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Gaither Gospel Hour

Wilson Fairchild: Statler Made | Gaither Gospel Hour

October 19, 2025 | 59:0

Wilson Fairchild: Statler Made | Gaither Gospel Hour
Gaither Gospel shares joy through heartfelt stories and inspiration through powerful music.
#Singer/Songwriter #Music #Musician #PersonalStory #Family #Inspirational

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Gaither Gospel Hour | Wilson Fairchild: Statler Made | Gaither Gospel Hour | October 19, 2025
  • Bill gaither: life is made up of moments...
  • 00:00:09.022 --> 00:00:12.459
  • ... like turning the pages of a photograph album.
  • 00:00:12.459 --> 00:00:15.161
  • Our memories preserve for us the relationships...
  • 00:00:15.161 --> 00:00:17.797
  • ... and events that tell the stories of each of our lives.
  • 00:00:17.797 --> 00:00:22.702
  • Happy, sad, joyful, and painful.
  • 00:00:22.702 --> 00:00:26.206
  • The memories of our days make up the fabric...
  • 00:00:26.206 --> 00:00:29.242
  • ... of who we are.
  • 00:00:29.242 --> 00:00:31.144
  • (choir singing) ♪precious memories♪
  • 00:00:31.144 --> 00:00:38.051
  • ♪how they linger♪
  • 00:00:38.051 --> 00:00:45.692
  • ♪how they ever flood my soul♪
  • 00:00:45.692 --> 00:00:58.905
  • Bill gaither: an unforgettable memory was made when dozens of friends...
  • 00:00:58.905 --> 00:01:02.342
  • ... who had spent their lives in gospel music...
  • 00:01:02.342 --> 00:01:04.544
  • ... gathered to sings some songs from their own...
  • 00:01:04.544 --> 00:01:07.013
  • ... personal treasure of memories.
  • 00:01:07.013 --> 00:01:09.849
  • For these folks, many precious memories...
  • 00:01:09.849 --> 00:01:12.852
  • ... had begun around a piano somewhere.
  • 00:01:12.852 --> 00:01:14.787
  • They're sharing songs about how their lives have been changed...
  • 00:01:14.787 --> 00:01:18.858
  • ... by god's amazing grace.
  • 00:01:18.858 --> 00:01:20.894
  • ♪precious scenes unfold♪
  • 00:01:20.894 --> 00:01:23.196
  • - ♪ do you know? ♪
  • 00:01:23.730 --> 00:01:24.664
  • - ♪ "do you know 'you are my sunshine'?" ♪
  • 00:01:24.664 --> 00:01:27.033
  • Bill: "wilson fairchild: statler made"
  • 00:01:27.033 --> 00:01:29.269
  • Is not just a mere homage.
  • 00:01:29.269 --> 00:01:31.204
  • It's a true celebration of the golden era
  • 00:01:31.204 --> 00:01:33.907
  • Of country and gospel music.
  • 00:01:33.907 --> 00:01:35.508
  • - ♪ ain't gonna need this house no longer. ♪
  • 00:01:35.508 --> 00:01:37.644
  • ♪ ain't gonna need this house no more. ♪
  • 00:01:37.644 --> 00:01:39.879
  • - ♪ ain't got time... ♪
  • 00:01:39.879 --> 00:01:41.147
  • Bill: cousins langdon and wil reid,
  • 00:01:41.147 --> 00:01:42.248
  • Both sons of the legendary
  • 00:01:42.248 --> 00:01:44.017
  • Hall of fame statler brothers members
  • 00:01:44.017 --> 00:01:45.818
  • Don reid and harold reid,
  • 00:01:45.818 --> 00:01:47.487
  • Have embarked on a mission
  • 00:01:47.487 --> 00:01:48.721
  • To pay tribute to their roots...
  • 00:01:48.721 --> 00:01:50.390
  • - ♪ countin' flowers on the wall... ♪
  • 00:01:50.390 --> 00:01:52.458
  • Bill: honoring the legacy of their fathers
  • 00:01:52.458 --> 00:01:54.127
  • With a brand-new project that promises
  • 00:01:54.127 --> 00:01:56.329
  • To be an unforgettable trip down a musical memory lane.
  • 00:01:56.329 --> 00:02:00.266
  • - ♪ and the class of '57 had its dreams. ♪
  • 00:02:00.266 --> 00:02:05.838
  • ♪ and he walks... ♪
  • 00:02:05.838 --> 00:02:09.542
  • Bill: i'm your host, bill cody,
  • 00:02:09.542 --> 00:02:10.977
  • And i invite you to join me on a journey
  • 00:02:10.977 --> 00:02:13.012
  • Through the pages of country and gospel music history
  • 00:02:13.012 --> 00:02:16.316
  • As wilson fairchild revisits the iconic songs
  • 00:02:16.316 --> 00:02:19.385
  • That made the statler brothers a household name.
  • 00:02:19.385 --> 00:02:22.121
  • - ♪ for i'll go to my grave loving you. ♪
  • 00:02:22.121 --> 00:02:27.327
  • Bill: gaither music group is pleased to present
  • 00:02:27.327 --> 00:02:30.063
  • "wilson fairchild: statler made."
  • 00:02:30.063 --> 00:02:33.099
  • [upbeat music]
  • 00:02:33.099 --> 00:02:34.634
  • - ♪ she was standing in the crowd, ♪
  • 00:02:34.634 --> 00:02:36.903
  • ♪ all alone and looking pretty, ♪
  • 00:02:36.903 --> 00:02:39.505
  • ♪ listening to the music that we played. ♪
  • 00:02:39.505 --> 00:02:43.776
  • ♪ she walked up and whispered. ♪
  • 00:02:43.776 --> 00:02:45.745
  • ♪ i leaned down and listened ♪
  • 00:02:45.745 --> 00:02:48.381
  • ♪ to the request that she made. ♪
  • 00:02:48.381 --> 00:02:52.118
  • - ♪ do you know? ♪
  • 00:02:52.118 --> 00:02:53.319
  • - ♪ "do you know 'you are my sunshine'?" ♪
  • 00:02:53.319 --> 00:02:56.723
  • ♪ she asked so sweet and tenderly. ♪
  • 00:02:56.723 --> 00:03:00.693
  • - ♪ do you know? ♪
  • 00:03:00.693 --> 00:03:01.894
  • - ♪ "do you know 'you are my sunshine'? ♪
  • 00:03:01.894 --> 00:03:05.431
  • ♪ and would you do it one more time for me?" ♪
  • 00:03:05.431 --> 00:03:09.736
  • - ♪ border to border and ocean to ocean, ♪
  • 00:03:09.736 --> 00:03:14.440
  • ♪ i still look for her everyplace. ♪
  • 00:03:14.440 --> 00:03:18.845
  • - ♪ chasing the sunshine, each and every night, ♪
  • 00:03:18.845 --> 00:03:22.682
  • ♪ i'm searching every crowd for her face. ♪
  • 00:03:22.682 --> 00:03:26.719
  • - ♪ she was gone just as quick ♪
  • 00:03:26.719 --> 00:03:29.188
  • ♪ as the song that she asked for, ♪
  • 00:03:29.188 --> 00:03:31.924
  • ♪ taking my sunshine away. ♪
  • 00:03:31.924 --> 00:03:35.928
  • - ♪ but someday when i finally look down and see her, ♪
  • 00:03:35.928 --> 00:03:40.667
  • ♪ i know just what i'm gonna say. ♪
  • 00:03:40.667 --> 00:03:44.570
  • - ♪ do you know? ♪
  • 00:03:44.570 --> 00:03:45.838
  • - ♪ do you know you are my sunshine? ♪
  • 00:03:45.838 --> 00:03:49.175
  • ♪ do you know what your smile did to me? ♪
  • 00:03:49.175 --> 00:03:53.179
  • - ♪ do you know? ♪
  • 00:03:53.179 --> 00:03:54.447
  • - ♪ do you know you are my sunshine? ♪
  • 00:03:54.447 --> 00:03:57.817
  • ♪ and it looks like you're always gonna be. ♪
  • 00:03:57.817 --> 00:04:01.321
  • ♪ ♪
  • 00:04:01.321 --> 00:04:15.902
  • - ♪ do you know? ♪
  • 00:04:19.405 --> 00:04:20.673
  • - ♪ do you know you are my sunshine? ♪
  • 00:04:20.673 --> 00:04:23.943
  • ♪ do you know what your smile did to me? ♪
  • 00:04:23.943 --> 00:04:28.214
  • - ♪ do you know? ♪
  • 00:04:28.214 --> 00:04:29.482
  • - ♪ do you know you are my sunshine? ♪
  • 00:04:29.482 --> 00:04:32.785
  • ♪ and it looks like you're always gonna be. ♪
  • 00:04:32.785 --> 00:04:36.956
  • - ♪ do you know? ♪
  • 00:04:36.956 --> 00:04:38.157
  • - ♪ "do you know 'you are my sunshine'?" ♪
  • 00:04:38.157 --> 00:04:41.461
  • ♪ she asked so sweet and tenderly. ♪
  • 00:04:41.461 --> 00:04:45.665
  • - ♪ do you know? ♪
  • 00:04:45.665 --> 00:04:46.866
  • - ♪ "do you know 'you are my sunshine'? ♪
  • 00:04:46.866 --> 00:04:50.169
  • ♪ and would you do it one more time for me?" ♪
  • 00:04:50.169 --> 00:04:54.407
  • - ♪ do you know? ♪
  • 00:04:54.407 --> 00:04:55.541
  • - ♪ do you know you are my ♪
  • 00:04:55.541 --> 00:04:57.110
  • ♪ sunshine? ♪
  • 00:04:57.110 --> 00:05:02.682
  • - ♪ shine. ♪ - ♪ shine. ♪
  • 00:05:02.682 --> 00:05:09.789
  • [cheers and applause]
  • 00:05:09.789 --> 00:05:15.328
  • - well, for people who don't know
  • 00:05:15.395 --> 00:05:16.662
  • The family relationship to the statler brothers,
  • 00:05:16.662 --> 00:05:19.198
  • You are the sons of don and harold reid.
  • 00:05:19.198 --> 00:05:21.634
  • - yes.
  • 00:05:21.634 --> 00:05:22.635
  • - langdon's father is don,
  • 00:05:22.635 --> 00:05:24.103
  • And, of course, harold was the late harold reid,
  • 00:05:24.103 --> 00:05:26.906
  • Your father. - yes.
  • 00:05:26.906 --> 00:05:29.308
  • - you guys have-- you were born to it.
  • 00:05:29.308 --> 00:05:31.511
  • - mm-hmm. - you didn't have to do
  • 00:05:31.511 --> 00:05:32.912
  • The music thing together. - no.
  • 00:05:32.912 --> 00:05:34.680
  • - we thought we did.
  • 00:05:34.680 --> 00:05:36.149
  • - did you early on? - yeah.
  • 00:05:36.149 --> 00:05:37.850
  • - [laughs]
  • 00:05:37.850 --> 00:05:39.185
  • - you know, bill, in this business,
  • 00:05:39.185 --> 00:05:40.787
  • Everybody's got their own story,
  • 00:05:40.787 --> 00:05:42.255
  • And no two are alike, right? - right.
  • 00:05:42.255 --> 00:05:44.357
  • - so, you know, us growing up in this family
  • 00:05:44.357 --> 00:05:46.292
  • And our dads being so great at being dads
  • 00:05:46.292 --> 00:05:50.363
  • And so great at being
  • 00:05:50.363 --> 00:05:51.964
  • Hall of fame country music stars,
  • 00:05:51.964 --> 00:05:55.568
  • We were always eat up with the music.
  • 00:05:55.568 --> 00:05:57.236
  • You know, from the time we were kids to teenagers,
  • 00:05:57.236 --> 00:05:59.872
  • We tell the story that langdon and i
  • 00:05:59.872 --> 00:06:02.141
  • Literally started playing as a band when i was 16
  • 00:06:02.141 --> 00:06:05.144
  • And he was 14.
  • 00:06:05.144 --> 00:06:06.179
  • 'cause he couldn't drive. - mm-hmm.
  • 00:06:06.179 --> 00:06:07.747
  • - and i'd go pick him up for band practice.
  • 00:06:07.747 --> 00:06:09.449
  • - oh, wow. - and i'd still let him drive,
  • 00:06:09.449 --> 00:06:11.451
  • But he didn't have his license.
  • 00:06:11.451 --> 00:06:12.585
  • - [laughs] that's ok.
  • 00:06:12.585 --> 00:06:14.253
  • In virginia, that's ok. - that's another story.
  • 00:06:14.253 --> 00:06:15.421
  • - oh, yeah, absolutely.
  • 00:06:15.421 --> 00:06:16.556
  • In our town, it was fine.
  • 00:06:16.556 --> 00:06:17.790
  • Our dads were the statler brothers.
  • 00:06:17.790 --> 00:06:19.325
  • - yeah. - [laughs]
  • 00:06:19.325 --> 00:06:20.626
  • And if you don't get caught, everything's fine.
  • 00:06:20.626 --> 00:06:21.994
  • - yeah, exactly.
  • 00:06:21.994 --> 00:06:23.129
  • And so that's where it all started.
  • 00:06:23.129 --> 00:06:25.064
  • But we were always on the same page.
  • 00:06:25.064 --> 00:06:26.599
  • You know, all these musical journeys that we've
  • 00:06:26.599 --> 00:06:28.668
  • Been on through the years, trying to invent ourselves
  • 00:06:28.668 --> 00:06:31.771
  • And reinvent ourselves, we always came back
  • 00:06:31.771 --> 00:06:35.641
  • To our dads' music, because it inspired us
  • 00:06:35.641 --> 00:06:38.945
  • And we loved it and we learned from it.
  • 00:06:38.945 --> 00:06:41.614
  • And when the fans
  • 00:06:41.614 --> 00:06:44.050
  • Couldn't separate us from them--you know,
  • 00:06:44.050 --> 00:06:47.753
  • 'cause you kind of look like them.
  • 00:06:47.753 --> 00:06:48.921
  • You kind of sound like them.
  • 00:06:48.921 --> 00:06:51.290
  • Recently it really has been great doing this record.
  • 00:06:51.290 --> 00:06:54.360
  • You know, we embrace everything they've ever done.
  • 00:06:54.360 --> 00:06:56.863
  • - well, it's titled "statler made."
  • 00:06:56.863 --> 00:06:58.498
  • - yeah. yeah.
  • 00:06:58.498 --> 00:07:00.566
  • - how apt that title is, 'cause that's truly--
  • 00:07:00.566 --> 00:07:03.102
  • That is--that's exactly what he's saying.
  • 00:07:03.102 --> 00:07:04.570
  • That's who we are.
  • 00:07:04.570 --> 00:07:06.172
  • That's where we come from.
  • 00:07:06.172 --> 00:07:07.974
  • And for a while even with our music and what we were doing,
  • 00:07:07.974 --> 00:07:12.778
  • We wanted to try to separate and say, you know,
  • 00:07:12.778 --> 00:07:14.814
  • Here's who we are.
  • 00:07:14.814 --> 00:07:16.716
  • But at the same time, people won't allow you
  • 00:07:16.716 --> 00:07:19.318
  • Necessarily to do that, because you do--
  • 00:07:19.318 --> 00:07:21.320
  • You sound, you look, you act like them.
  • 00:07:21.320 --> 00:07:23.489
  • - we're of an age now that we want to celebrate their music.
  • 00:07:23.489 --> 00:07:27.493
  • We want the legacy to go on.
  • 00:07:27.493 --> 00:07:28.928
  • We want it to go on for our sons who want to do music.
  • 00:07:28.928 --> 00:07:33.232
  • And you're always creating
  • 00:07:33.232 --> 00:07:34.500
  • And you're always trying to do something new.
  • 00:07:34.500 --> 00:07:36.068
  • But it's important to us.
  • 00:07:36.068 --> 00:07:37.436
  • We've been grooving on that music our whole lives,
  • 00:07:37.436 --> 00:07:39.872
  • And that's what got us here. - yeah.
  • 00:07:39.872 --> 00:07:41.607
  • - they were grooving with johnny cash
  • 00:07:41.607 --> 00:07:43.276
  • At a period of time in their hall of fame career.
  • 00:07:43.276 --> 00:07:46.312
  • They're both in the hall of fame.
  • 00:07:46.312 --> 00:07:47.947
  • That's appropriate, it seems. - yes. how about that?
  • 00:07:47.947 --> 00:07:49.649
  • - so how about "i walk the line"?
  • 00:07:49.649 --> 00:07:51.117
  • Then we'll talk about the johnny cash years...
  • 00:07:51.117 --> 00:07:53.185
  • - let's do it. - on the other side.
  • 00:07:53.185 --> 00:07:54.687
  • - nothing better.
  • 00:07:54.687 --> 00:07:55.922
  • [upbeat music]
  • 00:07:55.922 --> 00:07:58.424
  • ♪ ♪
  • 00:07:58.424 --> 00:08:02.428
  • - ♪ i keep a close watch on this heart of mine. ♪
  • 00:08:02.428 --> 00:08:07.133
  • ♪ i keep my eyes wide open all the time. ♪
  • 00:08:07.133 --> 00:08:11.871
  • ♪ i keep the ends out for the tie that binds. ♪
  • 00:08:11.871 --> 00:08:16.409
  • ♪ because you're mine, i walk the line. ♪
  • 00:08:16.409 --> 00:08:21.447
  • ♪ ♪
  • 00:08:21.447 --> 00:08:25.952
  • - ♪ i find it very, very easy to be true. ♪
  • 00:08:25.952 --> 00:08:30.523
  • ♪ i find myself alone when each day is through. ♪
  • 00:08:30.523 --> 00:08:35.328
  • - ♪ yes, i'll admit that i'm a fool for you. ♪
  • 00:08:35.328 --> 00:08:40.066
  • - ♪ because you're mine, i walk the line. ♪
  • 00:08:40.066 --> 00:08:45.237
  • ♪ ♪
  • 00:08:45.237 --> 00:08:49.542
  • - ♪ as sure as night is dark and day is light, ♪
  • 00:08:49.542 --> 00:08:54.213
  • ♪ i keep you on my mind both day and night. ♪
  • 00:08:54.213 --> 00:08:58.884
  • ♪ and happiness i've known proves that it's right. ♪
  • 00:08:58.884 --> 00:09:03.723
  • ♪ because you're mine, i walk the line. ♪
  • 00:09:03.723 --> 00:09:09.362
  • ♪ ♪
  • 00:09:09.362 --> 00:09:13.165
  • - ♪ you've got a way to keep me on your side. ♪
  • 00:09:13.165 --> 00:09:17.536
  • ♪ you give me cause for love that i can't hide. ♪
  • 00:09:17.536 --> 00:09:22.241
  • - ♪ for you, i know i'd even try to turn the tide. ♪
  • 00:09:22.241 --> 00:09:27.179
  • ♪ because you're mine... ♪
  • 00:09:27.179 --> 00:09:29.482
  • - ♪ i walk the line. ♪
  • 00:09:29.482 --> 00:09:31.951
  • ♪ ♪
  • 00:09:31.951 --> 00:09:36.389
  • - ♪ i keep a close watch on this heart of mine. ♪
  • 00:09:36.389 --> 00:09:41.260
  • ♪ i keep my eyes wide open all the time. ♪
  • 00:09:41.260 --> 00:09:45.998
  • ♪ i keep the ends out for the tie that binds. ♪
  • 00:09:45.998 --> 00:09:50.803
  • ♪ because you're mine, i walk the line. ♪
  • 00:09:50.803 --> 00:09:55.474
  • - ♪ i keep a close watch on this heart of mine. ♪
  • 00:09:55.474 --> 00:09:59.779
  • ♪ i keep my eyes wide open all the time. ♪
  • 00:09:59.779 --> 00:10:04.850
  • ♪ i keep the ends out for the tie that binds. ♪
  • 00:10:04.850 --> 00:10:09.722
  • ♪ because you're mine, i walk the line. ♪
  • 00:10:09.722 --> 00:10:14.226
  • - ♪ because you're mine... ♪
  • 00:10:14.226 --> 00:10:16.362
  • - ♪ i walk the line. ♪
  • 00:10:16.362 --> 00:10:22.535
  • ♪ ♪
  • 00:10:22.535 --> 00:10:29.875
  • [cheers and applause]
  • 00:10:33.412 --> 00:10:40.853
  • - so, you know, they professionally went
  • 00:10:44.890 --> 00:10:46.492
  • To work for cash in 1964
  • 00:10:46.492 --> 00:10:48.761
  • And were on the road with him for eight years,
  • 00:10:48.761 --> 00:10:52.064
  • Driving around in a cadillac, four of them.
  • 00:10:52.064 --> 00:10:54.700
  • I think they even drove that cadillac
  • 00:10:54.700 --> 00:10:56.035
  • To new zealand, too, one time, didn't they?
  • 00:10:56.035 --> 00:10:57.369
  • - i think they did, yeah. - yeah, uh-huh, yeah.
  • 00:10:57.369 --> 00:10:58.537
  • - fins on it. - yeah, had fins on it.
  • 00:10:58.537 --> 00:11:00.005
  • Yeah, they went. - flippers over there.
  • 00:11:00.005 --> 00:11:01.307
  • - you know, john says go, we go.
  • 00:11:01.307 --> 00:11:02.908
  • - that's right.
  • 00:11:02.908 --> 00:11:04.210
  • - but, you know, there's a huge relationship there,
  • 00:11:04.210 --> 00:11:07.513
  • You know, what they learned in the music business
  • 00:11:07.513 --> 00:11:10.249
  • Before their career took off and had to go out on their own.
  • 00:11:10.249 --> 00:11:14.720
  • But all that stuff is so near and dear to our hearts,
  • 00:11:14.720 --> 00:11:17.389
  • All the music, you know?
  • 00:11:17.389 --> 00:11:19.091
  • - "bed of rose's" is where we're going next.
  • 00:11:19.091 --> 00:11:21.093
  • Give us a quick setup,
  • 00:11:21.093 --> 00:11:22.428
  • And then we'll talk in more detail afterward.
  • 00:11:22.428 --> 00:11:24.230
  • - well, my dad, harold reid, wrote "bed of rose's."
  • 00:11:24.230 --> 00:11:26.499
  • He carried it around in a folder for a few years.
  • 00:11:26.499 --> 00:11:29.068
  • - and another character song like "susan when she tried."
  • 00:11:29.068 --> 00:11:31.837
  • "rose's," rose is the character in this song.
  • 00:11:31.837 --> 00:11:35.174
  • - and it's very scandalous, bill.
  • 00:11:35.174 --> 00:11:36.876
  • It's a scandalous song that he wrote
  • 00:11:36.876 --> 00:11:39.745
  • When he came home from church one day and--
  • 00:11:39.745 --> 00:11:42.681
  • - there's some juxtaposition there, isn't it?
  • 00:11:42.681 --> 00:11:44.617
  • Church and a scandalous song.
  • 00:11:44.617 --> 00:11:46.285
  • - but they actually pitched it to other artists
  • 00:11:46.285 --> 00:11:48.287
  • And nobody would record it at the time,
  • 00:11:48.287 --> 00:11:51.390
  • But that's what they recorded when they went to mercury
  • 00:11:51.390 --> 00:11:53.659
  • In 1970, and, fwoosh, the rest is history.
  • 00:11:53.659 --> 00:11:56.896
  • So yes, as most of you know, some of you may not, but--
  • 00:11:56.896 --> 00:12:00.866
  • So we cut six statler brothers songs on this record.
  • 00:12:00.866 --> 00:12:03.636
  • And you know what?
  • 00:12:03.636 --> 00:12:04.970
  • It's just one of those things that langdon and i
  • 00:12:04.970 --> 00:12:06.972
  • Want the music to keep going on and on.
  • 00:12:06.972 --> 00:12:09.108
  • And since we're able to do it and we think
  • 00:12:09.108 --> 00:12:11.544
  • We do an all right job with it, we really enjoyed--
  • 00:12:11.544 --> 00:12:14.847
  • Thank you. [cheers and applause]
  • 00:12:14.847 --> 00:12:17.383
  • We really enjoyed recording these songs
  • 00:12:17.383 --> 00:12:19.785
  • That we had never done before.
  • 00:12:19.785 --> 00:12:21.253
  • You know, we've done them live but never recorded them.
  • 00:12:21.253 --> 00:12:23.389
  • And it's just a whole lot of fun for us.
  • 00:12:23.389 --> 00:12:26.192
  • Do you want to say anything else?
  • 00:12:26.192 --> 00:12:27.293
  • - no.
  • 00:12:27.293 --> 00:12:28.627
  • - ok, we'd like to do the next song now, please.
  • 00:12:28.627 --> 00:12:30.262
  • [laughter]
  • 00:12:30.262 --> 00:12:31.397
  • [upbeat music]
  • 00:12:31.397 --> 00:12:35.100
  • - ♪ she was called a scarlet woman ♪
  • 00:12:35.100 --> 00:12:37.436
  • ♪ by the people ♪
  • 00:12:37.436 --> 00:12:39.705
  • ♪ who would go to church but left me in the streets. ♪
  • 00:12:39.705 --> 00:12:44.243
  • ♪ with no parents of my own, i never had a home, ♪
  • 00:12:44.243 --> 00:12:48.948
  • ♪ and an 18-year-old boy has got to eat. ♪
  • 00:12:48.948 --> 00:12:53.485
  • - ♪ she found me outside one sunday morning ♪
  • 00:12:53.485 --> 00:12:57.756
  • ♪ begging money from a man i didn't know. ♪
  • 00:12:57.756 --> 00:13:02.361
  • ♪ she took me in and wiped away my childhood, ♪
  • 00:13:02.361 --> 00:13:06.799
  • ♪ a woman of the streets, this lady rose. ♪
  • 00:13:06.799 --> 00:13:11.003
  • ♪ this bed of rose's that i lay on ♪
  • 00:13:11.003 --> 00:13:15.708
  • ♪ where i was taught to be a man. ♪
  • 00:13:15.708 --> 00:13:20.579
  • ♪ this bed of rose's where i'm living ♪
  • 00:13:20.579 --> 00:13:24.717
  • ♪ is the only kind of life i understand. ♪
  • 00:13:24.717 --> 00:13:29.521
  • ♪ ♪
  • 00:13:29.521 --> 00:13:33.492
  • - ♪ she was a handsome woman just 35 ♪
  • 00:13:33.492 --> 00:13:38.264
  • ♪ who was spoken to in town by very few. ♪
  • 00:13:38.264 --> 00:13:42.635
  • ♪ she managed a late-evening business ♪
  • 00:13:42.635 --> 00:13:47.172
  • ♪ like most of the town wished they could do. ♪
  • 00:13:47.172 --> 00:13:51.677
  • - ♪ but i've learned all the things ♪
  • 00:13:51.677 --> 00:13:53.712
  • ♪ that a man should know ♪
  • 00:13:53.712 --> 00:13:55.981
  • ♪ from a woman not approved of, i suppose. ♪
  • 00:13:55.981 --> 00:14:00.252
  • ♪ but she died knowing that i really loved her. ♪
  • 00:14:00.252 --> 00:14:05.057
  • ♪ of life's bramble bush i picked a rose. ♪
  • 00:14:05.057 --> 00:14:09.929
  • ♪ this bed of rose's that i lay on ♪
  • 00:14:09.929 --> 00:14:14.133
  • ♪ where i was taught to be a man. ♪
  • 00:14:14.133 --> 00:14:18.470
  • ♪ this bed of rose's where i'm living ♪
  • 00:14:18.470 --> 00:14:22.908
  • ♪ is the only kind of life i understand. ♪
  • 00:14:22.908 --> 00:14:27.646
  • ♪ this bed of rose's that i lay on ♪
  • 00:14:27.646 --> 00:14:32.151
  • ♪ where i was taught to be a man. ♪
  • 00:14:32.151 --> 00:14:36.722
  • ♪ this bed of rose's where i'm living ♪
  • 00:14:36.722 --> 00:14:40.859
  • ♪ is the only kind of life i understand. ♪
  • 00:14:40.859 --> 00:14:44.763
  • ♪ ooh, ooh, ooh, ♪
  • 00:14:44.763 --> 00:14:52.004
  • ♪ ooh. ♪
  • 00:14:52.004 --> 00:14:59.078
  • [cheers and applause]
  • 00:14:59.078 --> 00:15:05.784
  • Bill: what did you ever find out?
  • 00:15:09.788 --> 00:15:10.856
  • Where did your dad--
  • 00:15:10.856 --> 00:15:12.157
  • Did he just create this character?
  • 00:15:12.157 --> 00:15:14.994
  • - i'm sure it was inspired by something
  • 00:15:14.994 --> 00:15:17.062
  • That happened at church, like a sermon or something.
  • 00:15:17.062 --> 00:15:19.298
  • - mm-hmm. - i'm not sure exactly.
  • 00:15:19.298 --> 00:15:21.033
  • But i just know that he came home from church
  • 00:15:21.033 --> 00:15:22.735
  • And sit down at the piano and wrote this song.
  • 00:15:22.735 --> 00:15:25.471
  • - wow.
  • 00:15:25.471 --> 00:15:26.739
  • - and it is--you know what the subject matter--
  • 00:15:26.739 --> 00:15:30.242
  • The song is about.
  • 00:15:30.242 --> 00:15:31.643
  • And you're looking back at these decades--
  • 00:15:31.643 --> 00:15:33.846
  • And you talk to artists all the time that write songs.
  • 00:15:33.846 --> 00:15:36.115
  • And those songs come out of times
  • 00:15:36.115 --> 00:15:38.550
  • That people were experimenting
  • 00:15:38.550 --> 00:15:40.686
  • And they were pushing the envelope.
  • 00:15:40.686 --> 00:15:42.388
  • And so it's got, you know, a great message,
  • 00:15:42.388 --> 00:15:46.058
  • But it's just a story song, right?
  • 00:15:46.058 --> 00:15:47.559
  • - mm-hmm. - but even at the time,
  • 00:15:47.559 --> 00:15:49.528
  • It was so touchy
  • 00:15:49.528 --> 00:15:52.398
  • That when--he had pitched it to friends,
  • 00:15:52.398 --> 00:15:54.333
  • And one that i remember was kenny rogers...
  • 00:15:54.333 --> 00:15:56.235
  • - he did.
  • 00:15:56.235 --> 00:15:57.302
  • - who had it on hold, basically,
  • 00:15:57.302 --> 00:15:59.238
  • And was gonna record it.
  • 00:15:59.238 --> 00:16:00.506
  • And this is when our dads had only had
  • 00:16:00.506 --> 00:16:03.509
  • "flowers on the wall," right?
  • 00:16:03.509 --> 00:16:04.843
  • So they didn't have, like, a real big follow-up hit.
  • 00:16:04.843 --> 00:16:07.880
  • And they were hanging on to this song.
  • 00:16:07.880 --> 00:16:10.082
  • So they were pitching songs to friends.
  • 00:16:10.082 --> 00:16:12.284
  • But even he backed out and said, nah.
  • 00:16:12.284 --> 00:16:14.620
  • - a little too risky for me.
  • 00:16:14.620 --> 00:16:15.687
  • - i think a little too risky for me
  • 00:16:15.687 --> 00:16:16.789
  • At this point in my career.
  • 00:16:16.789 --> 00:16:18.157
  • I'm not recording it.
  • 00:16:18.157 --> 00:16:19.458
  • So when they got to jerry kennedy
  • 00:16:19.458 --> 00:16:21.293
  • And mercury in 1970,
  • 00:16:21.293 --> 00:16:23.395
  • Not only was that the title cut of the album...
  • 00:16:23.395 --> 00:16:25.964
  • - mm-hmm. - but they cut it.
  • 00:16:25.964 --> 00:16:27.199
  • And it was a hit record.
  • 00:16:27.199 --> 00:16:28.867
  • And it worked for them.
  • 00:16:28.867 --> 00:16:31.103
  • So not only did they get the group in country music,
  • 00:16:31.103 --> 00:16:34.406
  • But they also got "bed of rose's" cut.
  • 00:16:34.406 --> 00:16:36.775
  • - you guys talk about working up songs.
  • 00:16:36.775 --> 00:16:38.343
  • - mm-hmm. - who determines,
  • 00:16:38.343 --> 00:16:40.112
  • Or at what point do you agree,
  • 00:16:40.112 --> 00:16:41.647
  • Ok, i'm taking the lead vocal,
  • 00:16:41.647 --> 00:16:44.049
  • Which you do most of the time.
  • 00:16:44.049 --> 00:16:45.884
  • - right. - or on occasion, you will.
  • 00:16:45.884 --> 00:16:47.719
  • - right.
  • 00:16:47.719 --> 00:16:48.987
  • - i mean, obviously you come to some sort--
  • 00:16:48.987 --> 00:16:50.756
  • - i don't think there's any kind of formula or anything.
  • 00:16:50.756 --> 00:16:53.625
  • It's just-- it really is feeling.
  • 00:16:53.625 --> 00:16:56.628
  • Or, you know, think, man, i've always liked this song.
  • 00:16:56.628 --> 00:16:59.531
  • I really want to sing this one.
  • 00:16:59.531 --> 00:17:02.301
  • Or, again, i got a few higher notes than he does.
  • 00:17:02.301 --> 00:17:06.338
  • He's got a few lower notes than i do.
  • 00:17:06.338 --> 00:17:08.107
  • So, you know, him singing lead,
  • 00:17:08.107 --> 00:17:09.908
  • And i usually sing the part over top.
  • 00:17:09.908 --> 00:17:11.777
  • - i think that's how we evolved to it, yeah...
  • 00:17:11.777 --> 00:17:13.545
  • - we did. yeah. - from the beginning.
  • 00:17:13.545 --> 00:17:15.714
  • We had more high notes when we started than we do now.
  • 00:17:15.714 --> 00:17:18.117
  • - right. - yeah.
  • 00:17:18.117 --> 00:17:19.518
  • And the other thing, too,
  • 00:17:19.518 --> 00:17:20.619
  • About me and langdon and our career
  • 00:17:20.619 --> 00:17:22.688
  • And getting to this point is,
  • 00:17:22.688 --> 00:17:25.257
  • You know, we also joke
  • 00:17:25.257 --> 00:17:27.459
  • That really, we're two bass singers.
  • 00:17:27.459 --> 00:17:29.061
  • So, you know, trying to make two bass singers a duo career,
  • 00:17:29.061 --> 00:17:32.397
  • It's been a tough road.
  • 00:17:32.397 --> 00:17:33.765
  • - at least baritone.
  • 00:17:33.765 --> 00:17:34.867
  • - yeah, exactly. it's been tough.
  • 00:17:34.867 --> 00:17:36.468
  • - and your father being
  • 00:17:36.468 --> 00:17:38.804
  • One of the quintessential bass voices...
  • 00:17:38.804 --> 00:17:41.373
  • - right. - in all genres of music.
  • 00:17:41.373 --> 00:17:43.475
  • - right. - yes.
  • 00:17:43.475 --> 00:17:44.776
  • - yeah, that's hard-- it's hard to deal with.
  • 00:17:44.776 --> 00:17:46.478
  • But--no, the other thing is, with me and langdon
  • 00:17:46.478 --> 00:17:50.048
  • And our experiences and the family that we come from,
  • 00:17:50.048 --> 00:17:53.619
  • He and i just love doing it together.
  • 00:17:53.619 --> 00:17:55.921
  • You know, we just wanted the two of us to do it together
  • 00:17:55.921 --> 00:17:58.190
  • Like our dads did it together.
  • 00:17:58.190 --> 00:18:00.192
  • And so, you know, we make a lot of musical decisions that way.
  • 00:18:00.192 --> 00:18:04.596
  • - so the name is c. austin miles.
  • 00:18:04.596 --> 00:18:09.501
  • And the song goes back to 1912.
  • 00:18:09.501 --> 00:18:12.538
  • I was trying to do a little history on "in the garden,"
  • 00:18:12.538 --> 00:18:12.671
  • Because i'm a baptist preacher's kid,
  • 00:18:15.174 --> 00:18:17.643
  • And that was one of my daddy's favorites.
  • 00:18:17.643 --> 00:18:19.511
  • You know, they were always "child of the king,"
  • 00:18:19.511 --> 00:18:21.547
  • "in the garden."
  • 00:18:21.547 --> 00:18:22.581
  • - mm-hmm.
  • 00:18:22.581 --> 00:18:23.949
  • - there were just a handful that he would always,
  • 00:18:23.949 --> 00:18:27.452
  • You know, if he were alone in his office,
  • 00:18:27.452 --> 00:18:29.888
  • You might hear him--as i was coming down the hallway
  • 00:18:29.888 --> 00:18:33.025
  • To check in or whatever...
  • 00:18:33.025 --> 00:18:35.294
  • - that's so nice.
  • 00:18:35.294 --> 00:18:36.395
  • - i'd hear him singing those songs.
  • 00:18:36.395 --> 00:18:37.496
  • - mm. - but boy, this one.
  • 00:18:37.496 --> 00:18:40.199
  • A lot of people have done "in the garden"
  • 00:18:40.199 --> 00:18:41.366
  • Through the years.
  • 00:18:41.366 --> 00:18:42.534
  • - they have. - yeah.
  • 00:18:42.534 --> 00:18:45.404
  • - we've been singing it a long--
  • 00:18:45.470 --> 00:18:47.506
  • Again, we both grew up in the church,
  • 00:18:47.506 --> 00:18:50.242
  • Know a lot of those hymns as well.
  • 00:18:50.242 --> 00:18:52.144
  • And this is one of those, when we worked it up,
  • 00:18:52.144 --> 00:18:53.879
  • We didn't need to look the lyrics up to this one.
  • 00:18:53.879 --> 00:18:55.814
  • We knew all the verses. - yeah.
  • 00:18:55.814 --> 00:18:57.549
  • - and there's something so tender and powerful
  • 00:18:57.549 --> 00:19:02.721
  • About this song.
  • 00:19:02.721 --> 00:19:04.656
  • It always has been to me.
  • 00:19:04.656 --> 00:19:05.991
  • You know, you usually think of a powerful song,
  • 00:19:05.991 --> 00:19:07.492
  • It's got to be heavy and hit you hard.
  • 00:19:07.492 --> 00:19:09.695
  • But there's something so sweet and tender.
  • 00:19:09.695 --> 00:19:11.897
  • And when you look at the inspiration for it,
  • 00:19:11.897 --> 00:19:14.666
  • Of how it was written,
  • 00:19:14.666 --> 00:19:17.436
  • You know, it's probably going back to john 20
  • 00:19:17.436 --> 00:19:21.206
  • When mary magdalene goes to the tomb to visit jesus.
  • 00:19:21.206 --> 00:19:25.077
  • She's in the garden alone.
  • 00:19:25.077 --> 00:19:26.912
  • And we all have experienced a time like that in our lives
  • 00:19:26.912 --> 00:19:31.817
  • When you want to go to the garden
  • 00:19:31.817 --> 00:19:33.085
  • Or the cemetery or someplace special
  • 00:19:33.085 --> 00:19:35.354
  • To visit with somebody. - yeah.
  • 00:19:35.354 --> 00:19:37.189
  • - and that's what this song is to me.
  • 00:19:37.189 --> 00:19:42.160
  • And that's--
  • 00:19:42.160 --> 00:19:43.729
  • - and natur-- - it's such a--so tender.
  • 00:19:43.729 --> 00:19:45.497
  • - naturally in our progression through the years,
  • 00:19:45.497 --> 00:19:49.501
  • It's just a song that i don't even know
  • 00:19:49.501 --> 00:19:52.004
  • When we started singing it, but we would just do it
  • 00:19:52.004 --> 00:19:53.605
  • Acoustically just with the guitar.
  • 00:19:53.605 --> 00:19:54.973
  • - mm-hmm. - and we just--
  • 00:19:54.973 --> 00:19:56.575
  • The words are so powerful.
  • 00:19:56.575 --> 00:19:58.510
  • It's why we slowed it down
  • 00:19:58.510 --> 00:20:00.045
  • And we kind of made it a ballad.
  • 00:20:00.045 --> 00:20:02.180
  • And then that's our arrangement on the record, of course.
  • 00:20:02.180 --> 00:20:05.050
  • Just, they're our little changes to the melody.
  • 00:20:05.050 --> 00:20:09.154
  • Just one of those things we had held on to for years
  • 00:20:09.154 --> 00:20:12.557
  • And just never recorded it till now.
  • 00:20:12.557 --> 00:20:15.694
  • ♪ i come to the garden... ♪
  • 00:20:15.694 --> 00:20:21.433
  • - ♪ alone, ♪
  • 00:20:21.433 --> 00:20:26.271
  • ♪ while the dew is still on ♪
  • 00:20:26.271 --> 00:20:32.144
  • ♪ the roses. ♪
  • 00:20:32.144 --> 00:20:37.049
  • ♪ and the voice i hear ♪
  • 00:20:37.049 --> 00:20:41.887
  • ♪ falling on my ear, ♪
  • 00:20:41.887 --> 00:20:47.993
  • ♪ the son of god ♪
  • 00:20:47.993 --> 00:20:52.464
  • ♪ discloses. ♪
  • 00:20:52.464 --> 00:20:59.104
  • - ♪ and he... ♪
  • 00:20:59.104 --> 00:21:01.740
  • - ♪ walks with me, ♪
  • 00:21:01.740 --> 00:21:05.277
  • ♪ and he talks with me, ♪
  • 00:21:05.277 --> 00:21:11.249
  • ♪ and he tells me i am ♪
  • 00:21:11.249 --> 00:21:17.055
  • ♪ his own. ♪
  • 00:21:17.055 --> 00:21:21.727
  • ♪ and the joy we share ♪
  • 00:21:21.727 --> 00:21:27.232
  • ♪ as we tarry there, ♪
  • 00:21:27.232 --> 00:21:32.604
  • ♪ none other ♪
  • 00:21:32.604 --> 00:21:35.207
  • ♪ has ever known. ♪
  • 00:21:35.207 --> 00:21:41.446
  • ♪ ♪
  • 00:21:41.446 --> 00:21:43.515
  • - ♪ he speaks, ♪
  • 00:21:43.515 --> 00:21:45.717
  • ♪ and the sound of... ♪
  • 00:21:45.717 --> 00:21:48.820
  • - ♪ his voice ♪
  • 00:21:48.820 --> 00:21:53.759
  • ♪ is so sweet, ♪
  • 00:21:53.759 --> 00:21:56.795
  • ♪ the birds hush ♪
  • 00:21:56.795 --> 00:21:59.531
  • ♪ their singing. ♪
  • 00:21:59.531 --> 00:22:04.302
  • ♪ and the melody ♪
  • 00:22:04.302 --> 00:22:09.641
  • ♪ that he gave to me ♪
  • 00:22:09.641 --> 00:22:15.414
  • ♪ within my heart ♪
  • 00:22:15.414 --> 00:22:20.719
  • ♪ is ringing. ♪
  • 00:22:20.719 --> 00:22:26.391
  • - ♪ and he... ♪
  • 00:22:26.391 --> 00:22:29.094
  • - ♪ walks with me, ♪
  • 00:22:29.094 --> 00:22:32.531
  • ♪ and he talks with me, ♪
  • 00:22:32.531 --> 00:22:38.703
  • ♪ and he tells me i am ♪
  • 00:22:38.703 --> 00:22:44.409
  • ♪ his own. ♪
  • 00:22:44.409 --> 00:22:49.314
  • ♪ and the joy we share ♪
  • 00:22:49.314 --> 00:22:54.453
  • ♪ as we tarry there, ♪
  • 00:22:54.453 --> 00:22:59.925
  • ♪ none other ♪
  • 00:22:59.925 --> 00:23:02.561
  • ♪ has ever known. ♪
  • 00:23:02.561 --> 00:23:07.966
  • ♪ ♪
  • 00:23:07.966 --> 00:23:10.535
  • ♪ and the joy we share ♪
  • 00:23:10.535 --> 00:23:15.807
  • ♪ as we tarry there... ♪
  • 00:23:15.807 --> 00:23:24.115
  • - ♪ none other ♪
  • 00:23:24.115 --> 00:23:27.319
  • ♪ has ever... ♪
  • 00:23:27.319 --> 00:23:45.837
  • [cheers and applause]
  • 00:23:45.837 --> 00:23:52.677
  • - elvis music from "blue hawaii," 1961...
  • 00:23:56.615 --> 00:24:00.151
  • - yeah. - makes its way
  • 00:24:00.151 --> 00:24:01.186
  • Onto this album, "statler made."
  • 00:24:01.186 --> 00:24:03.054
  • - yes. - why'd you choose this one?
  • 00:24:03.054 --> 00:24:04.523
  • - "can't help falling in love with you."
  • 00:24:04.523 --> 00:24:07.058
  • - another one that we've sat down with before
  • 00:24:07.058 --> 00:24:09.494
  • And played with the guitar and kind of
  • 00:24:09.494 --> 00:24:11.630
  • Felt our own way through the song.
  • 00:24:11.630 --> 00:24:13.198
  • And you're right.
  • 00:24:13.198 --> 00:24:14.232
  • It's so popular
  • 00:24:14.232 --> 00:24:15.500
  • And been recorded so many times.
  • 00:24:15.500 --> 00:24:17.302
  • - mm-hmm.
  • 00:24:17.302 --> 00:24:18.537
  • - you know, it was one that we questioned,
  • 00:24:18.537 --> 00:24:19.604
  • Should we, or should we not?
  • 00:24:19.604 --> 00:24:20.872
  • - and as the statler brothers, did they go
  • 00:24:20.872 --> 00:24:23.308
  • Off script from time to time?
  • 00:24:23.308 --> 00:24:24.676
  • Would they do cover songs in their live shows?
  • 00:24:24.676 --> 00:24:27.145
  • 'cause i only got a chance to see them
  • 00:24:27.145 --> 00:24:28.380
  • A couple of times live. - they would, yes.
  • 00:24:28.380 --> 00:24:30.181
  • - yes. - they would?
  • 00:24:30.181 --> 00:24:31.516
  • - oh, yeah. - and they recorded
  • 00:24:31.516 --> 00:24:32.651
  • Quite a few covers too.
  • 00:24:32.651 --> 00:24:34.052
  • You know, back to that formula that we learned from,
  • 00:24:34.052 --> 00:24:36.087
  • They had a lot of original music,
  • 00:24:36.087 --> 00:24:38.323
  • And obviously that's a big part of their story.
  • 00:24:38.323 --> 00:24:40.525
  • - right. - but they would also record
  • 00:24:40.525 --> 00:24:42.594
  • Other big hits for the album for the sake of--
  • 00:24:42.594 --> 00:24:47.532
  • - familiarity. - yeah, exactly.
  • 00:24:47.532 --> 00:24:48.967
  • - for the fans to say, oh, they're doing
  • 00:24:48.967 --> 00:24:51.269
  • "delta dawn" or something, you know?
  • 00:24:51.269 --> 00:24:52.637
  • I want to hear their version of that.
  • 00:24:52.637 --> 00:24:54.973
  • So we love elvis.
  • 00:24:54.973 --> 00:24:56.541
  • I mean, we-- - oh, yeah.
  • 00:24:56.541 --> 00:24:57.576
  • - yeah, we could talk all day
  • 00:24:57.576 --> 00:24:59.010
  • About elvis music as well.
  • 00:24:59.010 --> 00:25:00.679
  • So when we decided in our original meeting
  • 00:25:00.679 --> 00:25:03.882
  • Of the songs that we wanted to include on this project,
  • 00:25:03.882 --> 00:25:07.719
  • Yeah, you know, we're-- all right, click, check,
  • 00:25:07.719 --> 00:25:10.188
  • We got johnny cash songs.
  • 00:25:10.188 --> 00:25:11.423
  • We got some statler brothers songs.
  • 00:25:11.423 --> 00:25:12.724
  • Let's do an elvis song. - mm-hmm.
  • 00:25:12.724 --> 00:25:15.360
  • - and i think it was at that point
  • 00:25:15.427 --> 00:25:16.661
  • We said, all right, well, i think we need
  • 00:25:16.661 --> 00:25:17.696
  • A ballad, probably, you know,
  • 00:25:17.696 --> 00:25:19.230
  • Something a little slower.
  • 00:25:19.230 --> 00:25:20.799
  • And so that's how we came around to this one.
  • 00:25:20.799 --> 00:25:23.935
  • I'm not sure who came up with it
  • 00:25:23.935 --> 00:25:25.503
  • Or who finally decided on it.
  • 00:25:25.503 --> 00:25:27.672
  • - "hunka hunka burning love" next time, though.
  • 00:25:27.672 --> 00:25:29.341
  • - absolutely. just for you.
  • 00:25:29.341 --> 00:25:31.242
  • You got it, uh-huh. - thank you.
  • 00:25:31.242 --> 00:25:32.410
  • I appreciate it. - you're welcome. anytime.
  • 00:25:32.410 --> 00:25:34.679
  • [tender music]
  • 00:25:34.679 --> 00:25:37.682
  • ♪ ♪
  • 00:25:37.682 --> 00:25:41.620
  • ♪ wise men say ♪
  • 00:25:41.620 --> 00:25:47.959
  • ♪ only fools rush in. ♪
  • 00:25:47.959 --> 00:25:54.933
  • ♪ but i can't help ♪
  • 00:25:54.933 --> 00:26:00.171
  • ♪ falling in love with you. ♪
  • 00:26:00.171 --> 00:26:06.645
  • ♪ ♪
  • 00:26:06.645 --> 00:26:08.513
  • - ♪ shall i stay? ♪
  • 00:26:08.513 --> 00:26:14.686
  • ♪ would it be a sin... ♪
  • 00:26:14.686 --> 00:26:21.559
  • - ♪ if i can't help... ♪
  • 00:26:21.559 --> 00:26:26.798
  • - ♪ falling in love with you? ♪
  • 00:26:26.798 --> 00:26:33.204
  • ♪ ♪
  • 00:26:33.204 --> 00:26:35.140
  • - ♪ like a river flows ♪
  • 00:26:35.140 --> 00:26:38.543
  • ♪ surely to the sea, ♪
  • 00:26:38.543 --> 00:26:41.513
  • ♪ darling, so it goes. ♪
  • 00:26:41.513 --> 00:26:45.083
  • - ♪ some things ♪
  • 00:26:45.083 --> 00:26:47.152
  • ♪ are meant to be. ♪
  • 00:26:47.152 --> 00:26:51.756
  • - ♪ take my hand. ♪
  • 00:26:51.756 --> 00:26:58.163
  • - ♪ take my whole life too. ♪
  • 00:26:58.163 --> 00:27:04.869
  • - ♪ for i can't help... ♪
  • 00:27:04.869 --> 00:27:10.141
  • - ♪ falling in love with you. ♪
  • 00:27:10.141 --> 00:27:17.215
  • - turn it up.
  • 00:27:17.215 --> 00:27:18.883
  • ♪ ♪
  • 00:27:18.883 --> 00:27:41.539
  • ♪ like a river flows ♪
  • 00:27:45.110 --> 00:27:48.480
  • ♪ surely to the sea, ♪
  • 00:27:48.480 --> 00:27:52.016
  • ♪ darling, so it goes. ♪
  • 00:27:52.016 --> 00:27:54.953
  • - ♪ some things ♪
  • 00:27:54.953 --> 00:27:57.655
  • ♪ are meant to be. ♪
  • 00:27:57.655 --> 00:28:03.528
  • - ♪ take my hand. ♪
  • 00:28:03.528 --> 00:28:09.601
  • - ♪ take my whole life too. ♪
  • 00:28:09.601 --> 00:28:16.574
  • - ♪ for i can't help... ♪
  • 00:28:16.574 --> 00:28:21.646
  • - ♪ falling in love with you. ♪
  • 00:28:21.646 --> 00:28:28.486
  • ♪ no, i can't help ♪
  • 00:28:28.486 --> 00:28:35.126
  • ♪ falling in love ♪
  • 00:28:35.126 --> 00:28:40.031
  • ♪ with you. ♪
  • 00:28:40.031 --> 00:28:52.277
  • ♪ ♪
  • 00:28:52.277 --> 00:28:56.848
  • [cheers and applause]
  • 00:28:56.848 --> 00:29:00.051
  • - good job. all right, yeah.
  • 00:29:00.051 --> 00:29:04.255
  • Yeah.
  • 00:29:04.255 --> 00:29:08.626
  • - 1961, "blue hawaii,"
  • 00:29:08.693 --> 00:29:11.729
  • "i can't help falling in love." - mm-hmm.
  • 00:29:11.729 --> 00:29:13.698
  • - what elvis movie would you most like to star in as elvis?
  • 00:29:13.698 --> 00:29:20.004
  • - so while you're thinking about that...
  • 00:29:20.071 --> 00:29:21.272
  • - ok.
  • 00:29:21.272 --> 00:29:22.674
  • - it's funny you would say that about the "blue hawaii."
  • 00:29:22.674 --> 00:29:25.243
  • When we came along, we were eat up with '70s elvis.
  • 00:29:25.243 --> 00:29:29.047
  • So our version of hearing that song
  • 00:29:29.047 --> 00:29:30.982
  • Was hearing him do it onstage.
  • 00:29:30.982 --> 00:29:32.584
  • - with a live-- - with a live band.
  • 00:29:32.584 --> 00:29:34.352
  • - from honolulu, right? - yes.
  • 00:29:34.352 --> 00:29:36.387
  • - yeah, we're talking with, you know,
  • 00:29:36.387 --> 00:29:38.389
  • Ronnie tutt and jerry scheff and james burton.
  • 00:29:38.389 --> 00:29:40.792
  • - via satellite, which was technology at--
  • 00:29:40.792 --> 00:29:44.195
  • I mean, at the cutting edge at that point in time.
  • 00:29:44.195 --> 00:29:46.831
  • - yes, so, you know, that was our introduction
  • 00:29:46.831 --> 00:29:48.132
  • To that song as far as ears.
  • 00:29:48.132 --> 00:29:51.069
  • But as far as elvis movies?
  • 00:29:51.069 --> 00:29:52.837
  • - probably whichever one ann-margret was in.
  • 00:29:52.837 --> 00:29:54.572
  • - yeah, that one. we'd be in that one, sure.
  • 00:29:54.572 --> 00:29:56.274
  • - i don't know. - or any of the other ones.
  • 00:29:56.274 --> 00:29:57.742
  • - just spitballing here, sure. - yeah.
  • 00:29:57.742 --> 00:29:59.143
  • Yeah, but langdon would have been good
  • 00:29:59.143 --> 00:30:00.311
  • In that clambake movie, you know.
  • 00:30:00.311 --> 00:30:02.046
  • ♪ gonna have a clambake. ♪
  • 00:30:02.046 --> 00:30:03.982
  • ♪ gonna have a clambake. ♪
  • 00:30:03.982 --> 00:30:05.550
  • He would have been good at that, yeah.
  • 00:30:05.550 --> 00:30:06.851
  • - 'cause i love a clambake.
  • 00:30:06.851 --> 00:30:08.152
  • - he loves a good clambake
  • 00:30:08.152 --> 00:30:09.888
  • And a good elvis movie from the '60s.
  • 00:30:09.888 --> 00:30:11.890
  • - and singing about the clambake.
  • 00:30:11.890 --> 00:30:13.591
  • - ♪ gonna have a clambake. ♪
  • 00:30:13.591 --> 00:30:14.859
  • - yeah, he would have been good.
  • 00:30:14.859 --> 00:30:15.994
  • - stop by the house on the weekend.
  • 00:30:15.994 --> 00:30:17.428
  • He's hanging off the back deck and he's back there.
  • 00:30:17.428 --> 00:30:19.464
  • - yeah. that's what he does.
  • 00:30:19.464 --> 00:30:20.565
  • - i pop the collar and go in.
  • 00:30:20.565 --> 00:30:22.533
  • Yeah.
  • 00:30:22.533 --> 00:30:23.701
  • Every weekend.
  • 00:30:23.701 --> 00:30:24.702
  • - every weekend, yeah.
  • 00:30:24.702 --> 00:30:25.770
  • - every weekend.
  • 00:30:25.770 --> 00:30:27.105
  • [soft music]
  • 00:30:27.105 --> 00:30:28.873
  • - ♪ he said, "i'll love you till i die." ♪
  • 00:30:28.873 --> 00:30:32.877
  • ♪ ♪
  • 00:30:32.877 --> 00:30:35.847
  • ♪ she told him, "you'll forget in time." ♪
  • 00:30:35.847 --> 00:30:40.385
  • ♪ ♪
  • 00:30:40.385 --> 00:30:42.954
  • ♪ as the years went slowly by... ♪
  • 00:30:42.954 --> 00:30:46.691
  • ♪ ♪
  • 00:30:46.691 --> 00:30:49.594
  • ♪ she still preyed upon his mind. ♪
  • 00:30:49.594 --> 00:30:53.698
  • ♪ ♪
  • 00:30:53.698 --> 00:30:55.833
  • ♪ he kept her picture on his wall. ♪
  • 00:30:55.833 --> 00:31:00.004
  • ♪ ♪
  • 00:31:00.004 --> 00:31:02.941
  • ♪ went half crazy now and then. ♪
  • 00:31:02.941 --> 00:31:06.878
  • ♪ ♪
  • 00:31:06.878 --> 00:31:09.180
  • ♪ but he still loved her through it all... ♪
  • 00:31:09.180 --> 00:31:13.584
  • ♪ ♪
  • 00:31:13.584 --> 00:31:16.487
  • ♪ hoping she'd come back again. ♪
  • 00:31:16.487 --> 00:31:20.291
  • ♪ ♪
  • 00:31:20.291 --> 00:31:22.760
  • ♪ kept some letters by his bed... ♪
  • 00:31:22.760 --> 00:31:26.831
  • ♪ ♪
  • 00:31:26.831 --> 00:31:29.834
  • ♪ dated 1962. ♪
  • 00:31:29.834 --> 00:31:33.571
  • ♪ ♪
  • 00:31:33.571 --> 00:31:36.541
  • ♪ he had underlined in red... ♪
  • 00:31:36.541 --> 00:31:40.011
  • ♪ ♪
  • 00:31:40.011 --> 00:31:43.081
  • ♪ every single "i love you." ♪
  • 00:31:43.081 --> 00:31:47.018
  • ♪ ♪
  • 00:31:47.018 --> 00:31:49.354
  • ♪ i went to see him just today. ♪
  • 00:31:49.354 --> 00:31:53.291
  • ♪ ♪
  • 00:31:53.291 --> 00:31:55.660
  • ♪ oh, but i didn't see no tears. ♪
  • 00:31:55.660 --> 00:32:00.431
  • ♪ ♪
  • 00:32:00.431 --> 00:32:02.734
  • ♪ all dressed up to go away. ♪
  • 00:32:02.734 --> 00:32:06.838
  • ♪ ♪
  • 00:32:06.838 --> 00:32:08.973
  • ♪ first time i'd seen him smile in years. ♪
  • 00:32:08.973 --> 00:32:14.946
  • ♪ ♪
  • 00:32:14.946 --> 00:32:16.180
  • - ♪ he stopped loving her today. ♪
  • 00:32:16.180 --> 00:32:22.420
  • ♪ they placed a wreath upon his door. ♪
  • 00:32:22.420 --> 00:32:29.794
  • ♪ and soon they'll carry him away. ♪
  • 00:32:29.794 --> 00:32:36.200
  • ♪ he stopped loving her today. ♪
  • 00:32:36.200 --> 00:32:41.205
  • ♪ ♪
  • 00:32:41.205 --> 00:32:46.310
  • - you know, she came to see him one last time.
  • 00:32:46.310 --> 00:32:49.680
  • ♪ ♪
  • 00:32:49.680 --> 00:32:52.450
  • Oh, and we all wondered if she would.
  • 00:32:52.450 --> 00:32:55.420
  • ♪ ♪
  • 00:32:55.420 --> 00:32:59.657
  • And it kept running through my mind...
  • 00:32:59.657 --> 00:33:02.326
  • ♪ ♪
  • 00:33:02.326 --> 00:33:05.663
  • This time, he's over her for good.
  • 00:33:05.663 --> 00:33:09.200
  • - ♪ he stopped loving her today. ♪
  • 00:33:09.200 --> 00:33:15.406
  • ♪ they placed a wreath upon his door. ♪
  • 00:33:15.406 --> 00:33:22.447
  • ♪ and soon they'll carry him away. ♪
  • 00:33:22.447 --> 00:33:30.088
  • ♪ he stopped loving her ♪
  • 00:33:30.088 --> 00:33:34.292
  • ♪ today. ♪
  • 00:33:34.292 --> 00:33:42.100
  • [cheers and applause]
  • 00:33:42.100 --> 00:33:47.405
  • - so the "class of '57." - mm-hmm.
  • 00:33:51.142 --> 00:33:53.311
  • Did they change the names to protect
  • 00:33:53.311 --> 00:33:56.681
  • The identities of the people that they really knew?
  • 00:33:56.681 --> 00:33:59.851
  • - not necessarily. not necessarily.
  • 00:33:59.851 --> 00:34:01.185
  • - no? ok. - no.
  • 00:34:01.185 --> 00:34:02.520
  • - and we certainly don't know all those names
  • 00:34:02.520 --> 00:34:06.624
  • Coming from their class.
  • 00:34:06.624 --> 00:34:07.959
  • But over the years through local community,
  • 00:34:07.959 --> 00:34:10.962
  • Through friends, through fans, we're still to this day,
  • 00:34:10.962 --> 00:34:14.565
  • And we will after this record comes out again,
  • 00:34:14.565 --> 00:34:17.201
  • Have people come up and say,
  • 00:34:17.201 --> 00:34:19.704
  • You know who john was, don't you?
  • 00:34:19.704 --> 00:34:21.706
  • It's like, no.
  • 00:34:21.706 --> 00:34:23.407
  • Well, that was my uncle on my father's side.
  • 00:34:23.407 --> 00:34:25.376
  • That was the john they were talking about.
  • 00:34:25.376 --> 00:34:26.878
  • - he lived right down the road from y'all.
  • 00:34:26.878 --> 00:34:28.312
  • - i was like, that's wonderful. - had a cattle farm.
  • 00:34:28.312 --> 00:34:29.547
  • - and that's true.
  • 00:34:29.547 --> 00:34:30.781
  • And i'm not saying that they weren't true,
  • 00:34:30.781 --> 00:34:32.316
  • 'cause it just happened to me here recently locally at home.
  • 00:34:32.316 --> 00:34:35.987
  • And, you know, it's one of those things
  • 00:34:35.987 --> 00:34:38.523
  • That it doesn't matter.
  • 00:34:38.523 --> 00:34:40.324
  • That's what's great about the song.
  • 00:34:40.324 --> 00:34:42.126
  • Everybody can relate to it.
  • 00:34:42.126 --> 00:34:43.594
  • - oh, and everybody knows somebody...
  • 00:34:43.594 --> 00:34:45.463
  • - yes. - oh, yeah.
  • 00:34:45.463 --> 00:34:46.731
  • - that either in their particular class or maybe
  • 00:34:46.731 --> 00:34:49.767
  • A sibling's class that it fits the events
  • 00:34:49.767 --> 00:34:53.304
  • Of those characters' lives in the song.
  • 00:34:53.304 --> 00:34:54.739
  • - yes. and it's real.
  • 00:34:54.739 --> 00:34:56.240
  • - i'll never forget, i was in a hardware store
  • 00:34:56.240 --> 00:34:57.975
  • In our hometown one time and a man--
  • 00:34:57.975 --> 00:34:59.477
  • - now, you know you ain't never been in a hardware store.
  • 00:34:59.477 --> 00:35:02.647
  • He's making this up, bill.
  • 00:35:02.647 --> 00:35:04.148
  • - i'm standing at the counter, and a man comes up to me
  • 00:35:04.148 --> 00:35:05.983
  • And he says, you know who i am?
  • 00:35:05.983 --> 00:35:08.119
  • I'm like, no, sir, i don't.
  • 00:35:08.119 --> 00:35:09.387
  • He said, well, i'm ray.
  • 00:35:09.387 --> 00:35:11.055
  • I said, ok.
  • 00:35:11.055 --> 00:35:12.557
  • - nice to meet you, ray.
  • 00:35:12.557 --> 00:35:13.791
  • - he said, y'all's daddies wrote about me.
  • 00:35:13.791 --> 00:35:15.626
  • He said, in that song "class of '57,"
  • 00:35:15.626 --> 00:35:17.662
  • Ray is deep in debt, that's me.
  • 00:35:17.662 --> 00:35:21.032
  • [laughter]
  • 00:35:21.032 --> 00:35:24.936
  • - how can you not love country music?
  • 00:35:25.002 --> 00:35:26.671
  • - that's right. that's what we do.
  • 00:35:26.671 --> 00:35:28.406
  • - ray is deep--now, that's who they were writing about.
  • 00:35:28.406 --> 00:35:30.908
  • Ok, i gotcha. - oh, that's funny.
  • 00:35:30.908 --> 00:35:32.910
  • - ray, we hope you're watching and listening.
  • 00:35:32.910 --> 00:35:34.378
  • - yes, uh-huh.
  • 00:35:34.378 --> 00:35:35.379
  • [upbeat music]
  • 00:35:35.379 --> 00:35:38.549
  • ♪ tommy's selling used cars, nancy's fixing hair, ♪
  • 00:35:38.549 --> 00:35:44.088
  • ♪ harvey runs a grocery store, and margaret doesn't care. ♪
  • 00:35:44.088 --> 00:35:49.594
  • ♪ and jerry drives a truck for sears, ♪
  • 00:35:49.594 --> 00:35:52.330
  • ♪ and charlotte's on the make. ♪
  • 00:35:52.330 --> 00:35:54.765
  • ♪ and paul sells life insurance and part-time real estate. ♪
  • 00:35:54.765 --> 00:36:00.171
  • ♪ ♪
  • 00:36:00.171 --> 00:36:01.906
  • - ♪ helen is a hostess. frank works at the mill. ♪
  • 00:36:01.906 --> 00:36:07.078
  • ♪ janet teaches grade school and probably always will. ♪
  • 00:36:07.078 --> 00:36:12.483
  • ♪ bob works for the city, and jack's in lab research. ♪
  • 00:36:12.483 --> 00:36:17.888
  • ♪ and peggy plays organ at the presbyterian church. ♪
  • 00:36:17.888 --> 00:36:24.362
  • - ♪ and the class of '57 had its dreams. ♪
  • 00:36:24.362 --> 00:36:30.401
  • - ♪ we all thought we'd change the world ♪
  • 00:36:30.401 --> 00:36:32.970
  • ♪ with our great works and deeds. ♪
  • 00:36:32.970 --> 00:36:35.740
  • ♪ ♪
  • 00:36:35.740 --> 00:36:37.341
  • - ♪ or maybe we just thought ♪
  • 00:36:37.341 --> 00:36:39.076
  • ♪ the world would change to fit our needs. ♪
  • 00:36:39.076 --> 00:36:42.513
  • ♪ the class of '57 had its dreams. ♪
  • 00:36:42.513 --> 00:36:47.518
  • ♪ ♪
  • 00:36:47.518 --> 00:36:56.327
  • - ♪ betty runs a trailer park, jan sells tupperware, ♪
  • 00:36:56.394 --> 00:37:02.066
  • ♪ randy's on an insane ward, and mary's on welfare. ♪
  • 00:37:02.066 --> 00:37:07.371
  • ♪ charlie took a job with ford, and joe took freddy's wife. ♪
  • 00:37:07.371 --> 00:37:12.643
  • ♪ charlotte took a millionaire, and freddy took his life. ♪
  • 00:37:12.643 --> 00:37:19.150
  • - ♪ john is big in cattle. ♪
  • 00:37:19.150 --> 00:37:22.353
  • ♪ ray is deep in debt. ♪
  • 00:37:22.353 --> 00:37:24.622
  • ♪ where mavis finally wound up is anybody's bet. ♪
  • 00:37:24.622 --> 00:37:30.494
  • ♪ linda married sonny, and brenda, she had me, ♪
  • 00:37:30.494 --> 00:37:35.666
  • ♪ and the class of all of them is just part of history. ♪
  • 00:37:35.666 --> 00:37:42.139
  • - ♪ and the class of '57 had its dreams. ♪
  • 00:37:42.139 --> 00:37:47.912
  • - ♪ but living life day to day is never like it seems. ♪
  • 00:37:47.912 --> 00:37:54.518
  • - ♪ things get complicated when you get past 18, ♪
  • 00:37:54.518 --> 00:37:59.924
  • ♪ but the class of '57 had its dreams. ♪
  • 00:37:59.924 --> 00:38:05.329
  • ♪ oh, the class of '57 had its dreams. ♪
  • 00:38:05.329 --> 00:38:12.236
  • [cheers and applause]
  • 00:38:12.236 --> 00:38:16.841
  • - ♪ i keep hearing "floyou're concerned ♪be--
  • 00:38:22.713 --> 00:38:24.815
  • ♪ about my happiness. ♪
  • 00:38:24.815 --> 00:38:27.184
  • ♪ but all that thought you're giving me ♪
  • 00:38:27.184 --> 00:38:29.286
  • ♪ is conscience, i guess. ♪
  • 00:38:29.286 --> 00:38:31.589
  • ♪ if i were walking in your shoes, ♪
  • 00:38:31.589 --> 00:38:33.724
  • ♪ i wouldn't worry none. ♪
  • 00:38:33.724 --> 00:38:36.127
  • ♪ when you and your friends are worrying about me, ♪
  • 00:38:36.127 --> 00:38:38.262
  • ♪ i'm having lots of fun. ♪
  • 00:38:38.262 --> 00:38:40.131
  • ♪ counting flowers on the wall, ♪
  • 00:38:40.131 --> 00:38:42.333
  • ♪ that don't bother me at all, ♪
  • 00:38:42.333 --> 00:38:45.870
  • ♪ playing solitaire till dawn with a deck of 51, ♪
  • 00:38:45.870 --> 00:38:51.342
  • ♪ smoking cigarettes ♪
  • 00:38:51.342 --> 00:38:52.843
  • ♪ and watching "captain kangaroo." ♪
  • 00:38:52.843 --> 00:38:55.413
  • ♪ now, don't tell me i've nothing to do. ♪
  • 00:38:55.413 --> 00:39:00.384
  • ♪ last night, i dressed in tails, ♪
  • 00:39:00.384 --> 00:39:02.119
  • ♪ pretended i was on the town. ♪
  • 00:39:02.119 --> 00:39:04.989
  • ♪ as long as i can dream, ♪
  • 00:39:04.989 --> 00:39:06.490
  • ♪ it's hard to slow this swinger down. ♪
  • 00:39:06.490 --> 00:39:09.493
  • ♪ so please don't give a thought to me. ♪
  • 00:39:09.493 --> 00:39:11.429
  • ♪ i'm really doing fine. ♪
  • 00:39:11.429 --> 00:39:14.031
  • ♪ you can always find me here and having quite a time. ♪
  • 00:39:14.031 --> 00:39:17.902
  • ♪ counting flowers on the wall, ♪
  • 00:39:17.902 --> 00:39:20.137
  • ♪ that don't bother me at all, ♪
  • 00:39:20.137 --> 00:39:23.541
  • ♪ playing solitaire till dawn with a deck of 51, ♪
  • 00:39:23.541 --> 00:39:29.113
  • ♪ smoking cigarettes ♪
  • 00:39:29.113 --> 00:39:30.347
  • ♪ and watching "captain kangaroo." ♪
  • 00:39:30.347 --> 00:39:33.250
  • ♪ now, don't tell me i've nothing to do. ♪
  • 00:39:33.250 --> 00:39:38.122
  • ♪ it's good to see you. i must go. ♪
  • 00:39:38.122 --> 00:39:40.357
  • ♪ i know i look a fright. ♪
  • 00:39:40.357 --> 00:39:42.860
  • ♪ and anyway, my eyes are not accustomed to this light. ♪
  • 00:39:42.860 --> 00:39:46.897
  • ♪ and my shoes are not accustomed ♪
  • 00:39:46.897 --> 00:39:49.467
  • ♪ to this hard concrete. ♪
  • 00:39:49.467 --> 00:39:51.335
  • ♪ so i must go back to my room and make my day complete. ♪
  • 00:39:51.335 --> 00:39:55.706
  • ♪ counting flowers on the wall, ♪
  • 00:39:55.706 --> 00:39:57.875
  • ♪ that don't bother me at all... ♪
  • 00:39:57.875 --> 00:39:59.810
  • - you do it too.
  • 00:39:59.810 --> 00:40:01.345
  • - ♪ playing solitaire till dawn with a deck of 51... ♪
  • 00:40:01.345 --> 00:40:05.549
  • - i can do it.
  • 00:40:05.549 --> 00:40:06.750
  • - ♪ smoking cigarettes ♪
  • 00:40:06.750 --> 00:40:07.985
  • ♪ and watching "captain kangaroo." ♪
  • 00:40:07.985 --> 00:40:10.955
  • ♪ now, don't tell me i've nothing to do. ♪
  • 00:40:10.955 --> 00:40:15.759
  • ♪ don't tell me i've nothing to do. ♪
  • 00:40:15.759 --> 00:40:21.432
  • ♪ ♪
  • 00:40:21.432 --> 00:40:25.836
  • [cheers and applause]
  • 00:40:25.836 --> 00:40:39.116
  • - tell us about your houses and your families,
  • 00:40:43.120 --> 00:40:45.356
  • A little bit about your home life individually.
  • 00:40:45.356 --> 00:40:47.958
  • - born and raised in staunton, virginia,
  • 00:40:47.958 --> 00:40:50.327
  • In the shenandoah valley.
  • 00:40:50.327 --> 00:40:52.029
  • And it's beautiful there.
  • 00:40:52.029 --> 00:40:54.064
  • We--and our dads, again, always did a great job
  • 00:40:54.064 --> 00:40:59.136
  • Of knowing which hat to wear.
  • 00:40:59.136 --> 00:41:00.704
  • And they'd be out performing for 20,000 people,
  • 00:41:00.704 --> 00:41:05.709
  • And then they'd come back home and coach third base for us
  • 00:41:05.709 --> 00:41:09.146
  • At a little league baseball game.
  • 00:41:09.146 --> 00:41:10.581
  • - i love that. i just absolutely adore that.
  • 00:41:10.581 --> 00:41:12.683
  • - and so they never gave us any reason
  • 00:41:12.683 --> 00:41:16.921
  • To want to leave our hometown. -mm-hmm.
  • 00:41:16.921 --> 00:41:18.789
  • - and i think there-- being in a small town
  • 00:41:18.789 --> 00:41:21.191
  • Like that, it really-- it kept them humble.
  • 00:41:21.191 --> 00:41:24.895
  • And they appreciated that, and they liked that.
  • 00:41:24.895 --> 00:41:27.865
  • And that was just part of their story as well.
  • 00:41:27.865 --> 00:41:31.335
  • - well, you can play to 20,000 people,
  • 00:41:31.335 --> 00:41:33.003
  • But when you come home,
  • 00:41:33.003 --> 00:41:34.104
  • Home folks will keep you grounded.
  • 00:41:34.104 --> 00:41:35.406
  • - they will. yes. - yeah.
  • 00:41:35.406 --> 00:41:36.640
  • - 1954, stuart hamblen wrote "this ole house."
  • 00:41:36.640 --> 00:41:40.277
  • - mm. mm-hmm.
  • 00:41:40.277 --> 00:41:41.378
  • - and rosemary clooney, of course,
  • 00:41:41.378 --> 00:41:43.347
  • Had the blowup pop version that crossed over.
  • 00:41:43.347 --> 00:41:46.917
  • - yeah, and i was amazed that her voice was that low
  • 00:41:46.917 --> 00:41:49.086
  • To sing that front part.
  • 00:41:49.086 --> 00:41:50.688
  • ♪ well, ain't gonna need this house no longer. ♪
  • 00:41:50.688 --> 00:41:52.122
  • It doesn't even sound like rosemary clooney.
  • 00:41:52.122 --> 00:41:53.958
  • Right. yeah.
  • 00:41:53.958 --> 00:41:55.092
  • [upbeat music]
  • 00:41:55.092 --> 00:41:58.662
  • ♪ well, i ain't gonna need this house no longer. ♪
  • 00:41:58.662 --> 00:42:00.864
  • ♪ ain't gonna need this house no more. ♪
  • 00:42:00.864 --> 00:42:02.900
  • - ♪ ain't got time to fix the shingles. ♪
  • 00:42:02.900 --> 00:42:05.035
  • ♪ ain't got time to fix the floor. ♪
  • 00:42:05.035 --> 00:42:06.737
  • ♪ i ain't got time to oil the hinges, ♪
  • 00:42:06.737 --> 00:42:08.906
  • ♪ nor to mend no windowpanes. ♪
  • 00:42:08.906 --> 00:42:10.908
  • ♪ ain't gonna need this house no longer. ♪
  • 00:42:10.908 --> 00:42:12.676
  • ♪ i'm getting ready to meet the saints. ♪
  • 00:42:12.676 --> 00:42:15.079
  • - sing it.
  • 00:42:15.079 --> 00:42:16.447
  • - ♪ now, this ole house once knew my children. ♪
  • 00:42:16.447 --> 00:42:17.881
  • ♪ and this ole house once knew my wife. ♪
  • 00:42:17.881 --> 00:42:19.883
  • ♪ and this ole house was home and comfort ♪
  • 00:42:19.883 --> 00:42:22.019
  • ♪ as we fought the storms of life. ♪
  • 00:42:22.019 --> 00:42:23.687
  • ♪ this ole house once rang with laughter. ♪
  • 00:42:23.687 --> 00:42:25.889
  • ♪ and this ole house heard many shouts. ♪
  • 00:42:25.889 --> 00:42:27.825
  • ♪ now she trembles in the darkness ♪
  • 00:42:27.825 --> 00:42:29.893
  • ♪ when the lightning walks about. ♪
  • 00:42:29.893 --> 00:42:31.762
  • - ♪ well, i ain't gonna need this house no longer. ♪
  • 00:42:31.762 --> 00:42:33.864
  • ♪ ain't gonna need this house no more. ♪
  • 00:42:33.864 --> 00:42:35.933
  • ♪ ain't got time to fix the shingles. ♪
  • 00:42:35.933 --> 00:42:37.868
  • ♪ ain't got time to fix the floor. ♪
  • 00:42:37.868 --> 00:42:39.903
  • ♪ ain't got time to oil the hinges, ♪
  • 00:42:39.903 --> 00:42:41.939
  • ♪ nor mend no windowpanes. ♪
  • 00:42:41.939 --> 00:42:43.941
  • ♪ ain't gonna need this house no longer. ♪
  • 00:42:43.941 --> 00:42:45.776
  • ♪ i'm getting ready to meet the saints. ♪
  • 00:42:45.776 --> 00:42:48.579
  • - ♪ now this old house is getting shaky, ♪
  • 00:42:48.579 --> 00:42:50.848
  • ♪ and this old house is getting old. ♪
  • 00:42:50.848 --> 00:42:52.916
  • ♪ this old house lets in the rain, ♪
  • 00:42:52.916 --> 00:42:54.852
  • ♪ and this old house lets in the cold. ♪
  • 00:42:54.852 --> 00:42:57.221
  • ♪ and my knees are getting chilly, ♪
  • 00:42:57.221 --> 00:42:59.056
  • ♪ but i feel no fear nor pain, ♪
  • 00:42:59.056 --> 00:43:01.058
  • ♪ 'cause i can see a new tomorrow ♪
  • 00:43:01.058 --> 00:43:02.993
  • ♪ through a golden windowpane. ♪
  • 00:43:02.993 --> 00:43:04.862
  • - ♪ well, i ain't gonna need this house no longer. ♪
  • 00:43:04.862 --> 00:43:06.864
  • ♪ ain't gonna need this house no more. ♪
  • 00:43:06.864 --> 00:43:09.066
  • - ♪ ain't got time to fix the shingles. ♪
  • 00:43:09.066 --> 00:43:10.868
  • ♪ ain't got time to fix the floor. ♪
  • 00:43:10.868 --> 00:43:12.836
  • ♪ ain't got time to oil the hinges, ♪
  • 00:43:12.836 --> 00:43:14.938
  • ♪ nor mend no windowpanes. ♪
  • 00:43:14.938 --> 00:43:16.740
  • ♪ ain't gonna need this house no longer. ♪
  • 00:43:16.740 --> 00:43:19.209
  • ♪ i'm getting ready to meet the saints. ♪
  • 00:43:19.209 --> 00:43:22.112
  • - yeah!
  • 00:43:22.112 --> 00:43:23.213
  • ♪ ♪
  • 00:43:23.213 --> 00:43:34.525
  • ♪ now, my old hound dog lies a-sleeping. ♪
  • 00:43:38.495 --> 00:43:40.864
  • ♪ he don't know i'm gonna leave, ♪
  • 00:43:40.864 --> 00:43:43.267
  • ♪ else he'd wake up by the fireplace, ♪
  • 00:43:43.267 --> 00:43:45.035
  • ♪ and he'd howl and moan and grieve. ♪
  • 00:43:45.035 --> 00:43:47.104
  • ♪ but my hunting days are over. ♪
  • 00:43:47.104 --> 00:43:48.939
  • ♪ ain't gonna hunt the coon no more. ♪
  • 00:43:48.939 --> 00:43:50.941
  • ♪ gabriel just brought in my chariot ♪
  • 00:43:50.941 --> 00:43:52.910
  • ♪ when the wind blew down the door. ♪
  • 00:43:52.910 --> 00:43:54.845
  • - ♪ well, i ain't gonna need this house no longer. ♪
  • 00:43:54.845 --> 00:43:56.814
  • ♪ ain't gonna need this house no more. ♪
  • 00:43:56.814 --> 00:43:59.149
  • - ♪ ain't got time to fix the shingles. ♪
  • 00:43:59.149 --> 00:44:00.784
  • ♪ ain't got time to fix the floor. ♪
  • 00:44:00.784 --> 00:44:02.953
  • ♪ ain't got time to oil the hinges, ♪
  • 00:44:02.953 --> 00:44:04.955
  • ♪ nor mend no windowpanes. ♪
  • 00:44:04.955 --> 00:44:06.724
  • ♪ ain't gonna need this house no longer. ♪
  • 00:44:06.724 --> 00:44:08.926
  • ♪ i'm getting ready to meet the saints. ♪
  • 00:44:08.926 --> 00:44:11.295
  • - come on. - ♪ well, i ain't gonna ♪
  • 00:44:11.295 --> 00:44:12.296
  • ♪ need this house no longer. ♪
  • 00:44:12.296 --> 00:44:13.831
  • ♪ ain't gonna need this house no more. ♪
  • 00:44:13.831 --> 00:44:15.999
  • - ♪ ain't got time to fix the shingles. ♪
  • 00:44:15.999 --> 00:44:17.768
  • ♪ ain't got time to fix the floor. ♪
  • 00:44:17.768 --> 00:44:19.937
  • ♪ ain't got time to oil the hinges, ♪
  • 00:44:19.937 --> 00:44:21.905
  • ♪ nor to mend no windowpanes. ♪
  • 00:44:21.905 --> 00:44:23.974
  • ♪ ain't gonna need this house no longer. ♪
  • 00:44:23.974 --> 00:44:25.976
  • ♪ i'm getting ready to meet the saints. ♪
  • 00:44:25.976 --> 00:44:35.119
  • [cheers and applause]
  • 00:44:35.119 --> 00:44:42.993
  • [upbeat music]
  • 00:44:43.727 --> 00:44:46.730
  • ♪ ♪
  • 00:44:46.730 --> 00:44:50.167
  • - ♪ i'll go to my grave ♪
  • 00:44:50.167 --> 00:44:54.104
  • ♪ loving you, ♪
  • 00:44:54.104 --> 00:44:56.173
  • ♪ loving you. ♪
  • 00:44:56.173 --> 00:44:58.408
  • ♪ i'll give all i've saved ♪
  • 00:44:58.408 --> 00:45:02.246
  • ♪ loving you, ♪
  • 00:45:02.246 --> 00:45:04.248
  • ♪ loving you. ♪
  • 00:45:04.248 --> 00:45:06.583
  • ♪ and should i live again, ♪
  • 00:45:06.583 --> 00:45:10.154
  • ♪ even then, it won't end, ♪
  • 00:45:10.154 --> 00:45:14.224
  • ♪ for i'll go to my grave ♪
  • 00:45:14.224 --> 00:45:18.162
  • ♪ loving you, ♪
  • 00:45:18.162 --> 00:45:20.197
  • ♪ loving you. ♪
  • 00:45:20.197 --> 00:45:22.332
  • ♪ oh, to take his place forever, ♪
  • 00:45:22.332 --> 00:45:26.303
  • ♪ there's nothing i wouldn't give. ♪
  • 00:45:26.303 --> 00:45:30.274
  • ♪ i'd prove to you daily ♪
  • 00:45:30.274 --> 00:45:34.178
  • ♪ what a man really is. ♪
  • 00:45:34.178 --> 00:45:40.651
  • ♪ i'd lay down my life ♪
  • 00:45:40.651 --> 00:45:44.288
  • ♪ loving you, ♪
  • 00:45:44.288 --> 00:45:46.123
  • ♪ loving you. ♪
  • 00:45:46.123 --> 00:45:48.392
  • ♪ i'd work day and night ♪
  • 00:45:48.392 --> 00:45:52.396
  • ♪ loving you, ♪
  • 00:45:52.396 --> 00:45:54.131
  • ♪ loving you. ♪
  • 00:45:54.131 --> 00:45:56.466
  • ♪ and when life called us both above, ♪
  • 00:45:56.466 --> 00:46:00.270
  • ♪ honey, you know that you've been loved, ♪
  • 00:46:00.270 --> 00:46:04.208
  • ♪ for i'll go to my grave ♪
  • 00:46:04.208 --> 00:46:08.178
  • ♪ loving you, ♪
  • 00:46:08.178 --> 00:46:10.214
  • ♪ loving you. ♪
  • 00:46:10.214 --> 00:46:12.683
  • ♪ ♪
  • 00:46:12.683 --> 00:46:24.628
  • ♪ and when life called us both above, ♪
  • 00:46:28.532 --> 00:46:32.369
  • ♪ honey, you know that you've been loved, ♪
  • 00:46:32.369 --> 00:46:36.206
  • ♪ for i'll go to my grave ♪
  • 00:46:36.206 --> 00:46:40.244
  • ♪ loving you, ♪
  • 00:46:40.244 --> 00:46:42.246
  • ♪ loving you. ♪
  • 00:46:42.246 --> 00:46:43.447
  • - ♪ one more time. ♪
  • 00:46:43.447 --> 00:46:44.681
  • - ♪ oh, to take his place forever, ♪
  • 00:46:44.681 --> 00:46:48.385
  • ♪ there's nothing i wouldn't give. ♪
  • 00:46:48.385 --> 00:46:52.389
  • ♪ i'd prove to you daily ♪
  • 00:46:52.389 --> 00:46:56.226
  • ♪ what a man really is. ♪
  • 00:46:56.226 --> 00:47:02.666
  • ♪ i'd lay down my life ♪
  • 00:47:02.666 --> 00:47:06.270
  • ♪ loving you, ♪
  • 00:47:06.270 --> 00:47:08.171
  • ♪ loving you. ♪
  • 00:47:08.171 --> 00:47:10.007
  • ♪ oh, i'd work day and night loving you. ♪
  • 00:47:10.007 --> 00:47:15.145
  • - ♪ loving you. ♪ - ♪ loving you. ♪
  • 00:47:15.145 --> 00:47:17.180
  • - ♪ loving you. ♪
  • 00:47:17.180 --> 00:47:18.882
  • ♪ and when life called us both above, ♪
  • 00:47:18.882 --> 00:47:22.185
  • ♪ well, honey, you know that you've been loved, ♪
  • 00:47:22.185 --> 00:47:26.223
  • ♪ for i'll go to my grave ♪
  • 00:47:26.223 --> 00:47:29.860
  • ♪ loving you, ♪
  • 00:47:29.860 --> 00:47:32.229
  • ♪ loving you. ♪
  • 00:47:32.229 --> 00:47:34.498
  • ♪ dow-da-dow, ♪
  • 00:47:34.498 --> 00:47:36.166
  • ♪ dow-da-dow, ♪
  • 00:47:36.166 --> 00:47:38.201
  • ♪ dow-da-dow. ♪
  • 00:47:38.201 --> 00:47:40.170
  • ♪ loving you. ♪
  • 00:47:40.170 --> 00:47:48.679
  • [cheers and applause]
  • 00:47:48.679 --> 00:47:51.748
  • Bill: so it's the civil war, 1862.
  • 00:47:55.585 --> 00:47:58.722
  • And a fellow named joseph gilmore
  • 00:47:58.722 --> 00:48:02.993
  • Writes the lyric.
  • 00:48:02.993 --> 00:48:04.594
  • But there's no music.
  • 00:48:04.594 --> 00:48:05.929
  • That comes in 1880 courtesy of william bradbury.
  • 00:48:05.929 --> 00:48:09.700
  • And the song is "he leadeth me."
  • 00:48:09.700 --> 00:48:12.502
  • Of all those great old hymns that you could--
  • 00:48:12.502 --> 00:48:14.972
  • And truly, they're hymns--
  • 00:48:14.972 --> 00:48:16.873
  • You could have put on "statler made,"
  • 00:48:16.873 --> 00:48:19.676
  • Why'd you choose this one?
  • 00:48:19.676 --> 00:48:22.045
  • - we were in church one sunday,
  • 00:48:22.045 --> 00:48:23.480
  • And we sang this hymn, "he leadeth me."
  • 00:48:23.480 --> 00:48:25.649
  • And it just hit me that sunday.
  • 00:48:25.649 --> 00:48:27.484
  • I'm like, this is so-- such a beautiful song.
  • 00:48:27.484 --> 00:48:30.387
  • I love this song.
  • 00:48:30.387 --> 00:48:31.755
  • So i pulled my phone out and wrote it down on my list.
  • 00:48:31.755 --> 00:48:35.125
  • And then a few weeks later, he and i were together
  • 00:48:35.125 --> 00:48:37.961
  • And talking about different songs
  • 00:48:37.961 --> 00:48:39.129
  • We wanted to add to our show
  • 00:48:39.129 --> 00:48:40.364
  • Or work up or anything like that.
  • 00:48:40.364 --> 00:48:42.232
  • And we said, yeah, i think we need another gospel song.
  • 00:48:42.232 --> 00:48:44.835
  • And wil says, all right, i can tell you one
  • 00:48:44.835 --> 00:48:47.371
  • That has been-- it's my mind lately.
  • 00:48:47.371 --> 00:48:49.473
  • And we sang it in church a few weeks ago, and i wrote it down.
  • 00:48:49.473 --> 00:48:52.042
  • I was like, oh, really? all right, what'd you have?
  • 00:48:52.042 --> 00:48:53.510
  • And he said, "he leadeth me."
  • 00:48:53.510 --> 00:48:56.013
  • I said, i did the same thing, man.
  • 00:48:56.013 --> 00:48:57.914
  • It's on top of my list.
  • 00:48:57.914 --> 00:48:59.216
  • - we really did. - we did.
  • 00:48:59.216 --> 00:49:00.550
  • - so again, it's no secret that god's in control,
  • 00:49:00.550 --> 00:49:02.819
  • You know, and speaking to us.
  • 00:49:02.819 --> 00:49:04.521
  • - do you go to church together?
  • 00:49:04.521 --> 00:49:05.722
  • Both: we do. - do you? ok.
  • 00:49:05.722 --> 00:49:06.723
  • - yeah. - yup.
  • 00:49:06.723 --> 00:49:08.291
  • - but that was-- i mean, that's a no--
  • 00:49:08.291 --> 00:49:10.560
  • Ok, well, we're doing "he leadeth me."
  • 00:49:10.560 --> 00:49:12.095
  • You know, it spoke to him, and it spoke to me.
  • 00:49:12.095 --> 00:49:14.598
  • - and we talked about, you know, the tempo,
  • 00:49:14.598 --> 00:49:16.166
  • Picking up the tempo, and how cool we thought
  • 00:49:16.166 --> 00:49:17.834
  • That would be to do it live.
  • 00:49:17.834 --> 00:49:19.336
  • And yeah, back to the civil war era of where it came from,
  • 00:49:19.336 --> 00:49:23.206
  • It has that feeling on the front
  • 00:49:23.206 --> 00:49:25.308
  • With gordon mote playing the piano.
  • 00:49:25.308 --> 00:49:27.411
  • It kind of puts you in a place to set the tone.
  • 00:49:27.411 --> 00:49:30.447
  • - and that happened, too, with--in the studio.
  • 00:49:30.447 --> 00:49:32.716
  • - mm-hmm.
  • 00:49:32.716 --> 00:49:33.750
  • - we knew we wanted to do this.
  • 00:49:33.750 --> 00:49:35.285
  • And gordon mote, as you said, the piano player,
  • 00:49:35.285 --> 00:49:38.388
  • He's over there in his room, just starts playing it.
  • 00:49:38.388 --> 00:49:41.825
  • And everybody just stopped.
  • 00:49:41.825 --> 00:49:43.660
  • And we were like, we got to-- this is the intro.
  • 00:49:43.660 --> 00:49:45.929
  • - yeah. - this is beautiful.
  • 00:49:45.929 --> 00:49:46.963
  • - it does get any better
  • 00:49:46.963 --> 00:49:48.065
  • Than gordon playing gospel music.
  • 00:49:48.065 --> 00:49:49.433
  • - mm-hmm.
  • 00:49:49.433 --> 00:49:50.467
  • - so that was the intro for this.
  • 00:49:50.467 --> 00:49:51.835
  • And then he sings the first verse without a tempo.
  • 00:49:51.835 --> 00:49:54.571
  • And then we come in, and then we put
  • 00:49:54.571 --> 00:49:56.173
  • That contemporary rhythm there that comes.
  • 00:49:56.173 --> 00:49:58.542
  • - keep building it.
  • 00:49:58.542 --> 00:49:59.676
  • - and the key changes.
  • 00:49:59.676 --> 00:50:01.411
  • And it really just took off.
  • 00:50:01.411 --> 00:50:02.913
  • And back to the energy that we had
  • 00:50:02.913 --> 00:50:05.749
  • In the studio with the musicians,
  • 00:50:05.749 --> 00:50:07.317
  • They were feeling it lyrically, emotionally, and melodically.
  • 00:50:07.317 --> 00:50:13.423
  • Everything was coming together with this.
  • 00:50:13.423 --> 00:50:15.158
  • And it was divinely led.
  • 00:50:15.158 --> 00:50:18.095
  • - i am so glad he led me here with you guys today
  • 00:50:18.095 --> 00:50:21.965
  • And you to the gaither music family.
  • 00:50:21.965 --> 00:50:24.101
  • - yes, we are so excited, so honored to be part of this.
  • 00:50:24.101 --> 00:50:28.205
  • There's nowhere we'd rather be.
  • 00:50:28.205 --> 00:50:30.574
  • All the years of-- all the things that we've done
  • 00:50:30.574 --> 00:50:33.443
  • In and around the music business, like we said,
  • 00:50:33.443 --> 00:50:36.246
  • There's no--this is-- these are our people.
  • 00:50:36.246 --> 00:50:40.117
  • These are statler fans.
  • 00:50:40.117 --> 00:50:42.085
  • These are gospel fans. these are country fans.
  • 00:50:42.085 --> 00:50:44.287
  • - it is a family.
  • 00:50:44.287 --> 00:50:45.522
  • We're part of the gaither music family.
  • 00:50:45.522 --> 00:50:47.457
  • And we like hanging around good people,
  • 00:50:47.457 --> 00:50:50.861
  • And these are some of the best.
  • 00:50:50.861 --> 00:50:52.429
  • - and we'll be here till they kick us out.
  • 00:50:52.429 --> 00:50:53.964
  • - we will.
  • 00:50:53.964 --> 00:50:55.232
  • - well, thanks for making me feel like family.
  • 00:50:55.232 --> 00:50:56.800
  • - and you are the best too. - yes.
  • 00:50:56.800 --> 00:50:58.368
  • - you've been a friend for a long time.
  • 00:50:58.368 --> 00:50:59.469
  • - thank you so much. - so special.
  • 00:50:59.469 --> 00:51:00.770
  • - bless you, brother. - you know we love you.
  • 00:51:00.770 --> 00:51:01.872
  • - we do, man.
  • 00:51:01.872 --> 00:51:03.373
  • - just adore the opportunity to sit down here and do this.
  • 00:51:03.373 --> 00:51:05.742
  • - appreciate it. - well, thank you.
  • 00:51:05.742 --> 00:51:06.743
  • - thanks for asking.
  • 00:51:06.743 --> 00:51:08.044
  • [reverent music]
  • 00:51:08.044 --> 00:51:11.047
  • ♪ ♪
  • 00:51:11.047 --> 00:51:30.167
  • - ♪ sometimes 'mid scenes ♪
  • 00:51:33.837 --> 00:51:38.508
  • ♪ of deepest gloom ♪
  • 00:51:38.508 --> 00:51:42.179
  • ♪ sometimes where eden's ♪
  • 00:51:42.179 --> 00:51:46.683
  • ♪ bowers bloom, ♪
  • 00:51:46.683 --> 00:51:50.053
  • ♪ by waters still ♪
  • 00:51:50.053 --> 00:51:54.024
  • ♪ o'er troubled sea, ♪
  • 00:51:54.024 --> 00:52:00.864
  • ♪ still 'tis his hand ♪
  • 00:52:00.864 --> 00:52:04.834
  • ♪ that leadeth me. ♪
  • 00:52:04.834 --> 00:52:09.339
  • ♪ ♪
  • 00:52:09.339 --> 00:52:11.107
  • - ♪ he leadeth me. ♪
  • 00:52:11.107 --> 00:52:14.911
  • ♪ he leadeth me. ♪
  • 00:52:14.911 --> 00:52:19.249
  • ♪ by his own hand, ♪
  • 00:52:19.249 --> 00:52:23.086
  • ♪ he leadeth me. ♪
  • 00:52:23.086 --> 00:52:26.957
  • ♪ his faithful follower ♪
  • 00:52:26.957 --> 00:52:31.161
  • ♪ i would be, ♪
  • 00:52:31.161 --> 00:52:34.564
  • ♪ for by his hand, ♪
  • 00:52:34.564 --> 00:52:38.568
  • ♪ he leadeth me. ♪
  • 00:52:38.568 --> 00:52:44.608
  • ♪ ♪
  • 00:52:44.608 --> 00:52:52.983
  • - ♪ and when my task on earth is done, ♪
  • 00:52:53.049 --> 00:52:59.022
  • ♪ when by thy grace, thy victory is won, ♪
  • 00:52:59.022 --> 00:53:05.462
  • ♪ even death's cold wave ♪
  • 00:53:05.462 --> 00:53:08.632
  • ♪ i will not flee, ♪
  • 00:53:08.632 --> 00:53:11.868
  • ♪ since god through jordan, ♪
  • 00:53:11.868 --> 00:53:15.138
  • ♪ he leadeth me. ♪
  • 00:53:15.138 --> 00:53:18.575
  • ♪ ♪
  • 00:53:18.575 --> 00:53:19.909
  • - ♪ he leadeth me. ♪
  • 00:53:19.909 --> 00:53:22.612
  • ♪ he leadeth me. ♪
  • 00:53:22.612 --> 00:53:25.949
  • ♪ by his own hand, ♪
  • 00:53:25.949 --> 00:53:29.252
  • ♪ he leadeth me. ♪
  • 00:53:29.252 --> 00:53:32.155
  • ♪ his faithful follower i would be, ♪
  • 00:53:32.155 --> 00:53:38.528
  • ♪ for by his hand, he leadeth me. ♪
  • 00:53:38.528 --> 00:53:45.235
  • ♪ ♪
  • 00:53:45.235 --> 00:54:13.196
  • ♪ he leadeth me. ♪
  • 00:54:16.700 --> 00:54:19.436
  • ♪ he leadeth me. ♪
  • 00:54:19.436 --> 00:54:22.772
  • ♪ by his own hand, ♪
  • 00:54:22.772 --> 00:54:26.209
  • ♪ he leadeth me. ♪
  • 00:54:26.209 --> 00:54:29.312
  • ♪ his faithful follower i would be, ♪
  • 00:54:29.312 --> 00:54:35.585
  • ♪ for by his hand, ♪
  • 00:54:35.585 --> 00:54:38.688
  • ♪ he leadeth me. ♪
  • 00:54:38.688 --> 00:54:41.991
  • ♪ ♪
  • 00:54:41.991 --> 00:54:43.927
  • ♪ he leadeth me. ♪
  • 00:54:43.927 --> 00:54:46.296
  • ♪ he leadeth me. ♪
  • 00:54:46.296 --> 00:54:49.833
  • ♪ by his own hand, ♪
  • 00:54:49.833 --> 00:54:53.002
  • ♪ he leadeth me. ♪
  • 00:54:53.002 --> 00:54:56.206
  • ♪ his faithful follower i would be, ♪
  • 00:54:56.206 --> 00:55:02.245
  • ♪ for by his hand, he leadeth me. ♪
  • 00:55:02.245 --> 00:55:09.052
  • ♪ ♪
  • 00:55:09.052 --> 00:55:10.420
  • ♪ for by his hand, he leadeth ♪
  • 00:55:10.420 --> 00:55:17.060
  • ♪ me. ♪
  • 00:55:17.060 --> 00:55:21.798
  • ♪ leadeth me. ♪
  • 00:55:21.798 --> 00:55:27.871
  • ♪ leadeth me. ♪
  • 00:55:27.871 --> 00:55:38.281
  • ♪ ♪
  • 00:55:38.281 --> 00:55:41.651
  • [cheers and applause]
  • 00:55:41.651 --> 00:55:45.555
  • ♪ ♪
  • 00:55:48.825 --> 00:56:52.589
  • [cheers and applause]
  • 00:56:56.125 --> 00:56:56.125