Guardian | TBN

Guardian

Watch Guardian
January 29, 2020
27:29

Music; Moments; and Memories highlights the friendships legendary CCM artists have maintained over the years; their faith and journey in music.

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Guardian

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  • [MUSIC]
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  • THE NEW CCM UNITED“MUSIC, MOMENTS & MEMORIES”
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  • FEATURING MORE CCM HITS YOU GREWUP WITH. SIMPLY CALL THE NUMBER
  • 00:00:06.092 --> 00:00:10.830
  • ON YOUR SCREEN OR GO ONLINE. THECD AND DVD ARE BOTH YOURS FOR
  • 00:00:10.863 --> 00:00:18.438
  • YOUR GIFT OF $39 OR MORE. HELPTAKE THE MESSAGE OF HOPE AND
  • 00:00:18.471 --> 00:00:22.041
  • GRACE AROUND THE WORLD. CALL THENUMBER ON YOUR SCREEN OR GO
  • 00:00:22.075 --> 00:00:26.012
  • ONLINE AND REQUEST YOUR COPYNOW.
  • 00:00:26.045 --> 00:00:29.182
  • [MUSIC]
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  • -NO, THIS IS RAP.
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  • [LAUGHTER] MY NAME'S JAMIE ROADDILLY, YILLY, DANG, DONG I USED
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  • TO HAVE HAIR AND IT WAS LONG IGOT NO HAIR NO MORE [LAUGHTER]
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  • [MUSIC]
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  • JACKIE VELASQUEZ: HELLO,MY NAME IS JACKIE VELASQUEZ AND
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  • I'D LIKE TO WELCOME YOU TO THISEPISODE FEATURING GUARDIAN. IN
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  • THE LATE 80S BASSIST DAVID BACHJOINED FORCES WITH GUITARIST
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  • TONY PALACIOS, AND THEN DRUMMERKARL NEY AND LATER WITH LEAD
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  • SINGER JAMIE ROWE. NOW, LET'SREWIND TO GUARDIANS PRODUCERS
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  • JOHN AND DINO ELEFANTE. YOU MAYKNOW JOHN AS THE LEAD SINGER FOR
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  • THE MEGA ROCK BAND KANSAS, ANDTHE TWO BROTHERS PRODUCED
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  • LEGENDARY ARTISTS LIKE PETRA. INTHE 70S JOHN AND DINO GOT SAVED
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  • THROUGH CALVARY CHAPEL IN A TENTSET UP ON THE BEACH IN
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  • CALIFORNIA. KIDS WERE GETTINGSAVED LEFT AND RIGHT, AND THEY
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  • SAW HOW GOD WAS MOVING IN THISNEW GENRE CALLED CHRISTIAN ROCK.
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  • FAST FORWARD TO THEM OWNINGPACHYDERM RECORDS WHEN ONE DAY-
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  • -THIS PHOTOGRAPH LANDED ON MYDESK AND IT WAS FOUR GUYS AND
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  • THEY HAD ON MOTOCROSS GEAR. ANDIT WAS ALL SPRAY-PAINTED SILVER,
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  • AND IT HAD SPIKES AND THECOLLARS. AND THEY WERE LIKE
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  • LOOKING REAL MAD AT THE CAMERA,LIKE, LOOK AT OUR ATTITUDE. AND
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  • IT WAS THIS BAND CALLED GUARDIANAND THEY WERE ON ENIGMA. THEY
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  • WERE ON THE SAME LABEL OFSTRIPER. AND I WAS UNDERSTANDING
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  • THAT THEY WERE, YOU KNOW, MAYBELOOKING TO CHANGE LABELS OR
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  • CHANGE PRODUCERS. AND SO WESIGNED GUARDIAN WITHOUT A
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  • SINGER. GUARDIAN DID NOT HAVE ASINGER. IT WAS DAVE AND KARL AND
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  • TONY. -TONY ANSWERED AN AD.TONY JOINED IN '86, AND THEN WE
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  • WENT THROUGH, MADE OUR RECORDAND TOURED A LITTLE BIT. AND
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  • KARL WAS A FRIEND OF OUR BAND.LIKE, KARL AND HIS WIFE HAD BEEN
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  • AN EARLY FRIEND OF OURS AND WEKNEW KARL. -BUT GO BACK EVEN
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  • FURTHER, I DID SOUND AT THATCALIFORNIA METAL THING. I HAD
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  • ENOUGH SOUND TO DO THEPRODUCTION AND IT SUCKED. MY
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  • SYSTEM WAS BIG BUT IT SUCKED.SO, IT WAS FUNNY, SO THESE GUYS
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  • ARE PLAYING AND I SEE TONY INTHE CAPE AND I'M THINKING, WHO
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  • ARE THESE GUYS, BECAUSE IT WASLIKE '87. AND THEN I BECAME
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  • FRIENDS, LIKE, THROUGH SONDRAAND THROUGH PAUL AND THAT. AND
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  • THEN I WOULD GO SEE THEM PLAY.MY BAND QUIT AND I WAS JUST
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  • SITTING ALONE GOING, OKAY, GOD,IF YOU WANT ME TO PLAY FOR
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  • ANOTHER BAND, I'LL PLAY FORGUARDIAN TWO YEARS BEFORE AND I
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  • STOPPED PLAYING FOR TWO YEARS.AND THEN PAUL CALLS ME AT
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  • CHRISTMAS, RIGHT BEFORE,NOVEMBER, -WE HAD JUST GOT BACK
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  • FROM JAPAN, AND QUIT -AND THEYWERE LIKE, KARL, HE HASN'T EVEN
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  • PLAYED FOR TWO YEARS. WE KNOWHIM, BUT -YEAH, WE LIKE KARL,
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  • -YEAH, BUT YOU KNOW, AND SO I'MIN THERE TRYING TO FIGURE OUT IS
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  • THIS EVEN GONNA WORK? BUT THEN IWAS LIKE, GOD, YOU'RE GONNA MAKE
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  • IT HAPPEN. I DIDN'T EVEN ASK FORTHIS I JUST SAID, AND THEN JAMIE
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  • -THERE WAS A NATIONWIDE HUNTFOR SINGERS, AND JAMIE AND TONY
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  • HAD KNOWN EACH OTHER OVER THEPHONE. RIGHT? [AFFIRMATIVE] AND
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  • HE SENT IN A TAPE. -IT WASAMAZING. -WE WERE AUDITIONING,
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  • THOUGH, A LOT OF PEOPLE, SO WEWERE KIND OF LIKE, YEAH, WE KNOW
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  • JAMIE ROWE FROM TEMPEST. I MEAN,I KNEW OF HIM BUT I DIDN'T. BUT
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  • THEN WE POPPED IN THIS TAPE,WHICH ON HIS AUDITION TAPE WAS
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  • 99 PERCENT OF “NEVER SAYGOODBYE” -YEAH, -WHICH IS ONE
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  • OF OUR BIG SONGS AND WE'RE GONNAPLAY THAT TONIGHT. -SENT A
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  • BUNCH OF CHILLS. -AND THAT WASHIS AUDITION TAPE. -AND THEY
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  • CAME TO US SAYING, LOOK, WE'LLMAKE IT HAPPEN. THESE ARE THE
  • 00:04:03.729 --> 00:04:06.666
  • SONGS WE WANT TO RECORD. ANDTHEN THE TAPE COMES IN OF JAMIE,
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  • AND I'M GOING THIS IS FREAKINGSTEVEN TYLER, MAN. THIS IS LIKE,
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  • THIS IS FAMILIAR TO US. WE KNOWWHAT TO DO WITH THIS MELODICALLY
  • 00:04:13.105 --> 00:04:16.375
  • AND SONG STRUCTURALLY. SO, ITFELT, IT FELT NATURAL FOR US TO
  • 00:04:16.409 --> 00:04:21.847
  • GET INVOLVED WITH GUARDIAN. -SOAFTER THE GUYS HEARD THIS
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  • AMAZING TAPE OF JAMIE SINGINGTHEIR FUTURE SONG “NEVER SAY
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  • GOODBYE” ACAPELLA, THEY SENT FORHIM TO AUDITION IN PERSON.
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  • -”POWER OF LOVE” IS ACTUALLYKIND OF COOLFOR ME, PERSONALLY,
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  • BECAUSE WHEN I WAS 20 YEARS OLD,NEVER BEEN ON A PLANE BEFORE,
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  • INDIANA GUY FLIES TO L.A. TOAUDITION FOR THE BAND. WE'D
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  • PLAYED A COUPLE GUARDIAN SONGS.AND HE SAID, HEY, WE GOT THIS
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  • NEW THING I'M WORKING ON, JUSTYOU KNOW, JUST SEE WHAT YOU
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  • WOULD DO WITH IT. AND WHAT'SINTERESTING, IT WAS JUST
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  • MOUTHING OFF AND SCATTING ANDSTUFF, BUT THE FIRST THING I
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  • SANG FOR THE CHORUS IS THECHORUS WE HAVE TODAY. -YEAH.
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  • -AND SO I REMEMBER TONY, AT THEEND OF THE NIGHT, SAYING, WELL,
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  • IF YOU DON'T JOIN THE BAND, YOUAT LEAST GOT WRITING CREDIT.
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  • [CHUCKLES] -EXACTLY! EXACTLY!THAT WAS HIS BAND AUDITION.
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  • -YEAH. -AND WE WROTE THE SONG,WE WERE, LIKE, OH MAYBE WE
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  • SHOULD KEEP THIS GUY. -YEAH.-DINO GOES, HE PULLED US ASIDE,
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  • HE GOES, IS THIS BIG REDHEADEDGALOOT REALLY GONNA BE IN THE
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  • BAND? AND BEFORE I COULD EVENANSWER HE GOES, I JUST WANT YOU
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  • TO KNOW, JOHN AND I ARE TOTALLYOKAY WITH IT BECAUSE HE CAN SING
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  • HIS BUTT OFF. -AND THEY FAREXCEEDED OUR EXPECTATIONS,
  • 00:05:25.978 --> 00:05:29.415
  • BECAUSE AS A LABEL AND AS APRODUCER, WHEN YOU GET INTO
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  • BUSINESS WITH SOMEBODY THATKEEPS THEIR END OF THE DEAL, AND
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  • THAT DOESN'T ONLY WANT THE LABELTO SPEND MONEY AND TO DO THINGS,
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  • THESE GUYS ARE OUT FLYERINGCARS. THEY WERE GETTING IN A
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  • VAN. THEY HAD A TRAILER. THEYWERE PRAYING WITH KIDS. THEY
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  • WERE DOING THINGS THAT WERELOGISTICALLY NOT IN CONTEXT OF
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  • WHAT THE MAINSTREAM WANTED THEMTO DO. AND THEY REALLY KEPT
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  • THEIR END OF THE BARGAIN ANDTHAT'S WHY I'M HERE BECAUSE THEY
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  • WERE SO LOYAL AND SO GOOD TODEAL WITH AND JUST SO HONEST
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  • WITH US THAT I LOVE THESE GUYS.
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  • [MUSIC]
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  • ♪ CAN YOU FEEL THE POWER
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  • GET UP!
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  • ♪ WHOAH, WHOAH WHOAH,WHOAH ♪
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  • ♪ LISTEN UP I'M BACK ON MYFEET ♪
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  • ♪ I FINALLY BROKE LOOSE ANDI'VE GOT SOMETHING TO SAY ♪
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  • ♪ ARE YOU DOING THE THINGSTHAT HURT YOU ♪
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  • ♪ LET ME TELL YOU THERE'S ABETTER WAY ♪
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  • ♪ YEAH, YEAH
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  • ♪ ‘CAUSE HECAME DOWN FROM HIS THRONE ♪
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  • ♪ ANDSANG A SONG OF LOVE TO ME ♪
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  • ♪ WITH JUST A TOUCH HIS POWERSET ME FREE ♪
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  • ♪ I'M FREE
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  • ♪ TELL ME CAN YOUFEEL IT ♪
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  • ♪ YES AND I BELIEVE IT
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  • ♪ TALKIN' ‘BOUT THEPOWER OF LOVE ♪
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  • ♪ BURNIN' LIKE A FEVER IN THEHEARTS OF TRUE BELIEVERS ♪
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  • ♪ OH, WE'VE GOT THEPOWER OF LOVE ♪
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  • ♪ COME ON
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  • ♪ WHOAH, WHOAHWHOAH, WHOAH ♪
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  • ♪ PEOPLE CALL ME CRAZY
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  • ♪ ‘CAUSE ILOVE YOU, LORD ♪
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  • ♪ WHOAH
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  • ♪ AND WHEN MYCUP IS EMPTY ♪
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  • ♪ YOU ALWAYS GIVE MEMORE ♪
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  • ♪ SO MUCH MORE
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  • ♪ YOU CAME DOWNFROM YOUR THRONE ♪
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  • ♪ AND SANG A SONGOF LOVE TO ME ♪
  • 00:07:51.724 --> 00:07:54.793
  • ♪ WITH JUST A TOUCHYOUR POWER SET ME FREE ♪
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  • ♪ I'M FREE
  • 00:07:59.231 --> 00:08:01.901
  • ♪ TELL ME, CAN YOU FEEL IT
  • 00:08:01.934 --> 00:08:04.336
  • ♪ YES ANDI BELIEVE IT ♪
  • 00:08:04.370 --> 00:08:06.505
  • ♪ TALKIN' ‘BOUT THEPOWER OF LOVE ♪
  • 00:08:06.539 --> 00:08:11.410
  • ♪ BURNIN' LIKE AFEVER ♪
  • 00:08:11.443 --> 00:08:13.646
  • ♪ IN THE HEARTS OF TRUEBELIEVERS ♪
  • 00:08:13.679 --> 00:08:16.181
  • ♪ OH, WE'VE GOT THEPOWER OF LOVE ♪
  • 00:08:16.215 --> 00:08:21.186
  • ♪ YES, WE'VE GOT THEPOWER OF LOVE ♪
  • 00:08:21.220 --> 00:08:26.358
  • ♪ ALL RIGHT
  • 00:08:26.392 --> 00:08:34.233
  • [MUSIC]
  • 00:08:34.266 --> 00:08:54.186
  • ♪ EVERYNIGHT I GO TO SLEEP ♪
  • 00:08:54.219 --> 00:08:55.988
  • ♪ I PRAY THELORD MY SOUL TO KEEP ♪
  • 00:08:56.021 --> 00:08:58.691
  • ♪ HE LEADS METHROUGH THE DARKEST NIGHT ♪
  • 00:08:58.724 --> 00:09:00.859
  • ♪ GONNA TAKE METO THE MORNING LIGHT ♪
  • 00:09:00.893 --> 00:09:03.395
  • ♪ GONNA MAKE IT TO THEMORNING LIGHT ♪
  • 00:09:03.429 --> 00:09:10.135
  • ♪ WE'RE GONNABRING IT DOWN ♪
  • 00:09:10.169 --> 00:09:13.839
  • ♪ CAN YOU FEEL THE POWER
  • 00:09:13.872 --> 00:09:18.978
  • ♪ TELL MECAN YOU FEEL IT ♪
  • 00:09:19.011 --> 00:09:21.313
  • ♪ YES AND IBELIEVE IT ♪
  • 00:09:21.347 --> 00:09:23.515
  • ♪ TALKIN' ‘BOUT THEPOWER OF LOVE ♪
  • 00:09:23.549 --> 00:09:27.386
  • ♪ THE POWER
  • 00:09:27.419 --> 00:09:29.555
  • ♪ COME ANDTELL ME ♪
  • 00:09:29.588 --> 00:09:31.423
  • ♪ COME ON WON'T YOU TELLME ♪
  • 00:09:31.457 --> 00:09:33.726
  • ♪ DO YOU FEEL THE POWER OF HISLOVE ♪
  • 00:09:33.759 --> 00:09:37.796
  • ♪ BURNIN' LIKE A FEVER IN THEHEARTS OF TRUE BELIEVERS ♪
  • 00:09:37.830 --> 00:09:43.769
  • ♪ TALKIN'‘BOUT ♪
  • 00:09:43.802 --> 00:09:45.804
  • ♪ TALKIN' ‘BOUT
  • 00:09:45.838 --> 00:09:50.376
  • ♪ YEAH DO YOUKNOW WHAT I'M TALKIN' ABOUT ♪
  • 00:09:50.409 --> 00:09:56.949
  • [MUSIC]
  • 00:09:56.982 --> 00:10:08.227
  • ♪ I'MHAVING FUN ♪
  • 00:10:08.260 --> 00:10:10.529
  • ♪ LISTEN TO THIS SAY
  • 00:10:10.562 --> 00:10:15.567
  • ♪ WHOAH, WHOAH, WHOAH
  • 00:10:15.601 --> 00:10:19.805
  • ♪ SAY WHOAH,WHOAH ♪
  • 00:10:19.838 --> 00:10:24.543
  • ♪ SAY WHOAH, WHOAH, WHOAH
  • 00:10:24.576 --> 00:10:29.214
  • ♪ SAY WHOAH, WHOAH, WHOAH
  • 00:10:29.248 --> 00:10:33.519
  • GOODJOB, TONY
  • 00:10:33.552 --> 00:10:37.122
  • [MUSIC]
  • 00:10:37.156 --> 00:10:56.942
  • ARE YOU STILL WITH US?
  • 00:10:56.975 --> 00:11:00.179
  • LET'S DO THIS RIGHT OKAY. LET'SMAKE SURE THEY HEAR US ALL
  • 00:11:00.212 --> 00:11:03.582
  • AROUND THE WORLD RIGHT HERE INFRANKLIN, OKAY?
  • 00:11:03.615 --> 00:11:06.251
  • SECOND VERSE,
  • 00:11:06.285 --> 00:11:07.519
  • SAME AS THE FIRST, LITTLE BITLOUDER, LITTLE BIT WORSE LET ME
  • 00:11:07.553 --> 00:11:09.755
  • HEAR YOU SAY
  • 00:11:09.788 --> 00:11:10.989
  • ♪ SAY WHOAH, WHOAH,WHOAH ♪
  • 00:11:11.023 --> 00:11:14.760
  • ♪ SAY WHOAH, WHOAH, WHOAH
  • 00:11:14.793 --> 00:11:19.665
  • ♪ SAY WHOAH, WHOAH,WHOAH, WHOAH ♪
  • 00:11:19.698 --> 00:11:24.103
  • ♪ SAY WHOAH, WHOAH, WHOAH
  • 00:11:24.136 --> 00:11:28.941
  • ♪ YEAH
  • 00:11:28.974 --> 00:11:30.743
  • ♪ COME ON
  • 00:11:30.776 --> 00:11:40.319
  • ♪ THE POWER OF LOVE
  • 00:11:40.352 --> 00:11:45.924
  • ♪ I CANFEEL IT ♪
  • 00:11:45.958 --> 00:11:49.261
  • ♪ HEY
  • 00:11:49.294 --> 00:11:59.738
  • ♪ THE POWER OF LOVE
  • 00:11:59.772 --> 00:12:05.711
  • ♪ FEEL YOUR LOVE
  • 00:12:05.744 --> 00:12:12.384
  • ♪ YEAH OH, YEAH
  • 00:12:12.417 --> 00:12:21.693
  • [APPLAUSE] [MUSIC]
  • 00:12:21.727 --> 00:12:34.439
  • [MUSIC]
  • 00:12:34.473 --> 00:12:43.081
  • THE NEW CCM UNITED “MUSIC,MOMENTS & MEMORIES” FEATURING
  • 00:12:43.115 --> 00:12:47.152
  • MORE CCM HITS YOU GREW UP WITHLIKE PHIL KEAGGY'S “WHAT A DAY”,
  • 00:12:47.186 --> 00:12:52.257
  • CLAY CROSSE'S “I SURRENDER ALL”AL DENSON “BE THE ONE”, EDDIE
  • 00:12:52.291 --> 00:12:56.862
  • DEGARMO OF DEGARMO AND KEY'S“ROCK SOLID”, WES KING'S “THE
  • 00:12:56.895 --> 00:13:01.066
  • ROBE”. TWENTY OF THE BIGGEST CCMSONGS SUNG BY THE ARTISTS WHO
  • 00:13:01.099 --> 00:13:05.737
  • MADE THEM FAMOUS AVAILABLE IN ADOUBLE CD AND DVD FOR A GIFT OF
  • 00:13:05.771 --> 00:13:10.442
  • $39 OR MORE TO TBN. SIMPLY CALLTHE NUMBER ON YOUR SCREEN OR GO
  • 00:13:10.475 --> 00:13:15.447
  • ONLINE. “MUSIC, MOMENTS &MEMORIES” THE AUDIO DOUBLE CD IS
  • 00:13:15.480 --> 00:13:21.253
  • OUR GIFT AS YOU GIVE YOUR BESTGIFT TO TBN AND ITS GLOBAL
  • 00:13:21.286 --> 00:13:25.023
  • OUTREACH. THE CD AND DVD AREBOTH YOURS FOR YOUR GIFT OF $39
  • 00:13:25.057 --> 00:13:30.062
  • OR MORE. HELP TAKE THE MESSAGEOF HOPE AND GRACE AROUND THE
  • 00:13:30.095 --> 00:13:33.866
  • WORLD. CALL THE NUMBER ON YOURSCREEN OR GO ONLINE AND REQUEST
  • 00:13:33.899 --> 00:13:38.136
  • YOUR COPY NOW.
  • 00:13:38.170 --> 00:13:41.106
  • [MUSIC]
  • 00:13:41.139 --> 00:13:47.112
  • JACKIE VELASQUEZ:WELCOME BACK!
  • 00:13:47.145 --> 00:13:48.347
  • WHEN GUARDIAN WAS ON JOHN ANDDINO ELEFANTE'S PACHYDERM
  • 00:13:48.380 --> 00:13:51.650
  • RECORDS, THEY WERE APPROACHED BYAN A&R MAN, MARK MAXWELL, TO
  • 00:13:51.683 --> 00:13:55.821
  • BROADEN THEIR FAN BASE TO LATINAMERICA. -I REMEMBER MARK CAME
  • 00:13:55.854 --> 00:13:59.391
  • TO TONY AND I AND HE SAID YOUGUYS GREW UP IN SOUTHERN
  • 00:13:59.424 --> 00:14:02.828
  • CALIFORNIA. YOU'VE BEEN AROUND ALOT OF HISPANIC CULTURE. WHAT
  • 00:14:02.861 --> 00:14:06.531
  • WOULD YOU THINK ABOUT TAKINGSOME OF YOUR SONGS, GETTING
  • 00:14:06.565 --> 00:14:10.335
  • JAMIE WITH A VOCAL COACH, ANDDOING THEM IN SPANISH? AND TONY
  • 00:14:10.369 --> 00:14:13.605
  • AND I WERE, LIKE, COOL. YEAH,WHY NOT? I MEAN, WHY NOT? YEAH,
  • 00:14:13.639 --> 00:14:17.042
  • FUN. BUT WE DIDN'T REALLY THINKABOUT IT THAT MUCH. AND THEN WE
  • 00:14:17.075 --> 00:14:20.979
  • STARTED GETTING OFFERS TO PLAYIN LATIN AMERICAN. AND I'LL
  • 00:14:21.013 --> 00:14:24.950
  • NEVER FORGET, I KNOW THESE GUYSWON'T EITHER, GOING TO THE FIRST
  • 00:14:24.983 --> 00:14:28.020
  • TIME WE WE'RE GOING DOWN TOCOSTA RICA, AND WE'RE GOING TO
  • 00:14:28.053 --> 00:14:32.124
  • THE VENUE AND IT'S A 5.000SEATER. AND WE'RE NOT USED TO
  • 00:14:32.157 --> 00:14:36.762
  • PLAY HALLS THAT BIG, AND WE'REGOING WHO'S HEADLINING? AND OUR
  • 00:14:36.795 --> 00:14:39.264
  • FRIEND, WHO ENDED UP BEING OURLONGTIME LATIN AMERICAN, SAYS
  • 00:14:39.298 --> 00:14:42.935
  • YOURE HEADLINING. AND JAMIESTARTED SINGING IN SPANISH, ALL
  • 00:14:42.968 --> 00:14:47.005
  • OF A SUDDEN THE WHOLE CROWD,5.000 PEOPLE IN UNISON ARE
  • 00:14:47.039 --> 00:14:50.709
  • SINGING, LIKE, THE VERSES -SOLOUD YOU CAN'T HEAR. -THE WHOLE
  • 00:14:50.742 --> 00:14:54.713
  • SONG. -THE ENTIRE THING. -I'LLNEVER FORGET THAT. WE WERE JUST
  • 00:14:54.746 --> 00:14:57.015
  • LIKE, -IT WAS AMAZING. -THATWAS COOL. -WE NEVER PLANNED
  • 00:14:57.049 --> 00:14:59.618
  • THIS. I REMEMBER, SPECIFICALLY,GOING TO A SHOW IN OHIO AND WE
  • 00:14:59.651 --> 00:15:02.487
  • WERE LISTENING TO THE ROUGHMIXES OF THE THING. OH, WE
  • 00:15:02.521 --> 00:15:04.623
  • THOUGHT IT WAS FUNNY. GOSH, IT'SFUN, WE SANG THIS IN SPANISH. IT
  • 00:15:04.656 --> 00:15:06.925
  • WAS ALMOST NOVELTY TO US. LIKE,WOW. WE DIDN'T THINK NOTHING OF
  • 00:15:06.959 --> 00:15:09.227
  • IT. THEN WE FOUND OUT LATER,LIKE I SAID, DAVE, YOU KNOW, WE
  • 00:15:09.261 --> 00:15:11.930
  • WEREN'T PLAYING 5.000 SEATERS INTHE U.S. AND WE DO DOWN THERE.
  • 00:15:11.964 --> 00:15:15.233
  • THEY KNOW ALL THE WORDS. THEYKNOW EVERYTHING. IT'S JUST KIND
  • 00:15:15.267 --> 00:15:16.868
  • OF CRAZY. AND I REMEMBER LOOKINGBACK AT KARL DURING THE SHOW,
  • 00:15:16.902 --> 00:15:19.004
  • LIKE, WHAT'S GOING ON. -YEAH.-AND RICK WHO WAS AT THAT SHOW
  • 00:15:19.037 --> 00:15:21.573
  • AS WELL. HE'S LIKE I'VE NEVERSEEN ANYTHING LIKE THIS. YOU
  • 00:15:21.606 --> 00:15:24.276
  • KNOW? -YEAH. -AND THAT WASREALLY COOL. BUT WHAT BLOWS MY
  • 00:15:24.309 --> 00:15:26.845
  • MIND IS, IS, AND THIS IS JUSTLIKE THE FACT, I WOULD SAY THIS,
  • 00:15:26.878 --> 00:15:30.048
  • GOD USED A TALKING DONKEY FORHIS PURPOSE IN THE WORD, SO HE
  • 00:15:30.082 --> 00:15:35.120
  • CAN USE GUARDIAN SINGING INSPANISH BECAUSE IT WASN'T A PART
  • 00:15:35.153 --> 00:15:39.091
  • OF OUR PLAN. -ONLY HE DIDN'TUSE THE WORD DONKEY. -EXACTLY!
  • 00:15:39.124 --> 00:15:42.060
  • [CHUCKLES] -WE'RE ON TBN. SO,NO, BUT WHAT'S REALLY JUST
  • 00:15:42.094 --> 00:15:46.531
  • AMAZING FOR ME, PERSONALLY, ISHERE WE ARE 25 YEARS LATER,
  • 00:15:46.565 --> 00:15:53.038
  • BEFORE THIS TAPING, WE MET FOURGUYS WHO GOT IN THE CAR FROM
  • 00:15:53.071 --> 00:15:56.308
  • MEXICO AND DROVE UP HERE TO SEEGUARDIAN PLAY THREE SONGS. THAT
  • 00:15:56.341 --> 00:16:00.379
  • KIND OF PASSION THAT WE, ANDLOVE, AND EVERYTHING WE GOT FROM
  • 00:16:00.412 --> 00:16:04.583
  • LATIN AMERICA, IS, I THINK,MAKES A LOT OF OTHER ARTISTS
  • 00:16:04.616 --> 00:16:08.954
  • KIND OF ENVIOUS OF US. AND LIKEI SAID, WE HAD NOTHING TO DO
  • 00:16:08.987 --> 00:16:11.356
  • WITH IT. WE WERE JUST LIKE,OKAY, THIS IS IT. AND HOW THEY
  • 00:16:11.390 --> 00:16:15.427
  • EMBRACED US IS JUSTMIND-BLOWING. YOU KNOW? LIKE I
  • 00:16:15.460 --> 00:16:18.497
  • SAID, I DON'T SPEAK SPANISH. IKNOW, I SING IT PHONETICALLY, IT
  • 00:16:18.530 --> 00:16:22.067
  • CONNECTS AND SO THAT, TO ME,THAT WAS REALLY, TRULY, AND
  • 00:16:22.100 --> 00:16:25.170
  • PEOPLE OVERUSE THIS PHRASE, THATWAS A GOD THING. -AND YOU
  • 00:16:25.203 --> 00:16:28.040
  • REMEMBER, REMEMBER THE JAIL. WEPLAYED A HIGH-SECURITY JAIL WITH
  • 00:16:28.073 --> 00:16:31.643
  • EVERY FIVE CHECKPOINTS, -INCHILI. -EVERYBODY HAD A
  • 00:16:31.676 --> 00:16:34.446
  • SHOTGUN, AND WE WENT IN THERETHINKING WE'RE NOT COMING OUT.
  • 00:16:34.479 --> 00:16:37.983
  • AND WE WENT IN THERE AND SAT UPKIND OF AN ACOUSTICY THING, AND
  • 00:16:38.016 --> 00:16:41.887
  • THE PASTOR, -THE PRISONMINISTER. -YEAH, THE PRISON
  • 00:16:41.920 --> 00:16:46.625
  • MINISTER, HE'S THERE AND HE'SLIKE, OH, THIS IS COOL. AND ALL
  • 00:16:46.658 --> 00:16:49.027
  • THE GUYS COME IN, SHUFFLING IN;CHAINS ON THEIR FEET, CHAINS
  • 00:16:49.061 --> 00:16:52.030
  • HERE. AND THEN THEY WOULDN'TEVEN LET CERTAIN PEOPLE OUT
  • 00:16:52.064 --> 00:16:54.433
  • BECAUSE THOSE GUYS WERE, LIKE,MEAN, HARDENED KILLERS. AND SO,
  • 00:16:54.466 --> 00:16:58.470
  • WE'RE SITTING THERE GOING, OH MYGOSH, WHAT ARE WE DOING? AND WE
  • 00:16:58.503 --> 00:17:01.373
  • END UP THROUGH THE, LIKE, WHAT,5-8 SONGS, SOMETHING LIKE THAT,
  • 00:17:01.406 --> 00:17:04.776
  • PLAYING AND THE GUYS ARESTARTING TO CRY. AND THEY'RE,
  • 00:17:04.810 --> 00:17:09.047
  • HE'S SINGING IN SPANISH AND ALITTLE BIT OF ENGLISH AND BOTH
  • 00:17:09.081 --> 00:17:12.784
  • MIXING IT UP, AND THE PASTORWAS, LIKE, OH MY GOSH, YOU'VE
  • 00:17:12.818 --> 00:17:16.521
  • JUST SET THIS GROUND FOR ME TOBE ABLE TO TALK TO THESE GUYS
  • 00:17:16.555 --> 00:17:20.358
  • MORE ABOUT FAITH. AND IT WASJUST MIND BOGGLING. -BECAUSE WE
  • 00:17:20.392 --> 00:17:24.796
  • THOUGHT, OKAY, ARE THESE, LIKE,PART OF THE PRISON FELLOWSHIP
  • 00:17:24.830 --> 00:17:28.600
  • PEOPLE? HE SAYS, NO, THESE ARETHE HARDEST GUYS IN JAIL. AND WE
  • 00:17:28.633 --> 00:17:31.536
  • CONNECTED. -AND YOU WENT DOWNTHERE TO DO A CONCERT. -YEAH,
  • 00:17:31.570 --> 00:17:34.606
  • EXACTLY. -TO PLAY MUSIC. LIKE ISAID, WE GOT USED BY THIS
  • 00:17:34.639 --> 00:17:39.077
  • MOVEMENT IN SOUTHERN CALIFORNIA.IT JUST HAPPENED THROUGH THESE
  • 00:17:39.111 --> 00:17:43.248
  • KIDS. I MEAN, PLAYING HEAVYMETAL WITH HUGE HAIR AND PRAYING
  • 00:17:43.281 --> 00:17:49.621
  • WITH KIDS AND KIDS ARE BEINGSAVED AND BAPTIZED. AND JOHN AND
  • 00:17:49.654 --> 00:17:53.191
  • I ARE LOOKING AROUND GOING WHATIS THIS? THIS DIDN'T HAPPEN WITH
  • 00:17:53.225 --> 00:17:56.261
  • KANSAS OR ANYTHING ELSE WE'VEEVER BEEN INVOLVED WITH. I MEAN,
  • 00:17:56.294 --> 00:17:59.464
  • IT WAS BIG. AND THESE GUYSHONORED IT THE WHOLE TIME. THEY
  • 00:17:59.498 --> 00:18:04.369
  • NEVER TRIED TO BE ROCK STARS.THEY, I MEAN, I LEARNED A LOT
  • 00:18:04.402 --> 00:18:08.840
  • FROM BOB HARTMAN AND JOHN LOWRYAND PETRA ABOUT WHAT IT TAKES TO
  • 00:18:08.874 --> 00:18:12.210
  • SUCCEED IN CHRISTIAN MUSIC.WELL, THESE GUYS HAD A MINISTRY
  • 00:18:12.244 --> 00:18:16.715
  • AND IT WAS SUCCESSFUL, IN MYOPINION. AND WE WERE REALLY
  • 00:18:16.748 --> 00:18:20.285
  • PROUD OF IT, JOHN AND I. REALLYPROUD OF IT. -GUARDIAN USED TO
  • 00:18:20.318 --> 00:18:23.822
  • REHEARSE AND PRACTICE THEIRCRAFT FOUR NIGHTS A WEEK AT A
  • 00:18:23.855 --> 00:18:27.692
  • TERRIBLE, LITTLE INDUSTRIAL SHEDIN SANTA ANA, CALIFORNIA. ONE
  • 00:18:27.726 --> 00:18:31.096
  • NIGHT KARL WALKED IN WITH A NEWSONG IDEA. -AND THEN “SHOESHINE
  • 00:18:31.129 --> 00:18:35.967
  • JOHNNY” IS A SONG WHERE KARL, IRECALL, AS HE CAME INTO PRACTICE
  • 00:18:36.001 --> 00:18:40.305
  • ONE NIGHT AND HE HAD ONE OFTHOSE LITTLE HANDHELD VOICE
  • 00:18:40.338 --> 00:18:43.275
  • RECORDERS. AND IT WAS JUST HIMGOING, AND IT WAS LIKE, IT WAS
  • 00:18:43.308 --> 00:18:49.047
  • THE WHOLE RIFF OF “SHOESHINEJOHNNY”. AND WE WENT, YEAH,
  • 00:18:49.080 --> 00:18:52.250
  • OKAY, THERE'S A SONG RIGHTTHERE. -SO, I SANG IT FOR TONY
  • 00:18:52.284 --> 00:18:54.586
  • AND THEN HE'S LIKE, OH, I THINKI CAN, KIND OF, HE WENT LIKE
  • 00:18:54.619 --> 00:18:57.556
  • THIS AND STARTED PLAYING THERIFF, -AND THAT CAME TOGETHER
  • 00:18:57.589 --> 00:19:02.561
  • QUICK. -IT WAS CRAZY. AND LYRICWISE ON THAT, YOU CAME UP WITH
  • 00:19:02.594 --> 00:19:06.698
  • THE WHOLE SHOESHINE STORY. -ANDWE SHOT THE VIDEO FOR IT ON
  • 00:19:06.731 --> 00:19:09.834
  • HOLLYWOOD BOULEVARD; TRUE L.A.BAND. COME ON.
  • 00:19:09.868 --> 00:19:14.306
  • [MUSIC]
  • 00:19:14.339 --> 00:19:17.142
  • WHAT'S UPEVERYBODY?
  • 00:19:17.175 --> 00:19:19.177
  • GET ON YOUR FEET! ALLRIGHT! COME ON!
  • 00:19:19.211 --> 00:19:33.158
  • [MUSIC]
  • 00:19:33.191 --> 00:19:38.430
  • ♪ SHOESHINEJOHNNY'S JUST DOIN' TIME ♪
  • 00:19:38.463 --> 00:19:40.732
  • ♪ SETTIN' UP SHOPAT THE FIVE AND DIME ♪
  • 00:19:40.765 --> 00:19:44.002
  • ♪ SEEN A WHOLE LOT OF MILES,GOT A FEW MORE TO GO ♪
  • 00:19:44.035 --> 00:19:48.173
  • ♪ WELL, EVERYONESAYS HE'S A HUMBLE MAN ♪
  • 00:19:48.206 --> 00:19:50.875
  • ♪ TELL YA‘BOUT LIFE LIKE NO ONE CAN ♪
  • 00:19:50.909 --> 00:19:53.745
  • ♪ WITH A WINK AND A SMILEHE'D LET YA KNOW ♪
  • 00:19:53.778 --> 00:19:57.115
  • ♪ WHOAH
  • 00:19:57.148 --> 00:19:58.550
  • ♪ ALL KINDA PEOPLE COMEFROM MILES AROUND ♪
  • 00:19:58.583 --> 00:20:00.652
  • ♪ JUST TO HEARJOHNNY TELL HIS STORIES ♪
  • 00:20:00.685 --> 00:20:03.588
  • ♪ TALKABOUT THE DAYS GONE BY ♪
  • 00:20:03.622 --> 00:20:05.957
  • ♪ TALKIN'BOUT FUTURE GLORY ♪
  • 00:20:05.991 --> 00:20:08.627
  • ♪ ROUND ROUNDROUND HE GOES ♪
  • 00:20:08.660 --> 00:20:11.329
  • ♪ TELL YOU HOW THEGOOD LORD KNOWS ♪
  • 00:20:11.363 --> 00:20:13.798
  • ♪ HE'D WAS SHININ'MOST EVERY DAY ♪
  • 00:20:13.832 --> 00:20:16.468
  • ♪ SIT RIGHT DOWNLISTEN WHAT HE SAY ♪
  • 00:20:16.501 --> 00:20:19.337
  • ♪ SOME LIKE TOPLAY WITH FIRE ♪
  • 00:20:19.371 --> 00:20:21.940
  • ♪ BUT THERE'S ALOVE THAT'S HIGHER ♪
  • 00:20:21.973 --> 00:20:24.743
  • ♪ AND YOU KNOW THE LORD'SBEEN GOOD TO ME FOR SURE ♪
  • 00:20:24.776 --> 00:20:29.447
  • ♪ HARD TIMES CANCOME AND GO ♪
  • 00:20:29.481 --> 00:20:32.050
  • ♪ ONE THING FOR SURE I KNOW
  • 00:20:32.083 --> 00:20:34.319
  • ♪ WHEN IDIE THE RICHEST MAN I'LL BE ♪
  • 00:20:34.352 --> 00:20:38.223
  • ♪ OH,LORD I KNOW ♪
  • 00:20:38.256 --> 00:20:41.059
  • ♪ LORD I KNOW
  • 00:20:41.092 --> 00:20:49.200
  • ♪ LOOKIN'BACK I REMEMBER THE TIMES ♪
  • 00:20:49.234 --> 00:20:51.503
  • ♪ LAUGHIN-AND-A-JOKIN-AND-A-FEELIN FINE ♪
  • 00:20:51.536 --> 00:20:55.006
  • ♪ OL' JOHNNY PICK YOU UP WHENYOU'RE FEELIN' LOW ♪
  • 00:20:55.040 --> 00:20:59.778
  • ♪ HIS WORDSHANG ON IN MY MEMORY ♪
  • 00:20:59.811 --> 00:21:01.713
  • ♪ THE DUSTYOL' BOOK THAT HE READ TO ME ♪
  • 00:21:01.746 --> 00:21:04.949
  • ♪ EVEN NOW I'MGROWN THEY SPEAK TO ME ♪
  • 00:21:04.983 --> 00:21:09.454
  • ♪ WHAT GAINS A MAN TO WIN THEWORLD BUT LOSE HIS VERY SOUL ♪
  • 00:21:09.487 --> 00:21:14.693
  • ♪ RICHES OF THEPROMISED LAND ♪
  • 00:21:14.726 --> 00:21:16.761
  • ♪ ARE MUCH BETTERTHAN SILVER AND GOLD ♪
  • 00:21:16.795 --> 00:21:19.798
  • ♪ OH HOW WISE IS HE
  • 00:21:19.831 --> 00:21:22.400
  • ♪ THAT MAKES THELORD HIS COMPANY ♪
  • 00:21:22.434 --> 00:21:25.337
  • ♪ FEARLESS OF THEDAYS TO COME ♪
  • 00:21:25.370 --> 00:21:27.305
  • ♪ KNOWIN' THAT THEBATTLE'S WON ♪
  • 00:21:27.339 --> 00:21:30.241
  • ♪ SOME LIKE TO PLAYWITH FIRE ♪
  • 00:21:30.275 --> 00:21:32.844
  • ♪ BUT THERE'S A LOVETHAT'S HIGHER ♪
  • 00:21:32.877 --> 00:21:35.213
  • ♪ AND YOU KNOW THE LORD'SBEEN GOOD TO ME FOR SURE ♪
  • 00:21:35.246 --> 00:21:40.318
  • ♪ HARD TIMES CANCOME AND GO ♪
  • 00:21:40.352 --> 00:21:42.821
  • ♪ ONETHING FOR SURE I KNOW ♪
  • 00:21:42.854 --> 00:21:45.323
  • ♪ WHEN I DIETHE RICHEST MAN I'LL BE ♪
  • 00:21:45.357 --> 00:21:49.227
  • ♪ OH, LORDI KNOW ♪
  • 00:21:49.260 --> 00:21:52.163
  • ♪ LORD I KNOW
  • 00:21:52.197 --> 00:21:54.999
  • ♪ I KNOW
  • 00:21:55.033 --> 00:21:57.535
  • ♪ I KNOW
  • 00:21:57.569 --> 00:22:00.572
  • LET ME HEAR YOU OUT THERE!
  • 00:22:00.605 --> 00:22:10.315
  • [MUSIC]
  • 00:22:10.348 --> 00:22:30.468
  • ♪ LISTEN SON HE SAID TO ME
  • 00:22:30.502 --> 00:22:32.971
  • ♪ JESUSDIED TO SET US FREE ♪
  • 00:22:33.004 --> 00:22:35.640
  • YOU'RE OLD♪ENOUGH IT'S TIME TO CHOSE
  • 00:22:35.673 --> 00:22:37.809
  • ♪ WITHTHE LORD YOU'LL NEVER LOSE ♪
  • 00:22:37.842 --> 00:22:40.545
  • ♪ BEATTHEM EVERLASTING BLUES ♪
  • 00:22:40.578 --> 00:22:45.383
  • ♪ OH, OHOH, I STILL HEAR HIM ♪
  • 00:22:45.417 --> 00:22:51.923
  • ♪ I HEAR OLEJOHNNY SAY ♪
  • 00:22:51.956 --> 00:22:56.694
  • ♪ BUT THERE'S A LOVETHAT'S HIGHER ♪
  • 00:22:56.728 --> 00:22:59.497
  • ♪ AND YOU KNOW THE LORD'SBEEN GOOD TO ME FOR SURE ♪
  • 00:22:59.531 --> 00:23:03.968
  • ♪ HARD TIMES WILL COMEAND GO ♪
  • 00:23:04.002 --> 00:23:06.271
  • ♪ ONETHING FOR SURE I KNOW ♪
  • 00:23:06.304 --> 00:23:09.007
  • ♪ WHEN I DIETHE RICHEST MAN I'LL BE ♪
  • 00:23:09.040 --> 00:23:14.212
  • ♪ SOMELIKE TO PLAY WITH FIRE ♪
  • 00:23:14.245 --> 00:23:16.714
  • ♪ BUTTHERE'S A LOVE THAT'S HIGHER ♪
  • 00:23:16.748 --> 00:23:19.551
  • ♪ AND YOU KNOW THE LORD'SBEEN GOOD TO ME FOR SURE ♪
  • 00:23:19.584 --> 00:23:24.022
  • ♪ HARD TIMES WILL COMEAND GO ♪
  • 00:23:24.055 --> 00:23:26.424
  • ♪ ONE THING FOR SURE I KNOW
  • 00:23:26.458 --> 00:23:29.093
  • ♪ WHEN I DIE THE RICHESTMAN I'LL BE ♪
  • 00:23:29.127 --> 00:23:34.499
  • ♪ SOME LIKE TO PLAYWITH FIRE ♪
  • 00:23:34.532 --> 00:23:42.040
  • [MUSIC]
  • 00:23:42.073 --> 00:23:51.749
  • THE NEWCCM UNITED
  • 00:23:51.783 --> 00:23:53.251
  • “MUSIC, MOMENTS &MEMORIES” FEATURING MORE CCM
  • 00:23:53.284 --> 00:23:57.322
  • HITS YOU GREW UP WITH LIKE PHILKEAGGY'S “WHAT A DAY”, CLAY
  • 00:23:57.355 --> 00:24:01.192
  • CROSSE'S “I SURRENDER ALL” ALDENSON “BE THE ONE”, EDDIE
  • 00:24:01.226 --> 00:24:05.897
  • DEGARMO OF DEGARMO AND KEY'S“ROCK SOLID”, WES KING'S “THE
  • 00:24:05.930 --> 00:24:10.101
  • ROBE”. TWENTY OF THE BIGGEST CCMSONGS SUNG BY THE ARTISTS WHO
  • 00:24:10.134 --> 00:24:14.839
  • MADE THEM FAMOUS AVAILABLE IN ADOUBLE CD AND DVD FOR A GIFT OF
  • 00:24:14.873 --> 00:24:19.577
  • $39 OR MORE TO TBN. SIMPLY CALLTHE NUMBER ON YOUR SCREEN OR GO
  • 00:24:19.611 --> 00:24:24.616
  • ONLINE. “MUSIC, MOMENTS &MEMORIES” THE AUDIO DOUBLE CD IS
  • 00:24:24.649 --> 00:24:30.221
  • OUR GIFT AS YOU GIVE YOUR BESTGIFT TO TBN AND ITS GLOBAL
  • 00:24:30.255 --> 00:24:34.125
  • OUTREACH. THE CD AND DVD AREBOTH YOURS FOR YOUR GIFT OF $39
  • 00:24:34.158 --> 00:24:38.396
  • OR MORE. HELP TAKE THE MESSAGEOF HOPE AND GRACE AROUND THE
  • 00:24:38.429 --> 00:24:43.034
  • WORLD. CALL THE NUMBER ON YOURSCREEN OR GO ONLINE AND REQUEST
  • 00:24:43.067 --> 00:24:47.305
  • YOUR COPY NOW.
  • 00:24:47.338 --> 00:24:50.441
  • [MUSIC]
  • 00:24:50.475 --> 00:24:56.581
  • JACKIE VELASQUEZ:THANK YOU SO
  • 00:24:56.614 --> 00:24:57.849
  • MUCH FOR JOINING US. WE HOPE YOUHAVE BEEN INSPIRED AND UPLIFTED
  • 00:24:57.882 --> 00:25:00.818
  • BY HEARING ABOUT THE AMAZINGJOURNEY OF GUARDIAN. GOD HAS
  • 00:25:00.852 --> 00:25:04.022
  • USED WHAT WE NOW CALL CHRISTIANROCK TO REACH COUNTLESS YOUNG
  • 00:25:04.055 --> 00:25:07.392
  • LIVES WITH THE GOSPEL, ANDGUARDIAN HELPED PAVE THE WAY.
  • 00:25:07.425 --> 00:25:12.263
  • PLEASE JOIN US NEXT TIME FORMORE AMAZING STORIES ABOUT YOUR
  • 00:25:12.297 --> 00:25:15.066
  • FAVORITE LEGENDARY CCM ARTISTS.GOD BLESS YOU AND I SHALL SEE
  • 00:25:15.099 --> 00:25:19.103
  • YOU SOON.
  • 00:25:19.137 --> 00:25:20.838
  • [MUSIC]
  • 00:25:20.872 --> 00:25:25.276
  • ♪ THE POWER OFLOVE ♪
  • 00:25:25.310 --> 00:25:30.448
  • ♪ FEEL THE LOVE
  • 00:25:30.481 --> 00:25:36.721
  • ♪ YEAH OH, YEAH
  • 00:25:36.754 --> 00:25:42.594
  • [MUSIC]
  • 00:25:42.627 --> 00:26:05.950
  • FOLLOWING THESUCCESSFUL RELEASE OF CCM UNITED
  • 00:26:05.984 --> 00:26:09.120
  • “WE WILL STAND” COMES THE NEWCCM UNITED “MUSIC, MOMENTS &
  • 00:26:09.153 --> 00:26:13.958
  • MEMORIES” FEATURING MORE CCMHITS YOU GREW UP WITH LIKE PHIL
  • 00:26:13.992 --> 00:26:18.096
  • KEAGGY'S “WHAT A DAY”, CLAYCROSSE'S “I SURRENDER ALL” AL
  • 00:26:18.129 --> 00:26:22.567
  • DENSON “BE THE ONE”, EDDIEDEGARMO OF DEGARMO AND KEY'S
  • 00:26:22.600 --> 00:26:26.371
  • “ROCK SOLID”, WES KING'S “THEROBE”. FOR THE ROBE TWENTY OF
  • 00:26:26.404 --> 00:26:34.746
  • THE BIGGEST CCM SONGS SUNG BYTHE ARTISTS WHO MADE THEM FAMOUS
  • 00:26:34.779 --> 00:26:38.816
  • AVAILABLE IN A DOUBLE CD AND DVDFOR A GIFT OF $39 OR MORE TO
  • 00:26:38.850 --> 00:26:43.621
  • TBN. CALL NOW! DON'T MISS THISCOLLECTION OF CCM'S BEST LOVED
  • 00:26:43.655 --> 00:26:50.194
  • SONGS THAT HONOR OUR LORD JESUSCHRIST. AVAILABLE EXCLUSIVELY TO
  • 00:26:50.228 --> 00:26:54.132
  • TBN VIEWERS DURING THIS SPECIALPRESENTATION. SIMPLY CALL THE
  • 00:26:54.165 --> 00:27:00.371
  • NUMBER ON YOUR SCREEN OR GOONLINE. “MUSIC, MOMENTS &
  • 00:27:00.405 --> 00:27:04.108
  • MEMORIES” THE AUDIO DOUBLE CD ISOUR GIFT AS YOU GIVE YOUR BEST
  • 00:27:04.142 --> 00:27:08.146
  • GIFT TO TBN AND ITS GLOBALOUTREACH. THE CD AND DVD ARE
  • 00:27:08.179 --> 00:27:13.017
  • BOTH YOURS FOR YOUR GIFT OF $39OR MORE. HELP TAKE THE MESSAGE
  • 00:27:13.051 --> 00:27:17.121
  • OF HOPE AND GRACE AROUND THEWORLD. CALL THE NUMBER ON YOUR
  • 00:27:17.155 --> 00:27:20.758
  • SCREEN OR GO ONLINE AND REQUESTYOUR COPY NOW. SING HALLELUJAH
  • 00:27:20.792 --> 00:27:25.630
  • TO THE KING LET THE WHOLE WORLDSING
  • 00:27:25.663 --> 00:27:28.700

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