Sean McNamara: Bau, Artist At War | Praise

September 25, 2025 | 58:2

Hosted by TBN’s own Matt and Laurie Crouch along with other popular personalities, Praise features the best in contemporary Christian music and worship, fresh and impacting ministry voices, engaging interviews from a wide variety of guests, and a fast-moving hour of relevant talk you won’t want to miss!

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Praise | Sean McNamara: Bau, Artist At War | Praise | September 25, 2025
  • Coming up tonight on praise.
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  • This is where miracles happen.
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  • I'm telling you, i believe in miracles.
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  • And i want to go in because that's kind of
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  • My theme of life in battle.
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  • Bau artist at war.
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  • It is a miracle that they survived.
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  • And because they survived,
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  • They have kids and have now
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  • Brought on thousands of more people.
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  • It's a miracle that you cannot point to
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  • Anything else when you live your life going.
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  • Let's try to find the miracles.
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  • They start showing up.
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  • So when you have that idea
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  • That miracles are happening all around you
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  • And that there is more to life than this,
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  • That's what i want to get across with my movies,
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  • That there are miracles and you have to seek them out.
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  • That's what you're going to find in my films,
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  • And that's why i want to do films about miracles. you.
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  • Tonight on
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  • Praise from dallas award winning filmmaker
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  • And faith based speaker sean mcnamara.
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  • And now your hosts,
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  • Matt and laurie crouch.
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  • Our job today, sean, is to tell a story.
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  • Okay, you know,
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  • I think about storytelling a little bit, trying
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  • Trying to be a storyteller.
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  • Sean, let's start with you.
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  • Before we kind of get into
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  • Exactly what we're going to do, let's, let's tell a little bit
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  • Of story, a little bit of story of your kind of beginnings
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  • And i'll say it this way, kind of why you do what you do.
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  • Where do you want to pick this story up and where are you going
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  • To put the lens.
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  • Where are you bringing the camera
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  • And where are you bringing the audience in on this thing?
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  • I'm going to pull back 35,000ft and just say,
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  • My brothers and sisters prayed for a baby brother
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  • That four years later, after five of them were born,
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  • They went camping and they prayed and i turned up.
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  • So that kind of sets the stage and answer the prayer
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  • Right here.
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  • That's a great excuse me.
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  • And they they. yeah.
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  • They prayed for me, and somehow i showed up and,
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  • So i had an amazing life.
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  • You know, mom and dad were teachers.
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  • I'm the baby of six.
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  • A great position in the family. you kind of.
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  • They don't watch you as closely or anything like that.
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  • And very irish.
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  • Sean patrick mcnamara.
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  • So, somewhere along the lines,
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  • We all went to ireland to to for family vacation.
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  • Got it. and it was, it was spectacular.
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  • I kissed the blarney stone.
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  • I, just had fun.
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  • I looked at all the graves, the mcnamara's,
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  • The mclaughlin's, and i'm like, wow, there's a lot of us here.
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  • This is crazy.
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  • But it was a fantastic trip to ireland.
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  • And for some unbeknownst reason, when we were leaving, my dad
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  • At the shannon airport went and bought me
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  • A super eight camera, and i hadn't asked for it.
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  • And it was just like, whatever.
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  • Okay, that sounds kind of cool, but he gave it to me.
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  • Maybe he wanted it himself, but by giving it to me,
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  • That was it.
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  • So in in the, airport, i opened it up and he had bought
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  • Two rolls of film, and i popped it in there.
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  • And i remember my first shots that i ever took
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  • Was out the window of the airplane
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  • Taking off, coming back to los angeles.
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  • So, again, didn't quite know what, how it works, but,
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  • Few weeks later, got the film back and it's like, wow,
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  • I took that. that was amazing.
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  • So, you know, it's the story that we all tell.
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  • I got all my neighbors, you know, on my block,
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  • And i would shoot movies, and i had no idea what editing was.
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  • I would do your two shot, then i'd run to the other side,
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  • And i'd do a single shot on me, and i'd run to this side.
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  • We would do terrible things.
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  • We would, like, pretend we were doing
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  • A tug of war in front of cars, but there was nothing
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  • There, and i'd be shooting up watching the car come to a stop,
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  • And then the kids would run and i'd zoom in on their face.
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  • And then i just realized there was these little flashes
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  • And no clue of what that meant.
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  • I had no concept of editing.
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  • I just i made it, but what i did is
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  • I'd make these little films,
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  • And i would show it to my classmates and,
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  • Saint finbar in burbank.
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  • I grew up in burbank, california.
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  • Beautiful downtown burbank.
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  • Yeah.
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  • And, i remember they'd clap at the end of it.
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  • Where's my stunt man?
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  • Great, you're here.
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  • All right.
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  • You're gonna sit there. you're looking over the ocean.
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  • And then the ninja warrior comes and then it goes
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  • It's gonna be great.
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  • I love it. blake.
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  • Ninja warrior, take one.
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  • Action!
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  • I was just playing. to me, it was just playing
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  • I just like to tell little stories.
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  • I didn't know what i was doing, but i got that moment.
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  • There was something interesting about that.
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  • So then i would like even try it with my teachers.
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  • I would go, can i turn into film assignment
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  • Instead of homework?
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  • And they'd say, sure, sure, that's great.
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  • So i'd start making films,
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  • And i think i even took and shot jesus christ superstar.
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  • The, the i took the album and then i,
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  • My sisters were the actresses, and i'd pointed
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  • And i'd start shooting and they would sing mary magdalene.
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  • They would just.
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  • It was just that's all i did, i would do.
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  • Even then, i was doing faith based face,
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  • Faith adjacent movies and,
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  • But at some point i realized
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  • I really enjoy this aspect of it because in high school
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  • I would do plays.
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  • I was like, jesus in godspell, i was burger and hair,
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  • And i remember all the actors would be,
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  • Oh, i feel so good up here on the stage.
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  • Just feels so wonderful. and i felt
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  • I feel so uncomfortable up here, so nervous.
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  • But i like watching the guys
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  • With those big levers and the lights go and go on.
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  • And that's why i'm so impressed with your studio,
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  • Because i was going.
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  • I have that feeling of when you see cool technology
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  • Come to life.
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  • That was the coolest feeling in the world.
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  • But, i decided i much preferred
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  • Being behind the camera, and it was a decision.
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  • In high school.
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  • I even got accepted to usc
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  • To go into their cinematography department, but i chose.
  • 00:05:48.604 --> 00:05:51.741
  • I said, nope, i want to go to a school
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  • Where i can make movies.
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  • I'm sorry.
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  • They were going to be
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  • Into acting at usc,
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  • But i decided to go
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  • To loyola marymount university and focus on directing.
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  • And, so along the way,
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  • I just loved the process of it.
  • 00:06:06.255 --> 00:06:09.525
  • And i always say i would do it for free
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  • Because it's not working to me.
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  • It's just getting to play point the camera here,
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  • Getting to travel everywhere to make the movie.
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  • So that's kind of the young version of it.
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  • And then, during high school, my friend's dad, marty peseta,
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  • He was a director.
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  • He directed the academy awards every year
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  • And every year, like freshman year,
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  • I'd say, please get me a meeting with your dad.
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  • Please get me a meeting with your dad because i want to.
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  • They would talk about going to monaco.
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  • They would talk about doing this.
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  • And they were ads and audio and everything.
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  • And i'd say
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  • If i could just get a shot to just
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  • Go, they would see i have something
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  • And i clearly didn't know what i was doing.
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  • But when i did go to college, marty said of finally marty
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  • Junior got me a meeting with his dad.
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  • Biggest deal of my life
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  • I love this, i know i i'm sorry if i'm talking.
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  • No, i love it, i love it, but i, i, you know, dressed up.
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  • I went into his beverly hills office
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  • And he's like, got five phone calls going on.
  • 00:07:02.545 --> 00:07:04.547
  • He's smoking a cigar saying, yeah, bob hope.
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  • Yeah, i'll be there on friday. boom.
  • 00:07:06.315 --> 00:07:08.384
  • Because he's doing all these big shots.
  • 00:07:08.384 --> 00:07:09.752
  • So he finally looks at me.
  • 00:07:09.752 --> 00:07:10.720
  • He goes, kid, what what do you do?
  • 00:07:10.720 --> 00:07:13.055
  • What are you here for?
  • 00:07:13.055 --> 00:07:14.457
  • And i literally didn't know how to answer the question.
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  • I wasn't prepared to go, well, this is what i want to do.
  • 00:07:16.626 --> 00:07:19.095
  • And i said, well, i, i'm in a band.
  • 00:07:19.095 --> 00:07:20.863
  • I plug in microphones and he goes, audio,
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  • The audio that's for you.
  • 00:07:23.232 --> 00:07:24.700
  • And he calls up, johnny had the best audio.
  • 00:07:24.700 --> 00:07:26.936
  • And he goes, yeah, yeah, i'm the next project. yeah.
  • 00:07:26.936 --> 00:07:28.504
  • But this kid my, my son's friend. yeah.
  • 00:07:28.504 --> 00:07:31.240
  • Next thing i know, a black
  • 00:07:31.240 --> 00:07:32.275
  • Limo drives up to my house, i get on an airplane
  • 00:07:32.275 --> 00:07:35.278
  • And i'm plugging in microphones for reagan's inauguration.
  • 00:07:35.278 --> 00:07:38.414
  • So that was my first job in the entertainment industry.
  • 00:07:38.414 --> 00:07:41.817
  • That was it plugging in microphones.
  • 00:07:41.817 --> 00:07:44.487
  • And i just remember just standing there being
  • 00:07:44.487 --> 00:07:47.089
  • Just blown away that i was there and,
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  • And then along the way, i'm still i'm
  • 00:07:50.660 --> 00:07:52.094
  • Making films, i'm making student films.
  • 00:07:52.094 --> 00:07:53.796
  • I'm trying, you know, every angle.
  • 00:07:53.796 --> 00:07:56.032
  • And even when the gentlemen
  • 00:07:56.032 --> 00:07:57.266
  • Put my microphone on today, i go, that was me.
  • 00:07:57.266 --> 00:07:59.902
  • I would plug in those microphones
  • 00:07:59.902 --> 00:08:01.604
  • And get people set up to do that.
  • 00:08:01.604 --> 00:08:03.940
  • And i just loved every minute of it.
  • 00:08:03.940 --> 00:08:05.841
  • I became a pa and they'd throw me their keys
  • 00:08:05.841 --> 00:08:08.411
  • And say, go wash my car.
  • 00:08:08.411 --> 00:08:09.612
  • And some people would, you know, not like that.
  • 00:08:09.612 --> 00:08:11.514
  • I was going to drive a mercedes down hollywood boulevard.
  • 00:08:11.514 --> 00:08:14.917
  • I'm getting that little,
  • 00:08:14.917 --> 00:08:15.685
  • You know, back
  • 00:08:15.685 --> 00:08:16.886
  • When there were no cell phones where they couldn't get you,
  • 00:08:16.886 --> 00:08:17.954
  • It was the best feeling in the world.
  • 00:08:17.954 --> 00:08:19.522
  • When i was pouring people's coffee,
  • 00:08:19.522 --> 00:08:20.923
  • I would say, by the way, i'm a director.
  • 00:08:20.923 --> 00:08:22.892
  • I would just like, keep,
  • 00:08:22.892 --> 00:08:24.627
  • You know, whatever anybody asks, i would do it.
  • 00:08:24.627 --> 00:08:27.797
  • And, the guy he was working for had a brother who had a welding
  • 00:08:27.797 --> 00:08:31.701
  • Shop, and he goes, you know, here's 500 bucks.
  • 00:08:31.701 --> 00:08:33.869
  • Would you just make a little card and,
  • 00:08:33.869 --> 00:08:35.638
  • You know, just throw something together?
  • 00:08:35.638 --> 00:08:37.273
  • And i was like, okay, can i use these sets?
  • 00:08:37.273 --> 00:08:41.444
  • And he goes, yeah, sure.
  • 00:08:41.444 --> 00:08:42.945
  • For free. right? yeah, yeah. and i go, okay.
  • 00:08:42.945 --> 00:08:46.015
  • And so i
  • 00:08:46.248 --> 00:08:47.550
  • Went and shot six commercials for his brother's welding shop.
  • 00:08:47.550 --> 00:08:50.686
  • And i had people,
  • 00:08:50.686 --> 00:08:51.854
  • You know, like,
  • 00:08:51.854 --> 00:08:52.955
  • I made it look like flashdance, where they're like
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  • Welding and sparks are flying everywhere.
  • 00:08:54.790 --> 00:08:57.560
  • And i remember nobody knew what i was doing.
  • 00:08:57.560 --> 00:08:59.195
  • I was doing it at night on the stages.
  • 00:08:59.195 --> 00:09:00.930
  • Nobody knew what i was doing.
  • 00:09:00.930 --> 00:09:01.998
  • But i showed these
  • 00:09:01.998 --> 00:09:03.265
  • Six commercials to the brother and the jaw was on the ground.
  • 00:09:03.265 --> 00:09:06.235
  • What are you doing?
  • 00:09:06.702 --> 00:09:07.703
  • And i was like, this is what i'm doing.
  • 00:09:07.703 --> 00:09:09.639
  • And so that was like my first like entree
  • 00:09:09.639 --> 00:09:12.375
  • Into making something.
  • 00:09:12.375 --> 00:09:13.743
  • Wow. and then,
  • 00:09:13.743 --> 00:09:15.645
  • Then it was the strike of like 88 and he goes,
  • 00:09:15.645 --> 00:09:19.949
  • You know, here's $5,000 and i want you to do something
  • 00:09:19.949 --> 00:09:23.285
  • For mothers against drunk driving
  • 00:09:23.285 --> 00:09:24.620
  • And something for the salvation army and special friends
  • 00:09:24.620 --> 00:09:27.857
  • Of the children. and i said the same thing.
  • 00:09:27.857 --> 00:09:29.492
  • I go, can i use all these sets on the backlot?
  • 00:09:29.492 --> 00:09:32.094
  • He goes, yeah.
  • 00:09:32.094 --> 00:09:33.229
  • And i go, can i use all these 35 millimeter cameras?
  • 00:09:33.229 --> 00:09:35.564
  • So all the money, the 5000 went to buying film
  • 00:09:35.564 --> 00:09:39.035
  • And i got all my friends together
  • 00:09:39.035 --> 00:09:41.237
  • Because now we did 17 psa█s and it was again just like play.
  • 00:09:41.237 --> 00:09:45.908
  • And i just tried to make them fun.
  • 00:09:45.908 --> 00:09:47.977
  • And, you know, by that time, music videos had come on.
  • 00:09:47.977 --> 00:09:50.546
  • And they're the best things in the world
  • 00:09:50.546 --> 00:09:51.814
  • Because no matter what you do, you're right.
  • 00:09:51.814 --> 00:09:53.949
  • And, so that was my beginning.
  • 00:09:53.949 --> 00:09:57.219
  • And then the next thing was somebody gave me 500,000
  • 00:09:57.219 --> 00:10:00.122
  • To make my first movie, which was hollywood chaos.
  • 00:10:00.122 --> 00:10:03.125
  • And all along the way,
  • 00:10:03.125 --> 00:10:04.694
  • All i wanted to do is inspire people.
  • 00:10:04.694 --> 00:10:06.662
  • I sat there and i go, you know, i went to school,
  • 00:10:06.662 --> 00:10:11.467
  • I went to church every sunday with my, my family.
  • 00:10:11.467 --> 00:10:15.604
  • And i go, i don't know how i am, like
  • 00:10:15.604 --> 00:10:18.207
  • Pushing my vision of the world, but i started to figure out
  • 00:10:18.207 --> 00:10:22.011
  • Maybe these films could make a difference.
  • 00:10:22.011 --> 00:10:24.346
  • So if you look at the films i try to make,
  • 00:10:24.346 --> 00:10:26.716
  • They're all inspirational in nature.
  • 00:10:26.716 --> 00:10:28.684
  • I try to make something that's,
  • 00:10:28.684 --> 00:10:30.519
  • You know, that there's hope at the end of it.
  • 00:10:30.519 --> 00:10:32.455
  • I mean, for me, it was rocky.
  • 00:10:32.455 --> 00:10:33.556
  • Remember rocky when that came out?
  • 00:10:33.556 --> 00:10:35.124
  • And i don't know, i the day after i saw it,
  • 00:10:35.124 --> 00:10:37.126
  • I was jogging outside.
  • 00:10:37.126 --> 00:10:38.461
  • I didn't want to be a boxer, but i just knew that
  • 00:10:38.461 --> 00:10:42.164
  • This industry could move you to do something.
  • 00:10:42.164 --> 00:10:46.202
  • And at that point, i'm a 20 something.
  • 00:10:46.202 --> 00:10:47.803
  • I don't know what really to do with it.
  • 00:10:47.803 --> 00:10:49.772
  • I'm learning it along the way.
  • 00:10:49.772 --> 00:10:51.741
  • But i remember those books, chicken soup for the soul.
  • 00:10:51.741 --> 00:10:54.076
  • Absolutely.
  • 00:10:54.076 --> 00:10:54.777
  • So, i mean, i would read those
  • 00:10:54.777 --> 00:10:56.078
  • And i'd cry like every two pages. and they were great
  • 00:10:56.078 --> 00:10:58.013
  • Because every chapter was like two pages.
  • 00:10:58.013 --> 00:10:59.982
  • And i went,
  • 00:10:59.982 --> 00:11:00.883
  • I wonder if i could do what they do
  • 00:11:00.883 --> 00:11:03.419
  • Somehow in the movies, like make people moved emotionally
  • 00:11:03.419 --> 00:11:07.823
  • And to you know, to talk about jesus,
  • 00:11:07.823 --> 00:11:10.626
  • To talk about god, to talk about giving back somehow. and,
  • 00:11:10.626 --> 00:11:15.231
  • You know, we've all in this business,
  • 00:11:16.065 --> 00:11:17.500
  • We have hard times and,
  • 00:11:17.500 --> 00:11:19.635
  • When i was a kid, my mom used to just say, you
  • 00:11:19.635 --> 00:11:21.771
  • Know, whatever you give, you get seven times back and,
  • 00:11:21.771 --> 00:11:25.141
  • You know, be like an obnoxious nine year old.
  • 00:11:25.141 --> 00:11:26.976
  • I'm like, okay, wait,
  • 00:11:26.976 --> 00:11:28.344
  • So if i give $100, i'll get $700 back.
  • 00:11:28.344 --> 00:11:31.313
  • And she would smile and laugh at me.
  • 00:11:31.313 --> 00:11:32.715
  • But generally, yes, that was the, the the thing.
  • 00:11:32.715 --> 00:11:37.486
  • And i remember i have used that all through my life.
  • 00:11:37.486 --> 00:11:40.723
  • There was this time,
  • 00:11:40.723 --> 00:11:42.892
  • You know, right after i got married that i hadn't
  • 00:11:42.892 --> 00:11:45.594
  • Had a job in a while. in this business,
  • 00:11:45.594 --> 00:11:47.196
  • Sometimes there's ups and there's downs and,
  • 00:11:47.196 --> 00:11:50.766
  • Somebody called me and said,
  • 00:11:50.766 --> 00:11:52.368
  • Would you come and do some work for the help the homeless?
  • 00:11:52.368 --> 00:11:55.671
  • Do a little video for the saint joseph center
  • 00:11:55.671 --> 00:11:57.940
  • And martin sheen is going to be the host.
  • 00:11:57.940 --> 00:12:00.109
  • And i was like, i have nothing else to do.
  • 00:12:00.109 --> 00:12:03.312
  • And, i was literally in the apartment
  • 00:12:03.312 --> 00:12:05.514
  • Going to probably lose that apartment.
  • 00:12:05.514 --> 00:12:07.283
  • Didn't know i did these videos.
  • 00:12:07.283 --> 00:12:10.352
  • And in one year
  • 00:12:10.753 --> 00:12:12.922
  • I signed my first, contract to buy a house.
  • 00:12:12.922 --> 00:12:17.059
  • And what i realized is, when you go out there
  • 00:12:17.059 --> 00:12:19.094
  • And put good out into the world, good things come back to you.
  • 00:12:19.094 --> 00:12:21.797
  • And i just i really believe that.
  • 00:12:21.797 --> 00:12:24.767
  • So i tell people that i go, just
  • 00:12:24.767 --> 00:12:26.836
  • Do something, put something good out into the world.
  • 00:12:26.836 --> 00:12:29.905
  • And, so as we were talking
  • 00:12:30.472 --> 00:12:33.676
  • About earlier, making movies are a miracle every time.
  • 00:12:33.676 --> 00:12:36.946
  • Yeah. and i truly believe that.
  • 00:12:36.946 --> 00:12:38.380
  • And i feel like, you know,
  • 00:12:38.380 --> 00:12:39.949
  • You have a choice when you look at everything
  • 00:12:39.949 --> 00:12:42.751
  • To see it as a miracle. you can see the bad stuff.
  • 00:12:42.751 --> 00:12:44.887
  • That's easy.
  • 00:12:44.887 --> 00:12:45.821
  • But when you go and you look at a tree,
  • 00:12:45.821 --> 00:12:46.922
  • Look at a newborn baby, you look at whatever
  • 00:12:46.922 --> 00:12:48.824
  • There is you, because that's a miracle.
  • 00:12:48.824 --> 00:12:50.292
  • That's a miracle.
  • 00:12:50.292 --> 00:12:51.527
  • And i believe that with everything.
  • 00:12:51.527 --> 00:12:52.995
  • So i'm constantly looking for that.
  • 00:12:52.995 --> 00:12:55.097
  • And like we've both experienced making movies is a miracle
  • 00:12:55.097 --> 00:12:58.367
  • Because you've got to get
  • 00:12:58.367 --> 00:12:59.468
  • Hundreds and hundreds of people to come together,
  • 00:12:59.468 --> 00:13:02.404
  • Get a good script, a good vision of what
  • 00:13:02.404 --> 00:13:05.241
  • This story is, get these actors
  • 00:13:05.241 --> 00:13:07.142
  • Who are available at the same time and make a movie.
  • 00:13:07.142 --> 00:13:10.145
  • And and it is so challenging, so rewarding.
  • 00:13:10.145 --> 00:13:14.583
  • But every single time i say that's a miracle.
  • 00:13:14.583 --> 00:13:49.251
  • I do not speak german.
  • 00:13:49.752 --> 00:13:51.053
  • You can kiss my ass as you like.
  • 00:13:51.053 --> 00:13:55.925
  • You did?
  • 00:13:56.158 --> 00:13:56.959
  • Is this my position of yours?
  • 00:13:56.959 --> 00:14:04.199
  • Named joseph. but.
  • 00:14:04.633 --> 00:14:07.903
  • Why are you your new mapmaker commandant?
  • 00:14:08.804 --> 00:14:11.140
  • Then you could be of service.
  • 00:14:11.140 --> 00:14:12.241
  • Unfortunate for you.
  • 00:14:12.241 --> 00:14:14.643
  • Is it possible to change my seat?
  • 00:14:14.643 --> 00:14:18.647
  • How does this work?
  • 00:14:19.114 --> 00:14:20.082
  • I'm waiting for the sunshine.
  • 00:14:20.082 --> 00:14:21.350
  • Looks like you might have a problem.
  • 00:14:21.350 --> 00:14:22.818
  • Maybe you can be my sunshine.
  • 00:14:22.818 --> 00:14:25.621
  • I met the most wonderful woman for being my sunshine.
  • 00:14:25.621 --> 00:14:29.625
  • Only you yourself could find something
  • 00:14:29.625 --> 00:14:31.894
  • Like that in a place like this.
  • 00:14:31.894 --> 00:14:40.836
  • I see you,
  • 00:14:41.136 --> 00:14:42.204
  • You take care of everybody.
  • 00:14:42.204 --> 00:14:45.574
  • But who takes care of you?
  • 00:14:45.574 --> 00:14:49.378
  • Was a long, long answer.
  • 00:14:49.878 --> 00:14:52.815
  • If we do our work, maybe we can survive this madness
  • 00:14:52.815 --> 00:14:55.884
  • And tell our story.
  • 00:14:55.884 --> 00:14:56.952
  • We can't stand the main rebecca tenenbaum.
  • 00:14:56.952 --> 00:15:01.623
  • No, i
  • 00:15:01.857 --> 00:15:02.725
  • Do not see, however, life her embrace,
  • 00:15:02.725 --> 00:15:05.961
  • Share with people say
  • 00:15:06.462 --> 00:15:11.333
  • However,
  • 00:15:11.567 --> 00:15:14.336
  • I'm afraid not forever is,
  • 00:15:14.336 --> 00:15:21.343
  • I'm just trying to give people hope.
  • 00:15:22.144 --> 00:15:25.214
  • If you want justice, you're going to have to survive.
  • 00:15:25.214 --> 00:15:28.217
  • Don't let them really go.
  • 00:15:28.217 --> 00:15:30.219
  • There's some things that they can't take from us.
  • 00:15:30.219 --> 00:15:32.654
  • Laughter, joy, our spirits.
  • 00:15:32.654 --> 00:15:40.963
  • I around.
  • 00:15:41.263 --> 00:15:45.968
  • Us this time.
  • 00:15:46.335 --> 00:15:49.671
  • Thank you. chris.
  • 00:15:49.671 --> 00:15:50.639
  • You folks inform me if that ever changes.
  • 00:15:50.639 --> 00:15:55.144
  • I'd like to catalog a moment
  • 00:15:55.711 --> 00:15:57.713
  • Because a few minutes ago, you said something.
  • 00:15:57.713 --> 00:16:01.817
  • And, one day, laurie and i have a couple of
  • 00:16:01.817 --> 00:16:04.787
  • Pet projects that we want to. and.
  • 00:16:04.787 --> 00:16:07.022
  • And you said you would direct it for free.
  • 00:16:07.022 --> 00:16:10.526
  • So i'm gonna hold him for that.
  • 00:16:10.526 --> 00:16:11.894
  • I also at some point that i certainly.
  • 00:16:11.894 --> 00:16:15.130
  • So my sisters always say that.
  • 00:16:15.130 --> 00:16:16.899
  • But i say that a lot because i,
  • 00:16:16.899 --> 00:16:18.834
  • I'm so passionate about loving what you do.
  • 00:16:18.834 --> 00:16:20.936
  • So, one day when we're making paradise lost,
  • 00:16:20.936 --> 00:16:23.939
  • He has to do it for free.
  • 00:16:23.939 --> 00:16:25.441
  • So, by the way, i relate to a lot
  • 00:16:25.441 --> 00:16:30.345
  • Of what you're talking about because of my mom.
  • 00:16:30.345 --> 00:16:34.016
  • And dad told me that i put socks on my hands
  • 00:16:34.016 --> 00:16:37.586
  • And did puppet shows over the back seat of the car.
  • 00:16:37.586 --> 00:16:40.689
  • Yeah, to interrupt their arguing if they were arguing
  • 00:16:40.689 --> 00:16:44.626
  • Or fussing.
  • 00:16:44.626 --> 00:16:45.761
  • My job as the
  • 00:16:45.761 --> 00:16:48.063
  • Temperature control, you know, peacemaker in the family.
  • 00:16:48.063 --> 00:16:51.867
  • I would create characters, voices.
  • 00:16:51.867 --> 00:16:54.736
  • I would put socks on my hands and create shows
  • 00:16:54.736 --> 00:16:58.707
  • To try to interrupt,
  • 00:16:58.707 --> 00:17:00.909
  • You know, arguments or fussing or any of that kind of stuff.
  • 00:17:00.909 --> 00:17:03.579
  • So the idea that i had an eight millimeter camera
  • 00:17:03.579 --> 00:17:06.982
  • When i was young, we're roughly the same age
  • 00:17:06.982 --> 00:17:09.885
  • We might have been shooting
  • 00:17:09.885 --> 00:17:11.220
  • Some of the same kinds of things at the same time. and,
  • 00:17:11.220 --> 00:17:15.891
  • The difference is
  • 00:17:16.325 --> 00:17:18.827
  • I was being raised in a television family
  • 00:17:18.827 --> 00:17:22.131
  • That now
  • 00:17:22.364 --> 00:17:23.465
  • There's a lot to do in the administrative side of what?
  • 00:17:23.465 --> 00:17:27.402
  • And you got to go into the pure creative side.
  • 00:17:27.402 --> 00:17:31.306
  • Directing is the top, job in any kind of scripted content,
  • 00:17:31.306 --> 00:17:37.946
  • And a movie usually is good
  • 00:17:37.946 --> 00:17:42.451
  • Or bad based upon, the vision of the director.
  • 00:17:42.451 --> 00:17:47.256
  • And so the responsibility of storytelling
  • 00:17:47.256 --> 00:17:51.393
  • Is on your shoulders, and you've done an amazing job.
  • 00:17:51.393 --> 00:17:54.329
  • Let's jump forward, let's say, to soul surfer
  • 00:17:54.329 --> 00:17:57.966
  • Or reagan or some of these other films now,
  • 00:17:57.966 --> 00:18:01.403
  • And what we're really here today to talk about today's
  • 00:18:01.403 --> 00:18:05.040
  • Thursday, september 25th,
  • 00:18:05.040 --> 00:18:07.075
  • We didn't have much of a summer here in dallas.
  • 00:18:08.010 --> 00:18:10.245
  • It's been green all summer,
  • 00:18:10.245 --> 00:18:12.147
  • And there's been a lot of rain and and all of that today.
  • 00:18:12.147 --> 00:18:15.884
  • In limited locations.
  • 00:18:16.385 --> 00:18:18.353
  • And there's information on the screen where you can see
  • 00:18:18.353 --> 00:18:21.356
  • Where the film is actually playing today.
  • 00:18:21.356 --> 00:18:24.626
  • But tomorrow, the 26th, friday
  • 00:18:24.626 --> 00:18:27.663
  • The 26th, a brand new movie bau artist
  • 00:18:27.663 --> 00:18:33.101
  • At war, is going to be premiering.
  • 00:18:33.101 --> 00:18:36.338
  • It's,
  • 00:18:36.572 --> 00:18:38.040
  • Nationwide limited, nationwide.
  • 00:18:38.040 --> 00:18:41.043
  • So go to the screen finder and see where it's playing
  • 00:18:41.043 --> 00:18:44.680
  • In your area.
  • 00:18:44.680 --> 00:18:46.548
  • And we want to we want to get to beau, a love story
  • 00:18:46.548 --> 00:18:50.385
  • Set inside of the holocaust of tragic situation
  • 00:18:50.385 --> 00:18:54.957
  • And hope and love and beauty inside of a horrible situation.
  • 00:18:54.957 --> 00:18:58.894
  • We'll get to that.
  • 00:18:58.894 --> 00:19:00.829
  • But make a jump from,
  • 00:19:00.829 --> 00:19:03.599
  • You know, getting your friends and family to be in front of
  • 00:19:03.599 --> 00:19:07.035
  • Your eight millimeter camera to all of a sudden now
  • 00:19:07.035 --> 00:19:10.105
  • Theatrically released studio films.
  • 00:19:10.105 --> 00:19:13.508
  • That's quite a jump.
  • 00:19:13.508 --> 00:19:15.477
  • Take us on set with,
  • 00:19:15.911 --> 00:19:18.714
  • You know, some of the moments of of soul surfer, let's say,
  • 00:19:18.714 --> 00:19:22.684
  • Because a lot of our audience
  • 00:19:22.684 --> 00:19:24.486
  • Saw that very commercially successful film,
  • 00:19:24.486 --> 00:19:27.889
  • What was that like? what?
  • 00:19:28.457 --> 00:19:29.658
  • What were what where were you,
  • 00:19:29.658 --> 00:19:32.027
  • Kind of along your journey during that time?
  • 00:19:32.027 --> 00:19:34.496
  • So soul surfer, i made a few films, before that.
  • 00:19:34.496 --> 00:19:38.033
  • I've done some disney shows, some films along the way.
  • 00:19:38.033 --> 00:19:41.336
  • And i was in hawaii doing a tv series when,
  • 00:19:42.271 --> 00:19:45.173
  • Bethany's manager walked up
  • 00:19:45.173 --> 00:19:46.575
  • And gave me the book of soul surfer
  • 00:19:46.575 --> 00:19:48.377
  • And said, we'd like to make this into a movie.
  • 00:19:48.377 --> 00:19:50.712
  • And i read it and it was like 200
  • 00:19:50.712 --> 00:19:52.214
  • Pages written by bethany hamilton.
  • 00:19:52.214 --> 00:19:54.383
  • And that's when this would make a great movie.
  • 00:19:54.383 --> 00:19:55.917
  • This would be fantastic.
  • 00:19:55.917 --> 00:19:57.586
  • And the same thing it took six years to get.
  • 00:19:57.586 --> 00:20:00.555
  • Is that because from raising money,
  • 00:20:00.555 --> 00:20:02.257
  • There was the big 28 drop
  • 00:20:02.257 --> 00:20:03.959
  • That the investors fell out there back in.
  • 00:20:03.959 --> 00:20:05.994
  • And all of that stuff.
  • 00:20:05.994 --> 00:20:07.596
  • But i learned a couple of things.
  • 00:20:07.596 --> 00:20:08.830
  • I feel the right time for a movie is his plan, not ours.
  • 00:20:08.830 --> 00:20:12.734
  • I really, truly believe that
  • 00:20:12.734 --> 00:20:14.236
  • Because i go, had we done it originally,
  • 00:20:14.236 --> 00:20:16.204
  • It would have been on nickelodeon,
  • 00:20:16.204 --> 00:20:17.439
  • Would have just been a small nickelodeon movie of the week.
  • 00:20:17.439 --> 00:20:20.776
  • But instead the timing went on and,
  • 00:20:20.776 --> 00:20:24.279
  • We found the right investors and somehow
  • 00:20:24.279 --> 00:20:26.882
  • We moved to the point of in 2010, we were there, in,
  • 00:20:26.882 --> 00:20:31.019
  • Hawaii, literally writing the script
  • 00:20:31.787 --> 00:20:33.855
  • And getting this thing
  • 00:20:33.855 --> 00:20:34.790
  • Ready to make. and this was my first, like,
  • 00:20:34.790 --> 00:20:36.325
  • Official faith based movie night.
  • 00:20:36.325 --> 00:20:38.493
  • And it was very interesting because i always wanted to
  • 00:20:38.493 --> 00:20:42.064
  • I used to pray to god.
  • 00:20:42.064 --> 00:20:43.131
  • I used to just say, god, just give me a family movie.
  • 00:20:43.131 --> 00:20:45.200
  • Just something, because it's so impossible.
  • 00:20:45.200 --> 00:20:47.469
  • But i go, i don't want anything big.
  • 00:20:47.469 --> 00:20:48.603
  • Just make it have to make a lot of money.
  • 00:20:48.603 --> 00:20:49.871
  • It's just got to be that somebody like, goes to see it.
  • 00:20:49.871 --> 00:20:53.108
  • That would be fine. like that.
  • 00:20:53.108 --> 00:20:54.409
  • Like be real or something.
  • 00:20:54.409 --> 00:20:56.478
  • So i sat down with,
  • 00:20:56.478 --> 00:20:58.180
  • Rich peluso, who works at a firm films for sony,
  • 00:20:58.180 --> 00:21:01.083
  • And he was explaining to me how you make a christian film
  • 00:21:01.083 --> 00:21:04.286
  • Because i was, you know, talking about rocky.
  • 00:21:04.286 --> 00:21:06.555
  • And i said, please, let's, let's do this for the masses.
  • 00:21:06.555 --> 00:21:09.024
  • People love surfing and we'll make it really pretty.
  • 00:21:09.024 --> 00:21:11.593
  • And he was saying, well, this is a very interesting thing
  • 00:21:11.593 --> 00:21:14.996
  • Because there's the christian audience,
  • 00:21:14.996 --> 00:21:16.732
  • Which can be narrow but very deep,
  • 00:21:16.732 --> 00:21:18.667
  • And they would want to see this.
  • 00:21:18.667 --> 00:21:20.602
  • But if you go to mainstream, they may not want to see this.
  • 00:21:20.602 --> 00:21:23.505
  • So i said,
  • 00:21:23.505 --> 00:21:24.639
  • Just teach me what to do and let's try to aim for both.
  • 00:21:24.639 --> 00:21:28.210
  • So that's kind of what we did together.
  • 00:21:28.210 --> 00:21:30.946
  • And i remember we,
  • 00:21:30.946 --> 00:21:34.516
  • Found ourselves out on the set
  • 00:21:34.516 --> 00:21:36.084
  • And i had learned how to shoot surfing.
  • 00:21:36.084 --> 00:21:37.853
  • I had, like, one camera guy in the water.
  • 00:21:37.853 --> 00:21:40.188
  • I had one on the back of a jet
  • 00:21:40.188 --> 00:21:41.423
  • Ski and one with a long lens on the beach.
  • 00:21:41.423 --> 00:21:43.258
  • So i figured out, like,
  • 00:21:43.258 --> 00:21:44.292
  • The technical things, how to make it dynamic.
  • 00:21:44.292 --> 00:21:46.862
  • But i remember
  • 00:21:46.862 --> 00:21:48.163
  • We did this scene right after she was attacked from the shark
  • 00:21:48.163 --> 00:21:50.499
  • And her dad was sitting next to me.
  • 00:21:50.499 --> 00:21:52.000
  • The whole family
  • 00:21:52.000 --> 00:21:53.001
  • Came to the set every day, including bethany,
  • 00:21:53.001 --> 00:21:54.836
  • And she would be directing the actors.
  • 00:21:54.836 --> 00:21:56.538
  • I remember
  • 00:21:56.538 --> 00:21:58.006
  • We were sitting in kind of mortified when i met her.
  • 00:21:58.006 --> 00:22:01.476
  • I met her in a tent, in a church in hawaii,
  • 00:22:01.476 --> 00:22:05.113
  • And it was up in a hill and stuff like that.
  • 00:22:05.113 --> 00:22:06.481
  • So i said,
  • 00:22:06.481 --> 00:22:07.215
  • Do you mind if i just take this
  • 00:22:07.215 --> 00:22:08.583
  • And i'll put the tent down on the beach?
  • 00:22:08.583 --> 00:22:10.585
  • And, so we did, and we shot that opening scene on the beach
  • 00:22:10.585 --> 00:22:13.922
  • Because i just thought it was, beautiful.
  • 00:22:13.922 --> 00:22:15.657
  • And carrie underwood is up there singing,
  • 00:22:15.657 --> 00:22:17.692
  • But bethany would look at the extras and say,
  • 00:22:17.692 --> 00:22:19.594
  • You guys look like you're at a funeral.
  • 00:22:19.594 --> 00:22:20.896
  • Come on, you got to smile.
  • 00:22:20.896 --> 00:22:22.397
  • Just be happy here.
  • 00:22:22.397 --> 00:22:23.465
  • And she was great because she was motivating them,
  • 00:22:23.465 --> 00:22:25.734
  • And i just i just love that.
  • 00:22:25.734 --> 00:22:27.502
  • But as soon as we made it and we were doing the scene
  • 00:22:27.502 --> 00:22:30.205
  • Where she actually got that and we had a prosthetic on our
  • 00:22:30.205 --> 00:22:34.276
  • Actress's arm and we're shooting blood up and stuff like that.
  • 00:22:34.276 --> 00:22:37.512
  • And i remember just like looking at her father and going,
  • 00:22:37.512 --> 00:22:40.148
  • You know, for me, this is a movie for them.
  • 00:22:40.148 --> 00:22:42.284
  • This is their baby daughter's life being told.
  • 00:22:42.284 --> 00:22:45.053
  • And i went, wow, i have to never forget, you know,
  • 00:22:45.053 --> 00:22:47.956
  • That i'm also doing true stories that happen to real people.
  • 00:22:47.956 --> 00:22:51.760
  • Yeah.
  • 00:22:51.760 --> 00:22:52.627
  • And, and that they they were amazing.
  • 00:22:52.627 --> 00:22:55.330
  • They, you know, they definitely have their ideas
  • 00:22:55.330 --> 00:22:57.532
  • Of what really happened, what didn't happen.
  • 00:22:57.532 --> 00:22:59.100
  • I always was saying
  • 00:22:59.100 --> 00:23:00.035
  • 60,000 events happened since the attack.
  • 00:23:00.035 --> 00:23:02.804
  • We have the chance to tell like 50 or 60 of them.
  • 00:23:02.804 --> 00:23:04.973
  • So we have to adjust scenes.
  • 00:23:04.973 --> 00:23:06.675
  • And they they understood that.
  • 00:23:06.675 --> 00:23:08.043
  • We, we figured out how to do that.
  • 00:23:08.043 --> 00:23:10.645
  • But it was
  • 00:23:10.645 --> 00:23:11.847
  • It was a spiritual beginning for me,
  • 00:23:11.847 --> 00:23:13.748
  • Because when it did come out and it did relatively well,
  • 00:23:13.748 --> 00:23:16.818
  • I mean, it's weird. i live in this world sometimes.
  • 00:23:16.818 --> 00:23:18.987
  • Half the critics hate it and half the critics like it.
  • 00:23:18.987 --> 00:23:21.556
  • And i just kind of live there and i go, what else can i do?
  • 00:23:21.556 --> 00:23:24.226
  • I have to live there.
  • 00:23:24.226 --> 00:23:25.293
  • But i was, i was going, we're reaching people.
  • 00:23:25.293 --> 00:23:28.930
  • We're reaching people of faith who love jesus.
  • 00:23:28.930 --> 00:23:31.967
  • In a film
  • 00:23:31.967 --> 00:23:33.335
  • Where they go to the movies and they can connect to surfing.
  • 00:23:33.335 --> 00:23:36.104
  • Yeah, yeah.
  • 00:23:36.104 --> 00:23:37.172
  • So i was like, and it was relatively successful.
  • 00:23:37.172 --> 00:23:40.275
  • So i went, this is something i like.
  • 00:23:40.275 --> 00:23:42.410
  • I would like to do more of these.
  • 00:23:42.410 --> 00:23:44.145
  • And that has been my journey.
  • 00:23:44.145 --> 00:23:47.082
  • You know, and
  • 00:23:47.449 --> 00:23:48.183
  • Along the way i did, spare parts,
  • 00:23:48.183 --> 00:23:51.386
  • The miracle season and, you know, it got more intense
  • 00:23:51.386 --> 00:23:54.623
  • With miracle season with the volleyball film.
  • 00:23:54.623 --> 00:23:56.725
  • Yeah.
  • 00:23:56.725 --> 00:23:57.659
  • And, the little girl dies in that film.
  • 00:23:57.659 --> 00:24:00.095
  • So now imagine meeting with the real father.
  • 00:24:00.095 --> 00:24:02.430
  • And i remember, like, crying in his hometown,
  • 00:24:02.430 --> 00:24:04.900
  • Just the two men, like, you know, sitting out there.
  • 00:24:04.900 --> 00:24:06.868
  • But when i started to go, this is real loss.
  • 00:24:06.868 --> 00:24:09.404
  • And i went, this film becomes even more important
  • 00:24:09.404 --> 00:24:11.706
  • For people to see when there's loss, that
  • 00:24:11.706 --> 00:24:13.608
  • You could go to the movies and, like, escape for a little bit.
  • 00:24:13.608 --> 00:24:16.511
  • Yeah.
  • 00:24:16.511 --> 00:24:17.445
  • But with an inspirational feeling to go.
  • 00:24:17.445 --> 00:24:18.613
  • There is more going to happen afterwards.
  • 00:24:18.613 --> 00:24:21.349
  • So it's, i remember a moment on that film where,
  • 00:24:21.349 --> 00:24:24.819
  • The father came to the set.
  • 00:24:25.420 --> 00:24:27.188
  • We were shooting it up in vancouver,
  • 00:24:27.188 --> 00:24:28.990
  • And there's our actress in the number nine uniform,
  • 00:24:28.990 --> 00:24:32.227
  • And he just stood there and they hugged for ten minutes.
  • 00:24:32.227 --> 00:24:34.663
  • Wow. and we all just got silent and just let him,
  • 00:24:34.663 --> 00:24:36.898
  • I mean, it was just
  • 00:24:36.898 --> 00:24:38.533
  • It was so raw, and it was so real and it was,
  • 00:24:38.533 --> 00:24:41.403
  • You know, and again, we made a film
  • 00:24:41.403 --> 00:24:43.138
  • That hopefully was inspirational by the end of it to show,
  • 00:24:43.138 --> 00:24:46.808
  • You know, he has a plan.
  • 00:24:46.808 --> 00:24:48.043
  • We don't always know or agree
  • 00:24:48.043 --> 00:24:49.511
  • With it when it happens, but afterwards,
  • 00:24:49.511 --> 00:24:52.347
  • You know, you watch this story, there's a cathartic feeling.
  • 00:24:52.347 --> 00:24:54.983
  • And i just when that film came out again,
  • 00:24:54.983 --> 00:24:57.285
  • It just kept me on this journey
  • 00:24:57.285 --> 00:24:58.620
  • Of wanting to make faith based, faith adjacent movies,
  • 00:24:58.620 --> 00:25:02.457
  • Which then, you know, brought it brought me to reagan again,
  • 00:25:02.457 --> 00:25:05.760
  • Which is so interesting that your first job
  • 00:25:05.760 --> 00:25:08.029
  • In the industry is plugging up microphones at reagan
  • 00:25:08.029 --> 00:25:12.033
  • Inauguration. yes.
  • 00:25:12.033 --> 00:25:13.868
  • So you're plugging up microphones
  • 00:25:13.868 --> 00:25:16.137
  • 40 years later, 40 years later, you're directing.
  • 00:25:16.137 --> 00:25:19.541
  • Yeah. movie.
  • 00:25:19.541 --> 00:25:21.576
  • A lot of our
  • 00:25:21.876 --> 00:25:23.044
  • Audience saw reagan, and what a what an amazing film.
  • 00:25:23.044 --> 00:25:27.182
  • I, you know, i had a little bit of an inside track,
  • 00:25:27.182 --> 00:25:31.786
  • With one of your producers, and
  • 00:25:32.454 --> 00:25:34.990
  • And so i was following along, and you had tons of trouble,
  • 00:25:34.990 --> 00:25:41.262
  • Covid related things all the way through.
  • 00:25:42.063 --> 00:25:45.533
  • You get this thing done.
  • 00:25:45.533 --> 00:25:46.701
  • It had to feel like you were in a, you know, prize fight
  • 00:25:46.701 --> 00:25:50.071
  • That finally got that film ready to go.
  • 00:25:50.071 --> 00:25:53.742
  • And interestingly, it premiered
  • 00:25:53.742 --> 00:25:56.611
  • And there was one of the screenings with 300 people
  • 00:25:56.611 --> 00:25:59.748
  • In this building in the studio next door,
  • 00:25:59.748 --> 00:26:03.351
  • The big the bigger studio,
  • 00:26:03.351 --> 00:26:04.919
  • That it's a pretty good sized studio,
  • 00:26:04.919 --> 00:26:06.388
  • But there's a bigger one behind us here.
  • 00:26:06.388 --> 00:26:08.790
  • And we actually premiered that.
  • 00:26:08.790 --> 00:26:11.192
  • I came in one time and nine in the morning.
  • 00:26:11.192 --> 00:26:13.928
  • There was, you know, 350 people in the next studio
  • 00:26:13.928 --> 00:26:17.032
  • Over here watching reagan on the our big volume studio there.
  • 00:26:17.032 --> 00:26:21.102
  • And what a blessing to be able to work with dennis quaid.
  • 00:26:21.102 --> 00:26:23.271
  • I'd actually worked with him on soul surfer,
  • 00:26:23.271 --> 00:26:25.707
  • And he agreed to play reagan. not quickly.
  • 00:26:25.707 --> 00:26:27.776
  • It was a slow,
  • 00:26:27.776 --> 00:26:28.777
  • We took a year or so to get him to that place
  • 00:26:28.777 --> 00:26:31.613
  • Because he was just nervous.
  • 00:26:31.613 --> 00:26:32.514
  • He was he did not want to blow it.
  • 00:26:32.514 --> 00:26:34.082
  • He loved reagan.
  • 00:26:34.082 --> 00:26:34.849
  • He wanted to do it the best.
  • 00:26:34.849 --> 00:26:37.118
  • But to have him there on the set every day.
  • 00:26:37.118 --> 00:26:40.155
  • And my gosh, he's such a talented actor.
  • 00:26:40.155 --> 00:26:43.091
  • When you get to work with great actors,
  • 00:26:43.091 --> 00:26:45.193
  • I mean, you say like, what is a director do?
  • 00:26:45.193 --> 00:26:46.695
  • And i go, i just kind of sit them on the set and,
  • 00:26:46.695 --> 00:26:49.431
  • You know, press the camera to say, go, let's do it.
  • 00:26:49.431 --> 00:26:52.467
  • And they bring their gold every single day to the set.
  • 00:26:52.467 --> 00:26:55.070
  • And he's just he is so talented. and,
  • 00:26:55.070 --> 00:26:58.006
  • There was i remember on the first day we,
  • 00:26:58.907 --> 00:27:01.276
  • We had built the oval office in a huge theater
  • 00:27:01.276 --> 00:27:04.746
  • And so i'm sitting behind the monitor and going, and i'm we've
  • 00:27:04.746 --> 00:27:08.116
  • Kind of talked about the accent.
  • 00:27:08.116 --> 00:27:09.350
  • We didn't want to go to saturday night live
  • 00:27:09.350 --> 00:27:11.386
  • And but we didn't want to go caricature something.
  • 00:27:11.386 --> 00:27:13.855
  • And he starts coming out with clinton's accent
  • 00:27:13.855 --> 00:27:16.091
  • Because he had done a movie as clint.
  • 00:27:16.091 --> 00:27:19.060
  • I'm like, wrong movie.
  • 00:27:19.060 --> 00:27:20.395
  • Yes, he was doing it as a joke.
  • 00:27:20.395 --> 00:27:22.630
  • I wish i could find the details that.
  • 00:27:22.630 --> 00:27:24.666
  • But he was just it was just great.
  • 00:27:24.666 --> 00:27:27.135
  • And he, he just became the part.
  • 00:27:27.135 --> 00:27:29.671
  • In fact, on the speeches, you know, we wrote in the script
  • 00:27:29.671 --> 00:27:32.340
  • Just little bits and pieces of reagan's speeches.
  • 00:27:32.340 --> 00:27:35.110
  • He'd say, give me the whole speech,
  • 00:27:35.110 --> 00:27:37.345
  • Give me the whole youtube thing.
  • 00:27:37.345 --> 00:27:38.847
  • And he would study the whole thing,
  • 00:27:38.847 --> 00:27:39.948
  • And he would actually say the whole speech.
  • 00:27:39.948 --> 00:27:42.350
  • You know, sometimes we'd have it on teleprompter,
  • 00:27:42.350 --> 00:27:44.119
  • Sometimes we wouldn't. but he was that into it.
  • 00:27:44.119 --> 00:27:46.755
  • And i think it just made he became that person.
  • 00:27:46.755 --> 00:27:50.625
  • He became ronald reagan, he became dutch reagan.
  • 00:27:50.625 --> 00:27:52.827
  • He was that guy.
  • 00:27:52.827 --> 00:27:54.028
  • And i just
  • 00:27:54.028 --> 00:27:55.196
  • What an actor that goes that far to just get it right.
  • 00:27:55.196 --> 00:27:58.333
  • And i want to say something about the direction on
  • 00:27:58.333 --> 00:28:02.804
  • The reagan movie, because, look, there's a historical record.
  • 00:28:02.804 --> 00:28:06.975
  • I love the choice that you made to kind of tell the story
  • 00:28:06.975 --> 00:28:10.345
  • Through a russian spy, jon voight.
  • 00:28:10.345 --> 00:28:12.380
  • And, you know, that's a that's that's a choice
  • 00:28:12.380 --> 00:28:15.617
  • That a director and the producers get to make.
  • 00:28:15.617 --> 00:28:18.853
  • But let me tell you what what matters is,
  • 00:28:18.853 --> 00:28:22.957
  • What matters to me is what you feel like
  • 00:28:22.957 --> 00:28:26.828
  • Or what emotion you take away from a film.
  • 00:28:26.828 --> 00:28:30.999
  • And, sean, you got that right. yeah.
  • 00:28:30.999 --> 00:28:33.001
  • That was the most emotional ending.
  • 00:28:33.001 --> 00:28:35.804
  • Yeah.
  • 00:28:35.804 --> 00:28:36.738
  • Because remember, you're telling a story
  • 00:28:36.738 --> 00:28:39.507
  • That had a lot of
  • 00:28:39.941 --> 00:28:42.644
  • I mean, he's a big historical figure, one of the one of the
  • 00:28:42.644 --> 00:28:46.281
  • Dealing with one of the biggest things
  • 00:28:47.115 --> 00:28:48.616
  • In the history of our lifetime, which is the cold war.
  • 00:28:48.616 --> 00:28:52.787
  • Right.
  • 00:28:52.787 --> 00:28:53.788
  • And and so there, there there could be some
  • 00:28:53.788 --> 00:28:57.826
  • That says that that was
  • 00:28:57.826 --> 00:28:59.260
  • Almost a narrative piece, but then all of a sudden,
  • 00:28:59.260 --> 00:29:03.198
  • What you did is you started dialing up the drama
  • 00:29:03.198 --> 00:29:07.135
  • And you dialed it up and you ended on that scene
  • 00:29:07.135 --> 00:29:10.572
  • Where he's, you know, writing, you know, and oh my god.
  • 00:29:10.572 --> 00:29:14.509
  • And, you know, it was power flee.
  • 00:29:14.509 --> 00:29:17.946
  • Done.
  • 00:29:18.179 --> 00:29:19.080
  • And that's what a director does. yeah.
  • 00:29:19.080 --> 00:29:21.115
  • You know, a director makes you feel a certain way,
  • 00:29:21.115 --> 00:29:25.186
  • Either in the opening inciting incident
  • 00:29:25.186 --> 00:29:28.823
  • Shock or whiplash of an inciting incident,
  • 00:29:28.823 --> 00:29:32.894
  • Or you leave us with this very emotional thing and,
  • 00:29:32.894 --> 00:29:38.099
  • You know, good on you on that.
  • 00:29:38.099 --> 00:29:39.734
  • That was a very well done,
  • 00:29:39.734 --> 00:29:42.737
  • Kind of climax or emotional climax to the film.
  • 00:29:42.737 --> 00:29:46.074
  • And by the way,
  • 00:29:46.074 --> 00:29:48.443
  • You know, i say this
  • 00:29:48.877 --> 00:29:50.478
  • As a compliment,
  • 00:29:50.478 --> 00:29:51.813
  • And you were able to let that saturate long enough
  • 00:29:51.813 --> 00:29:56.484
  • To really go deep inside of people.
  • 00:29:56.484 --> 00:29:59.387
  • I've, i watched the movie one time,
  • 00:29:59.387 --> 00:30:02.690
  • And i went to the producer.
  • 00:30:02.690 --> 00:30:05.059
  • I was in a screening and i was in a small, small room.
  • 00:30:05.059 --> 00:30:09.864
  • And i was one to 1 or 2 of us were there watching this film
  • 00:30:09.864 --> 00:30:13.768
  • For the purpose of tbn promoting it.
  • 00:30:13.768 --> 00:30:16.971
  • And i walked up to the producer and i said,
  • 00:30:16.971 --> 00:30:20.508
  • This movie wins an award.
  • 00:30:20.508 --> 00:30:23.978
  • And i mean, you're number one,
  • 00:30:24.612 --> 00:30:27.282
  • But you're not going to like what you're number one in.
  • 00:30:27.282 --> 00:30:30.451
  • And he said, tell me, tell me.
  • 00:30:30.451 --> 00:30:32.387
  • And i said, you, you were at your ending scene.
  • 00:30:32.387 --> 00:30:37.058
  • The emotion was climbing up inside of me.
  • 00:30:37.058 --> 00:30:40.395
  • It was right here.
  • 00:30:40.395 --> 00:30:42.230
  • The next thing that would have
  • 00:30:42.230 --> 00:30:43.598
  • Happened is, is tears would have been flowing
  • 00:30:43.598 --> 00:30:47.602
  • And you cut off when the emotion got right here.
  • 00:30:47.602 --> 00:30:51.439
  • You win the award of
  • 00:30:51.439 --> 00:30:52.941
  • Getting me closest to a complete emotional meltdown
  • 00:30:52.941 --> 00:30:57.045
  • And letting me off the hook about ten seconds too early.
  • 00:30:57.045 --> 00:31:00.481
  • You know what he said to me?
  • 00:31:01.049 --> 00:31:02.450
  • He said i fought everybody.
  • 00:31:03.051 --> 00:31:05.954
  • It was 15 seconds longer before this cut.
  • 00:31:05.954 --> 00:31:10.591
  • And i said, listen to me.
  • 00:31:10.591 --> 00:31:12.393
  • Put that 15 seconds back
  • 00:31:12.393 --> 00:31:14.195
  • And you're going to
  • 00:31:14.195 --> 00:31:15.229
  • Melt people down in their seats in a good way.
  • 00:31:15.229 --> 00:31:18.032
  • And whether they did or didn't i?
  • 00:31:18.032 --> 00:31:20.101
  • I lost track of it at that point.
  • 00:31:20.101 --> 00:31:21.736
  • But that's what a director does.
  • 00:31:21.736 --> 00:31:24.105
  • You have to feel that stuff.
  • 00:31:24.105 --> 00:31:26.774
  • You have to be willing to engage in it.
  • 00:31:26.774 --> 00:31:29.310
  • You have to be the one to tell the story,
  • 00:31:29.310 --> 00:31:32.146
  • And you've done that for an amazing career.
  • 00:31:32.146 --> 00:31:50.131
  • You. make it then.
  • 00:31:50.565 --> 00:31:56.237
  • And however long forever is.
  • 00:31:56.237 --> 00:32:01.109
  • Share with me.
  • 00:32:01.476 --> 00:32:17.558
  • I think you're crazy for me,
  • 00:32:18.126 --> 00:32:20.628
  • If that ever changes,
  • 00:32:20.628 --> 00:32:24.098
  • I'm afraid it's going to be
  • 00:32:24.699 --> 00:32:25.900
  • A very short engagement.
  • 00:32:25.900 --> 00:32:29.737
  • In fact,
  • 00:32:29.971 --> 00:32:31.572
  • I've already sent out invitations.
  • 00:32:31.572 --> 00:32:56.464
  • So you.
  • 00:32:56.731 --> 00:33:03.104
  • A woman, but i have.
  • 00:33:03.538 --> 00:33:04.839
  • I would have a harder time sneaking in.
  • 00:33:04.839 --> 00:33:06.674
  • You know he's not this pretty. is.
  • 00:33:06.674 --> 00:33:10.812
  • Some may argue, some,
  • 00:33:11.312 --> 00:33:14.015
  • Rain.
  • 00:33:14.015 --> 00:33:15.383
  • Having kisame castle.
  • 00:33:15.383 --> 00:33:18.619
  • It's you.
  • 00:33:18.920 --> 00:33:20.154
  • Meghan?
  • 00:33:20.154 --> 00:33:20.888
  • It, me getting my true
  • 00:33:20.888 --> 00:33:25.093
  • Heart that nine miss america.
  • 00:33:25.093 --> 00:33:30.231
  • Yeah.
  • 00:33:30.465 --> 00:33:30.832
  • I love.
  • 00:33:30.832 --> 00:33:33.868
  • We're going to switch to bow.
  • 00:33:34.502 --> 00:33:36.604
  • I was in israel not long ago.
  • 00:33:36.604 --> 00:33:40.074
  • It was an interesting thing.
  • 00:33:40.641 --> 00:33:42.110
  • I landed in israel with laurie, one of my sons on,
  • 00:33:42.110 --> 00:33:47.215
  • And my phone rang.
  • 00:33:47.648 --> 00:33:50.384
  • This is,
  • 00:33:50.384 --> 00:33:52.954
  • What, three months ago?
  • 00:33:52.954 --> 00:33:53.888
  • Four months ago,
  • 00:33:53.888 --> 00:33:55.623
  • Something like that.
  • 00:33:55.623 --> 00:33:57.391
  • We land in israel. yeah.
  • 00:33:57.391 --> 00:33:59.393
  • And my phone rang sitting on board the airplane.
  • 00:33:59.393 --> 00:34:02.830
  • My phone rang.
  • 00:34:03.197 --> 00:34:04.065
  • I just turned it on.
  • 00:34:04.065 --> 00:34:05.566
  • We're now taxiing in israel, and when it came on,
  • 00:34:05.566 --> 00:34:10.438
  • It went.
  • 00:34:10.671 --> 00:34:13.207
  • And the ambassador from the united states, mike huckabee,
  • 00:34:13.207 --> 00:34:17.778
  • Said, matt, where are you?
  • 00:34:18.346 --> 00:34:21.315
  • Have you gotten on board your plane yet?
  • 00:34:21.315 --> 00:34:23.684
  • Are you here? if you're here, call me.
  • 00:34:23.684 --> 00:34:26.587
  • If you're here and i'm getting all these. right.
  • 00:34:26.587 --> 00:34:29.023
  • Where are you right now?
  • 00:34:29.023 --> 00:34:30.892
  • If you're here, leave. leave now.
  • 00:34:30.892 --> 00:34:34.095
  • Oh my gosh.
  • 00:34:34.095 --> 00:34:35.496
  • So four months ago, there was a time in israel's
  • 00:34:35.496 --> 00:34:39.734
  • History when iran and israel were trading blows.
  • 00:34:39.734 --> 00:34:43.938
  • And there was the were on the brink of,
  • 00:34:43.938 --> 00:34:46.440
  • They were at least in a limited war.
  • 00:34:46.440 --> 00:34:48.643
  • We landed when mike huckabee, said,
  • 00:34:48.643 --> 00:34:52.914
  • I'm going to my private shelter as ambassador.
  • 00:34:52.914 --> 00:34:57.118
  • You need to leave or you're going to be stuck here.
  • 00:34:57.118 --> 00:34:59.687
  • Sure enough, we turned around, got out.
  • 00:34:59.687 --> 00:35:02.990
  • About six hours later, we were out.
  • 00:35:02.990 --> 00:35:06.360
  • I was headed to the battle museum.
  • 00:35:06.360 --> 00:35:09.664
  • That's where i was going.
  • 00:35:09.664 --> 00:35:11.499
  • We were going to be doing television with mike.
  • 00:35:11.499 --> 00:35:13.534
  • We're going to be doing some other interviews there.
  • 00:35:13.534 --> 00:35:15.770
  • And i got turned around.
  • 00:35:15.770 --> 00:35:18.239
  • But what i had
  • 00:35:18.606 --> 00:35:19.941
  • Been introduced to is your film, bo artist at war.
  • 00:35:19.941 --> 00:35:23.744
  • Bo is a is a very famous person in israel
  • 00:35:23.744 --> 00:35:27.782
  • That lived through the holocaust because of his ability
  • 00:35:27.782 --> 00:35:31.719
  • To find hope in a tragic situation.
  • 00:35:31.719 --> 00:35:34.822
  • Okay.
  • 00:35:34.822 --> 00:35:36.257
  • Our audience,
  • 00:35:36.257 --> 00:35:38.793
  • May be hearing about this.
  • 00:35:38.793 --> 00:35:40.795
  • And by the way, it it's in certain theaters today.
  • 00:35:40.795 --> 00:35:45.499
  • Thursday the 25th of september.
  • 00:35:45.499 --> 00:35:47.835
  • Tomorrow it opens wider friday.
  • 00:35:47.835 --> 00:35:50.504
  • So information on how you can see it and
  • 00:35:50.504 --> 00:35:54.842
  • Sean, how did you get introduced to this story?
  • 00:35:55.776 --> 00:35:59.413
  • Walk us through this, because this is,
  • 00:35:59.413 --> 00:36:02.383
  • This is an important film.
  • 00:36:02.383 --> 00:36:04.518
  • There are a lot of people that are going through something
  • 00:36:04.518 --> 00:36:09.523
  • Horrible in their life, and this film is
  • 00:36:09.523 --> 00:36:14.629
  • One of the most amazing ways to find some way to live
  • 00:36:14.629 --> 00:36:20.368
  • And some way to survive inside of,
  • 00:36:20.368 --> 00:36:23.437
  • You know, maybe our
  • 00:36:23.904 --> 00:36:25.072
  • Generations or even our previous generations.
  • 00:36:25.072 --> 00:36:28.209
  • Most horrible event,
  • 00:36:28.643 --> 00:36:29.944
  • You know, in the in the last 500 years or longer.
  • 00:36:29.944 --> 00:36:32.980
  • And so how did you get involved in this?
  • 00:36:32.980 --> 00:36:36.851
  • And this is this is pretty tough stuff.
  • 00:36:36.851 --> 00:36:39.720
  • This had to start working inside of you in a way that,
  • 00:36:39.720 --> 00:36:43.891
  • Undoubtedly changed you.
  • 00:36:44.392 --> 00:36:46.827
  • Maybe forever was very interesting.
  • 00:36:46.827 --> 00:36:50.331
  • You know, growing up a christian,
  • 00:36:50.331 --> 00:36:51.966
  • I every
  • 00:36:51.966 --> 00:36:53.134
  • Summer would go to san diego and, visit my grandparents.
  • 00:36:53.134 --> 00:36:56.971
  • We just did that because my parents were teachers
  • 00:36:56.971 --> 00:36:58.673
  • And a principal,
  • 00:36:58.673 --> 00:36:59.874
  • And, there was a jewish family
  • 00:36:59.874 --> 00:37:01.642
  • That lived right next door to us.
  • 00:37:01.642 --> 00:37:03.077
  • And there was, like, a kid equal to all of our ages.
  • 00:37:03.077 --> 00:37:05.579
  • And greg rodon was my age, and we paddled around and my sisters
  • 00:37:05.579 --> 00:37:09.350
  • And i remember we had the best time just
  • 00:37:09.350 --> 00:37:11.285
  • I would go to bar mitzvahs, about mitzvahs, the weddings
  • 00:37:11.285 --> 00:37:14.188
  • And all of that stuff.
  • 00:37:14.188 --> 00:37:15.222
  • But i remember one day when i was like,
  • 00:37:15.222 --> 00:37:17.024
  • I don't know, 9 or 10 years old.
  • 00:37:17.024 --> 00:37:18.592
  • Bubba was there.
  • 00:37:18.592 --> 00:37:19.660
  • Their grandma and i saw these numbers on her arm
  • 00:37:19.660 --> 00:37:23.397
  • And i was like, oh, what are those numbers?
  • 00:37:23.397 --> 00:37:24.565
  • And my mom is like, she she said, dance like.
  • 00:37:24.565 --> 00:37:26.334
  • She was like,
  • 00:37:26.334 --> 00:37:27.401
  • You know, a kid, like, i don't know, like tattoos
  • 00:37:27.401 --> 00:37:29.270
  • Back in the, you know, 70s was not that big a thing there.
  • 00:37:29.270 --> 00:37:32.673
  • So something stuck in my head.
  • 00:37:32.673 --> 00:37:34.608
  • So when mark and michelle,
  • 00:37:34.608 --> 00:37:36.944
  • Griffith brought me this script written by,
  • 00:37:36.944 --> 00:37:39.413
  • Deborah schmidt, nick,
  • 00:37:39.413 --> 00:37:40.815
  • I read it, and i went, it's not that.
  • 00:37:41.649 --> 00:37:44.719
  • It's just an incredible love story.
  • 00:37:44.719 --> 00:37:46.520
  • And it is an incredible love story.
  • 00:37:46.520 --> 00:37:48.856
  • But he was a jokester.
  • 00:37:48.856 --> 00:37:49.957
  • He made light of everything.
  • 00:37:49.957 --> 00:37:51.425
  • He made people laugh in the worst situations.
  • 00:37:51.425 --> 00:37:53.661
  • He was like a modern day robin williams who would say,
  • 00:37:53.661 --> 00:37:55.996
  • Like, inappropriate things at the wrong time.
  • 00:37:55.996 --> 00:37:58.699
  • But when you can make somebody laugh,
  • 00:37:58.699 --> 00:38:00.234
  • That's just a little bit of joy.
  • 00:38:00.234 --> 00:38:02.036
  • And that was what struck me about this, script.
  • 00:38:02.036 --> 00:38:04.839
  • So, and then i read joseph bower's book.
  • 00:38:04.839 --> 00:38:07.775
  • He actually wrote the book.
  • 00:38:07.775 --> 00:38:09.377
  • And in the book was he's he's an artist.
  • 00:38:09.377 --> 00:38:12.380
  • He has thousands of artists
  • 00:38:12.380 --> 00:38:13.848
  • And charcoal drawings and watercolors and canvas, oils.
  • 00:38:13.848 --> 00:38:18.419
  • But in the book is
  • 00:38:18.419 --> 00:38:19.520
  • His charcoal drawings that he did during the war.
  • 00:38:19.520 --> 00:38:22.356
  • And i was like, they're moving me.
  • 00:38:22.356 --> 00:38:25.259
  • I don't know how they spoke to me.
  • 00:38:25.259 --> 00:38:26.394
  • They're right in a paperback book. i'm looking at these.
  • 00:38:26.394 --> 00:38:28.462
  • So with the script and these paintings, i was
  • 00:38:28.462 --> 00:38:30.531
  • I was going, i think we have something here
  • 00:38:30.531 --> 00:38:33.300
  • With a love story.
  • 00:38:33.300 --> 00:38:34.568
  • And he was a forger.
  • 00:38:34.568 --> 00:38:36.270
  • He was part of the resistance.
  • 00:38:36.270 --> 00:38:38.305
  • And, but outwardly he would joke around inappropriately.
  • 00:38:38.305 --> 00:38:42.076
  • He would say funny things.
  • 00:38:42.076 --> 00:38:42.977
  • So you're laughing all the time.
  • 00:38:42.977 --> 00:38:45.279
  • And what i found
  • 00:38:45.279 --> 00:38:46.547
  • When i, you know, interviewed survivors is when you could find
  • 00:38:46.547 --> 00:38:49.183
  • Some sort of joy, some sort of light
  • 00:38:49.183 --> 00:38:51.585
  • That was important.
  • 00:38:51.585 --> 00:38:52.686
  • So one of the first jobs
  • 00:38:52.686 --> 00:38:54.321
  • The commandant made him do was he had this talent.
  • 00:38:54.321 --> 00:38:56.724
  • He could do maps. it kept him alive.
  • 00:38:56.724 --> 00:38:58.726
  • So he would draw the maps and he'd say, that's great.
  • 00:38:58.726 --> 00:39:01.128
  • I need like five of those maps by the night.
  • 00:39:01.128 --> 00:39:03.230
  • And he goes, well, no, like, the sun's not out, i need you.
  • 00:39:03.230 --> 00:39:05.566
  • He pulls a gun on him and says, okay, i'll get him done.
  • 00:39:05.566 --> 00:39:08.436
  • So when he's outside and he's,
  • 00:39:08.436 --> 00:39:10.204
  • You know, done all the stuff they did, the sun's not there.
  • 00:39:10.204 --> 00:39:13.874
  • And rebecca comes up to him
  • 00:39:13.874 --> 00:39:16.110
  • And he goes, would you be my sunshine?
  • 00:39:16.110 --> 00:39:17.845
  • And he's like, because that was his way of flirting back then.
  • 00:39:17.845 --> 00:39:21.182
  • And you know, his mom's
  • 00:39:21.182 --> 00:39:22.416
  • Going like, only you could find love in a place like this,
  • 00:39:22.416 --> 00:39:23.951
  • Like all of this stuff, these one liners.
  • 00:39:23.951 --> 00:39:25.986
  • But it made me laugh and it made me find a way in,
  • 00:39:25.986 --> 00:39:29.723
  • Because most people, even when i was,
  • 00:39:29.723 --> 00:39:31.492
  • You know, raising the money to make this,
  • 00:39:31.492 --> 00:39:32.860
  • Who wants to see a movie about that time of history?
  • 00:39:32.860 --> 00:39:36.330
  • Who wants to see that?
  • 00:39:36.330 --> 00:39:37.598
  • And i went, when you see this movie, you'll feel differently
  • 00:39:37.598 --> 00:39:40.134
  • Because he brings hope, he brings joy.
  • 00:39:40.134 --> 00:39:43.137
  • And, so whilst he's there, he, used his forgery skills.
  • 00:39:43.137 --> 00:39:48.375
  • And, you know,
  • 00:39:48.375 --> 00:39:49.477
  • When a german, would die, he would get their name
  • 00:39:49.477 --> 00:39:52.313
  • And he would forge their passports,
  • 00:39:52.313 --> 00:39:53.848
  • They would smuggle the people out,
  • 00:39:53.848 --> 00:39:55.416
  • And they got them to freedom.
  • 00:39:55.416 --> 00:39:56.650
  • He saved over 1100 people.
  • 00:39:56.650 --> 00:39:59.320
  • But then he fell in love and everybody keep kept it a secret.
  • 00:39:59.320 --> 00:40:02.289
  • He and rebecca got married.
  • 00:40:02.289 --> 00:40:03.624
  • And if you've seen schindler's list by steven spielberg,
  • 00:40:03.624 --> 00:40:06.293
  • One of the best films ever made,
  • 00:40:06.293 --> 00:40:08.095
  • There's a little wedding in there.
  • 00:40:08.095 --> 00:40:09.363
  • So my story is just those two characters with the wedding,
  • 00:40:09.363 --> 00:40:13.133
  • I guess.
  • 00:40:13.367 --> 00:40:14.301
  • So that's that's what drew me to joseph bo.
  • 00:40:14.301 --> 00:40:16.971
  • And and he would just make me laugh.
  • 00:40:16.971 --> 00:40:18.672
  • And when you
  • 00:40:18.672 --> 00:40:19.974
  • When we were on the set, it was, you know,
  • 00:40:19.974 --> 00:40:22.109
  • You're the first time when you're like,
  • 00:40:22.109 --> 00:40:23.244
  • Joking about certain, you know, things.
  • 00:40:23.244 --> 00:40:25.846
  • And the people on the set started laughing too.
  • 00:40:25.846 --> 00:40:27.915
  • And i went, okay, it seems to be working
  • 00:40:27.915 --> 00:40:29.416
  • Because you don't know if you're going to get it right.
  • 00:40:29.416 --> 00:40:30.718
  • You can test makeup and hair, but is the tone of this movie
  • 00:40:30.718 --> 00:40:34.488
  • Going to work?
  • 00:40:34.488 --> 00:40:35.422
  • And that didn't i didn't really know it
  • 00:40:35.422 --> 00:40:36.557
  • Until we started putting it in front of audiences.
  • 00:40:36.557 --> 00:40:39.426
  • This nightmare.
  • 00:40:39.827 --> 00:40:42.863
  • I don't know how to stop it,
  • 00:40:42.863 --> 00:40:44.865
  • But you do.
  • 00:40:44.865 --> 00:40:47.401
  • You do. you.
  • 00:40:47.401 --> 00:40:50.437
  • You are the magician.
  • 00:40:50.938 --> 00:40:53.908
  • Three make that one.
  • 00:40:53.908 --> 00:40:55.509
  • We all look to who
  • 00:40:55.509 --> 00:40:58.746
  • Whenever it's gone called.
  • 00:40:58.746 --> 00:41:00.915
  • You have brought it back to life.
  • 00:41:00.915 --> 00:41:05.119
  • I know because.
  • 00:41:05.519 --> 00:41:08.589
  • You did it for me.
  • 00:41:09.023 --> 00:41:13.527
  • Don't let them take that from me.
  • 00:41:14.295 --> 00:41:18.232
  • What? it's
  • 00:41:18.532 --> 00:41:20.434
  • Already gone. was.
  • 00:41:20.434 --> 00:41:22.169
  • It was never real to begin with.
  • 00:41:22.169 --> 00:41:24.104
  • And i was just fooling myself.
  • 00:41:24.104 --> 00:41:27.508
  • And you fooled me too.
  • 00:41:27.508 --> 00:41:32.112
  • So keep pretending.
  • 00:41:32.580 --> 00:41:36.150
  • In here.
  • 00:41:36.383 --> 00:41:39.286
  • We got three.
  • 00:41:39.286 --> 00:41:43.257
  • You taught me that.
  • 00:41:43.724 --> 00:41:51.665
  • Do you hear that?
  • 00:41:52.099 --> 00:42:00.207
  • Those violins.
  • 00:42:00.574 --> 00:42:28.602
  • Shall we dance?
  • 00:42:29.003 --> 00:42:52.760
  • I want to say something about what you just said.
  • 00:42:53.794 --> 00:42:56.930
  • Tone.
  • 00:42:57.164 --> 00:42:58.499
  • Okay.
  • 00:42:58.499 --> 00:42:59.133
  • Tone is going to determine
  • 00:42:59.133 --> 00:43:03.070
  • The emotional impact of what a film is.
  • 00:43:03.070 --> 00:43:05.973
  • That's what a director does.
  • 00:43:05.973 --> 00:43:07.341
  • A lot of times, our audience and audiences
  • 00:43:07.341 --> 00:43:10.744
  • Don't know if they didn't like a movie. why?
  • 00:43:10.744 --> 00:43:14.415
  • They didn't like it. yeah. okay.
  • 00:43:14.415 --> 00:43:16.517
  • So a producer
  • 00:43:16.517 --> 00:43:18.819
  • Carves the budget and gives all the departments their budgets.
  • 00:43:18.819 --> 00:43:22.790
  • So if you do that right
  • 00:43:22.790 --> 00:43:24.191
  • And you even that out right, it's a well produced film.
  • 00:43:24.191 --> 00:43:27.327
  • If you have really great actors in a bad script.
  • 00:43:27.327 --> 00:43:31.632
  • Yeah. let's call it usually.
  • 00:43:31.632 --> 00:43:33.901
  • Okay.
  • 00:43:33.901 --> 00:43:34.835
  • So that was a really great actors right?
  • 00:43:34.835 --> 00:43:38.372
  • Yeah.
  • 00:43:38.605 --> 00:43:39.807
  • You know i know, but that was just a terribly done movie,
  • 00:43:39.807 --> 00:43:43.610
  • Terribly produced because it was they spent
  • 00:43:43.610 --> 00:43:46.113
  • All the money on two actors
  • 00:43:46.113 --> 00:43:48.415
  • And no
  • 00:43:48.649 --> 00:43:49.616
  • Money on a real script or real anything else.
  • 00:43:49.616 --> 00:43:52.720
  • And so a well produced film means that you have good actors
  • 00:43:52.720 --> 00:43:56.557
  • And good costumes and a good script on good sets,
  • 00:43:56.557 --> 00:43:59.593
  • A good music, and you've edited it good.
  • 00:43:59.593 --> 00:44:02.196
  • Okay.
  • 00:44:02.196 --> 00:44:02.763
  • That's a well-produced
  • 00:44:02.763 --> 00:44:04.131
  • If you never connect to the movie and you never feel
  • 00:44:04.131 --> 00:44:08.302
  • Anything, that's the director's problem, right?
  • 00:44:08.302 --> 00:44:12.106
  • But i think that comes chemistry.
  • 00:44:12.106 --> 00:44:14.742
  • And, you know, you do take a risk
  • 00:44:14.742 --> 00:44:16.744
  • When you put two actors together that haven't met each other.
  • 00:44:16.744 --> 00:44:19.213
  • Me about i don't know that. so there you go.
  • 00:44:19.213 --> 00:44:22.049
  • So but tell me, give this series everything.
  • 00:44:22.049 --> 00:44:24.284
  • And, inbar marvy, who's an israeli actress.
  • 00:44:24.284 --> 00:44:27.454
  • I'd never heard of her before.
  • 00:44:27.454 --> 00:44:28.622
  • And then emile hirsch, this is where miracles happen.
  • 00:44:28.622 --> 00:44:31.759
  • I'm telling you, i believe in miracles.
  • 00:44:31.759 --> 00:44:33.360
  • And i want to go in, because that's kind of my theme of life.
  • 00:44:33.360 --> 00:44:36.196
  • Somehow they came together and it was just
  • 00:44:36.196 --> 00:44:39.600
  • Explosive on the set.
  • 00:44:39.600 --> 00:44:40.667
  • They they had a chemistry
  • 00:44:40.667 --> 00:44:42.736
  • Together that you could really see
  • 00:44:42.736 --> 00:44:44.271
  • Right from the second because,
  • 00:44:44.271 --> 00:44:45.472
  • You know, in the love story,
  • 00:44:45.472 --> 00:44:46.473
  • They look at each other and you have to go,
  • 00:44:46.473 --> 00:44:47.908
  • Oh yeah, that would make a nice couple and all of that stuff.
  • 00:44:47.908 --> 00:44:50.711
  • So, one of the most important films,
  • 00:44:50.711 --> 00:44:55.082
  • Most important things in
  • 00:44:55.082 --> 00:44:55.983
  • All of my films is the idea of miracles.
  • 00:44:55.983 --> 00:44:58.418
  • You know, earlier
  • 00:44:58.418 --> 00:44:59.620
  • We were talking about reagan, and i grew up in the 80s,
  • 00:44:59.620 --> 00:45:02.489
  • You know, going all through that and,
  • 00:45:02.489 --> 00:45:04.825
  • He, he would
  • 00:45:05.125 --> 00:45:06.226
  • Say to his speaker, you know, we're going to fight
  • 00:45:06.226 --> 00:45:09.196
  • Like heck all day, but at 6:00 we're going to have a beer.
  • 00:45:09.196 --> 00:45:12.766
  • And i put that in the movie, just like you were saying,
  • 00:45:12.766 --> 00:45:15.369
  • You find something for yourself because in today's world,
  • 00:45:15.369 --> 00:45:18.772
  • People are fighting all the time.
  • 00:45:18.772 --> 00:45:20.207
  • They don't know when to give up.
  • 00:45:20.207 --> 00:45:21.241
  • But back then, we could agree to disagree.
  • 00:45:21.241 --> 00:45:23.844
  • Yeah. and my gosh, we need that now.
  • 00:45:23.844 --> 00:45:25.946
  • And i think that was a miracle we had back then
  • 00:45:25.946 --> 00:45:28.615
  • Going on with that in both artist at war,
  • 00:45:28.615 --> 00:45:32.319
  • It is a miracle that they survived.
  • 00:45:32.319 --> 00:45:35.055
  • And because they survived,
  • 00:45:35.055 --> 00:45:36.456
  • They have kids and have now
  • 00:45:36.456 --> 00:45:38.091
  • Brought on thousands of more people.
  • 00:45:38.091 --> 00:45:39.726
  • So he saved thousands of people
  • 00:45:39.726 --> 00:45:41.361
  • That went on and had families like that.
  • 00:45:41.361 --> 00:45:43.630
  • That's a miracle that you cannot point to anything else.
  • 00:45:43.630 --> 00:45:46.366
  • And and so when you
  • 00:45:46.366 --> 00:45:48.135
  • Live your life going, let's try to find the miracles.
  • 00:45:48.135 --> 00:45:51.905
  • They start showing up. yeah.
  • 00:45:51.905 --> 00:45:53.373
  • And i think somewhere along the line
  • 00:45:53.373 --> 00:45:54.708
  • You said, you know, i talk to dead people.
  • 00:45:54.708 --> 00:45:57.110
  • I know this is going to sound weird,
  • 00:45:57.110 --> 00:45:58.111
  • But you had said they're up in heaven
  • 00:45:58.111 --> 00:45:59.413
  • And they're in the balconies watching over us.
  • 00:45:59.413 --> 00:46:01.582
  • I took mom like, what about this?
  • 00:46:01.582 --> 00:46:03.317
  • Is this a good thing? should i be doing this?
  • 00:46:03.317 --> 00:46:05.018
  • And they said, she said, go on them go on the show.
  • 00:46:05.018 --> 00:46:07.821
  • The praise that let's do that.
  • 00:46:07.821 --> 00:46:09.556
  • I thought i literally have.
  • 00:46:09.556 --> 00:46:10.724
  • I see her favorite flower was a, a bird of paradise.
  • 00:46:10.724 --> 00:46:14.595
  • And i always look at them and they point somewhere
  • 00:46:14.595 --> 00:46:16.096
  • And i always look to where they're pointing.
  • 00:46:16.096 --> 00:46:18.198
  • But i truly believe that they're around us.
  • 00:46:18.198 --> 00:46:20.167
  • They're here. they're hanging out here.
  • 00:46:20.167 --> 00:46:21.635
  • So when you have that idea
  • 00:46:21.635 --> 00:46:22.836
  • That miracles are happening all around you
  • 00:46:22.836 --> 00:46:25.339
  • And that there is more to life
  • 00:46:25.339 --> 00:46:26.907
  • Than this, that's what i want to get across with my movies,
  • 00:46:26.907 --> 00:46:29.643
  • That there are miracles and you have to seek them out.
  • 00:46:29.643 --> 00:46:32.746
  • And when you seek out miracles,
  • 00:46:32.746 --> 00:46:34.314
  • That's what you're going to find in my films.
  • 00:46:34.314 --> 00:46:35.716
  • And that's why i want to do films about miracles.
  • 00:46:35.716 --> 00:47:09.383
  • I do not speak german.
  • 00:47:09.883 --> 00:47:11.184
  • You can kiss my ass as you like. i'm.
  • 00:47:11.184 --> 00:47:16.056
  • You did.
  • 00:47:16.290 --> 00:47:17.090
  • Is this my vision of yours?
  • 00:47:17.090 --> 00:47:24.331
  • Named joseph ball.
  • 00:47:24.765 --> 00:47:28.035
  • Why are you your new mapmaker commandant?
  • 00:47:28.936 --> 00:47:31.271
  • Then you can be of service.
  • 00:47:31.271 --> 00:47:32.372
  • Unfortunate for you.
  • 00:47:32.372 --> 00:47:34.775
  • Is it possible to change my seed?
  • 00:47:34.775 --> 00:47:38.779
  • How does this work?
  • 00:47:39.246 --> 00:47:40.213
  • I'm waiting for the sunshine.
  • 00:47:40.213 --> 00:47:41.481
  • Looks like you might have a problem.
  • 00:47:41.481 --> 00:47:42.950
  • Maybe you can be my sunshine.
  • 00:47:42.950 --> 00:47:45.752
  • I met the most wonderful woman that's been my sunshine.
  • 00:47:45.752 --> 00:47:49.756
  • Only you yourself
  • 00:47:49.756 --> 00:47:50.891
  • Could find something like that in a place like this.
  • 00:47:50.891 --> 00:48:00.968
  • I see you,
  • 00:48:01.268 --> 00:48:02.336
  • You take care of everybody.
  • 00:48:02.336 --> 00:48:05.706
  • But who takes care of you?
  • 00:48:05.706 --> 00:48:09.509
  • Was a long road into.
  • 00:48:10.010 --> 00:48:12.946
  • If we do our work, maybe we can survive this madness
  • 00:48:12.946 --> 00:48:16.016
  • And tell our story.
  • 00:48:16.016 --> 00:48:17.084
  • We can't stand the man.
  • 00:48:17.084 --> 00:48:19.586
  • Rebecca tenenbaum,
  • 00:48:19.586 --> 00:48:21.188
  • I no, i do not see.
  • 00:48:21.655 --> 00:48:24.091
  • However, life forever is shared with people.
  • 00:48:24.091 --> 00:48:27.861
  • Say, however,
  • 00:48:27.861 --> 00:48:33.934
  • I'm afraid not forever.
  • 00:48:34.468 --> 00:48:41.475
  • I'm just trying to give people hope.
  • 00:48:42.275 --> 00:48:45.345
  • If you want justice, you're going to have to survive.
  • 00:48:45.345 --> 00:48:48.348
  • Don't let them really go.
  • 00:48:48.348 --> 00:48:50.350
  • There's some things that they can't take from us.
  • 00:48:50.350 --> 00:48:52.786
  • Laughter, joy, our spirits.
  • 00:48:52.786 --> 00:49:01.228
  • I will try
  • 00:49:01.528 --> 00:49:05.432
  • For this time.
  • 00:49:05.799 --> 00:49:09.803
  • Thank you. chris.
  • 00:49:09.803 --> 00:49:10.771
  • You folks inform me if that ever changes.
  • 00:49:10.771 --> 00:49:15.542
  • You know what i love?
  • 00:49:16.043 --> 00:49:17.744
  • So we did films for a lot of years, and
  • 00:49:17.744 --> 00:49:22.516
  • I remember that our our motivation was jesus
  • 00:49:22.516 --> 00:49:25.819
  • Told stories and that's how he got the kingdom of god
  • 00:49:25.819 --> 00:49:29.389
  • And all the all the
  • 00:49:29.389 --> 00:49:32.692
  • Beautiful parables that he spoke.
  • 00:49:32.692 --> 00:49:35.462
  • And in matthew 13 his disciples asked
  • 00:49:35.462 --> 00:49:40.000
  • Jesus, and he said, why do you tell stories?
  • 00:49:40.000 --> 00:49:43.136
  • And in the message translation it says, it says,
  • 00:49:43.136 --> 00:49:46.273
  • I tell stories to nudge, to create a great readiness
  • 00:49:46.273 --> 00:49:51.244
  • And to nudge people toward receptive
  • 00:49:51.244 --> 00:49:55.248
  • Inside of the kingdom of god to nudge them towards.
  • 00:49:55.248 --> 00:49:59.920
  • Yeah.
  • 00:49:59.920 --> 00:50:00.854
  • So sowing seeds, that's what you're doing.
  • 00:50:00.854 --> 00:50:03.090
  • You're sowing seeds of laughter, of joy?
  • 00:50:03.090 --> 00:50:05.659
  • Yes. of peace, of love.
  • 00:50:05.659 --> 00:50:07.694
  • Choose joy.
  • 00:50:07.694 --> 00:50:08.995
  • And that is joy creating inside people a taste of good taste.
  • 00:50:08.995 --> 00:50:14.968
  • And see that the lord is good of goodness and and love.
  • 00:50:14.968 --> 00:50:18.772
  • And when you're entertaining someone,
  • 00:50:18.772 --> 00:50:21.441
  • You're captivating the hearts in the minds of men. yes.
  • 00:50:21.441 --> 00:50:25.278
  • And so i think your your whole calling is just amazing.
  • 00:50:25.278 --> 00:50:29.783
  • And that is a miracle for god
  • 00:50:29.783 --> 00:50:31.485
  • That god can use you to tell these amazing stories.
  • 00:50:31.485 --> 00:50:34.688
  • This is a beautiful love story, in the most horrific times.
  • 00:50:34.688 --> 00:50:40.494
  • And you've done such an amazing job.
  • 00:50:40.494 --> 00:50:42.863
  • Let me tell.
  • 00:50:42.863 --> 00:50:43.663
  • Let me tell our audience something.
  • 00:50:43.663 --> 00:50:45.499
  • I, you know, i've been around this for a long time.
  • 00:50:45.499 --> 00:50:49.569
  • We can tell we we made, i think your first,
  • 00:50:49.569 --> 00:50:55.075
  • Real project was 1989.
  • 00:50:55.575 --> 00:50:58.578
  • Yes. that was our first real project.
  • 00:50:58.578 --> 00:51:01.515
  • I produced a film called china cry. yeah.
  • 00:51:01.515 --> 00:51:04.484
  • Incredible story of a missionary lady in china.
  • 00:51:04.484 --> 00:51:07.354
  • A true story. true story.
  • 00:51:07.354 --> 00:51:10.023
  • It was about a $5.5 million project
  • 00:51:10.023 --> 00:51:12.893
  • At the time, produced by trinity. and.
  • 00:51:12.893 --> 00:51:15.962
  • And then we moved on and we did the amiga code,
  • 00:51:15.962 --> 00:51:19.833
  • And then we did, a film with,
  • 00:51:19.833 --> 00:51:23.703
  • Called the champion with with carmen.
  • 00:51:23.703 --> 00:51:25.906
  • Then we did a second kind of a mega ko.
  • 00:51:25.906 --> 00:51:28.708
  • Then we did one night with the king.
  • 00:51:28.708 --> 00:51:29.976
  • The story of esther.
  • 00:51:29.976 --> 00:51:31.378
  • And and by the way, the love story
  • 00:51:31.378 --> 00:51:34.748
  • Angle of the chemistry that you're talking about in bow
  • 00:51:34.748 --> 00:51:38.418
  • Wasn't really there in our film.
  • 00:51:38.418 --> 00:51:40.754
  • And so that was really tragic.
  • 00:51:40.754 --> 00:51:43.156
  • There's a bunch of funny stories i'll tell you later.
  • 00:51:43.156 --> 00:51:45.892
  • But basically, we,
  • 00:51:45.892 --> 00:51:48.595
  • We basically have this kind of similar path.
  • 00:51:48.595 --> 00:51:52.365
  • You went deep into it, this as as a director,
  • 00:51:52.365 --> 00:51:57.137
  • But we know a little bit about what we're talking about.
  • 00:51:57.137 --> 00:52:01.174
  • We kind of been there, done that.
  • 00:52:01.174 --> 00:52:03.143
  • And 13 theatrical releases later.
  • 00:52:03.143 --> 00:52:07.080
  • Let me tell you what this one is.
  • 00:52:07.080 --> 00:52:09.716
  • If anybody feels like
  • 00:52:10.217 --> 00:52:13.753
  • You're in a terrible situation cycle, logically,
  • 00:52:13.753 --> 00:52:19.192
  • When you are introduced to a story
  • 00:52:19.960 --> 00:52:23.897
  • That is worse than yours, you feel better.
  • 00:52:23.897 --> 00:52:27.667
  • No matter what you're going through.
  • 00:52:27.667 --> 00:52:30.136
  • There's always somebody going through something way
  • 00:52:30.136 --> 00:52:33.440
  • Worse than what you're going through.
  • 00:52:33.440 --> 00:52:34.975
  • And psychologically, if you know of somebody
  • 00:52:34.975 --> 00:52:38.912
  • That is in in a, in a pit,
  • 00:52:38.912 --> 00:52:41.815
  • A recent filing of a divorce, you know, whatever,
  • 00:52:41.815 --> 00:52:46.119
  • Whatever it is, this film would be something
  • 00:52:46.119 --> 00:52:49.990
  • That would bring hope, joy, love.
  • 00:52:49.990 --> 00:52:53.593
  • And remember, as a man thinks so, is he.
  • 00:52:53.593 --> 00:52:56.196
  • You can choose to be a victim or you can choose joy.
  • 00:52:56.196 --> 00:53:01.234
  • And this film
  • 00:53:01.601 --> 00:53:04.070
  • Would be something to take somebody to
  • 00:53:04.070 --> 00:53:07.607
  • And then talk about in basically context.
  • 00:53:07.607 --> 00:53:12.545
  • You know what, your situation is really not that bad.
  • 00:53:12.545 --> 00:53:15.148
  • So to be thankful for this thursday, it is in limited
  • 00:53:15.148 --> 00:53:18.918
  • Release.
  • 00:53:18.918 --> 00:53:20.053
  • Tomorrow it is wider release, in theaters on the 26th.
  • 00:53:20.053 --> 00:53:25.592
  • And, sean, you've been devoting
  • 00:53:25.592 --> 00:53:29.095
  • Your life to storytelling since you were a little guy.
  • 00:53:29.095 --> 00:53:32.165
  • What do you want?
  • 00:53:32.599 --> 00:53:33.767
  • Our audience kind of land the plane here, as it were,
  • 00:53:33.767 --> 00:53:37.070
  • Close out this episodic piece
  • 00:53:37.704 --> 00:53:41.141
  • That we've been sitting here talking about this. but,
  • 00:53:41.141 --> 00:53:44.944
  • We know what you're doing.
  • 00:53:45.512 --> 00:53:47.147
  • You're creating readiness.
  • 00:53:47.147 --> 00:53:48.848
  • You're nudging people towards receptive inside of the kingdom
  • 00:53:48.848 --> 00:53:52.686
  • Like jesus did.
  • 00:53:52.686 --> 00:53:54.354
  • But land the plane.
  • 00:53:54.354 --> 00:53:55.622
  • What do you want our audience to experience after going to bow?
  • 00:53:55.622 --> 00:53:58.925
  • Artist at war.
  • 00:53:58.925 --> 00:54:00.126
  • What's funny?
  • 00:54:00.126 --> 00:54:00.827
  • I did a movie with roma downey
  • 00:54:00.827 --> 00:54:02.062
  • Called on a wing and a prayer and,
  • 00:54:02.062 --> 00:54:04.364
  • Dennis quaid, who played reagan, also plays the pilot.
  • 00:54:04.364 --> 00:54:07.434
  • The pilot actually passes away on the plane
  • 00:54:07.434 --> 00:54:09.169
  • And he has to land the plane.
  • 00:54:09.169 --> 00:54:10.503
  • So i understand that concept.
  • 00:54:10.503 --> 00:54:13.973
  • I bring it back to it's exactly what you said.
  • 00:54:13.973 --> 00:54:18.144
  • When you go to the movies
  • 00:54:18.144 --> 00:54:19.879
  • And you experiences somebody else's loss
  • 00:54:19.879 --> 00:54:22.182
  • And you have tough times, that's why i do what i do.
  • 00:54:22.182 --> 00:54:25.118
  • We all have challenging times.
  • 00:54:25.118 --> 00:54:26.753
  • It's a normal human experience.
  • 00:54:26.753 --> 00:54:29.155
  • We go to the
  • 00:54:29.456 --> 00:54:30.690
  • Movies to find answers, and it has a cathartic effect on us.
  • 00:54:30.690 --> 00:54:34.194
  • And i choose faith based, faith adjacent films
  • 00:54:34.194 --> 00:54:38.098
  • And it all ends up with miracles are for real
  • 00:54:38.098 --> 00:54:42.302
  • And miracles happen. just look for them.
  • 00:54:42.302 --> 00:54:44.337
  • And that's how.
  • 00:54:44.337 --> 00:54:45.472
  • If i could leave the audience with anything, just
  • 00:54:45.472 --> 00:54:48.074
  • Just take a moment. pray.
  • 00:54:48.074 --> 00:54:49.609
  • However, your version of that is i talk to everybody who's up
  • 00:54:49.609 --> 00:54:53.513
  • In heaven.
  • 00:54:53.513 --> 00:54:54.047
  • It's just me.
  • 00:54:54.047 --> 00:54:55.014
  • But, but just know that miracles happen.
  • 00:54:55.014 --> 00:54:57.317
  • And no matter how bad it gets,
  • 00:54:57.317 --> 00:54:59.119
  • There's going to be brighter skies tomorrow.
  • 00:54:59.119 --> 00:55:00.887
  • Keep your eyes open. and remember this.
  • 00:55:00.887 --> 00:55:03.289
  • We had a film called the omega code in theaters,
  • 00:55:03.289 --> 00:55:06.292
  • And one of our friends called us one time
  • 00:55:06.292 --> 00:55:08.962
  • And said, i'm standing in the theater.
  • 00:55:08.962 --> 00:55:12.332
  • The door above,
  • 00:55:12.732 --> 00:55:15.201
  • Theater number 14 at a big amc
  • 00:55:15.201 --> 00:55:18.238
  • Was saying omega code sold out.
  • 00:55:18.238 --> 00:55:21.107
  • Omega code sold out.
  • 00:55:21.107 --> 00:55:23.476
  • She looked up there in the lord, spoke to her, called us
  • 00:55:23.476 --> 00:55:26.246
  • And told us.
  • 00:55:26.246 --> 00:55:26.946
  • She said, the lord said to me,
  • 00:55:26.946 --> 00:55:28.548
  • That's the church corner of the new millennium.
  • 00:55:28.548 --> 00:55:31.518
  • The theater theaters.
  • 00:55:31.518 --> 00:55:33.486
  • And so the church corner of the new millennium is calling
  • 00:55:33.486 --> 00:55:36.556
  • You today, thursday the 25th or tomorrow the 26th.
  • 00:55:36.556 --> 00:55:40.760
  • Bow artist at war.
  • 00:55:40.760 --> 00:55:43.096
  • An amazing love story.
  • 00:55:43.096 --> 00:55:45.131
  • It's beauty inside of the most tragic situation.
  • 00:55:45.131 --> 00:55:49.302
  • Choose joy.
  • 00:55:49.636 --> 00:55:51.037
  • And, thank you, sean, for being with us.
  • 00:55:51.037 --> 00:55:53.640
  • Thank you for watching. seriously so much.
  • 00:55:53.640 --> 00:55:55.341
  • Thank you for what you're doing, what you do
  • 00:55:55.341 --> 00:55:57.377
  • And and you and and,
  • 00:55:57.377 --> 00:55:59.179
  • You've got another one coming out in a couple of weeks.
  • 00:55:59.179 --> 00:56:01.548
  • Yes. soul on fire comes out october 10th from sony.
  • 00:56:01.548 --> 00:56:05.084
  • And it's the story of john o'leary
  • 00:56:05.084 --> 00:56:06.786
  • And saint louis and jack buck.
  • 00:56:06.786 --> 00:56:08.588
  • It's amazing what you can talk about that next time.
  • 00:56:08.588 --> 00:56:11.090
  • Nice. we'll see you next time. bye bye.
  • 00:56:11.090 --> 00:56:11.090