:14:30.030
  • LIVE AND LEAD IN THIS BOOK,
  • 00:14:30.030 --> 00:14:32.240
  • TELL US ABOUT THAT.
  • 00:14:32.240 --> 00:14:33.290
  • >SO, THE WAY WE SEE
  • 00:14:33.290 --> 00:14:35.050
  • AUTOMATICALLY INFLUENCES OUR
  • 00:14:35.050 --> 00:14:37.080
  • EMOTIONS. OKAY? SO WHENEVER WE
  • 00:14:37.080 --> 00:14:39.030
  • GO THROUGH LIFE, WE RUN INTO A
  • 00:14:39.030 --> 00:14:41.180
  • SITUATION. WE TELL OURSELVES,
  • 00:14:41.180 --> 00:14:43.070
  • WHAT IS HAPPENING? AND HOW GOOD
  • 00:14:43.070 --> 00:14:45.030
  • OR BAD IS IT? WE DO THIS SO FAST
  • 00:14:45.030 --> 00:14:47.060
  • WITH OUR BRILLIANT MINDS
  • 00:14:47.060 --> 00:14:48.210
  • THAT WE NEVER EVEN KNOW THAT
  • 00:14:48.210 --> 00:14:49.280
  • WE'RE DOING IT, BUT BASICALLY
  • 00:14:49.280 --> 00:14:51.190
  • WHAT COMES OUT IS OUR EMOTIONS.
  • 00:14:51.190 --> 00:14:53.220
  • FEAR, ANGER, JOY, LOVE,
  • 00:14:53.220 --> 00:14:55.180
  • WHATEVER COMES OUT
  • 00:14:55.180 --> 00:14:56.210
  • IS ACTUALLY A RESULT OF THE WAY
  • 00:14:56.210 --> 00:14:58.270
  • WE SEE, THE WAY WE ASK AND
  • 00:14:58.270 --> 00:15:01.190
  • ANSWER THESE TWO QUESTIONS.
  • 00:15:01.190 --> 00:15:03.210
  • >SO WHEN IT COMES TO
  • 00:15:03.210 --> 00:15:04.150
  • PERSPECTIVE, YOU KNOW,
  • 00:15:04.150 --> 00:15:05.110
  • WE LIKE TO DEFINE STUFF, AND WE
  • 00:15:05.110 --> 00:15:07.220
  • LIKE TO GIVE IT A TITLE AND SAY
  • 00:15:07.220 --> 00:15:08.280
  • THAT'S WHAT IT IS, THAT'S ALL IT
  • 00:15:08.280 --> 00:15:10.080
  • IS. NOW IN YOUR PERSONAL LIFE,
  • 00:15:10.080 --> 00:15:12.170
  • YOU KNOW, YOU'VE KNOWN SUCCESS
  • 00:15:12.170 --> 00:15:14.090
  • AND YOU'VE KNOWN FAILURE AND
  • 00:15:14.090 --> 00:15:15.080
  • PERSPECTIVE SOMETIMES WILL ALLOW
  • 00:15:15.080 --> 00:15:17.290
  • THE DEFINITION OF THOSE TO
  • 00:15:17.290 --> 00:15:20.050
  • CHANGE OVER TIME.
  • 00:15:20.050 --> 00:15:21.090
  • WE LOOK AT A FAILURE AND SAY,
  • 00:15:21.090 --> 00:15:22.130
  • YOU KNOW, I LEARN SO MUCH IN
  • 00:15:22.130 --> 00:15:23.130
  • THAT THAT I WAS ABLE TO SUCCEED
  • 00:15:23.130 --> 00:15:25.020
  • IN THE FUTURE. HOW DO YOU SEE
  • 00:15:25.020 --> 00:15:26.150
  • PERSPECTIVE IN RELATING THERE?
  • 00:15:26.150 --> 00:15:28.080
  • >WELL IT'S JUST THE LONG VIEW,
  • 00:15:28.080 --> 00:15:29.200
  • RIGHT? THE SHORT VIEW OR THE
  • 00:15:29.200 --> 00:15:30.220
  • SMALL VIEW WOULD BE,
  • 00:15:30.220 --> 00:15:32.060
  • WHAT'S HAPPENING TO ME RIGHT
  • 00:15:32.060 --> 00:15:33.180
  • NOW? THE LONG VIEW IS, WHAT IS
  • 00:15:33.180 --> 00:15:35.040
  • THIS GONNA CREATE IN MY LIFE
  • 00:15:35.040 --> 00:15:37.010
  • OVER TIME? THAT'S WHY JAMES
  • 00:15:37.010 --> 00:15:37.250
  • WOULD SAY SOMETHING LIKE,
  • 00:15:37.250 --> 00:15:38.290
  • COUNT IT ALL JOY THAT YOU FALL
  • 00:15:38.290 --> 00:15:40.060
  • INTO TRIALS, I MEAN THIS GUY
  • 00:15:40.060 --> 00:15:41.140
  • SOUNDS EITHER HE'S CRAZY
  • 00:15:41.140 --> 00:15:42.270
  • OR HE'S LOOKING AT THE
  • 00:15:42.270 --> 00:15:43.220
  • LONG VIEW. THE LONG VIEW IS
  • 00:15:43.220 --> 00:15:45.010
  • THAT WHAT HAPPENS TO US
  • 00:15:45.010 --> 00:15:47.120
  • IS ACTUALLY HAPPENING FOR US.
  • 00:15:47.120 --> 00:15:49.210
  • AND IF WE CAN SEE OUR
  • 00:15:49.210 --> 00:15:50.140
  • CIRCUMSTANCES THAT WAY,
  • 00:15:50.140 --> 00:15:52.030
  • WE'RE GONNA HAVE A COMPLETELY
  • 00:15:52.030 --> 00:15:52.270
  • DIFFERENT EMOTIONAL,
  • 00:15:52.270 --> 00:15:53.290
  • MOTIVATIONAL BEHAVIORAL
  • 00:15:53.290 --> 00:15:56.000
  • RESPONSE. AND THAT'S WHAT I MEAN
  • 00:15:56.000 --> 00:15:57.060
  • BY SEEING RIGHT. I MEAN, MY
  • 00:15:57.060 --> 00:15:58.260
  • MENTAL GOAL IS TO SEE RIGHT
  • 00:15:58.260 --> 00:16:00.180
  • EVERY MOMENT OF SIGHT.
  • 00:16:00.180 --> 00:16:02.180
  • IF I CAN PROPERLY CHARACTERIZE
  • 00:16:02.180 --> 00:16:04.270
  • WHAT'S GOING ON IN ME, AROUND
  • 00:16:04.270 --> 00:16:06.250
  • ME, IF I CAN SEE YOU THE RIGHT
  • 00:16:06.250 --> 00:16:08.110
  • WAY EVERY TIME I'M WITH YOU,
  • 00:16:08.110 --> 00:16:09.230
  • THEN IT'S GONNA CHANGE THINGS.
  • 00:16:09.230 --> 00:16:12.020
  • IT'S GONNA AUTOMATICALLY
  • 00:16:12.020 --> 00:16:12.240
  • INFLUENCE MY EMOTIONS,
  • 00:16:12.240 --> 00:16:14.120
  • MY MOTIVATIONS, MY DECISIONS,
  • 00:16:14.120 --> 00:16:16.130
  • MY BEHAVIORS, AND ULTIMATELY
  • 00:16:16.130 --> 00:16:18.050
  • THE OUTCOME OF MY LIFE.
  • 00:16:18.050 --> 00:16:19.150
  • >YOU KNOW, YOU TALK ABOUT JAMES,
  • 00:16:19.150 --> 00:16:20.250
  • ONE OF THE VERSES THAT FOLLOWS
  • 00:16:20.250 --> 00:16:21.280
  • HIS COUNT IT ALL JOY MOMENT IS
  • 00:16:21.280 --> 00:16:23.260
  • "LET PATIENCE HAVE ITS PERFECT
  • 00:16:23.260 --> 00:16:25.070
  • WORK". HE SAYS, YOU GOT TO
  • 00:16:25.070 --> 00:16:26.280
  • ENDURE THROUGH THIS PROCESS.
  • 00:16:26.280 --> 00:16:29.160
  • >SO MANY PEOPLE HATE THAT
  • 00:16:29.160 --> 00:16:30.100
  • SCRIPTURE. I HATE IT A LOT TOO.
  • 00:16:30.100 --> 00:16:31.290
  • I'M LIKE, OH GOSH, I LOVE IT AND
  • 00:16:31.290 --> 00:16:33.040
  • I HATE IT AT THE SAME TIME.
  • 00:16:33.040 --> 00:16:34.230
  • >I LOOK AT IT IN THIS CONCEPT.
  • 00:16:34.230 --> 00:16:36.190
  • IT'S KIND OF LIKE A BIG
  • 00:16:36.190 --> 00:16:37.140
  • CHOCOLATE CAKE.
  • 00:16:37.140 --> 00:16:38.250
  • EVERYBODY LIKES THE END RESULT.
  • 00:16:38.250 --> 00:16:40.110
  • BUT IF YOU STARTED TO EAT THE
  • 00:16:40.110 --> 00:16:41.110
  • CAKE IN THE PROCESS,
  • 00:16:41.110 --> 00:16:43.060
  • YOU WOULD BE VERY UPSET
  • 00:16:43.060 --> 00:16:45.010
  • IN THE OUTCOME, YOU KNOW.
  • 00:16:45.010 --> 00:16:46.160
  • AND SO MANY TIMES THEY SAY I'M
  • 00:16:46.160 --> 00:16:47.250
  • LOOKING FORWARD TO GOOD THINGS,
  • 00:16:47.250 --> 00:16:50.070
  • LET ME MAKE YOU A CHOCOLATE
  • 00:16:50.070 --> 00:16:51.050
  • CAKE. WELL, IF YOU EAT IT BEFORE
  • 00:16:51.050 --> 00:16:52.040
  • I BAKE THE EGGS INTO THE BATTER,
  • 00:16:52.040 --> 00:16:54.060
  • YOU'RE GONNA HATE IT.
  • 00:16:54.060 --> 00:16:55.180
  • >I MEAN, WAIT FOR THE THING TO
  • 00:16:55.180 --> 00:16:56.110
  • GET COOKED UP FIRST.
  • 00:16:56.110 --> 00:16:57.270
  • >THAT'S IT.
  • 00:16:57.270 --> 00:16:58.210
  • >DON'T EAT THE EGGS RAW.
  • 00:16:58.210 --> 00:16:59.250
  • >NOT AT ALL. UNLESS YOU'RE
  • 00:16:59.250 --> 00:17:01.070
  • INTO THAT THING. SO YOU KNOW,
  • 00:17:01.070 --> 00:17:02.080
  • YOU ALSO TALK ABOUT
  • 00:17:02.080 --> 00:17:04.000
  • THE SECRET OF INFLUENCE.
  • 00:17:04.000 --> 00:17:06.110
  • WHY IS INFLUENCE A SECRET?
  • 00:17:06.110 --> 00:17:07.290
  • >I THINK IT'S BECAUSE THE
  • 00:17:07.290 --> 00:17:08.260
  • PERCEPTION HAPPENS SO QUICKLY.
  • 00:17:08.260 --> 00:17:11.100
  • WE ARE SO BRILLIANT IN OUR
  • 00:17:11.100 --> 00:17:12.210
  • MINDS, ALL OF US HAVE AN AMAZING
  • 00:17:12.210 --> 00:17:14.190
  • INTUITIVE SENSE OF WHAT IT
  • 00:17:14.190 --> 00:17:17.070
  • HAPPENING AND HOW GOOD OR BAD IT
  • 00:17:17.070 --> 00:17:19.120
  • IS AND IT HAPPENS SO QUICKLY,
  • 00:17:19.120 --> 00:17:20.110
  • HAPPENS IN A BLINK, THAT WE JUST
  • 00:17:20.110 --> 00:17:22.050
  • THINK THAT SITUATIONS HAPPEN AND
  • 00:17:22.050 --> 00:17:24.030
  • WE REACT EMOTIONALLY,
  • 00:17:24.030 --> 00:17:25.210
  • BUT THERE'S A LITTLE SPACE IN
  • 00:17:25.210 --> 00:17:26.230
  • BETWEEN WHERE WE'RE MAKING AN
  • 00:17:26.230 --> 00:17:28.040
  • EVALUATION. WE'RE TELLING
  • 00:17:28.040 --> 00:17:29.210
  • OURSELVES THIS IS WHAT'S
  • 00:17:29.210 --> 00:17:30.270
  • HAPPENING AND THIS IS HOW GOOD
  • 00:17:30.270 --> 00:17:33.080
  • AND HOW BAD IT IS.
  • 00:17:33.080 --> 00:17:34.250
  • SO IF WE DON'T RECOGNIZE THAT
  • 00:17:34.250 --> 00:17:35.270
  • LITTLE SPACE, THEN WE'RE NOT
  • 00:17:35.270 --> 00:17:37.130
  • GONNA RECOGNIZE OUR POWER,
  • 00:17:37.130 --> 00:17:39.080
  • CAUSE OUR POWER IS IN THAT
  • 00:17:39.080 --> 00:17:40.090
  • SPACE. WHEN WE CAN TRAIN
  • 00:17:40.090 --> 00:17:41.160
  • OURSELVES TO CHANGE THE
  • 00:17:41.160 --> 00:17:42.290
  • WAY WE PERCEIVE,
  • 00:17:43.160 --> 00:17:46.160
  • WE CHANGE EVERYTHING.
  • 00:17:46.160 --> 00:17:47.220
  • AND WE'RE CREATING A ROOT LEVEL
  • 00:17:47.220 --> 00:17:49.080
  • RADICAL CHANGE IN OUR LIVES
  • 00:17:49.080 --> 00:17:50.260
  • AND HOPING OTHER PEOPLE
  • 00:17:50.260 --> 00:17:51.250
  • CHANGE AS WELL.
  • 00:17:51.250 --> 00:17:53.100
  • >YOU'RE TALKING ABOUT,
  • 00:17:53.100 --> 00:17:53.240
  • SO WE'VE TALKED ABOUT NEGATIVE
  • 00:17:53.240 --> 00:17:54.230
  • MINDSET. YOU CAN, I THINK AS A
  • 00:17:54.230 --> 00:17:56.270
  • MOTHER, I CAN TELL MY KIDS, I
  • 00:17:56.270 --> 00:17:58.080
  • JUST TRY TO PRAISE THEM AND
  • 00:17:58.080 --> 00:17:59.220
  • TELL THEM GOOD THINGS.
  • 00:17:59.220 --> 00:18:00.210
  • YOU CAN DO THIS.
  • 00:18:00.210 --> 00:18:01.140
  • HOW DOES HAVING A NEGATIVE
  • 00:18:01.140 --> 00:18:02.220
  • MINDSET AS, IF YOU TELL KIDS
  • 00:18:02.220 --> 00:18:04.270
  • OR ADULTS, HOW DOES THAT
  • 00:18:04.270 --> 00:18:05.280
  • INFLUENCE YOU.
  • 00:18:05.280 --> 00:18:07.020
  • >I THINK ESPECIALLY STUDIES SHOW
  • 00:18:07.020 --> 00:18:08.240
  • THAT A MOTHER'S INFLUENCE IS
  • 00:18:08.240 --> 00:18:10.020
  • INCREDIBLE. I MEAN, THE MOTHER'S
  • 00:18:10.020 --> 00:18:11.270
  • INFLUENCE, HOW THEY SEE THE
  • 00:18:11.270 --> 00:18:13.140
  • WORLD, WHETHER THEY SEE THE
  • 00:18:13.140 --> 00:18:15.000
  • WORLD AS A GOOD PLACE WHERE
  • 00:18:15.000 --> 00:18:16.290
  • PEOPLE CAN REALLY FIND GOOD
  • 00:18:16.290 --> 00:18:19.060
  • THINGS IN THE FUTURE OR WHERE
  • 00:18:19.060 --> 00:18:20.240
  • THE WORLD IS A SUPER DANGEROUS
  • 00:18:20.240 --> 00:18:22.070
  • PLACE. AND OF COURSE IT IS A
  • 00:18:22.070 --> 00:18:23.100
  • DANGEROUS PLACE WITHIN REASON.
  • 00:18:23.100 --> 00:18:25.150
  • BUT YOU CAN HOVER,
  • 00:18:25.150 --> 00:18:27.170
  • YOU CAN HOVER OVER A CHILD
  • 00:18:27.170 --> 00:18:29.080
  • AND THAT CHILD'S GONNA PICK UP
  • 00:18:29.080 --> 00:18:31.020
  • THIS IDEA, IT'S A WAY OF VIEWING
  • 00:18:31.020 --> 00:18:32.180
  • THE WORLD. THEY'RE GONNA
  • 00:18:32.180 --> 00:18:34.060
  • SEE THE WORLD AS DANGEROUS
  • 00:18:34.060 --> 00:18:35.100
  • PLACE, AND THEY'RE NOT GOING TO
  • 00:18:35.100 --> 00:18:36.110
  • HAVE THAT SAME SENSE OF
  • 00:18:36.110 --> 00:18:37.140
  • ADVENTURE. SO PARENTS HAVE A
  • 00:18:37.140 --> 00:18:38.240
  • POWERFUL INFLUENCE ON THE WAY
  • 00:18:38.240 --> 00:18:40.030
  • THE KIDS SEE THE WORLD,
  • 00:18:40.030 --> 00:18:41.110
  • SEE LIFE.
  • 00:18:41.110 --> 00:18:42.030
  • >AND SOMETIMES THE INFLUENCE
  • 00:18:42.030 --> 00:18:43.180
  • OVER THAT LONG TERM
  • 00:18:43.180 --> 00:18:45.060
  • AND THAT LONG PERSPECTIVE
  • 00:18:45.060 --> 00:18:46.150
  • IS YOU GET A CHILD WHO IS REALLY
  • 00:18:46.150 --> 00:18:48.180
  • POSTPONING THEIR ABILITY TO MAKE
  • 00:18:48.180 --> 00:18:50.150
  • DECISIONS, MAKE PLANS AND
  • 00:18:50.150 --> 00:18:52.180
  • EXECUTE THEM, BECAUSE THEY THINK
  • 00:18:52.180 --> 00:18:53.250
  • UNLESS SOMEBODY HELPS THEM
  • 00:18:53.250 --> 00:18:55.170
  • THEY CAN'T. YOU KNOW, AND ONE OF
  • 00:18:55.170 --> 00:18:57.260
  • THE THINGS I KIND OF
  • 00:18:57.260 --> 00:18:58.270
  • ENCOURAGE PARENTS TO DO IS
  • 00:18:58.270 --> 00:19:00.120
  • AS YOUR KIDS GET TALLER,
  • 00:19:00.120 --> 00:19:02.150
  • INCREASE RESPONSIBILITIES.
  • 00:19:02.150 --> 00:19:04.140
  • YOU KNOW, THE TALLER THEY GET,
  • 00:19:04.140 --> 00:19:06.180
  • THE MORE THEY SHOULD
  • 00:19:06.180 --> 00:19:07.120
  • BE ABLE TO BEAR.
  • 00:19:07.120 --> 00:19:08.180
  • >I HAVE A SON WHO'S 6'8",
  • 00:19:08.180 --> 00:19:10.010
  • SO HE SHOULD BE EXTREMELY,
  • 00:19:10.010 --> 00:19:11.060
  • EXTREMELY RESPONSIBLE,
  • 00:19:11.060 --> 00:19:13.060
  • HE'S LIKE A TREE.
  • 00:19:13.060 --> 00:19:14.070
  • >BUT THE POINT OF IT IS,
  • 00:19:14.070 --> 00:19:15.200
  • THEY USE THEIR LOVE,
  • 00:19:16.040 --> 00:19:19.040
  • AS THEY SAY, TO MAKE SURE
  • 00:19:19.040 --> 00:19:20.190
  • THAT THE CHILD DOESN'T
  • 00:19:20.190 --> 00:19:21.150
  • HAVE TO DO ANYTHING.
  • 00:19:21.150 --> 00:19:22.290
  • YOU KNOW, I DON'T WANT YOU TO
  • 00:19:22.290 --> 00:19:23.270
  • HAVE TO WORRY ABOUT THAT,
  • 00:19:23.270 --> 00:19:24.260
  • I DON'T WANT YOU TO HAVE TO NEED
  • 00:19:24.260 --> 00:19:25.170
  • THAT. YOU KNOW WHAT? I'LL TAKE
  • 00:19:25.170 --> 00:19:26.140
  • CARE OF EVERYTHING.
  • 00:19:26.140 --> 00:19:27.160
  • AND THEN ALL THE SUDDEN THIS
  • 00:19:27.160 --> 00:19:28.050
  • CHILD GETS TO 21 YEARS OLD AND
  • 00:19:28.050 --> 00:19:29.210
  • MOM AND DAD SAY, IT'S TIME FOR
  • 00:19:29.210 --> 00:19:31.070
  • YOU TO BE RESPONSIBLE,
  • 00:19:31.070 --> 00:19:32.190
  • AND THEY GO WHAT?
  • 00:19:32.190 --> 00:19:34.000
  • >WHAT IS THAT?
  • 00:19:34.000 --> 00:19:34.250
  • THEY'RE SMOTHERED.
  • 00:19:34.250 --> 00:19:36.130
  • AND I DON'T WANT TO GET ON THE
  • 00:19:36.130 --> 00:19:37.260
  • LADIES BECAUSE THIS IS NOT ABOUT
  • 00:19:37.260 --> 00:19:39.150
  • EITHER SIDE. BUT MOTHERING CAN
  • 00:19:39.150 --> 00:19:41.160
  • BE SMOTHERING, AND FATHERING
  • 00:19:41.160 --> 00:19:43.140
  • CAN BE SMOTHERING AS WELL.
  • 00:19:43.140 --> 00:19:44.200
  • AND I THINK A LOT OF TIMES,
  • 00:19:44.200 --> 00:19:47.000
  • I MEAN, I HAVE 6 KIDS,
  • 00:19:47.000 --> 00:19:48.090
  • SO HERE'S THE THING.
  • 00:19:48.090 --> 00:19:50.010
  • IT GOT OUT OF CONTROL SO FAST.
  • 00:19:50.010 --> 00:19:51.060
  • I HAD 6 KIDS IN 8 YEARS.
  • 00:19:51.060 --> 00:19:52.280
  • MY WIFE, BY THE WAY, IT WAS HER
  • 00:19:52.280 --> 00:19:53.280
  • IDEA. HER IDEA, EVERYONE,
  • 00:19:53.280 --> 00:19:55.200
  • JUST, FOR THE RECORD.
  • 00:19:55.200 --> 00:19:57.030
  • >YOU WERE JUST OUT IN THE CHAOS.
  • 00:19:57.030 --> 00:19:58.010
  • >I WAS RIDING THE EDGE OF CHAOS,
  • 00:19:58.010 --> 00:20:00.120
  • SURFING THE EDGE OF CHAOS.
  • 00:20:00.120 --> 00:20:01.210
  • SO ANYWAY, WE GOT TO THE POINT
  • 00:20:01.210 --> 00:20:03.150
  • WHERE, THEY HAD TO WORK
  • 00:20:03.150 --> 00:20:05.050
  • IT OUT ON THEIR OWN.
  • 00:20:05.050 --> 00:20:06.240
  • THERE'S NOT ENOUGH PEOPLE TO
  • 00:20:06.240 --> 00:20:07.170
  • HELP RESOLVE THEIR ISSUE
  • 00:20:07.170 --> 00:20:08.280
  • OR KEEP THEM FROM DANGER,
  • 00:20:08.280 --> 00:20:10.020
  • SO I MEAN, A LOT OF THE
  • 00:20:10.020 --> 00:20:10.260
  • CONSEQUENCE OF THAT ON THE GOOD
  • 00:20:10.260 --> 00:20:13.170
  • SIDE, THERE'S A LOT OF BAD TO
  • 00:20:13.170 --> 00:20:14.160
  • THAT, BUT THE CONSEQUENCE ON THE
  • 00:20:14.160 --> 00:20:16.040
  • GOOD SIDE IS, IF YOU'RE GONNA DO
  • 00:20:16.040 --> 00:20:17.070
  • IT, YOU HAVE TO DO IT YOURSELF.
  • 00:20:17.070 --> 00:20:18.240
  • YOU HAVE TO JUMP OUT,
  • 00:20:18.240 --> 00:20:19.260
  • TAKE RESPONSIBILITY.
  • 00:20:19.260 --> 00:20:21.020
  • IT'S NOT GONNA HAPPEN
  • 00:20:21.020 --> 00:20:21.270
  • UNLESS YOU MAKE IT HAPPEN.
  • 00:20:21.270 --> 00:20:23.040
  • SO IT HELPS CHILDREN SOMETIMES
  • 00:20:23.040 --> 00:20:24.130
  • TO NOT BE AS HOVERING
  • 00:20:24.240 --> 00:20:27.240
  • AND LET THEM GO OUT AND, YOU
  • 00:20:27.240 --> 00:20:29.150
  • KNOW, ENJOY THE WORLD.
  • 00:20:29.150 --> 00:20:31.140
  • TRY IT OUT.
  • 00:20:31.140 --> 00:20:32.220
  • >THEY SEE AND ASSESS A PROBLEM
  • 00:20:32.220 --> 00:20:34.180
  • AND THEN THEY MAKE A DECISION
  • 00:20:34.180 --> 00:20:35.260
  • ABOUT HOW TO SOLVE IT
  • 00:20:35.260 --> 00:20:36.180
  • AND THEN THEY FIND OUT WHETHER
  • 00:20:36.180 --> 00:20:37.180
  • THE SOLUTION WAS EFFECTIVE
  • 00:20:37.180 --> 00:20:38.270
  • OR INEFFECTIVE.
  • 00:20:38.270 --> 00:20:39.250
  • >OH AND THEY GOTTA TRY IT.
  • 00:20:39.250 --> 00:20:41.010
  • YOU KNOW WHAT I FIND ALSO, TOO,
  • 00:20:41.010 --> 00:20:42.140
  • IS THAT SUCCESS IS A COMPLEX
  • 00:20:42.140 --> 00:20:44.090
  • PROBLEM. YOU KNOW, A LOT OF
  • 00:20:44.090 --> 00:20:47.020
  • PEOPLE THINK, HOW DO I SUCCEED
  • 00:20:47.020 --> 00:20:48.010
  • IN LIFE. THAT'S A COMPLEX
  • 00:20:48.010 --> 00:20:48.270
  • PROBLEM. AND THERE'S A LOT OF
  • 00:20:48.270 --> 00:20:50.080
  • CHALLENGES, A LOT OF WAYS
  • 00:20:50.080 --> 00:20:51.190
  • TO SOLVE-
  • 00:20:51.190 --> 00:20:52.070
  • >LOTS OF VARIABLES.
  • 00:20:52.070 --> 00:20:52.230
  • >YEAH. LOTS OF VARIABLES.
  • 00:20:52.230 --> 00:20:53.250
  • YOU CAN HAVE, IT'S LIKE HAVING
  • 00:20:53.250 --> 00:20:54.270
  • INGREDIENTS FOR CAKE,
  • 00:20:54.270 --> 00:20:56.060
  • YOU CAN HAVE 5 OUT OF 6
  • 00:20:56.060 --> 00:20:57.140
  • INGREDIENTS, THAT'S NOT GONNA
  • 00:20:57.140 --> 00:20:58.150
  • GET YOU CAKE.
  • 00:20:58.150 --> 00:21:00.060
  • AND A LOT OF TIMES WE THINK
  • 00:21:00.060 --> 00:21:02.000
  • ABOUT SUCCESS AS SOMETHING
  • 00:21:02.000 --> 00:21:03.160
  • THAT'S SIMPLE, AND I THINK A LOT
  • 00:21:03.160 --> 00:21:04.230
  • OF TIMES MOTIVATORS CAN GET TOO
  • 00:21:04.230 --> 00:21:06.200
  • SIMPLISTIC. BUT THEN THERE'S THE
  • 00:21:06.200 --> 00:21:08.110
  • ACADEMIC SIDE THAT MAKES IT
  • 00:21:08.110 --> 00:21:09.200
  • TOO COMPLICATED.
  • 00:21:09.200 --> 00:21:11.050
  • WHAT I'M TRYING TO DO IS GET
  • 00:21:11.050 --> 00:21:12.070
  • RIGHT INTO THAT SWEET SPOT
  • 00:21:12.070 --> 00:21:13.230
  • THAT SAYS HEY, JUST LIKE THERE'S
  • 00:21:13.230 --> 00:21:14.260
  • SIX INGREDIENTS FOR CAKE,
  • 00:21:14.260 --> 00:21:16.200
  • THESE ARE THE INGREDIENTS THAT
  • 00:21:16.200 --> 00:21:17.160
  • HELP YOU BE MORE EFFECTIVE
  • 00:21:17.160 --> 00:21:19.260
  • AND HELP YOU INFLUENCE
  • 00:21:19.260 --> 00:21:20.250
  • AND IT'S ABOUT FINDING
  • 00:21:20.250 --> 00:21:22.200
  • THAT BALANCE.
  • 00:21:22.200 --> 00:21:23.290
  • >WITHOUT QUESTION.
  • 00:21:23.290 --> 00:21:24.230
  • WITHOUT QUESTION LIFE CHANGING
  • 00:21:24.230 --> 00:21:26.230
  • INFORMATION IS BEING SHARED
  • 00:21:26.230 --> 00:21:27.230
  • TODAY. WHEN WE COME BACK, WE'RE
  • 00:21:27.230 --> 00:21:29.190
  • GOING TO BRING BOTH ERIK AND
  • 00:21:29.190 --> 00:21:30.290
  • ALAN HERE TO OUR SET TO SHARE
  • 00:21:30.290 --> 00:21:33.060
  • SOME FINAL THOUGHTS ON HOW YOU
  • 00:21:33.060 --> 00:21:34.040
  • CAN LIVE A LIFE OF INFLUENCE
  • 00:21:34.040 --> 00:21:37.010
  • EVERYDAY. STAY WITH US.
  • 00:21:37.010 --> 00:21:38.080
  • YOU'RE WATCHING THE DIFFERENCE.
  • 00:21:38.080 --> 00:21:39.100
  • (applause)
  • 00:21:39.100 --> 00:21:40.070
  • WHAT WOULD THE WORLD LOOK LIKE
  • 00:21:42.260 --> 00:21:45.260
  • WITHOUT THE LIVING WORD OF GOD?
  • 00:21:45.260 --> 00:21:48.090
  • WOULD OUR GREAT COUNTRY
  • 00:21:48.090 --> 00:21:49.030
  • FALL INTO TURMOIL AND DESPAIR?
  • 00:21:49.030 --> 00:21:51.070
  • WHEN YOU GIVE TO JOHN HAGEE
  • 00:21:51.070 --> 00:21:52.100
  • MINISTRIES, YOU BECOME A PART
  • 00:21:52.100 --> 00:21:53.170
  • OF THE WORK WE ARE DOING.
  • 00:21:53.170 --> 00:21:55.070
  • BUT TIME IS RUNNING OUT.
  • 00:21:55.070 --> 00:21:56.140
  • PLEASE HELP US MAKE A
  • 00:21:56.140 --> 00:21:57.100
  • LIFE-CHANGING DIFFERENCE IN THE
  • 00:21:57.100 --> 00:21:58.180
  • WORLD BY MAKING YOUR
  • 00:21:58.180 --> 00:22:00.030
  • TAX DEDUCTIBLE DONATION
  • 00:22:00.030 --> 00:22:01.170
  • BY DECEMBER 31ST.
  • 00:22:01.170 --> 00:22:03.070
  • >LET ME HEAR FROM YOU TODAY
  • 00:22:03.070 --> 00:22:04.190
  • WITH THE VERY BEST GIFT
  • 00:22:04.190 --> 00:22:06.210
  • YOU CAN GIVE.
  • 00:22:06.210 --> 00:22:08.110
  • >MAKE YOUR TAX DEDUCTIBLE
  • 00:22:08.110 --> 00:22:09.200
  • GIFT TODAY.
  • 00:22:09.200 --> 00:22:10.080
  • CALL THE NUMBER ON YOUR SCREEN
  • 00:22:10.080 --> 00:22:11.030
  • OR VISIT JHM.ORG.
  • 00:22:11.030 --> 00:22:13.150
  • THIS CHRISTMAS, PEOPLE ALL OVER
  • 00:22:13.150 --> 00:22:16.030
  • THE WORLD WILL GATHER AROUND THE
  • 00:22:16.030 --> 00:22:17.210
  • TREE AND CELEBRATE TOGETHER.
  • 00:22:17.210 --> 00:22:20.160
  • BUT WHAT ABOUT THOSE WITH BROKEN
  • 00:22:20.160 --> 00:22:22.030
  • FAMILIES? RAISING THEIR CHILDREN
  • 00:22:22.030 --> 00:22:24.250
  • ALONE, BARELY ABLE TO GIVE
  • 00:22:24.250 --> 00:22:26.140
  • THEM A CHRISTMAS AT ALL.
  • 00:22:26.140 --> 00:22:28.270
  • THIS HOLIDAY SEASON, LET'S UNIFY
  • 00:22:28.270 --> 00:22:30.090
  • THROUGH OUR GIVING TO BE A
  • 00:22:30.090 --> 00:22:31.220
  • FAMILY TO THOSE WITHOUT ONE.
  • 00:22:31.220 --> 00:22:34.210
  • FOR A GIFT OF ANY AMOUNT TO JOHN
  • 00:22:34.210 --> 00:22:36.000
  • HAGEE MINISTRIES, WE'D LIKE TO
  • 00:22:36.000 --> 00:22:37.220
  • SEND YOU A FREE HAGEE'S
  • 00:22:37.220 --> 00:22:38.290
  • CHRISTMAS ALBUM.
  • 00:22:38.290 --> 00:22:40.190
  • AND FOR A TAX DEDUCTIBLE GIFT OF
  • 00:22:40.190 --> 00:22:41.170
  • $150 OR MORE, WE'LL SEND YOU
  • 00:22:41.170 --> 00:22:43.230
  • THE CHRISTMAS ALBUM, ALONG
  • 00:22:43.230 --> 00:22:45.100
  • WITH A PROPHETIC BIBLE AND
  • 00:22:45.100 --> 00:22:46.170
  • DAILY TRUTH DEVOTIONAL.
  • 00:22:46.170 --> 00:22:48.070
  • ALL PROCEEDS WILL GO TO
  • 00:22:48.070 --> 00:22:49.060
  • THE SANCTUARY OF HOPE.
  • 00:22:49.060 --> 00:22:50.260
  • >THANK YOU FOR HELPING US
  • 00:22:50.260 --> 00:22:52.290
  • GO INTO THE NEW YEAR FINANCIALLY
  • 00:22:52.290 --> 00:22:54.100
  • STRONGER AND READY TO SHARE THE
  • 00:22:54.100 --> 00:22:55.270
  • GOSPEL TO THE NATIONS OF THE
  • 00:22:55.270 --> 00:22:57.140
  • WORLD. TOGETHER WE ARE MAKING A
  • 00:22:57.140 --> 00:23:00.020
  • DIFFERENCE. FROM ALL OF US AT
  • 00:23:00.020 --> 00:23:01.140
  • JOHN HAGEE MINISTRIES,
  • 00:23:01.140 --> 00:23:02.270
  • MERRY CHRISTMAS
  • 00:23:02.270 --> 00:23:04.020
  • AND A HAPPY NEW YEAR.
  • 00:23:04.020 --> 00:23:06.130
  • >TO GIVE YOUR TAX DEDUCTIBLE
  • 00:23:06.130 --> 00:23:07.120
  • GIFT, CALL 1-800-854-9899
  • 00:23:07.140 --> 00:23:10.140
  • OR VISIT JHM.ORG/UNITY.
  • 00:23:11.240 --> 00:23:14.240
  • (applause)
  • 00:23:14.240 --> 00:23:16.220
  • WE'RE BACK WITH ERIK VANALSTINE
  • 00:23:16.220 --> 00:23:18.070
  • AND ALAN POWELL, AND I'M
  • 00:23:18.070 --> 00:23:19.280
  • INTERESTED TO KNOW FROM BOTH OF
  • 00:23:19.280 --> 00:23:21.010
  • YOU, WHAT HAS BEEN SOME
  • 00:23:21.010 --> 00:23:22.010
  • OF YOUR GREATEST INFLUENCES?
  • 00:23:22.010 --> 00:23:23.220
  • >WOW. WELL, FAMILY, YOU KNOW.
  • 00:23:23.220 --> 00:23:25.220
  • MY PARENTS, MY DAD.
  • 00:23:25.220 --> 00:23:27.000
  • MUSIC. FILM. THE THINGS THAT
  • 00:23:27.130 --> 00:23:30.130
  • I GET TO PARTICIPATE IN, THESE
  • 00:23:30.130 --> 00:23:32.010
  • ARE THE THINGS THAT MOVE ME AND
  • 00:23:32.010 --> 00:23:33.120
  • HAVE MADE ME THE PERSON I AM.
  • 00:23:33.120 --> 00:23:35.000
  • >YEAH, I'LL JUST ADD IN,
  • 00:23:35.000 --> 00:23:36.090
  • CAUSE THAT'S A GREAT LIST.
  • 00:23:36.090 --> 00:23:37.150
  • I'LL ADD IN BOOKS. YOU KNOW,
  • 00:23:37.150 --> 00:23:39.060
  • GREAT AUTHORS. AND IT'S KIND OF
  • 00:23:39.060 --> 00:23:41.020
  • A WEIRD WAY TO SAY IT,
  • 00:23:41.020 --> 00:23:42.110
  • BUT I LIKE HANGING OUT WITH DEAD
  • 00:23:42.110 --> 00:23:43.030
  • PEOPLE, MEANING AUTHORS THAT
  • 00:23:43.030 --> 00:23:44.070
  • HAVE NOT BEEN AROUND FOR A LONG
  • 00:23:44.070 --> 00:23:45.170
  • TIME, AND THEIR WORKS HAVE
  • 00:23:45.170 --> 00:23:47.020
  • LASTED, AND THAT MEANS THERE'S
  • 00:23:47.020 --> 00:23:48.050
  • SOMETHING TO IT. AND OBVIOUSLY
  • 00:23:48.050 --> 00:23:49.130
  • THE GREATEST WOULD BE,
  • 00:23:49.130 --> 00:23:51.020
  • OBVIOUSLY, SCRIPTURE.
  • 00:23:51.020 --> 00:23:52.170
  • READING GOD'S WORD. GREAT
  • 00:23:52.170 --> 00:23:53.280
  • INFLUENCE. BUT I THINK BOOKS,
  • 00:23:53.280 --> 00:23:55.280
  • BOOKS CAN BE INFLUENCERS
  • 00:23:55.280 --> 00:23:57.240
  • AS WELL.
  • 00:23:57.240 --> 00:23:58.210
  • >ANOTHER THING THAT I NOTICE
  • 00:23:58.210 --> 00:23:59.260
  • ABOUT INFLUENCE IN THE CONTEXT
  • 00:23:59.260 --> 00:24:01.100
  • OF OUR CONVERSATION.
  • 00:24:01.100 --> 00:24:02.130
  • WHILE IT HAS A SIMILAR SOURCE,
  • 00:24:02.130 --> 00:24:05.020
  • IT KIND OF GETS DIFFERENT
  • 00:24:05.020 --> 00:24:06.130
  • INFLUENCES THROUGHOUT TIME.
  • 00:24:06.130 --> 00:24:07.210
  • WHEN I WAS A CHILD, MY FATHER
  • 00:24:07.210 --> 00:24:08.280
  • WAS MY GREATEST INFLUENCE.
  • 00:24:08.280 --> 00:24:11.010
  • NOW THAT I'M A FATHER,
  • 00:24:11.010 --> 00:24:12.090
  • MY CHILDREN ACTUALLY INFLUENCE
  • 00:24:12.090 --> 00:24:13.070
  • ME. YOU KNOW, DO YOU FIND
  • 00:24:13.070 --> 00:24:15.050
  • THAT TO BE TRUE?
  • 00:24:15.050 --> 00:24:16.110
  • >OH YEAH. WELL, I HAVE 6 KIDS,
  • 00:24:16.110 --> 00:24:17.130
  • SO I'M INFLUENCED UP, DOWN-
  • 00:24:17.130 --> 00:24:19.050
  • >YOU'RE UNDER THE INFLUENCE.
  • 00:24:19.050 --> 00:24:20.110
  • >I'M WAY UNDER THE INFLUENCE.
  • 00:24:20.110 --> 00:24:22.170
  • >DO NOT OPERATE
  • 00:24:22.170 --> 00:24:23.050
  • HEAVY MACHINERY.
  • 00:24:23.050 --> 00:24:25.190
  • >YES. THEY'RE NOT AFFECTED. YOU
  • 00:24:25.190 --> 00:24:27.090
  • KNOW, THE WAY THEY SEE THE
  • 00:24:27.090 --> 00:24:29.110
  • WORLD, AND THEY'RE JUST, THEY
  • 00:24:29.110 --> 00:24:30.110
  • HAVE INNOCENT EYES AND YOU KNOW,
  • 00:24:30.110 --> 00:24:31.220
  • I FORGET SOMETIMES THE WAY THAT,
  • 00:24:31.220 --> 00:24:32.250
  • IF I OVERREACT TOO STERNLY TO
  • 00:24:32.250 --> 00:24:34.110
  • SOMETHING, THEY'RE CAUGHT OFF
  • 00:24:34.110 --> 00:24:36.250
  • GUARD IN A WAY THAT MY ADULT
  • 00:24:36.250 --> 00:24:38.060
  • FRIENDS OR MY WIFE WOULDN'T BE
  • 00:24:38.060 --> 00:24:40.000
  • THAT WAY AND I'M LIKE, OH, THAT
  • 00:24:40.000 --> 00:24:41.250
  • WAS TOO HARSH, OR I WENT FURTHER
  • 00:24:41.250 --> 00:24:43.190
  • THAN NECESSARY TO REPRIMAND THEM
  • 00:24:43.190 --> 00:24:45.230
  • IN THAT SITUATION. AND SO IT
  • 00:24:45.230 --> 00:24:47.050
  • REMINDS ME TO BE THAT GRACIOUS
  • 00:24:47.050 --> 00:24:48.270
  • TO EVERYONE. YOU KNOW, IT'S JUST
  • 00:24:48.270 --> 00:24:51.100
  • BECAUSE EVERYONE ELSE HAS
  • 00:24:51.100 --> 00:24:52.030
  • EXPERIENCED HARSHNESS.
  • 00:24:52.030 --> 00:24:53.150
  • >WE'RE EXAMPLES TO THEM.
  • 00:24:53.150 --> 00:24:54.150
  • AND I THINK THEY LOOK AT US AND
  • 00:24:54.150 --> 00:24:55.210
  • THEY WATCH WHAT WE DO,
  • 00:24:55.210 --> 00:24:56.250
  • AND THEY FOLLOW OUR ACTIONS.
  • 00:24:56.250 --> 00:24:58.050
  • >WITHOUT QUESTION, THEY'RE GREAT
  • 00:24:58.050 --> 00:24:59.260
  • IMITATORS. BUT THE OTHER THING,
  • 00:24:59.260 --> 00:25:02.120
  • IN THE ENVIRONMENTS THAT YOU'VE
  • 00:25:02.180 --> 00:25:05.180
  • BEEN IN, I KNOW THIS IS TRUE IN
  • 00:25:05.180 --> 00:25:06.190
  • WHAT I SEE IN THE CHURCH, PEOPLE
  • 00:25:07.130 --> 00:25:10.130
  • WHO ARE A GOOD INFLUENCE,
  • 00:25:10.170 --> 00:25:13.170
  • THEY'RE CONTAGIOUS,
  • 00:25:13.170 --> 00:25:15.020
  • AND PEOPLE WHO ARE A BAD
  • 00:25:15.020 --> 00:25:15.250
  • INFLUENCE ARE EQUALLY IF NOT
  • 00:25:15.250 --> 00:25:17.170
  • MORESO CONTAGIOUS.
  • 00:25:17.170 --> 00:25:19.200
  • WHAT IS IT THAT YOU FIND IN THAT
  • 00:25:19.200 --> 00:25:20.170
  • DYNAMIC FOR GOOD OR FOR BAD,
  • 00:25:21.040 --> 00:25:24.040
  • THAT PEOPLE ARE CONTAGIOUS
  • 00:25:24.040 --> 00:25:25.150
  • IN THEIR INFLUENCE?
  • 00:25:25.150 --> 00:25:26.170
  • YOU DON'T EVER JUST RUN INTO A
  • 00:25:26.170 --> 00:25:27.260
  • BRICK WALL WITH INFLUENCE.
  • 00:25:27.260 --> 00:25:29.110
  • YOU ARE CHANGING THINGS.
  • 00:25:29.110 --> 00:25:31.030
  • >SO TRUE. YOU KNOW, I DEFINITELY
  • 00:25:31.030 --> 00:25:32.250
  • FEEL LIKE IT'S EASIER TO
  • 00:25:32.250 --> 00:25:35.040
  • INFLUENCE NEGATIVELY THAN
  • 00:25:35.040 --> 00:25:37.020
  • POSITIVELY. IT'S LIKE, IT'S
  • 00:25:37.020 --> 00:25:38.060
  • EASIER TO TEAR THINGS DOWN
  • 00:25:38.060 --> 00:25:39.110
  • THAN IT IS TO BUILD IT UP.
  • 00:25:39.110 --> 00:25:40.280
  • I MEAN, BUILD A HOUSE, THAT
  • 00:25:40.280 --> 00:25:42.090
  • TAKES 3 MONTHS.
  • 00:25:42.090 --> 00:25:43.110
  • TEAR IT DOWN, THAT TAKES 3
  • 00:25:43.110 --> 00:25:43.280
  • MINUTES. RIGHT? AND SO I FIND
  • 00:25:43.280 --> 00:25:46.090
  • THE NEGATIVE PULL OF GRAVITY
  • 00:25:46.090 --> 00:25:49.050
  • IS SOMETHING WE HAVE TO
  • 00:25:49.050 --> 00:25:50.050
  • CONSTANTLY BE OFFSETTING
  • 00:25:50.050 --> 00:25:52.020
  • AND SO I JUST THINK ABOUT HOW
  • 00:25:52.020 --> 00:25:53.250
  • CAN I BE MORE OF A BUILDER?
  • 00:25:53.250 --> 00:25:55.280
  • BECAUSE BUILDING IS SO VITAL,
  • 00:25:55.280 --> 00:25:57.280
  • IT TAKES SO MUCH MORE WORK.
  • 00:25:57.280 --> 00:25:59.070
  • HOW CAN I BE THE KIND OF
  • 00:25:59.070 --> 00:26:00.250
  • INFLUENCER WHO, YOU KNOW,
  • 00:26:00.250 --> 00:26:02.190
  • JUST INVESTS AND INVESTS AND
  • 00:26:02.190 --> 00:26:03.190
  • INVESTS IN PEOPLE AND BUILDS
  • 00:26:03.190 --> 00:26:05.190
  • THINGS, BECAUSE IT'S SO EASY
  • 00:26:05.190 --> 00:26:06.130
  • TO TEAR THINGS DOWN.
  • 00:26:06.130 --> 00:26:07.200
  • >NOW IN YOUR LINE OF WORK,
  • 00:26:07.200 --> 00:26:08.250
  • YOU'RE KIND OF ASKED TO DO THAT
  • 00:26:08.250 --> 00:26:10.110
  • FROM TIME TO TIME. THE WAY THAT
  • 00:26:10.110 --> 00:26:11.110
  • YOU BRING CHANGE TO
  • 00:26:11.110 --> 00:26:13.000
  • ORGANIZATIONS AND INDIVIDUALS.
  • 00:26:13.000 --> 00:26:14.140
  • ALAN, SOMETIMES IN YOUR LINE OF
  • 00:26:14.140 --> 00:26:16.060
  • WORK, YOU KNOW, YOUR FAITH,
  • 00:26:16.060 --> 00:26:17.140
  • PEOPLE SEE THAT AND SAY, I DON'T
  • 00:26:17.140 --> 00:26:19.020
  • WANT YOUR INFLUENCE.
  • 00:26:19.020 --> 00:26:20.150
  • HOW DO YOU HANDLE A RESISTANT
  • 00:26:20.150 --> 00:26:21.200
  • AUDIENCE TO THE THINGS
  • 00:26:21.200 --> 00:26:23.030
  • THAT YOU HAVE IN YOUR LIFE?
  • 00:26:23.030 --> 00:26:24.180
  • >I THINK, YOU MENTIONED
  • 00:26:24.180 --> 00:26:25.220
  • PERSPECTIVE EARLIER, AND TO ME,
  • 00:26:25.220 --> 00:26:27.060
  • THAT'S KIND OF A GUIDING FORCE.
  • 00:26:27.060 --> 00:26:29.230
  • I MEAN, HOW MUCH IN ANY GIVEN
  • 00:26:29.230 --> 00:26:31.140
  • SITUATION, WHETHER IT BE A FILM
  • 00:26:31.140 --> 00:26:32.190
  • THAT I'M CONSIDERING, OR THAT
  • 00:26:32.190 --> 00:26:33.180
  • I'M A PART OF, OR MUSIC OR
  • 00:26:33.180 --> 00:26:34.160
  • WHATNOT. HOW MUCH IN EACH GIVEN
  • 00:26:34.160 --> 00:26:35.260
  • SITUATION DO I FEEL LIKE MY
  • 00:26:35.260 --> 00:26:36.210
  • POSITIVE INFLUENCE NEEDS TO BE
  • 00:26:36.210 --> 00:26:39.090
  • ASSERTED, WHAT IS THE
  • 00:26:39.090 --> 00:26:41.010
  • APPROPRIATE, I DON'T WANT TO BE
  • 00:26:41.010 --> 00:26:42.000
  • WALKING AROUND, I DON'T WANT TO
  • 00:26:42.000 --> 00:26:42.250
  • AS SOON BE WALKING AROUND BE
  • 00:26:42.250 --> 00:26:43.200
  • KNOWN AS THE GUY THAT NOBODY
  • 00:26:43.200 --> 00:26:44.290
  • WANTS TO BE AROUND BECAUSE HE'S
  • 00:26:44.290 --> 00:26:45.240
  • ALWAYS TELLING YOU WHAT HE
  • 00:26:45.240 --> 00:26:46.200
  • THINKS. HE'S ALWAYS TELLING YOU
  • 00:26:46.200 --> 00:26:47.240
  • HOW THEY'RE WRONG IN A GIVEN
  • 00:26:47.240 --> 00:26:49.040
  • SITUATION AND WHATNOT.
  • 00:26:49.040 --> 00:26:50.120
  • I THINK WE LEAD WITH LOVE, YOU
  • 00:26:50.120 --> 00:26:51.100
  • KNOW. THAT, TO ME, IS THE ONLY
  • 00:26:51.100 --> 00:26:53.120
  • THING THAT I'VE FOUND, THAT HAS
  • 00:26:53.120 --> 00:26:54.190
  • GUIDED ME AND BEEN A POSITIVE
  • 00:26:54.190 --> 00:26:57.040
  • THING. I MEAN, WHATEVER
  • 00:26:57.040 --> 00:26:58.190
  • SITUATION, IF YOU ARE GENUINELY
  • 00:26:58.190 --> 00:26:59.230
  • MOTIVATED BY LOVE,
  • 00:27:00.100 --> 00:27:03.100
  • I THINK IT FINDS ITS WAY
  • 00:27:03.100 --> 00:27:05.000
  • INTO THAT CONVERSATION IN A WAY
  • 00:27:05.000 --> 00:27:06.250
  • THAT IS NOT OFF-PUTTING
  • 00:27:06.250 --> 00:27:08.160
  • IN ANY WAY.
  • 00:27:08.160 --> 00:27:09.170
  • >WELL, WHEN IT COMES TO
  • 00:27:09.170 --> 00:27:10.080
  • INFLUENCE, OUR GUESTS TODAY
  • 00:27:10.080 --> 00:27:11.080
  • ALAN POWELL AND ERIK VANALSTINE
  • 00:27:11.080 --> 00:27:13.250
  • HAVE USED THEIR INFLUENCES TO
  • 00:27:13.250 --> 00:27:15.190
  • APPROACH AUDIENCES AND CHANGE
  • 00:27:15.190 --> 00:27:17.080
  • THEIR LIVES. WHETHER YOU CHECK
  • 00:27:17.080 --> 00:27:19.040
  • THEM OUT THROUGH THEIR MOVIES,
  • 00:27:19.040 --> 00:27:20.100
  • OR THROUGH THEIR WORKS IN PRINT,
  • 00:27:20.100 --> 00:27:21.170
  • MAKE SURE YOU ALLOW THEIR
  • 00:27:21.170 --> 00:27:22.250
  • TALENTS TO INFLUENCE YOU,
  • 00:27:22.250 --> 00:27:24.160
  • AND THANK YOU FOR JOINING
  • 00:27:24.160 --> 00:27:25.250
  • US TODAY, ON THE DIFFERENCE.
  • 00:27:25.250 --> 00:27:27.010