The Best of Sandi Patty | Gaither Gospel Hour

September 1, 2025 | S25 E36 | 59:0

Gaither Gospel shares joy through heartfelt stories and inspiration through powerful music.

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Gaither Gospel Hour | The Best of Sandi Patty | Gaither Gospel Hour | September 1, 2025
  • ♪(humming)♪
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  • Bill gaither: life is made up of moments...
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  • ... like turning the pages of a photograph album.
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  • Our memories preserve for us the relationships...
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  • ... and events that tell the stories of each of our lives.
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  • Happy, sad, joyful, and painful.
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  • The memories of our days make up the fabric...
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  • ... of who we are.
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  • (choir singing) ♪precious memories♪
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  • ♪how they linger♪
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  • ♪how they ever flood my soul♪
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  • Bill gaither: an unforgettable memory was made when dozens of friends...
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  • ... who had spent their lives in gospel music...
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  • ... gathered to sings some songs from their own...
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  • ... personal treasure of memories.
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  • For these folks, many precious memories...
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  • ... had begun around a piano somewhere.
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  • They're sharing songs about how their lives have been changed...
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  • ... by god's amazing grace.
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  • ♪precious scenes unfold♪
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  • - ♪ come on and join. ♪
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  • - sandi patty is among the most highly acclaimed
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  • Female vocalists in gospel music history.
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  • Once you hear that voice, you will never forget it.
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  • - ♪ all the world will hear... ♪
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  • - this five-time grammy winner
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  • Was introduced to the world in 1986
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  • When her rendition of the star-spangled banner
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  • Played on national television
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  • During the rededication of the statue of liberty.
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  • - ♪ for the land of the free... ♪
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  • - those moments forever changed the future
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  • Of this powerhouse soprano.
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  • But what seemed like overnight success
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  • Was backed by years and years of great training.
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  • Sandi grew up just down the road from gloria and me,
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  • And she was raised in a wonderful family of musicians.
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  • After graduating from anderson university,
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  • She was destined to use her incredible gift
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  • To touch untold millions of individuals around the world.
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  • Winner of 40 dove awards, 4 billboard music awards,
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  • A gospel music hall of fame inductee,
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  • And the 2004 indiana living legend,
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  • Have sold more than 11 million copies.
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  • - ♪ 'cause we're in the right place... ♪
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  • - today sandi patty is here with us,
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  • And we are going to learn a whole lot more
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  • About her musical journey
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  • And get to know the sweet lady behind that flawless voice.
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  • I'm bill gaither,
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  • And i am pleased to welcome you to the best of sandi patty.
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  • - ♪ the sky shall unfold, ♪
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  • ♪ preparing his entrance. ♪
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  • ♪ the stars shall applaud him ♪
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  • ♪ with thunders of praise. ♪
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  • ♪ the sweet light in his eyes ♪
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  • ♪ shall... ♪
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  • ♪ shall enhance ♪
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  • ♪ those awaiting, ♪
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  • ♪ and we shall behold him ♪
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  • ♪ then face-to-face. ♪
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  • ♪ we shall behold him. ♪
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  • ♪ yes, we shall behold him ♪
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  • ♪ face-to-face ♪
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  • ♪ in all of his glory. ♪
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  • ♪ we shall behold him. ♪
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  • ♪ we shall behold him ♪
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  • ♪ face-to-face, ♪
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  • ♪ our savior and lord. ♪
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  • ♪ and the angels ♪
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  • ♪ shall sound ♪
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  • ♪ the shout of his coming. ♪
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  • ♪ and the sleeping shall rise ♪
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  • ♪ from... ♪
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  • ♪ from their slumbering place. ♪
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  • ♪ and those who remain shall-- ♪
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  • ♪ we shall be changed ♪
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  • ♪ in a moment, ♪
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  • ♪ and we shall behold him ♪
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  • ♪ then face-to-face. ♪
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  • ♪ we shall behold him. ♪
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  • ♪ oh, yes, ♪
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  • ♪ we shall behold him ♪
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  • ♪ face-to-face ♪
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  • ♪ in all of his glory. ♪
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  • ♪ we shall behold him. ♪
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  • ♪ yes, we shall behold him ♪
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  • ♪ face-to-face, ♪
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  • ♪ my savior and lord. ♪
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  • ♪ and we shall behold him, ♪
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  • ♪ our savior and lord. ♪
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  • ♪ savior ♪
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  • ♪ and lord. ♪
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  • [cheers and applause]
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  • - and sandi patty...
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  • You had to be thrilled with that setting, right?
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  • - that was a beautiful, beautiful setting,
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  • The indiana roof.
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  • But i was thinking,
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  • "man, a lot of life has been lived since that."
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  • - to do this taping today in this room--
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  • This is a very historic room because this is where the--
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  • All the homecoming stuff started,
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  • And you were in many of the early ones too.
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  • - absolutely, and i actually started also in this room,
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  • Doing a lot of studio work in college,
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  • And coming in here and doing some orchestra stuff,
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  • And so this has great sentimental value to me.
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  • One thing you got to say about you is,
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  • You're one of the hardest-working people
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  • I have ever-- i've ever known.
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  • When it comes to singing, you were in here, you know,
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  • Early in the morning, late at night, singing,
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  • And i looked in there, and i said,
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  • "now, that's sandi?"
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  • They said, "yeah."
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  • "boy, she's good."
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  • I remember afterwards i said,
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  • "would you like to go with us this fall?"
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  • - and i said, "let me pray about it.
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  • Yes."
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  • [laughter]
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  • And i tell you what.
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  • It was just-- it's been a fabulous journey.
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  • And so often, bill, when i do interviews or whatever,
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  • You and gloria are part of my story
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  • Because so often people say, "how did you get started?"
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  • "well, you know, i sang all my life with my family,
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  • But professionally--"
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  • I was a little kid at anderson university--
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  • "bill said to me one day,
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  • "'hey, would you be interested in going on the road?'
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  • "and i said, 'let me pray about it.
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  • Yes.'"
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  • It was a wonderful season of you guys mentoring me
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  • When you maybe didn't even realize
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  • That you were mentoring me.
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  • But i would watch you,
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  • And i would watch you be so real onstage.
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  • Same the way you were offstage,
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  • And i thought, "you know what?
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  • I want to emulate that."
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  • - and we took you all over.
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  • We went to a lot of interesting places,
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  • But the night at the kennedy center--
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  • This was big-time stuff for us,
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  • But i tell you what.
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  • You helped class it up.
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  • [laughter]
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  • And to introduce you that night,
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  • I thought we did something pretty clever.
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  • - well, you're always clever.
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  • You're always the king of the side door.
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  • This is what i call you.
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  • - so--you know what?
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  • In all fairness, i thought,
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  • "now, how am i going to slip this semiclassical singer
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  • In this country setting?"
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  • So i thought maybe the best way to do it was what we did.
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  • Let's watch it, okay?
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  • And here's the song that sandi [clears throat]
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  • Backed me up on back in, uh... back in those days.
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  • And sandi, i'll sing it, and you just do your backup.
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  • You just do your backup part.
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  • - can i stand right here?
  • 00:11:56.639 --> 00:11:58.307
  • - no, no, you can stand right here close.
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  • ♪ it's the right place and the right time, ♪
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  • ♪ meeting in obedience to his word. ♪
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  • - ♪ word... ♪
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  • - ♪ its too loud. ♪
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  • ♪ in the right place... ♪
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  • You're just a backup singer, okay?
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  • ♪ and the right time. ♪
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  • Right time.
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  • - ♪ right time. ♪
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  • - ♪ not a thing against my brother. ♪
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  • ♪ we're just-- ♪
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  • Sing it.
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  • ♪ here to love each other. ♪
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  • - i think you know it.
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  • - ♪ in the right place ♪
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  • - i think you can do it by yourself.
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  • - ♪ at the right time, ♪
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  • ♪ lifting hearts and hands in one accord. ♪
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  • ♪ it's the right place at the right time, ♪
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  • ♪ anticipating good things from you, lord. ♪
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  • ♪ what a joy to be here ♪
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  • ♪ in your presence one more time, ♪
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  • ♪ pressing forward, ♪
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  • ♪ leaving all life's troubles far behind. ♪
  • 00:13:24.827 --> 00:13:29.965
  • ♪ 'cause we're in the right place... ♪
  • 00:13:29.965 --> 00:13:33.535
  • - ♪ in the right place... ♪
  • 00:13:33.535 --> 00:13:35.504
  • - ♪ at the right time... ♪
  • 00:13:35.504 --> 00:13:40.209
  • - ♪ anticipating good things from you, lord. ♪
  • 00:13:37.539 --> 00:13:47.182
  • ♪ it's the right place at the right time. ♪
  • 00:13:47.182 --> 00:13:56.725
  • ♪ we're meeting in obedience to your word. ♪
  • 00:13:56.725 --> 00:14:04.800
  • - ♪ in the right place... ♪
  • 00:14:04.800 --> 00:14:09.338
  • ♪ at the right time... ♪
  • 00:14:07.536 --> 00:14:11.540
  • - ♪ at the right time... ♪
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  • ♪ not a thing against my brother. ♪
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  • ♪ oh, we're just here to love each other. ♪
  • 00:14:18.781 --> 00:14:23.052
  • - ♪ in the right place... ♪
  • 00:14:23.052 --> 00:14:25.587
  • - ♪ in the right place ♪
  • 00:14:25.587 --> 00:14:26.789
  • - ♪ at the right time... ♪
  • 00:14:26.789 --> 00:14:31.727
  • ♪ lifting hearts and hands in one accord. ♪
  • 00:14:29.458 --> 00:14:40.302
  • ♪ in the right place ♪
  • 00:14:40.302 --> 00:14:42.771
  • ♪ in the right place... ♪
  • 00:14:42.771 --> 00:14:43.772
  • - ♪ at the right time... ♪
  • 00:14:43.772 --> 00:14:46.375
  • - ♪ at the right time... ♪
  • 00:14:46.375 --> 00:14:49.411
  • ♪ anticipating good things from you, lord. ♪
  • 00:14:49.411 --> 00:14:57.553
  • ♪ thinking on the things ♪
  • 00:14:57.553 --> 00:15:01.523
  • ♪ that make us strong and help us grow. ♪
  • 00:15:01.523 --> 00:15:06.628
  • ♪ we can dare to risk and reach and stumble ♪
  • 00:15:06.628 --> 00:15:12.134
  • ♪ when we know, ♪
  • 00:15:12.134 --> 00:15:14.470
  • ♪ 'cause we're in the right place ♪
  • 00:15:14.470 --> 00:15:19.408
  • ♪ at the right time, ♪
  • 00:15:19.408 --> 00:15:25.514
  • ♪ anticipating good things from you, lord! ♪
  • 00:15:25.514 --> 00:15:39.328
  • [cheers and applause]
  • 00:15:39.328 --> 00:15:42.898
  • How fun is that?
  • 00:15:42.898 --> 00:15:46.268
  • Did you see how high mark lowry was kicking his feet?
  • 00:15:46.268 --> 00:15:50.439
  • - sooner or later, mark is gonna get in on the act, right?
  • 00:15:50.439 --> 00:15:53.509
  • - sooner or later.
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  • That's funny.
  • 00:15:55.110 --> 00:15:58.280
  • That's a fun one.
  • 00:15:58.280 --> 00:16:00.349
  • - sandi, you were at a very historic place
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  • With us in nashville for the farewell performance
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  • Of the cathedral quartet.
  • 00:16:06.488 --> 00:16:07.723
  • - yeah.
  • 00:16:07.723 --> 00:16:09.258
  • - little did we know when we did it that night
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  • That even before the video came out,
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  • Glen payne had cancer.
  • 00:16:14.930 --> 00:16:16.832
  • - isn't that something?
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  • What a sweet night that was.
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  • My favorite part of that night was just glen and george,
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  • Sitting on the edge of the stage,
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  • Just the two of them, talking.
  • 00:16:26.809 --> 00:16:28.544
  • That was amazing.
  • 00:16:28.544 --> 00:16:29.912
  • I remember glen saying that he's got--
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  • His next career, he's gonna be at wal-mart,
  • 00:16:32.347 --> 00:16:35.851
  • And he's already practicing.
  • 00:16:35.851 --> 00:16:37.219
  • - yeah, he was gonna be a wal-mart greeter.
  • 00:16:37.219 --> 00:16:40.689
  • But how special to be part of that.
  • 00:16:38.887 --> 00:16:43.392
  • And, you know, growing up, my dad was in a gospel quartet,
  • 00:16:43.392 --> 00:16:48.664
  • So when the cathedrals called and said, you know,
  • 00:16:48.664 --> 00:16:51.700
  • "can you do something kind of southern gospel?"
  • 00:16:51.700 --> 00:16:53.802
  • Just kind of went back and pulled out
  • 00:16:53.802 --> 00:16:55.604
  • Some of those old gospel songs i had heard my dad sing.
  • 00:16:55.604 --> 00:16:58.307
  • - you met george and glen first
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  • At the praisegathering in indianapolis.
  • 00:17:00.375 --> 00:17:02.111
  • - yes.
  • 00:17:02.111 --> 00:17:03.145
  • They were so amazing.
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  • And george, maybe-- present company excluded--
  • 00:17:05.881 --> 00:17:10.686
  • Maybe the best quartet bass.
  • 00:17:10.686 --> 00:17:13.956
  • - no doubt. no doubt.
  • 00:17:13.956 --> 00:17:15.557
  • - and, you know, often i thought--
  • 00:17:15.557 --> 00:17:17.726
  • And i don't know if he ever did this,
  • 00:17:17.726 --> 00:17:19.128
  • But i often wanted to hear him do a classical aria
  • 00:17:19.128 --> 00:17:23.098
  • Because his tone was just equal to none.
  • 00:17:23.098 --> 00:17:27.870
  • - i've often said about george,
  • 00:17:27.870 --> 00:17:29.071
  • He was not a bass singer;
  • 00:17:29.071 --> 00:17:30.405
  • He was just an incredible singer--
  • 00:17:30.405 --> 00:17:33.075
  • - yes, exactly.
  • 00:17:33.075 --> 00:17:34.076
  • - who had some low notes.
  • 00:17:34.076 --> 00:17:35.077
  • - that's exactly right.
  • 00:17:35.077 --> 00:17:36.712
  • And he knew how to program, and he knew how to relate,
  • 00:17:36.712 --> 00:17:40.749
  • And, oh, and sing so well.
  • 00:17:40.749 --> 00:17:43.418
  • - and, secondly, he was such a personable human being.
  • 00:17:43.418 --> 00:17:45.554
  • - yes, very much.
  • 00:17:45.554 --> 00:17:46.788
  • - did you feel loved when you around him?
  • 00:17:46.788 --> 00:17:48.390
  • - so loved.
  • 00:17:48.390 --> 00:17:49.391
  • So loved.
  • 00:17:49.391 --> 00:17:50.826
  • And i would love to make him laugh
  • 00:17:50.826 --> 00:17:52.528
  • Because his laugh was the best laugh ever.
  • 00:17:52.528 --> 00:17:56.198
  • - well, let's go to nashville,
  • 00:17:56.198 --> 00:17:57.966
  • And george is gonna introduce you
  • 00:17:57.966 --> 00:17:59.668
  • As part of their final farewell concert.
  • 00:17:59.668 --> 00:18:03.605
  • - i guess it was 15, 16 years ago,
  • 00:18:03.605 --> 00:18:06.108
  • Maybe even a little bit longer,
  • 00:18:06.108 --> 00:18:08.410
  • But bill and gloria had invited us
  • 00:18:08.410 --> 00:18:11.346
  • To the praisegathering in indianapolis,
  • 00:18:11.346 --> 00:18:13.615
  • And 10,000 people.
  • 00:18:13.615 --> 00:18:17.085
  • And we've been quartetting all of our lives,
  • 00:18:17.085 --> 00:18:19.121
  • And hadn't run into many soloists back in those days.
  • 00:18:19.121 --> 00:18:25.260
  • And so that night, we were sitting in the audience,
  • 00:18:25.260 --> 00:18:27.796
  • And bill gaither introduced a young lady,
  • 00:18:27.796 --> 00:18:31.366
  • And she went up and sang.
  • 00:18:31.366 --> 00:18:34.903
  • And glen and i looked at each other, and we said,
  • 00:18:34.903 --> 00:18:37.439
  • "we've never heard a voice like that."
  • 00:18:37.439 --> 00:18:42.377
  • And we became one of her biggest fans.
  • 00:18:42.377 --> 00:18:48.016
  • And down through the years, and down through the years,
  • 00:18:48.016 --> 00:18:51.353
  • I still say, "i've never heard a voice like this."
  • 00:18:51.353 --> 00:18:55.424
  • Would you welcome miss sandi patty?
  • 00:18:55.424 --> 00:18:57.292
  • [applause]
  • 00:18:57.292 --> 00:19:07.903
  • ♪ farther along, we'll... ♪
  • 00:19:11.573 --> 00:19:22.217
  • ♪ we're gonna know all about it. ♪
  • 00:19:22.217 --> 00:19:31.693
  • ♪ and farther along, we'll... ♪
  • 00:19:31.693 --> 00:19:41.703
  • ♪ we're gonna understand why. ♪
  • 00:19:41.703 --> 00:19:51.046
  • ♪ come on and cheer up, my brother. ♪
  • 00:19:51.046 --> 00:20:01.323
  • ♪ live in, live in the sunshine. ♪
  • 00:20:01.323 --> 00:20:09.298
  • ♪ and then we'll understand it, ♪
  • 00:20:09.298 --> 00:20:16.171
  • ♪ oh, yes, we will, all by and by. ♪
  • 00:20:16.171 --> 00:20:23.545
  • ♪ all by and by. ♪
  • 00:20:23.545 --> 00:20:28.850
  • ♪ farther along, we'll... ♪
  • 00:20:28.850 --> 00:20:36.725
  • ♪ we're gonna know all about it. ♪
  • 00:20:36.725 --> 00:20:44.566
  • ♪ farther along, we'll... ♪
  • 00:20:44.566 --> 00:20:51.907
  • ♪ we're gonna understand why. ♪
  • 00:20:51.907 --> 00:20:59.214
  • ♪ come on and cheer up ♪
  • 00:20:59.214 --> 00:21:01.183
  • - ♪ ooh, ooh, ooh. ♪
  • 00:21:01.183 --> 00:21:05.454
  • - go ahead.
  • 00:21:05.454 --> 00:21:06.788
  • Go ahead, now come on.
  • 00:21:06.788 --> 00:21:09.424
  • ♪ cheer up, my brother, ♪
  • 00:21:09.424 --> 00:21:17.766
  • ♪ my brother and sister. ♪
  • 00:21:17.766 --> 00:21:20.235
  • ♪ and live in, live in the sunshine. ♪
  • 00:21:20.235 --> 00:21:26.241
  • ♪ and then we'll understand it. ♪
  • 00:21:26.241 --> 00:21:32.981
  • ♪ we gotta sing it again. ♪
  • 00:21:32.981 --> 00:21:34.583
  • ♪ we'll understand. ♪
  • 00:21:34.583 --> 00:21:40.222
  • ♪ sing it; sing it; sing it. ♪
  • 00:21:40.222 --> 00:21:42.891
  • ♪ we'll understand it ♪
  • 00:21:42.891 --> 00:21:52.300
  • ♪ all by and by. ♪
  • 00:21:52.300 --> 00:22:02.611
  • ♪ high. ♪
  • 00:22:02.611 --> 00:22:05.414
  • ♪ high. ♪
  • 00:22:05.414 --> 00:22:10.919
  • ♪ whoa, by and by. ♪
  • 00:22:10.919 --> 00:22:21.863
  • [applause]
  • 00:22:21.863 --> 00:22:29.604
  • ♪ by and by, ♪
  • 00:22:29.604 --> 00:22:31.039
  • ♪ when the morning comes, ♪
  • 00:22:31.039 --> 00:22:32.874
  • ♪ when the saints of god are gathered home, ♪
  • 00:22:32.874 --> 00:22:36.745
  • ♪ we will tell the story how we've overcome. ♪
  • 00:22:36.745 --> 00:22:40.549
  • ♪ and we'll understand it better ♪
  • 00:22:40.549 --> 00:22:42.451
  • ♪ by and by, by and by. ♪
  • 00:22:42.451 --> 00:22:45.086
  • ♪ by and by, ♪
  • 00:22:45.086 --> 00:22:46.721
  • ♪ when the morning comes, ♪
  • 00:22:46.721 --> 00:22:48.890
  • ♪ when the saints of god are gathered home, ♪
  • 00:22:48.890 --> 00:22:52.093
  • ♪ we will tell the story how we've overcome. ♪
  • 00:22:52.093 --> 00:22:55.797
  • ♪ and we'll understand it better, ♪
  • 00:22:55.797 --> 00:22:57.866
  • ♪ we'll understand it better, ♪
  • 00:22:57.866 --> 00:23:00.068
  • ♪ we'll understand it better ♪
  • 00:23:00.068 --> 00:23:03.872
  • ♪ by and by. ♪
  • 00:23:03.872 --> 00:23:14.616
  • ♪ by and-- ♪
  • 00:23:14.616 --> 00:23:18.487
  • I've always wanted to do this.
  • 00:23:18.487 --> 00:23:20.522
  • I'm gonna go this way.
  • 00:23:20.522 --> 00:23:22.457
  • You go that way.
  • 00:23:22.457 --> 00:23:23.825
  • All right?
  • 00:23:23.825 --> 00:23:24.826
  • I'll point.
  • 00:23:24.826 --> 00:23:26.127
  • - ♪ by. ♪
  • 00:23:26.127 --> 00:23:43.245
  • I sung with sandi patty.
  • 00:23:36.171 --> 00:23:45.514
  • - that makes me so happy.
  • 00:23:45.514 --> 00:23:49.551
  • [laughter]
  • 00:23:49.551 --> 00:23:52.354
  • - was that a night?
  • 00:23:52.354 --> 00:23:53.455
  • - i had forgotten that george was on--
  • 00:23:53.455 --> 00:23:56.391
  • - look at him!
  • 00:23:56.391 --> 00:23:57.859
  • - oh!
  • 00:23:57.859 --> 00:24:00.028
  • Oh, that just makes me so happy.
  • 00:24:00.028 --> 00:24:05.133
  • - good memories, right?
  • 00:24:05.133 --> 00:24:06.668
  • - very good memories.
  • 00:24:06.668 --> 00:24:08.136
  • - and to see george and glen into that so much,
  • 00:24:08.136 --> 00:24:10.472
  • Did you see roger bennett-- - yes!
  • 00:24:10.472 --> 00:24:12.007
  • - in the middle of the thing, dancing?
  • 00:24:12.007 --> 00:24:14.242
  • - oh, i love that.
  • 00:24:14.242 --> 00:24:17.012
  • - ♪ you ask me why ♪
  • 00:24:17.012 --> 00:24:21.583
  • ♪ my heart keeps singing, ♪
  • 00:24:21.583 --> 00:24:26.288
  • ♪ why i can sing ♪
  • 00:24:26.288 --> 00:24:30.091
  • ♪ when things go wrong. ♪
  • 00:24:30.091 --> 00:24:35.797
  • ♪ but since i found ♪
  • 00:24:35.797 --> 00:24:40.368
  • ♪ the source of music, ♪
  • 00:24:40.368 --> 00:24:45.807
  • ♪ i just can't help it. ♪
  • 00:24:45.807 --> 00:24:49.244
  • ♪ god gave the song. ♪
  • 00:24:49.244 --> 00:24:57.085
  • ♪ doo-doo-doo. ♪
  • 00:24:57.085 --> 00:25:01.823
  • ♪ doo-doo-doo-doo. ♪
  • 00:25:01.823 --> 00:25:06.795
  • ♪ doo-doo-doo. ♪
  • 00:25:06.795 --> 00:25:11.600
  • ♪ ooh-ooh-ooh. ♪
  • 00:25:11.600 --> 00:25:13.702
  • ♪ but since i found ♪
  • 00:25:13.702 --> 00:25:17.739
  • ♪ the source of music, ♪
  • 00:25:17.739 --> 00:25:23.078
  • ♪ i just can't help it, ♪
  • 00:25:23.078 --> 00:25:27.349
  • ♪ god gave the song. ♪
  • 00:25:27.349 --> 00:25:34.689
  • ♪ come walk with me ♪
  • 00:25:34.689 --> 00:25:37.626
  • ♪ through fields and forests. ♪
  • 00:25:37.626 --> 00:25:42.497
  • ♪ we'll climb the hill, ♪
  • 00:25:42.497 --> 00:25:45.767
  • ♪ and we'll still hear that song. ♪
  • 00:25:45.767 --> 00:25:51.806
  • ♪ for even hills, ♪
  • 00:25:51.806 --> 00:25:55.210
  • ♪ they resound with music. ♪
  • 00:25:55.210 --> 00:26:00.649
  • ♪ they just can't help it. ♪
  • 00:26:00.649 --> 00:26:04.419
  • ♪ because god gave the song. ♪
  • 00:26:04.419 --> 00:26:15.697
  • - yes, god gave the song.
  • 00:26:19.300 --> 00:26:22.971
  • The song's always been with us.
  • 00:26:22.971 --> 00:26:28.877
  • The song came into our world through a manger,
  • 00:26:32.881 --> 00:26:37.485
  • A manger in bethlehem.
  • 00:26:37.485 --> 00:26:42.824
  • It was a simple little song,
  • 00:26:42.824 --> 00:26:45.527
  • A simple, lovely song for every man to sing.
  • 00:26:45.527 --> 00:26:55.070
  • Right from the first, some tried to ignore it.
  • 00:26:59.074 --> 00:27:03.445
  • They said, "there's no song.
  • 00:27:03.445 --> 00:27:08.016
  • It simply doesn't exist."
  • 00:27:08.016 --> 00:27:13.688
  • Others tried to change the tune.
  • 00:27:13.688 --> 00:27:19.561
  • They made laws to stop it.
  • 00:27:19.561 --> 00:27:24.299
  • Armies marched against it.
  • 00:27:27.902 --> 00:27:32.874
  • They killed some who sang the song.
  • 00:27:32.874 --> 00:27:36.611
  • They screamed at it in fury.
  • 00:27:36.611 --> 00:27:40.181
  • They tried to drown it out.
  • 00:27:40.181 --> 00:27:43.918
  • Finally they nailed that song to a tree.
  • 00:27:43.918 --> 00:27:58.032
  • And they said to themselves,
  • 00:28:01.669 --> 00:28:04.205
  • "there, that should take care of that."
  • 00:28:04.205 --> 00:28:13.114
  • But it didn't.
  • 00:28:16.484 --> 00:28:20.054
  • - ♪ what's that i hear? ♪
  • 00:28:20.054 --> 00:28:25.360
  • ♪ i still hear that music. ♪
  • 00:28:25.360 --> 00:28:29.964
  • ♪ day after day, ♪
  • 00:28:29.964 --> 00:28:33.968
  • ♪ his song goes on. ♪
  • 00:28:33.968 --> 00:28:38.907
  • ♪ for once you know the source of music, ♪
  • 00:28:38.907 --> 00:28:47.615
  • ♪ you'll always hear it. ♪
  • 00:28:47.615 --> 00:28:52.120
  • ♪ god gave the song. ♪
  • 00:28:52.120 --> 00:28:58.059
  • ♪ come on and join. ♪
  • 00:28:58.059 --> 00:29:01.529
  • ♪ it's the song of jesus. ♪
  • 00:29:01.529 --> 00:29:06.534
  • ♪ day after day, ♪
  • 00:29:06.534 --> 00:29:10.438
  • ♪ that song goes on. ♪
  • 00:29:10.438 --> 00:29:15.577
  • ♪ for once you know the source of the music, ♪
  • 00:29:15.577 --> 00:29:24.919
  • ♪ you'll always hear it. ♪
  • 00:29:24.919 --> 00:29:28.857
  • ♪ god gave the song. ♪
  • 00:29:28.857 --> 00:29:34.295
  • ♪ for once i found it, ♪
  • 00:29:34.295 --> 00:29:37.332
  • ♪ i know the source of the music. ♪
  • 00:29:37.332 --> 00:29:43.771
  • ♪ i just can't help it. ♪
  • 00:29:43.771 --> 00:29:47.642
  • ♪ god gave the song. ♪
  • 00:29:47.642 --> 00:30:02.557
  • ♪ ooh-ooh-ooh. ♪
  • 00:30:02.557 --> 00:30:10.198
  • ♪ he gave the song. ♪
  • 00:30:10.198 --> 00:30:18.506
  • [cheers and applause]
  • 00:30:18.506 --> 00:30:23.778
  • - and aren't you glad he gave the song?
  • 00:30:23.845 --> 00:30:26.214
  • - i have to do that song again, bill.
  • 00:30:26.214 --> 00:30:29.150
  • That is so-- i love that song.
  • 00:30:29.150 --> 00:30:32.287
  • I love the story in between.
  • 00:30:32.287 --> 00:30:34.889
  • - i get asked a lot of times by secular reporters,
  • 00:30:34.889 --> 00:30:38.326
  • "why do you do what you do?"
  • 00:30:38.326 --> 00:30:40.295
  • Good question.
  • 00:30:40.295 --> 00:30:41.763
  • - it's a very good question.
  • 00:30:41.763 --> 00:30:42.997
  • - good question.
  • 00:30:42.997 --> 00:30:44.232
  • But i usually say, i think,
  • 00:30:44.232 --> 00:30:45.466
  • "for the same reason i've always done it;
  • 00:30:45.466 --> 00:30:47.201
  • "for two reasons.
  • 00:30:47.201 --> 00:30:48.970
  • "number one, i love the art form,
  • 00:30:48.970 --> 00:30:50.538
  • "and i'd be lying if i didn't say that i love harmony.
  • 00:30:50.538 --> 00:30:56.044
  • And secondly, i really believe in the message."
  • 00:30:56.044 --> 00:30:57.979
  • - absolutely.
  • 00:30:57.979 --> 00:30:59.547
  • - i still believe, in my case, after doing it for 40 years,
  • 00:30:59.547 --> 00:31:03.885
  • I still believe that christ can make a difference
  • 00:31:03.885 --> 00:31:07.722
  • In the way you face life.
  • 00:31:07.722 --> 00:31:09.190
  • - you know, otherwise, it's just music.
  • 00:31:09.190 --> 00:31:12.460
  • - yeah.
  • 00:31:12.460 --> 00:31:13.761
  • - but doing music that has life-changing message,
  • 00:31:13.761 --> 00:31:18.466
  • It becomes a challenge, an encouragement,
  • 00:31:18.466 --> 00:31:21.202
  • And it has the possibility of changing not just my world--
  • 00:31:21.202 --> 00:31:26.074
  • Which it radically has--
  • 00:31:26.074 --> 00:31:28.009
  • But hopefully somebody else's world who's listening.
  • 00:31:28.009 --> 00:31:31.913
  • - play me a hymn that comes to your mind
  • 00:31:31.913 --> 00:31:33.815
  • And sing me a verse of something that's meaningful to you.
  • 00:31:33.815 --> 00:31:37.118
  • And to say, do you know we hear these things when we're kids?
  • 00:31:37.118 --> 00:31:41.789
  • And then we live long enough,
  • 00:31:41.789 --> 00:31:44.625
  • And life beats us up a little bit.
  • 00:31:44.625 --> 00:31:48.930
  • - yeah, sometimes life beats us up a little bit.
  • 00:31:48.930 --> 00:31:53.768
  • Sometimes we choose to get in the ring, i guess,
  • 00:31:53.768 --> 00:31:56.938
  • And take some punches,
  • 00:31:56.938 --> 00:31:59.207
  • Give some punches.
  • 00:31:59.207 --> 00:32:01.242
  • And for a season, bill, i thought music was done for me.
  • 00:32:01.242 --> 00:32:06.981
  • At least publically.
  • 00:32:06.981 --> 00:32:11.652
  • I always loved music.
  • 00:32:11.652 --> 00:32:15.490
  • But as god began to restore and heal and forgive
  • 00:32:15.490 --> 00:32:18.359
  • And do those things that really only god can do,
  • 00:32:18.359 --> 00:32:23.398
  • I feel like i sing now from a different place.
  • 00:32:23.398 --> 00:32:27.668
  • And probably my favorite thing to sing of all time is this:
  • 00:32:27.668 --> 00:32:34.575
  • ♪ i sing because i'm happy, ♪
  • 00:32:34.575 --> 00:32:43.351
  • ♪ and i sing because i'm free. ♪
  • 00:32:43.351 --> 00:32:52.260
  • ♪ his eye is on the sparrow. ♪
  • 00:32:52.260 --> 00:33:02.270
  • ♪ and i know he watches me. ♪
  • 00:33:02.270 --> 00:33:11.646
  • ♪ his eye is on the sparrow. ♪
  • 00:33:11.646 --> 00:33:22.123
  • ♪ and that's why i know ♪
  • 00:33:22.123 --> 00:33:26.060
  • ♪ that he's watching over me. ♪
  • 00:33:26.060 --> 00:33:32.967
  • Today.
  • 00:33:32.967 --> 00:33:35.103
  • And my kids and my parents.
  • 00:33:35.103 --> 00:33:39.907
  • But we sing because there's a song to be sung,
  • 00:33:39.907 --> 00:33:46.247
  • And that song can set us free.
  • 00:33:46.247 --> 00:33:52.286
  • - ♪ je t'aime. ♪
  • 00:34:01.028 --> 00:34:02.430
  • ♪ te amo. ♪
  • 00:34:02.430 --> 00:34:05.700
  • ♪ ye tebya lyublyu. ♪
  • 00:34:05.700 --> 00:34:08.936
  • ♪ ani ohevet otach. ♪
  • 00:34:08.936 --> 00:34:12.406
  • ♪ i love you. ♪
  • 00:34:12.406 --> 00:34:16.177
  • ♪ oh, the sounds are all ♪
  • 00:34:16.177 --> 00:34:17.378
  • ♪ as different as the lands ♪
  • 00:34:17.378 --> 00:34:19.780
  • ♪ from which they came, ♪
  • 00:34:19.780 --> 00:34:22.483
  • ♪ and though our words ♪
  • 00:34:22.483 --> 00:34:24.218
  • ♪ are all unique, ♪
  • 00:34:24.218 --> 00:34:26.621
  • ♪ our hearts ♪
  • 00:34:26.621 --> 00:34:27.688
  • ♪ are still the same. ♪
  • 00:34:27.688 --> 00:34:32.026
  • ♪ love in any language, ♪
  • 00:34:32.026 --> 00:34:35.329
  • ♪ straight from the heart, ♪
  • 00:34:35.329 --> 00:34:38.866
  • ♪ pulls us all together. ♪
  • 00:34:38.866 --> 00:34:40.034
  • - jon mohr, speaking of characters.
  • 00:34:40.034 --> 00:34:42.270
  • - speaking of characters.
  • 00:34:42.270 --> 00:34:44.071
  • One of the original members of the gaither vocal band.
  • 00:34:44.071 --> 00:34:47.208
  • - rode on the bus with us.
  • 00:34:47.208 --> 00:34:48.276
  • - yes, indeed.
  • 00:34:48.276 --> 00:34:49.443
  • - started writing some ideas that he had
  • 00:34:49.443 --> 00:34:52.046
  • In the dinette on the bus.
  • 00:34:52.046 --> 00:34:54.749
  • And he started scratching out love in any language.
  • 00:34:54.749 --> 00:34:59.420
  • "straight from the heart.
  • 00:34:59.420 --> 00:35:01.189
  • Pulls us together."
  • 00:35:01.189 --> 00:35:02.223
  • - "all together.
  • 00:35:02.223 --> 00:35:03.324
  • Never apart."
  • 00:35:03.324 --> 00:35:04.458
  • - now, you talk about a universal message.
  • 00:35:04.458 --> 00:35:08.796
  • Do you still sing that?
  • 00:35:08.796 --> 00:35:10.331
  • - i sing that all the time.
  • 00:35:10.331 --> 00:35:11.999
  • It's one of those songs--
  • 00:35:11.999 --> 00:35:14.101
  • Especially when there's a kid's choir that--
  • 00:35:14.101 --> 00:35:16.437
  • But here's how much our world has changed
  • 00:35:16.437 --> 00:35:19.173
  • Since the writing of that song:
  • 00:35:19.173 --> 00:35:22.043
  • That--there's the lyric, "from leningrad to lexington."
  • 00:35:22.043 --> 00:35:25.580
  • There's no leningrad anymore.
  • 00:35:25.580 --> 00:35:28.482
  • The chorus of that song, though, is still what matters.
  • 00:35:28.482 --> 00:35:31.586
  • "love in any language, straight from the heart,
  • 00:35:31.586 --> 00:35:33.821
  • "pulls us all together, never apart.
  • 00:35:33.821 --> 00:35:36.157
  • "once we learn to speak it, all the world will hear.
  • 00:35:36.157 --> 00:35:40.127
  • Love in any language, fluently spoken here."
  • 00:35:40.127 --> 00:35:44.565
  • - god was speaking to jon mohr that day when he--
  • 00:35:44.565 --> 00:35:46.567
  • - i think so. - when he wrote that lyric.
  • 00:35:46.567 --> 00:35:48.102
  • - god even speaks on the bus.
  • 00:35:48.102 --> 00:35:49.870
  • - he really does.
  • 00:35:49.870 --> 00:35:51.339
  • - ♪ love in any language, ♪
  • 00:35:51.339 --> 00:35:54.875
  • ♪ straight from the heart, ♪
  • 00:35:54.875 --> 00:35:58.446
  • ♪ pulls us all together, ♪
  • 00:35:58.446 --> 00:36:02.183
  • ♪ never apart. ♪
  • 00:36:02.183 --> 00:36:05.786
  • ♪ and once we learn ♪
  • 00:36:05.786 --> 00:36:07.388
  • ♪ to speak it, ♪
  • 00:36:07.388 --> 00:36:09.690
  • ♪ all the world will hear. ♪
  • 00:36:09.690 --> 00:36:13.194
  • ♪ love in any language ♪
  • 00:36:13.194 --> 00:36:16.764
  • ♪ fluently spoken here. ♪
  • 00:36:16.764 --> 00:36:20.768
  • - ♪ love in any language, ♪
  • 00:36:20.768 --> 00:36:23.971
  • ♪ straight from the heart, ♪
  • 00:36:23.971 --> 00:36:27.808
  • ♪ pulls us all together, ♪
  • 00:36:27.808 --> 00:36:30.344
  • ♪ never apart. ♪
  • 00:36:30.344 --> 00:36:34.582
  • ♪ and once we learn ♪
  • 00:36:34.582 --> 00:36:36.083
  • ♪ to speak it, ♪
  • 00:36:36.083 --> 00:36:38.419
  • ♪ all the world will hear. ♪
  • 00:36:38.419 --> 00:36:42.089
  • ♪ love in any language, ♪
  • 00:36:42.089 --> 00:36:46.227
  • ♪ fluently spoken here ♪
  • 00:36:46.227 --> 00:36:49.830
  • ♪ love in any language, ♪
  • 00:36:49.830 --> 00:36:53.501
  • ♪ fluently spoken here ♪
  • 00:36:53.501 --> 00:36:57.204
  • ♪ love in any language, ♪
  • 00:36:57.204 --> 00:37:00.708
  • ♪ fluently spoken here. ♪
  • 00:37:00.708 --> 00:37:09.617
  • - ♪ spoken here! ♪
  • 00:37:09.617 --> 00:37:19.593
  • [cheers and applause]
  • 00:37:19.660 --> 00:37:23.331
  • - you know, you can't talk about sandi patty
  • 00:37:23.331 --> 00:37:25.366
  • And this crazy career
  • 00:37:25.366 --> 00:37:27.535
  • Without talking about a national thing that happened.
  • 00:37:27.535 --> 00:37:31.005
  • You and david clydesdale, the arranger,
  • 00:37:31.005 --> 00:37:33.007
  • And greg nelson said,
  • 00:37:33.007 --> 00:37:34.642
  • "let's do something special to the star-spangled banner."
  • 00:37:34.642 --> 00:37:37.978
  • - you know, there was a project to--
  • 00:37:37.978 --> 00:37:40.247
  • Ellis island was kind of being refurbished,
  • 00:37:40.247 --> 00:37:42.350
  • And so there was a project a lot of artists were on,
  • 00:37:42.350 --> 00:37:45.686
  • And they'd asked me to do the star-spangled banner,
  • 00:37:45.686 --> 00:37:47.922
  • But wanted a new verse to sort of reflect
  • 00:37:47.922 --> 00:37:53.427
  • The statue of liberty,
  • 00:37:53.427 --> 00:37:55.262
  • So claire cloninger--
  • 00:37:55.262 --> 00:37:56.664
  • - great lyricist. - great lyricist--
  • 00:37:56.664 --> 00:37:59.333
  • Came up with that brand-new third verse
  • 00:37:59.333 --> 00:38:01.335
  • That really, i think, celebrated that season.
  • 00:38:01.335 --> 00:38:04.705
  • Here's why this is the best gig i ever had:
  • 00:38:04.705 --> 00:38:07.775
  • 'cause i recorded that, and i said to david clydesdale,
  • 00:38:07.775 --> 00:38:11.946
  • "please don't write me above a high "b".
  • 00:38:11.946 --> 00:38:15.483
  • When i got the chart, the last note was a "d" flat,
  • 00:38:15.483 --> 00:38:18.452
  • And he said to me, "oh, don't worry."
  • 00:38:18.452 --> 00:38:20.187
  • He said, "you'll never have to sing that again."
  • 00:38:20.187 --> 00:38:22.089
  • And so we were watching the celebration
  • 00:38:22.089 --> 00:38:26.560
  • Of the statue of liberty at home, just like everybody.
  • 00:38:26.560 --> 00:38:28.929
  • Anna, who's now 27, was just 2 at the time,
  • 00:38:28.929 --> 00:38:34.335
  • And the last montage comes on of all the highlights
  • 00:38:34.335 --> 00:38:38.539
  • Of the whole weekend,
  • 00:38:38.539 --> 00:38:40.441
  • And i'm hearing--you know how when you hear something,
  • 00:38:40.441 --> 00:38:42.710
  • And it's familiar, but you can't quite place it?
  • 00:38:42.710 --> 00:38:44.645
  • And anna said, "mama, that's you singing."
  • 00:38:44.645 --> 00:38:46.947
  • And we listened, and sure enough.
  • 00:38:46.947 --> 00:38:48.849
  • So here i had this great opportunity,
  • 00:38:48.849 --> 00:38:51.886
  • And i got to be home.
  • 00:38:51.886 --> 00:38:53.120
  • It's kind of like an artist's dream.
  • 00:38:53.120 --> 00:38:55.322
  • The next day, peter jennings sent a crew out
  • 00:38:55.322 --> 00:38:58.192
  • Because it had been on abc,
  • 00:38:58.192 --> 00:39:00.394
  • And, from what i understand,
  • 00:39:00.394 --> 00:39:02.062
  • They were flooded with phone calls--
  • 00:39:02.062 --> 00:39:04.031
  • Half of the people saying, "that was sandi patty.
  • 00:39:04.031 --> 00:39:06.967
  • We know her."
  • 00:39:06.967 --> 00:39:08.102
  • Half of the people saying, "who was that?"
  • 00:39:08.102 --> 00:39:11.105
  • So he described me as this young little housewife
  • 00:39:11.105 --> 00:39:13.274
  • From anderson, indiana,
  • 00:39:13.274 --> 00:39:15.042
  • And sent a crew out the next day to do a little story,
  • 00:39:15.042 --> 00:39:18.012
  • And kind of how all that started.
  • 00:39:18.012 --> 00:39:20.548
  • - and the tonight show, then, a couple nights later,
  • 00:39:20.548 --> 00:39:22.583
  • You were doing it.
  • 00:39:22.583 --> 00:39:23.684
  • I will never forget,
  • 00:39:23.684 --> 00:39:25.219
  • 'cause johnny carson was asking you
  • 00:39:25.219 --> 00:39:27.288
  • About how you sang high notes,
  • 00:39:27.288 --> 00:39:29.290
  • And you said that your dad taught you.
  • 00:39:29.290 --> 00:39:30.825
  • - dad--the truth--
  • 00:39:30.825 --> 00:39:33.327
  • All we said: "you know what?
  • 00:39:33.327 --> 00:39:34.862
  • "don't worry about singing high.
  • 00:39:34.862 --> 00:39:36.764
  • It's just like screaming on pitch."
  • 00:39:36.764 --> 00:39:38.666
  • [laughter]
  • 00:39:38.666 --> 00:39:39.667
  • And so for all my life,
  • 00:39:39.667 --> 00:39:41.869
  • That's kind of how i've put it into practice.
  • 00:39:41.869 --> 00:39:45.039
  • ♪ for the land of the free ♪
  • 00:39:45.039 --> 00:39:53.147
  • ♪ and the home of the brave. ♪
  • 00:39:53.147 --> 00:40:04.525
  • ♪ america
  • 00:40:04.525 --> 00:40:05.459
  • - in mobile, alabama, one night,
  • 00:40:05.459 --> 00:40:08.095
  • We were not in the arena.
  • 00:40:08.095 --> 00:40:09.663
  • The arena was next door.
  • 00:40:09.663 --> 00:40:10.898
  • It's when we were building our audiences.
  • 00:40:10.898 --> 00:40:13.467
  • We were in a theater that seated 2,500:
  • 00:40:13.467 --> 00:40:16.770
  • A lovely theater.
  • 00:40:16.770 --> 00:40:18.772
  • And we were done, and in those days,
  • 00:40:18.772 --> 00:40:21.175
  • I guess they could tear down sound pretty quickly
  • 00:40:21.175 --> 00:40:23.477
  • Because by the time we got finished changing clothes
  • 00:40:23.477 --> 00:40:28.983
  • And came out on stage,
  • 00:40:28.983 --> 00:40:31.585
  • They had put the little light bulb
  • 00:40:31.585 --> 00:40:33.153
  • --as they do-- in theaters.
  • 00:40:33.153 --> 00:40:34.622
  • - that little work light, mm-hmm.
  • 00:40:34.622 --> 00:40:36.490
  • - in the middle of the stage,
  • 00:40:36.490 --> 00:40:39.126
  • And i can remember this like it was--
  • 00:40:39.126 --> 00:40:41.562
  • - we were--you and gloria and i happened to be walking together.
  • 00:40:41.562 --> 00:40:45.566
  • We were rolling our luggage, and you saw that work light.
  • 00:40:45.566 --> 00:40:48.702
  • - and i looked,
  • 00:40:48.702 --> 00:40:50.104
  • And it was one of those nights when god showed up.
  • 00:40:50.104 --> 00:40:52.740
  • It was--that whole room was filled with praise
  • 00:40:52.740 --> 00:40:56.877
  • And people applauding
  • 00:40:56.877 --> 00:40:58.846
  • And telling us we were the best thing
  • 00:40:58.846 --> 00:41:02.016
  • Since ice cream, and we believed them.
  • 00:41:02.016 --> 00:41:06.554
  • And i looked at you, and i said,
  • 00:41:06.554 --> 00:41:07.755
  • "sandi, look at this."
  • 00:41:07.755 --> 00:41:09.924
  • 'cause with that light bulb meant it's over, you know.
  • 00:41:09.924 --> 00:41:14.028
  • I said, "the stage is bare."
  • 00:41:14.028 --> 00:41:17.665
  • And i think i went on to say, "and the crowd is gone."
  • 00:41:17.665 --> 00:41:22.169
  • And we both looked at gloria, and i said,
  • 00:41:22.169 --> 00:41:24.572
  • "finish it, hon.
  • 00:41:24.572 --> 00:41:25.806
  • If the stage is bare, the crowd has gone,"
  • 00:41:25.806 --> 00:41:29.043
  • And she said, "the love we share still lingers on."
  • 00:41:29.043 --> 00:41:35.215
  • What's the next line?
  • 00:41:35.215 --> 00:41:36.584
  • - "we sang and prayed,
  • 00:41:36.584 --> 00:41:38.052
  • "and we laughed and cried,
  • 00:41:38.052 --> 00:41:39.386
  • "and, in our fumbling way,
  • 00:41:39.386 --> 00:41:42.056
  • "we tried to say what only hearts could know,
  • 00:41:42.056 --> 00:41:45.526
  • "and all too soon, we had to go.
  • 00:41:45.526 --> 00:41:48.762
  • "and now, here in this quiet room,
  • 00:41:48.762 --> 00:41:52.066
  • "there's empty seats.
  • 00:41:52.066 --> 00:41:53.734
  • There's just me and you."
  • 00:41:53.734 --> 00:41:55.703
  • Wow.
  • 00:41:55.703 --> 00:41:57.938
  • My favorite lyric in that is.
  • 00:41:57.938 --> 00:42:00.307
  • "i need you now much more than words can say.
  • 00:42:00.307 --> 00:42:04.878
  • "tomorrow's such a daily day,
  • 00:42:04.878 --> 00:42:07.214
  • "and i so need to feel you then,
  • 00:42:07.214 --> 00:42:10.417
  • "holding my hand.
  • 00:42:10.417 --> 00:42:12.219
  • Please hold me then."
  • 00:42:12.219 --> 00:42:15.723
  • - have you had days since then
  • 00:42:15.723 --> 00:42:18.459
  • When you have been in your kitchen, all alone,
  • 00:42:18.459 --> 00:42:23.831
  • And thought, "why am i doing what i've been doing?"
  • 00:42:23.831 --> 00:42:27.034
  • - yeah, more often than i care to admit sometimes.
  • 00:42:27.034 --> 00:42:34.541
  • - yeah.
  • 00:42:34.541 --> 00:42:36.010
  • - and it is a sacrifice,
  • 00:42:36.010 --> 00:42:38.078
  • Not just for us but for our families.
  • 00:42:38.078 --> 00:42:40.180
  • - yeah.
  • 00:42:40.180 --> 00:42:42.383
  • - but i guess i do what i do
  • 00:42:42.383 --> 00:42:45.119
  • Because that same god who holds my hand on the daily days
  • 00:42:45.119 --> 00:42:49.289
  • Can make a difference in somebody else's life
  • 00:42:49.289 --> 00:42:54.495
  • Because of the message.
  • 00:42:54.495 --> 00:42:57.531
  • Otherwise i would just be the soccer mom,
  • 00:42:57.531 --> 00:43:01.068
  • Because i love that.
  • 00:43:01.068 --> 00:43:02.603
  • - yeah.
  • 00:43:02.603 --> 00:43:03.904
  • - but it's the daily days when god shows up,
  • 00:43:03.904 --> 00:43:08.008
  • And we allow him to work that makes such a difference.
  • 00:43:08.008 --> 00:43:11.512
  • When i was younger, as an artist,
  • 00:43:11.512 --> 00:43:13.781
  • I used to feel like who i was onstage,
  • 00:43:13.781 --> 00:43:16.850
  • I had to carry with me offstage,
  • 00:43:16.850 --> 00:43:19.219
  • And that just did not work.
  • 00:43:19.219 --> 00:43:20.754
  • - yeah.
  • 00:43:20.754 --> 00:43:22.122
  • - and it's who i am, in the kitchen,
  • 00:43:22.122 --> 00:43:24.525
  • Making cookies for sam's baseball team.
  • 00:43:24.525 --> 00:43:27.628
  • That's who i want to carry with me onstage.
  • 00:43:27.628 --> 00:43:31.865
  • That's why it makes a difference.
  • 00:43:31.865 --> 00:43:40.974
  • ♪ the stage is bare. ♪
  • 00:43:44.511 --> 00:43:48.582
  • ♪ the crowds are gone. ♪
  • 00:43:48.582 --> 00:43:53.787
  • ♪ the love we shared ♪
  • 00:43:53.787 --> 00:43:58.192
  • ♪ still lingers on. ♪
  • 00:43:58.192 --> 00:44:01.795
  • ♪ we sang and played, ♪
  • 00:44:01.795 --> 00:44:05.299
  • ♪ and we laughed and cried, ♪
  • 00:44:05.299 --> 00:44:11.205
  • ♪ and in our fumbling way, ♪
  • 00:44:11.205 --> 00:44:16.777
  • ♪ we tried to say what only hearts can know. ♪
  • 00:44:16.777 --> 00:44:24.051
  • ♪ and all too soon, ♪
  • 00:44:24.051 --> 00:44:31.058
  • ♪ we had to go. ♪
  • 00:44:31.058 --> 00:44:34.962
  • ♪ and now here in this darkened room, ♪
  • 00:44:34.962 --> 00:44:46.006
  • ♪ there's just empty seats. ♪
  • 00:44:46.006 --> 00:44:51.445
  • ♪ there's just me and you. ♪
  • 00:44:51.445 --> 00:44:58.619
  • ♪ it was so easy to call you lord ♪
  • 00:44:58.619 --> 00:45:04.858
  • ♪ when a thousand voices sang your praise. ♪
  • 00:45:04.858 --> 00:45:13.934
  • ♪ but there's no one, ♪
  • 00:45:13.934 --> 00:45:17.204
  • ♪ there's no one to hear me now. ♪
  • 00:45:17.204 --> 00:45:23.644
  • ♪ so hear me now. ♪
  • 00:45:23.644 --> 00:45:28.315
  • ♪ be near me now. ♪
  • 00:45:28.315 --> 00:45:43.764
  • ♪ the stage is bare. ♪
  • 00:45:38.358 --> 00:45:48.135
  • ♪ the crowds have gone. ♪
  • 00:45:48.135 --> 00:45:51.138
  • ♪ lord, now's the time i need your song ♪
  • 00:45:51.138 --> 00:46:00.214
  • ♪ to give me joy and certainty. ♪
  • 00:46:00.214 --> 00:46:11.024
  • ♪ when no one else is watching me, ♪
  • 00:46:11.024 --> 00:46:18.398
  • ♪ i need you more, ♪
  • 00:46:18.398 --> 00:46:22.736
  • ♪ much more than words can say. ♪
  • 00:46:22.736 --> 00:46:26.506
  • ♪ 'cause tomorrow's such a daily day. ♪
  • 00:46:26.506 --> 00:46:37.718
  • ♪ and i so need to feel you then, ♪
  • 00:46:37.718 --> 00:46:46.994
  • ♪ holding my hand. ♪
  • 00:46:46.994 --> 00:46:51.765
  • ♪ please, ♪
  • 00:46:51.765 --> 00:46:53.934
  • ♪ please hold me then. ♪
  • 00:46:53.934 --> 00:47:03.677
  • ♪ ooh-ooh-oooh-ooh ♪
  • 00:47:03.677 --> 00:47:09.816
  • ♪ i need you, lord. ♪
  • 00:47:09.816 --> 00:47:23.764
  • ♪ i need thee every... ♪
  • 00:47:23.764 --> 00:47:31.405
  • The music of what we do is important.
  • 00:47:31.405 --> 00:47:33.473
  • - yeah.
  • 00:47:33.473 --> 00:47:34.875
  • - but the message is really what is the most important.
  • 00:47:34.875 --> 00:47:38.645
  • I remember you saying,
  • 00:47:38.645 --> 00:47:39.780
  • "if you have to say before you sing
  • 00:47:39.780 --> 00:47:44.418
  • What you're song is gonna say, then don't sing it."
  • 00:47:44.418 --> 00:47:46.954
  • - yeah.
  • 00:47:46.954 --> 00:47:48.288
  • - why bother? - yeah.
  • 00:47:48.288 --> 00:47:49.489
  • - let the song speak for yourself,
  • 00:47:49.489 --> 00:47:52.592
  • And so make those words important.
  • 00:47:52.592 --> 00:47:54.895
  • And you do such a great job of that,
  • 00:47:54.895 --> 00:47:56.863
  • And i've tried to tell the story of a song when i'm singing it
  • 00:47:56.863 --> 00:48:02.536
  • Because that's what's so important.
  • 00:48:02.536 --> 00:48:04.604
  • - i don't know of anybody who does it any better than you
  • 00:48:04.604 --> 00:48:06.740
  • Because, you know, your mind is a computer,
  • 00:48:06.740 --> 00:48:09.343
  • And i've often told young artists,
  • 00:48:09.343 --> 00:48:11.645
  • "run that through your mind."
  • 00:48:11.645 --> 00:48:14.348
  • I mean, this is an important lyric.
  • 00:48:14.348 --> 00:48:15.749
  • - thank you.
  • 00:48:15.749 --> 00:48:17.351
  • - "could we with ink the ocean fill,
  • 00:48:17.351 --> 00:48:20.120
  • "and were the skies of parchment made,
  • 00:48:20.120 --> 00:48:22.589
  • "were every stalk on earth a quill,
  • 00:48:22.589 --> 00:48:24.958
  • "and every man a scribe by trade,
  • 00:48:24.958 --> 00:48:26.626
  • "to write the love of god above
  • 00:48:26.626 --> 00:48:29.763
  • "would drain the ocean dry,
  • 00:48:29.763 --> 00:48:32.766
  • "nor could the scroll contain the whole,
  • 00:48:32.766 --> 00:48:35.402
  • Though stretched..."
  • 00:48:35.402 --> 00:48:36.570
  • I mean, that's a lyric.
  • 00:48:36.570 --> 00:48:37.637
  • If you run it through your brain...
  • 00:48:37.637 --> 00:48:39.039
  • - that is a great lyric.
  • 00:48:39.039 --> 00:48:40.707
  • And it all matters.
  • 00:48:40.707 --> 00:48:43.710
  • The lyric, you know,
  • 00:48:43.710 --> 00:48:45.212
  • When you and gloria came to me and larnelle
  • 00:48:45.212 --> 00:48:47.914
  • With i've just seen jesus,
  • 00:48:47.914 --> 00:48:49.916
  • "all that i've done before..."
  • 00:48:49.916 --> 00:48:51.785
  • - "won't matter anymore."
  • 00:48:51.785 --> 00:48:53.820
  • - and that doesn't mean even just the bad stuff.
  • 00:48:53.820 --> 00:48:56.189
  • That means the good stuff too.
  • 00:48:56.189 --> 00:48:57.357
  • - yeah, sure. sure.
  • 00:48:57.357 --> 00:48:58.558
  • - 'cause that's not gonna matter either.
  • 00:48:58.558 --> 00:49:00.560
  • "all that i've done before won't matter anymore.
  • 00:49:00.560 --> 00:49:03.730
  • "i've just seen jesus,
  • 00:49:03.730 --> 00:49:05.332
  • And i'll never be the same again."
  • 00:49:05.332 --> 00:49:07.634
  • That's why we show up every day and do what we do.
  • 00:49:07.634 --> 00:49:12.906
  • - ♪ well, we knew he was dead. ♪
  • 00:49:12.906 --> 00:49:18.712
  • ♪ it is finished, he said. ♪
  • 00:49:18.712 --> 00:49:21.815
  • ♪ and we watched as his life ebbed away. ♪
  • 00:49:21.815 --> 00:49:29.990
  • - ♪ then we all stood around ♪
  • 00:49:29.990 --> 00:49:34.327
  • ♪ till the guards took him down. ♪
  • 00:49:34.327 --> 00:49:37.531
  • ♪ joseph begged for his body ♪
  • 00:49:37.531 --> 00:49:41.134
  • ♪ on that day. ♪
  • 00:49:41.134 --> 00:49:45.772
  • - ♪ it was late afternoon ♪
  • 00:49:45.772 --> 00:49:48.842
  • ♪ when we got to the tomb, ♪
  • 00:49:48.842 --> 00:49:52.312
  • ♪ wrapped his body, ♪
  • 00:49:52.312 --> 00:49:54.181
  • ♪ and sealed up the grave. ♪
  • 00:49:54.181 --> 00:50:00.420
  • - ♪ so i know how you feel. ♪
  • 00:50:00.420 --> 00:50:03.924
  • ♪ his death was so real, ♪
  • 00:50:03.924 --> 00:50:06.827
  • ♪ but please listen and hear what i say. ♪
  • 00:50:06.827 --> 00:50:16.036
  • ♪ i've just seen jesus. ♪
  • 00:50:16.036 --> 00:50:24.945
  • ♪ i tell you he's alive. ♪
  • 00:50:24.945 --> 00:50:31.418
  • ♪ i've just seen jesus, ♪
  • 00:50:31.418 --> 00:50:37.791
  • ♪ our precious lord alive. ♪
  • 00:50:37.791 --> 00:50:45.966
  • ♪ and i knew. ♪
  • 00:50:45.966 --> 00:50:49.769
  • - ♪ yes, i knew. ♪
  • 00:50:49.769 --> 00:50:52.105
  • - ♪ he really saw me too. ♪
  • 00:50:52.105 --> 00:50:56.243
  • - ♪ he saw me too. ♪
  • 00:50:56.243 --> 00:51:00.347
  • - ♪ as if till now, ♪
  • 00:51:00.347 --> 00:51:04.918
  • ♪ i'd never lived. ♪
  • 00:51:04.918 --> 00:51:11.958
  • ♪ all that i'd done before ♪
  • 00:51:11.958 --> 00:51:18.598
  • ♪ won't matter anymore. ♪
  • 00:51:18.598 --> 00:51:26.273
  • ♪ i've just seen jesus, ♪
  • 00:51:26.273 --> 00:51:33.613
  • ♪ and i'll never be the same again. ♪
  • 00:51:33.613 --> 00:51:49.996
  • - ♪ it was his voice she first heard. ♪
  • 00:51:53.934 --> 00:51:59.105
  • ♪ those kind gentle words, ♪
  • 00:51:59.105 --> 00:52:02.409
  • ♪ asking what was her reason for tears. ♪
  • 00:52:02.409 --> 00:52:08.915
  • - ♪ and i sobbed in despair. ♪
  • 00:52:08.915 --> 00:52:12.953
  • ♪ my lord is not there. ♪
  • 00:52:12.953 --> 00:52:15.388
  • - ♪ he said, "child, it is i!" ♪
  • 00:52:15.388 --> 00:52:19.359
  • ♪ i am here! ♪
  • 00:52:19.359 --> 00:52:25.098
  • ♪ i've just seen jesus. ♪
  • 00:52:25.098 --> 00:52:35.809
  • ♪ i tell you he's alive. ♪
  • 00:52:35.809 --> 00:52:42.515
  • ♪ i've just seen jesus, ♪
  • 00:52:42.515 --> 00:52:48.822
  • ♪ our precious lord alive. ♪
  • 00:52:48.822 --> 00:52:57.530
  • ♪ and i knew. ♪
  • 00:52:57.530 --> 00:53:00.567
  • - ♪ yes, i knew. ♪
  • 00:53:00.567 --> 00:53:02.502
  • - ♪ he really saw me too. ♪
  • 00:53:02.502 --> 00:53:07.207
  • - ♪ he really saw me too. ♪
  • 00:53:07.207 --> 00:53:11.177
  • - ♪ it was, ♪
  • 00:53:11.177 --> 00:53:12.178
  • ♪ it was as if till now, ♪
  • 00:53:12.178 --> 00:53:16.049
  • ♪ i'd never lived. ♪
  • 00:53:16.049 --> 00:53:23.523
  • ♪ all that i've done before ♪
  • 00:53:23.523 --> 00:53:29.529
  • ♪ won't matter anymore. ♪
  • 00:53:29.529 --> 00:53:37.137
  • ♪ i've just seen jesus. ♪
  • 00:53:37.137 --> 00:53:50.950
  • - ♪ and i've just seen jesus. ♪
  • 00:53:44.311 --> 00:53:55.889
  • ♪ and all i've ever done before ♪
  • 00:53:55.889 --> 00:54:04.064
  • ♪ won't matter anymore. ♪
  • 00:54:04.064 --> 00:54:11.671
  • ♪ i've just seen jesus, ♪
  • 00:54:11.671 --> 00:54:15.909
  • ♪ and i'll never be the same again. ♪
  • 00:54:15.909 --> 00:54:27.987
  • ♪ i've just seen jesus! ♪
  • 00:54:27.987 --> 00:54:40.133
  • [cheers and applause]
  • 00:54:40.133 --> 00:55:38.658
  • ♪ what's that i hear? ♪
  • 00:55:42.295 --> 00:55:47.434
  • ♪ i still hear that music. ♪
  • 00:55:47.434 --> 00:55:52.172
  • ♪ day after day, ♪
  • 00:55:52.172 --> 00:55:56.409
  • ♪ his song goes on. ♪
  • 00:55:56.409 --> 00:56:01.147
  • ♪ for once you know the source of music, ♪
  • 00:56:01.147 --> 00:56:09.856
  • ♪ you'll always hear it. ♪
  • 00:56:09.856 --> 00:56:14.360
  • ♪ god gave the song. ♪
  • 00:56:14.360 --> 00:56:20.300
  • ♪ come on and join. ♪
  • 00:56:20.300 --> 00:56:23.736
  • ♪ it's the song of jesus. ♪
  • 00:56:23.736 --> 00:56:28.942
  • Captioning provided by gaither music group.
  • 00:56:32.712 --> 00:56:35.715
  • Captioning by captionmax www.captionmax.com
  • 00:56:35.715 --> 00:57:04.177
  • ♪how they ever flood my soul♪
  • 00:57:07.881 --> 00:57:09.516
  • Thank you for joining bill and gloria gaither...
  • 00:57:09.516 --> 00:57:12.018
  • ... and their homecoming friends for "precious memories."
  • 00:57:12.018 --> 00:57:15.088
  • Be sure to watch program as these legendary gospel artists...
  • 00:57:15.088 --> 00:57:18.525
  • ... share more of your favorite songs.
  • 00:57:18.525 --> 00:57:22.295
  • ♪in the stillness, of the midnight♪
  • 00:57:22.295 --> 00:57:22.295